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interiors

David Rockwell Brings NYC to LA in Oscars Greenroom

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How do you luxe up a windowless room in the bowels of Hollywood’s Dolby Theatre? Architectural Digest poses this question to one designer each year as it creates a backstage lounge for the Oscars. The task of creating the AD Greenroom (the 12th!) for the 2014 Academy Awards (the 86th!) went to David Rockwell. Having perhaps exhausted his interest in Hollywood Regency and cinema magic through his work on the on-stage proceedings, Rockwell looked to New York City loft living as inspiration.

Faced with the equivalent of a basement studio, he focused on “urban simplicity, but married with film glamour.” The latter came in part from actress Susan Sarandon, who helped select works from the Academy of Motion Picture Arts and Sciences archive that line the walls: on one side, a wall of screens powered by Rockwell LAB software display digital images from socially conscious, Oscar-winning, and Oscar-nominated films, while on the other side, 14 framed works features images from classic screwball comedies—one of Sarandon’s favorite genres.

Kvadrat Debuts Raf Simons Collaboration

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A taste of Kvadrat/Raf Simons, which arrives at retail in April. (Photos from left: Anne Collier, Kvadrat)

It’s easy to forget, now that he has ascended to the creative helm of Dior, that Raf Simons began his career as a promising young furniture designer. He returns to his roots with a new range of textiles, cushions, and throws created in collaboration with Kvadrat. Simons looked to his beloved mid-century masters, including Jean Royère, Pierre Jeanneret, Finn Juhl, and Hans Wegner, for textured elements, including a woven mohair reminiscent of sheepskin, speckled boucles, and a fur-like textile. Others reimagine the work of the late Swedish textile designer Fanny Aronsen.

And while Simons used many of the textiles in his fall/winter 2014 menswear collection, for which he teamed with artist Sterling Ruby, the Kvadrat collection was conceived with interiors in mind. “We are making fabrics that are like a blank canvas for designers,” said Simons in a statement issued today. “They are waiting for input from the furniture designers—we don’t control the design they will use the textiles for, so we try to leave it very open; these fabrics should be multifunctional.”

Buon Natale, London! Dolce & Gabbana Design Claridge’s Christmas Tree

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ImageA Dolce & Gabbana Christmas conjures images of leopard-print stockings hung by the chimney with care and a tree draped in black lace, but the Italian duo have put on their Santa hats (red velvet, ermine trim) for one of their favorite casas away from casa: Claridge’s. The London hotel enlisted Domenico Dolce and Stefano Gabbana to design its annual Christmas tree (pictured). This year’s festive fair is decked out in hand-crafted Sicilian puppets known as pupi, hand-painted Italian glass baubles, and a custom-made “luminaire” framework created in Southern Italy. Note the designers, “Our Christmas tree isn’t only a celebration of Christmas as we celebrate it in Italy, but it’s at the same time a tribute to the artisanal Italian tradition.

NYSID Creates Interior Design Archives

nysidThere are no archives devoted solely to interior design—until now. The New York School of Interior Design announced today the creation of the NYSID Interior Design Archives, a repository for the preservation of primary source material on the people, profession, and business of interior design.

Housed in the school’s library, the archives been seeded with a number of acquisitions, including the archives of Yale Burge Antiques and Interiors; the collection of Neal A. Prince, who served as director of interior design for InterContinental Hotels from 1961-1986; and the institutional records of the NYSID itself, which will celebrate its centennial in 2016.

Slalom Occasion: W Hotel Verbier Debuts Slopeside at Swiss Alps Resort

As Miami heats up with art and design happenings, writer Nancy Lazarus looks to Art Basel’s home country for a look at how W Hotels is schussing into the ski resort market.

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verbierSki-in and ski-out access is de rigueur among alpine enthusiasts, particularly those who trek to the vast, steep slopes of Switzerland. The new W Verbier and The Residences at W Verbier offer just the ticket for avid downhillers and après-ski fans, with a prime location at the base of the mountain’s Medran gondola. Though to get there they may have to navigate past St. Bernards, either via the St. Bernard Express regional train or the Great St. Bernard Pass mountain road.

The W brand’s first Swiss property covers all terrains, with state-of-the-art lodgings, spa, restaurant, bars, and cafe. Much like Verbier’s four valleys ski area, the W resort is laid out in a series of four chalet-style wooden buildings interconnected by glass atria that feature climbing walls. W’s parent company, Starwood Hotels & Resorts, worked with Les Trios Rocs, the owners of the luxury development project.

