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conferences

Michael Graves and Peter Eisenman Dazzle with Comedic Stylings, Incisive Critiques

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The dashing Peter Eisenman was the lone speaker at “Past as Prologue,” the Architectural League of New York symposium held Saturday in honor of Michael Graves’s fiftieth year in practice, to appear twice: first in the Paul Goldberger-moderated panel on architectural pedagogy and again for a day-capping conversation with Graves himself. Between the two appearances, Eisenman snuck away to watch the annual Harvard-Yale football game. As the Crimson was busy besting the Bulldogs 31-24, plenty of other longstanding rivalries simmered on stage, where even the conference venue (the recently constructed and steeply pitched Tishman Auditorium at the New School) was not immune to attack. The architectural symposium’s version of the Game’s last-minute 35-yard touchdown was what Eisenman, after initially professing that he felt like he had “gone to the wrong parade,” later described gamely as “The Michael Graves-Peter Eisenman Comedy Hour.” Here are some of the highlights.

On driving forces:
Michael Graves: Jean Nouvel and Zaha Hadid and Rem Koolhaas have their phones ringing all the time with “Would you do this for us?”
Peter Eisenman: For what reason?
MG: To keep ahead of Frank!

On form:
PE: What is it that makes your buildings look like they are?
MG: Architecture! I believe in architecture.
PE: So do I. How come they look different?
MG: It doesn’t matter that they look different. They don’t look like [the buildings of] those other people. That’s what’s important.
PE: That’s true.
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Mediabistro Job Fair

Mediabistro Job FairLand your next big gig! Join us on Janaury 27  at the Altman Building in New York City for an incredible opportunity to meet with hiring managers from the top New York media compaies, network with other professionals and industry leaders, and land your next job. Register now!

Mark Your Calendar: Michael Graves ‘Past as Prologue’ Symposium

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Stock up on Peeps and reserve your ticket to “Past as Prologue,” a just-announced symposium that will be held “in honor of Michael Graves on the occasion of his fiftieth year in practice.” Organized by The Architectural League of New York and hosted by Parsons The New School for Design, the November 22nd confab will consider Graves’ deep influences on the disciplines of architecture and design. Tackling subjects such as architectural pedagogy, drawing, and the design of objects (fingers crossed for a session on “the Hitler teapot”!) will be the likes of Billie Tsien, Steven Holl, Paul Goldberger, and Museum of Arts and Design director Glenn Adamson, with a day-capping conversation among Graves, Peter Eisenman, and Adele Chatfield Taylor, the former director of the American Academy in Rome. Tickets are now available: they’re $25 each, but League members and students can attend gratis.

Mark Your Calendar: Hopscotch Design Festival

passesPerhaps you’ve heard of the Hopscotch Music Festival, which Spin likens to “South by Southwest minus the infestation of industry vermin and the clumsy bluster of corporate partyzillas.” Now in its fifth year, the Raleigh, North Carolina-based bandstravaganza is expanding its disciplinary boundaries—to the world of design. The inaugural Hopscotch Design Festival will take place September 3-4 in downtown Raleigh, with a speaker line-up that includes OMA’s Shohei Shigematsu, Kai-Uwe Bergmann of Bjarke Ingels Group (BIG), Casey Caplowe of GOOD, Alexander Isley, and other inspiring figures in the worlds of graphic design, user experience design, urban planning, technology, architecture, and more.

Want to go? Thanks to Moo.com, we’re giving away two run-of-the-festival passes (valued at $150 each). To be eligible to win one, write a haiku about the Hopscotch Design Festival presenter or session you’re most interested in seeing. E-mail your minimalist poem to unbeige@mediabistro.com with the subject “HOPSCOTCH” by 10 p.m. EST on Wednesday, August 27th. Winners will be notified within 24 hours.

Watch Paola Antonelli Discuss Design and Violence

Paola Antonelli‘s twenty-year career at the Museum of Modern Art has been a journey through many facets of design, “from cute chairs and fast cars to video games and now also the idea of violence,” she told the audience at the recent DLD (Digital-Life-Design) conference in New York. Watch her talk from that confab below to gain insight into the darker side of design as explored—and hacked, penetrated, manipulated, penetrated, and exploded—through Design and Violence, an online curatorial experiment that explores the manifestations of violence in contemporary society.

