A year has passed since David Weeks branched out from Brooklyn to Manhattan with a standalone atelier in Tribeca that is part design studio, part showspace for one-of-a-kind prototypes, collaborations, and work from other artists. The designer—of stunning lighting, fluidly formed furniture, and craggily adorable wooden creatures—is marking the one-year anniversary with this most delightful visit to the neighborhood, produced by Optic Films.
The Walker Art Center is celebrating its 75th anniversary with a series of exhibitions and programs that highlight the institution’s distinctively curious ways. In less than three minutes, the below video rounds up 75 such questions in evocative, inspiring fashion. Those seeking answers can head to the Walker’s mesmerizing 75th anniversary website or Minneapolis, where Art at the Center: 75 Years of Walker Collections, a special exhibition studded with greatest hits such as Edward Hopper’s Office at Night (1940), Franz Marc’s The Large Blue Horses (1911), Chuck Close’s Big Self Portrait (1967-68), and Yves Klein’s Mondo Cane Shroud (1961), is on view through September 11, 2016.
Earlier this month, amidst news of Apple’s Newsonian hire and breathless anticipation of streamlined, possibly wearable gizmos to come, Rob Walker had but one Cupertino-themed wish: “I didn’t want to guess what the company would release. New iPhone, iWatch, iEggBeater, who cares?” wrote the journalist in a Yahoo Tech column. “I just wanted Jony Ive—Apple’s staid, British design honcho—to tell me how amazingly magical it is.” He soon got his wish, as Ive waxed poetic about the “completely singular” Apple Watch in a launch video. And so Walker kept right on wishing, this time in the form of a tweet:
Once again, the universe has answered, this time in the form of a video (below) created by the Dublin-based creative crew at Army of Id (“Saving the world one frame at a time”). “[It's] a short, supercut-style compilation of fourteen years of Jony Ive earnestly telling us the latest Apple iThing is ‘simple,’ ‘smaller,’ ‘intuitive,’ ‘powerful,’ over and over, in a series of v-neck tees,” Walker tells us. “I wonder if there is another designer who could inspire such a thing?”
Before we could say “Gelato Fiasco,” Elegantissima: The Design and Typography of Louise Fili had opened and closed at the Art Directors Club in NYC. If you missed the show’s two-week run, which wrapped up Friday in a evening pleasant prosecco haze, all is not perso. The series of thematic interiors, designed by the incomparable Kevin O’Callaghan and sure to inspire a run on violet-hued fainting couches, live on in a short film (below). We suggest following this taste of Fili’s brand of la dolce vita with her stunningly beautiful new book, Grafica della Strada: The Signs of Italy, published earlier this month by Princeton Architectural Press.
Why settle for an ordinary vacation home when you can have a “baroque event”? Frieze recently visited artist Pablo Bronstein—who you may recall from the mythical architectural history of the Metropolitan Museum of Art that he conjured in 2009—on the east coast of Kent, England, where he is embracing a “mid-century, slightly granny” aesthetic and the “pleasurable mess” of baroque architecture. “I think that it has no shame,” he says. “Baroque architecture does everything it possibly can to appeal, to amuse, to impress, to show off, to seem heavy or grand or important. It’s really sort of desperate architecture.” Watch Bronstein discuss art, architecture, taste, and the playful pathos of postmodernism.
IKEA is going head-to-head to Apple with its latest launch. “At only 8mm thin, and weighing in at less than 400g, it comes pre-installed with thousands of home furnishing ideas,” boasts the Swedish furniture juggernaut. And not only is no charging required, but it can be instantly shared and recycled. Also, it’s free. The user-friendly, intelligently designed device in question? The latest IKEA catalogue. Singapore’s BBH created this video—part gentle satire, part homage—to tell the world about it, through the exuberant narration of a black t-shirted Swede.
In the wake of the global phenomenon of humans dousing themselves in ice water and donating to fight ALS, there are surely scores of people—those representing other charitable causes—bathed in envy and regret: Why didn’t we think of that, Jim? I told you we should have hired that weird intern with all the Instagram followers! Let’s figure out our own thing that involves buckets…what rhymes with “bucket”? Casey Neistat to the rescue. The intrepid filmmaker, who we last saw doling out advice for traveling avec skateboard, has created this expansive take on the ice bucket challenge, somehow managing to cordon off a Tribeca block to do so.
“Ah yes, the summer of 2014, I remember it well,” you’ll tell your robot grandchildren. “The world lost Elaine Stritch…Robin Williams—tragic! And everyone was dumping buckets of ice water over their heads.” The latest celebrity to take the ALS Ice Bucket Challenge—the DIY dunk-tank-for-charity viral sensation that involves chilly water, a video camera, and the magic of social media—is Ai Weiwei. No word as to whether the Chinese artist made a donation, but he definitely got soaked. Two buckets were required. Watch the scene unfold in the courtyard of his Beijing HQ, much to the delight of onlooking studio assistants.
When it comes to films about art forgers, woe betide the documentarian who attempts to top Orson Welles‘s delightfully gonzo F is for Fake (1973), which you can—and really should—watch in its mesmerizing entirety at the bottom of this post (what else are late summer afternoons for?). But the directorial trio of Sam Cullman, Jennifer Grausman, Mark Becker have quite the character in career art forger Mark Landis. After he dupes Matthew Leininger, the intrepid museum registrar will stop at nothing to expose the technically skilled fraudster. The cat-and-mouse game unfolds in Art and Craft, which has been burning up the festival circuit and opens in limited release next month (keep an eye out for showtimes here). Behold the trailer:
In a sea of glossy billboards and digital signage, a hand-painted mural can stop you in your tracks. Many of the most strikingly photorealistic ones are the work of Colossal Media, which has whipped out the paintbrushes and scaffolding for companies ranging from Disney and Pepsi to Marc Jacobs and Comme des Garçons. The Motion Picture Association of America’s The Credits has captured some of the company’s painters at work, as they use hand-painted murals to prepare the world for the second coming of the Teenage Mutant Ninja Turtles. We think both Leonardo and his namesake would approve.
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