Liquid Treat AgencySpy AdsoftheWorld BrandsoftheWorld LostRemote TVSpy TVNewser PRNewser FishbowlNY FishbowlDC 10,000 Words GalleyCat MediaJobsDaily

photo

Quote of Note | Emmanuelle Alt

vogue paris jj14

“This story [for the June/July 2014 issue of Vogue Paris] began with Inez [van Lamsweerde] and me exchanging images by e-mail. Sometimes it comes from almost nothing; it might just be a color. When you’re shooting in the sun—you know that strong blue sky in St. Barths—you need a contrast. So I might say, ‘What do you think about red and white?’ And Inez is like, ‘Oh, yeah, sure!’ I’ll send a picture of a red shoe and a René Gruau illustration, which is full of red, and just a silhouette or a little sketch. It’s not always photographs—often it’s a painting or a frame-grab from a YouTube film. Very quickly, we’ll start to build up an image of a woman, and then we can discuss the casting. Some photographers will keep changing their casting or think they need a stronger idea. But Inez isn’t someone who hesitates. It’s like three phone calls and everything is booked.”

-Vogue Paris editor-in-chief Emmanuelle Alt in an interview with Penny Martin, editor of The Gentlewoman, that appears in the latest, fashion-themed issue of Aperture

Mediabistro Course

Book Promotion and Publicity Boot Camp

Book Promotion and Publicity Boot CampDevelop a plan for your book's success in our online boot camp, Book Promotion & Publicity! Starting November 3, publishing and publicity experts will teach you the best practices for a successful book launch using various promotional techniques. Register now!

Visionaire Teams with John Baldessari, Samsung for ‘Celebrity Selfie’ Art Issue

dustin hoffman

blue visionaire“I’ll probably be most remembered for putting dots over people’s faces, so its funny to do an issue devoted to the selfies of famous people,” says John Baldessari, who has applied his signature “color interventions” to a suite of celebrity self-portraits for the latest issue of Visionaire. The sixty-fourth incarnation of the shape-shifting publication, creating in partnership with Samsung, is now available in three editions—Red, Green, and Blue—each with a distinct set of portraits tucked in a canvas-clad portfolio that folds out to become a display case. After meeting with Baldessari in his Venice Beach studio, Visionaire founders Cecilia Dean and James Kaliardos recruited the likes of Dustin Hoffman, Cameron Diaz, Miley Cyrus, Marina Abramovic, KAWS, Bill Cunningham, and Gisele Bündchen to contribute self-portraits that were printed in black and white and then altered with embossed shapes and colors created by Baldessari. The resulting images range from the exotic (as when a turbaned Lupita Nyong’o gains a second chapeau in a floating, noseless face) to the serene (the clasped hands of Ed Ruscha, amidst a yellow orb and swoosh of orange). “Now we live in an age of self-celebration and constant surveillance in which nearly everyone carries some form of camera,” notes Dean. “It seems ironic and hilarious that an artist so famous for putting dots over people’s faces would devote an issue to the technology that celebrates face-time.”
Read more

Nan Goldin, Martin Parr Among 2014 Lucie Award Honorees

(Nan Goldin) 1998
Nan Goldin, Guido on the dock, Venice (1998)

The Lucies, presented annually to honor statuette-worthy achievements in photography, turn twelve this year, and in the run-up to the glittering November 2 gala at Carnegie Hall (tickets now on sale), the Lucie Foundation has announced the 2014 honorees:

• Lifetime Achievement: Jane Bown
• Achievement in Fine Art: Carrie Mae Weems
• Achievement in Documentary: Martin Parr
• Achievement in Photojournalism: Nick Ut
• Achievement in Portraiture: Nan Goldin
• Visionary Award: Pedro Meyer

Top winners of the 2014 International Photography Awards juried competition will be announced at the gala, as will the winners of the Lucie Foundation’s Support Category Awards, including Print Advertising Campaign of the Year, Fashion Layout of the Year, and Picture Editor of the Year.

Quote of Note | Ryan McGinley

Ryan McGinley 2007
A 2007 work by Ryan McGinley.