“We wanted to bring the location to life in a W way,” said Ted Jacobs, W Hotels’ VP of global design, during a recent stateside press preview. The brand partnered with Dutch design agency Concrete Architectural Associates on the lodgings and with Spanish Michelin-star chef Sergi Arola on the cuisine.
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Design-Apart Debuts ‘Living Showroom’ in NYC

A new showroom aims to dispel the myth that bespoke design is difficult to produce, tricky to access, and crazy expensive. We sent writer Nancy Lazarus to experience “artisanal products in a real-life setting.”

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Diego Paccagnella2Custom design comes to life in a new take on the traditional showroom. Design-Apart, known for delivering bespoke Italian design through its online marketplace and design services, recently launched its first “living showroom”—a real apartment where people live, cook, clean, and work—in New York’s Chelsea neighborhood.

“I thought we could do more to present Italian designs than traditional showrooms do. There are so many showrooms out there, but they’re just aesthetic,” explained Design-Apart founder Diego Paccagnella (pictured) at a recent press preview. “Here we live and interact with design, giving people a deeper experience of living in a place designed by Italian artisans.” He and his family are living there for a year.

Paccagnella and Stefano Micelli traveled around Italy to source designers. “We selected companies not by their size or by how famous they are, but more for their flexibility in producing customized projects for clients,” said Paccagnella. “The objects here are built by artisans and they consider the people who live here,” Micelli added.
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Finnish Line: Designers Discuss Spirit of Marimekko

The Smithsonian’s Cooper-Hewitt, National Design Museum recently kicked off “Design by Hand,” a new series focused on the craftsmanship, innovations, and merits of contemporary global designers, with an evening that spotlighted Marimekko. We sent writer Nancy Lazarus to get an inside look at the Finnish design house, renowned for its original prints and colors.

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Marimekko’s Jussarö cotton fabric, designed by Aino-Maija Metsola, is part of the Helsinki-based company’s new Weather Diary collection. Below, Sami Ruotsalainen’s teapot uses the Räsymatto pattern designed by Maija Louekari.

teapotWhile the name Marimekko is based on “Mari” a girl’s name, and “mekko,” the Finnish word for dress, to its legions of worldwide fans it stands for fond memories and cheery graphic prints. The Cooper-Hewitt, National Design Museum recently hosted an event featuring three Marimekko designers: fashion and textile designer Mika Piirainen, ceramics and product designer Sami Ruotsalainen, and print designer Aino-Maija Metsola. While each designer offered a unique insider’s perspective, selected themes surfaced that shed light on the brand’s impressive longevity:

Potpourri of patterns: “While Marimekko is known for bold designs, it’s not all about massive prints, it’s also about contrasts,” Piirainen said. “We’re crazy about dots, and circles are the friendliest shapes in the world. We’re crazy about stripes, too,” he added. Flowers and their textures are also popular motifs, even black and white solids. Recently these designers have also turned their focus to smaller prints.

Individual inspirations and influences: “It’s important that inspirations for products are close to you so people know there are emotions behind them,” Metsola said. Finland’s islands in the archipelago, seasonal weather patterns, and vegetation form the basis of much of her work, such as her “Weather Diary” aquarelles or “Midsummer Magic” collections. Piirainen is also influenced by nature, and takes photos during his travels to Lapland and Australia. For Ruotsalainen, food and items of everyday life impact his designs.
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Reading the Tea Leaves: Starbucks Debuts Teavana Concept Store in NYC

Always thirsty for hot new markets, Starbucks is betting big on tea. The coffee giant recently spent $612 million to acquire Atlanta-based Teavana Holdings, and is not letting its newest subsidiary steep. We sent writer Nancy Lazarus to see what’s brewing at the first-ever Teavana concept store, complete with tea bar, a “curated” loose leaf tea section, and tea-inspired foods.

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(Photos courtesy Starbucks Corporation)

Teavana is a twist on beverages, and changes the idea of how people think of tea,” said Chanda Beppu, strategy and business innovation director for global tea at Starbucks. It’s also designed to broaden how customers think about the brand.

Starbucks acquired Teavana and its more than 300 retail locations in December 2012, and last week unveiled the first “Teavana Fine Teas + Tea Bar” on Manhattan’s Upper East Side (on Madison Avenue at 85th Street). With an assortment of 100 Asian-inspired flavors and a coveted location near Museum Mile and Central Park, Starbucks is also looking for New Yorkers, tourists, art lovers, runners, and passersby to warm to the concept store. “We’re still learning,” said Starbucks chief creative office Arthur Rubinfeld during Wednesday’s press preview, “and we’ll see how much of a community gathering spot this becomes.”