Stefan Sagmeister on Why Beauty Matters

When did beauty become a dirty—or at least obsolete—word for artists and designers? Stefan Sagmeister weighed on the issue in his stimulating—ok, beautiful—presentation at last week’s DLD (Digital-Life-Design) conference in New York City. Watch the video below for an aesthetic journey that goes from the industrial shed that is Memphis’s Cook Covention Center (“Elvis had truly left the building.”) to a consideration of the impact of Sagmeister’s fellow Austrian Adolf Loos to faux Mondrians (can you tell the real from the fake?) to a mesmerizing coda complete with jiggly gelatin typography.

Missed the D-Crit Conference? Watch the Videos

The fifth annual School of Visual Arts MFA Design Criticism (a.k.a D-Crit) conference, “Lingua Franca,” drew an impressive, international crowd to the SVA Theatre, where members of the Class of 2014 presented their thesis research alongside guest speakers such as writer and curator (at Hong Kong’s new M+ museum) Aric Chen, material anthropologist Emily Stokes-Rees, and creator of the MIT Press Mediawork project Peter Lunenfeld. Those that missed—or want to relive—last Friday’s proceedings are in luck: videos of the sessions are now available online. We suggest beginning with novelist and critic Nicholson Baker‘s keynote address, “Wrapping Sentences Around Things”:

So What’s the Deal with 3D Printing?

Put on your rapidly prototyped dress (the one pictured here was created for Dita Von Teese by the architect-designer duo of Francis Bitonti and Michael Schmidt) and get the inside scoop on the technology that Wired editor-turned-robotics entrepreneur Chris Anderson has described as having the world-changing potential of the first desktop publishing tools at the Inside 3D Printing Conference & Expo. The two-day confab, set for April 16-17 in Sao Paulo [insert 3D-prototyped Caipirinha here], will explore business opportunities, policy considerations, and the latest 3D printers and services. Learn more and register here.

Hamilton Wood Type Museum Teams with Erik Spiekermann to Go Hard in New Home

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Strong and Silent Types. The new crew at the Hamilton Wood Type and Printing Museum stands in front of a vintage photo of their predecessors.

hard_typefaceWisconsin’s Hamilton Wood Type and Printing Museum–the only museum dedicated to the preservation, study, production, and printing of wood type–recently moved into a new home in Two Rivers, and the race is on to reopening day. Helping to inaugurate the new space will be the museum’s annual Wayzgoose type conference, which gets underway November 8. Among the special guest speakers this year is the fontastic Erik Spiekermann, for whom a typographic tribute is in the works: Hamilton will be cutting the Spiekermann-designed font, “HARD” (pictured above), at the conference. “I’m excited to see Hamilton cut this font using traditional methods,” says Spiekermann. “With Hamilton’s vintage pantographs and former type-cutting employees, this will be a chance to see history in the remaking.”
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Explore 3D Printed Fashion, Food Next Week in California

3D-printed guitars, food, and fashion will be displayed and discussed at Mediabistro’s Inside 3D Printing Conference & Expo next week, September 17-18 in San Jose, California. Join us there and network with leaders in the Silicon Valley tech community.

Design-oriented sessions include “Tools of Creation” and “The Future of Retail and Materials for 3D Printing,” which will be led by Isaac Katz of Electronic Art Boutique and David L. Bourell of Laboratory for Freeform Fabrication.
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Creative Time Plans Artist Sandcastle Competition, 2013 Summit

What’s better than making sandcastles? Watching artists make sandcastles while enjoying summery snacks and refreshments! Our friends at Creative Time are heading back out to Far Rockaway, Queens on Friday, August 9th to host the organization’s second annual artist sandcastle competition. A group of selected artists and their teams will gather on the sand near the Beach 86th Street boardwalk to battle it out for special prizes from esteemed judges. The free-and-open-to-the-public day of fun will kick off at noon, with castle-building starting at 2:00 p.m. A post-awards party is planned for that evening at Rippers.

While you have your calendar out, circle October 25th and 26th, the dates of this year’s Creative Time Summit at NYU’s Skirball Center for the Performing Arts. The freshly expanded conference, titled “Art, Place, and Dislocation in the 21st-Century City,” will bring together artists, activists, students, critics, curators, and other culture vultures for more than 30 presentations by the likes of Vito Acconci, Lucy Lippard, Rick Lowe, and Rebecca Solnit (and maybe you?) as well as on-stage debates, short films, and regional reports by leading curators. A new “pay-what-you-choose” ticket pricing structure ensures that the event will fit your budget. Read more

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