“I love shooting at sand dunes because people can be at their most playful there, and everything that I was someone to do in a photo that you can do safely and really freely in sand dunes. I like them because of the spatial relationship—you can tell how big the people are and how big the dunes are. I also like them because it’s like blocks of color—ranging from really tan to really white. It’s in your DNA to act extremely childish and be really playful in that environment. You want to roll down them, you want to run around with your hands like you’re an airplane, you want to play tag, and just be free. You want to take your shoes off and feel the sand in your toes. That type of experience is sort of the essence of what I’m trying to capture in all of my photographs.”

-Artist Ryan McGinley in an interview in The Travel Almanac. “Yearbook,” an exhibition of McGinley’s work, is on view through October 12 at Team Gallery in New York.

Seven Questions for Lisa Martin, InStyle’s Director of Photography

LisaMartin_StBartsLisa Martin started at InStyle in 1999 as a freelance photo editor. Fifteen years and several promotions later she is director of photography at the Time Inc. magazine-cum-media brand, which prides itself on “delivering the knowledge and confidence to make the everyday fabulous.” On the occasion of InStyle‘s 20th anniversary mega-issue, Martin (pictured at right, sailing in St Barts while on a shoot with cover girl Cameron Diaz) took a break from overseeing the photo department, hiring photographers and stylists, and conceptualizing photo shoots to tell us about some of her favorite images, how she views the magazine’s signature aesthetic, and more.

What are a few of your favorite images from the September fall fashion/20th anniversary issue?
There are so many outstanding pictures in our September issue that I love, but the beauty story we did with Haley Bennett (below), shot by Jan Welters, was extraordinary. It was one of those shoots when all the pieces come together—the makeup artist, Wendy Rowe, achieved beautiful, clean skin texture with subtle neutral tones on Haley’s eyes and lips; the lighting was beautiful; and the styling, perfect. I don’t wear makeup, but if I did, I would try those makeup looks.

instyle sept haley bennett

How do you describe the aesthetic or visual signature of InStyle?
Our visual aesthetic is sophisticated but accessible—the photos are rich in texture and color, so readers want to linger and look at them, especially because they’re inspired by what they see. Our fashion looks luxurious—and in many cases, it is—but it also looks like clothing you would want to wear. We want to make images that are modern and iconic while celebrating the recent fashion trends and celebrities.

How have you seen that aesthetic change over the 15 years you’ve been at the magazine?
InStyle was the first magazine to give readers access to the stars’ everyday lives, seen through a lens of fashion, beauty, and lifestyle. Now, we’ve evolved into a luxury fashion brand—we went from shooting lifestyle and home stories to creating beautiful fashion and beauty stories in the well. We’ve also broadened our photography roster to include more fashion photographers. In addition, there’s a huge front-of-book section and in the back of the book there’s the “Life Etc.” section, with incredible food and lifestyle photography. We give the InStyle reader 360-degree celebrity access.
Read more

Quote of Note | Todd Hido

stieglitz“My photobooks are organized by genre, and they are definitely not alphabetized. They’re sequenced and clustered together based on my twenty-five-year knowledge of who taught who, and who preceded them. It’s almost a little family tree of lineage. I find it to be an interesting way of approaching the collection, because you can see patterns of influence and how they fan out into the world we adore….Believe it or not, I have a strange little hobby of leaving books out and open to certain pages, sometimes for years. One of my favorite books, which has remained opened on my table ever since the day I got it, is Alfred Stieglitz: The Key Set. It’s an exhaustive examination, which I believe includes every single Stieglitz photograph that Georgia O’Keeffe inherited and ultimately donated to the National Gallery of Art. Also, I often create sequences and juxtapositions between various open books; I’ve made some unique connections and combinations that way.”

-Photographer Todd Hido, who has amassed a personal collection of more than 3,200 photography books, in an interview with Aaron Schuman in The PhotoBook Review

Lucie Foundation Launches Crowdfunding Platform for Photographers

(Patricia Dinu)
A photo from Patricia Dinu’s “Desert of Souls” project, for which she is seeking to raise money through Fotofund.

camera moneyFor photographers who seek dollars but don’t want to get lost in the vast sea of Kickstarter projects, there is Fotofund, a new crowdfunding platform exclusively for photo-based works. The site is the latest initiative of the non-profit Lucie Foundation, which is dedicated to supporting, honoring, and cultivating photographic talent.