For Starbucks, it’s all about local relevant design, and textures are key, added Rubinfeld. Starbucks’ creative director of global design, Liz Muller, led a tour of the multifaceted venue, divided into distinct sections. “Here we wanted to create a tranquil, calm, zen-like ambience,” noted Muller. “Tea is the speaking point, and the store is in the background.”

“At the entrance visitors are greeted by a wall of teas,” said Muller. “As they continue inside, they’ll see an illuminated countertop and a menu board on the left side. Wall graphics include hibiscus lit in color, with wallpaper in muted tones. The solid wraparound countertops are made of recycled oak wood, and we used lower club seating for guests. The food case is like a jewel box, taking a European approach,” On the far side of the entrance is a colorful merchandise display.
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Andrew Galuppi and Ahmad Sardar-Afkhami ‘Bring the Globe Home’ in Online Tag Sale

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“I really got some crossed looks when I brought this Indonesian mask back from a trip overseas,” says Andrew Galuppi (at right). “I took up most of the overhead bins!”

CM_portraitsLooking to ward off the evil eye with a wedding Hamsa from North Africa, amass an instant collection of Japanese liquor bottles, or add a Moroccan Beni Ouran rug to your living room? These exotic treasures and many more are just a click away thanks to interior designer Andrew Galuppi and architect Ahmad Sardar-Afkhami. The pair have teamed up with flash sale site One Kings Lane for “Camera Mundi” an online tag sale that begins today.

The collection of homegoods, priced from $20 to $3,000, includes rugs, furniture, statuary, and other objects collected by Galuppi and Sardar-Afkhami during their travels around the world. “Every handcrafted item is infused with someone’s story—they probably were taught their skill by a long-lost relative and spent hours on each piece, and without the help of a machine,” says Galuppi, who travels to India every winter. “This is part of the world I like supporting, because each piece carries with it an energy and a real story that gets transferred to your home.” We asked the globe-trotting designers to tell us more about “Camera Mundi,” the objects in the sale, and where their worldly, contemporary aesthetic will take them next.

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How did you come to work with One King’s Lane?
Ahmad Sardar-Afkhani: One of my close friends, Nate Berkus, was doing a sale with another friend, Ethan Trask, who works at One Kings Lane. We began talking and he proposed I create a sale mostly with the rugs and textiles I have been collecting.

Andrew Galuppi: Ahmad didn’t want to do the sale all alone—it’s more fun with a friend—so he knew my apartment was stuffed to the rafters with bits and bobs and he thought the mixture of our two collections would create one great big exciting assortment…kinda like a crazy bazaar!

Tell us about the significance of the title, “Camera Mundi”?
Sardar-Afkhani: In Latin, it means “room of the world,” where objects from different historical and cultural backgrounds can be displayed next to each other. I’m all for this type of juxtaposition, where new meaning and beauty is derived from assemblages of objects that would otherwise have little in common.

Galuppi: In addition to what Ahmad has explained…I think that a lot of people have really well curated homes these days, and including an object from some far away place will add texture and personality to a space to make it really feel finished and unique. That’s where “camera mundi” comes into place: bringing the globe home.
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Christopher Guy Opens New York Showroom, Looks to Web to ‘Add Another Dimension’

You may recognize the deco-inflected globetrotter look of Christopher Guy from the sets of The Thomas Crown Affair and Casino Royale. In the wake of the ribbon-cutting on the brand’s showroom at the New York Design Center, designer Christopher Guy Harrison was on hand to discuss his “contemporary with classical values” style and how he conveys it in an increasingly digital world. We sent writer Nancy Lazarus to pull up a sumptuous chaise longue and observe.

CGuy speaking

CGuy eclairageWhile online platforms have left their mark on interior design in recent years, they’ll never replace the need to discover and experience design in person. Interactive technology has created innovative ways for designers to build their brands and businesses, communicate with clients, go shopping and provide inspiration, said Elledecor.com editor Amy Preiser at last week’s New York Design Center What’s New/What’s Next event.

Digital platforms are certainly not a substitute for perusing a design showroom, especially when it’s a colorful state-of-the-art NYDC penthouse. Christopher Guy Harrison, CEO and founder of Christopher Guy, shared his brand’s approach to digital from his new flagship space. His furnishings have been featured in movies such as The Thomas Crown Affair, The Devil Wears Prada, and The Hangover, and he’s designed hotels like the Bellagio and Wynn Resorts in Las Vegas as well as the Ritz Carlton in Tokyo.

“We need to embrace the internet to add another dimension. At its start, the internet was just an extension of the catalogue,” said Guy. For his business, the web and digital tools have become a priority, and he reported having a dedicated web staff of 20 in his Singapore office. He uses the platforms to showcase interactive spaces, share design influences, and convey different moods.
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