Fotofund was created “to provide financial backing to photographic projects through online contributions and to support photography worldwide by bringing photographers’ visions to life.” Distinct from other crowdfunding sites, the platform offers two models: a flexible funding model in which the project creator receives all donations whether or not their full funding goals are met or alternatively, they can select to only receive funding if the full amount of their goal is reached. Among the first campaigns to hit Fotofund are those aiming to create an official archive of the late Jerry Stoll’s photography from the California jazz era, a documentary project showcasing men and women who live off the grid throughout Europe, and a personal interpretation of the music and lyrics of Tom Waits—we suspect “Picture in a Frame” will figure prominently.

Quote of Note | Mitch Epstein

(Mitch Epstein)“I used to make pictures without thinking about how they would relate to one another as a series. When I went to Vietnam in the early ’90s to collaborate with a Vietnamese dissident writer, a novelist, I started to conceive of my individual pictures as part of a greater whole, as projects. I began to conceive of these projects as photographed from the inside out, not the other way around. In other words, I let go of the conventions of supposedly neutral ‘street photography’ and began to find ways to insert and invest myself into a situation and yet still remain somewhat detached. Family Business is an example where I photographed something I knew intimately and cared about deeply, but did so with emotional restraint. I’d absorbed my lessons from strict documentarians, which allowed me to make something personal without sentimentalizing it.” —Photographer Mitch Epstein

Pictured: Mitch Epstein, Flag (2000), from Family Business, a film and photographic project about Epstein’s father and the demise of the family furniture store.

Oh, Canada! Edward Burtynsky, Fred Herzog Among Photographers Honored with Stamps

herzog stamp

stampsCanada knows how to have fun with stamps, eh? Current postage options in the Great White North include a set of spooky stamps devoted to “haunted Canada” (featuring beloved phantoms such as Alberta’s Ghost Bride and the burning ship that is often spotted in Prince Edward Island’s Northumberland Strait), pop-country songstress Shania Twain, and Superman, but our favorites are the new set celebrating Canadian photography.

Designed by Stéphane Huot, the stamps—five domestic-rate stamps, one U.S. denomination, and one international stamp—feature Fred Herzog’s Bogner’s Grocery (1960, pictured above), Lynne Cohen’s Untitled (1970), Michel Lambeth’s St. Joseph’s Convent School (1960), C.D. Hoy’s Unidentified Chinese man (circa 1912) and Louis-Prudent Vallée’s Quebec City in Winter (1894). William Notman’s Sitting Bull and Buffalo Bill (1885) graces the U.S. denomination while Edward Burtynsky’s Railcuts #1, shot at Skihist Provincial Park in British Columbia in 1985, appears on the international stamp. And for philatelists, the Canadian photographic fun doesn’t end there: the Canadian photography series is set to continue for three more years. Sorry, Superman!

Friday Photo: Monkey on Board

(Garry Winogrand)In 1959, Bronx-born photographer Garry Winogrand (1928–1984) captured what is surely one of the most wonderfully—and perplexingly—absurd scenes in the history of photography: a snow monkey perched on the rear of a Chevy convertible paused at an intersection on Park Avenue in Manhattan. The man and the woman in the car look over their shoulders to regard the primate with gazes of barely suppressed annoyance, as if poised to answer the are-we-there-yet? whines of a bored child. Meanwhile, the monkey, having spied Winogrand and his trusty Leica, looks straight at the lens with his mouth open.

“One day I asked Winogrand what actually was happening when he made that now-classic photograph,” said Jeff Rosenheim, a former student of Winogrand’s who now serves as curator in charge of the Metropolitan Museum of Art’s department of photographs, at the recent press preview for the museum’s exquisite Winogrand retrospective. “He smiled at let rip a common refrain: ‘Forget about the original situation, Jeff. It’s gone. Look at the picture. A photograph is a new thing. An illusion. A lie. A transformation.’ It was important lesson for me to learn then, and even today I revisit its truths as I work to understand this ever-changing nature of this medium of photography.”
Read more

NEXT PAGE >>