We hate to fly and yet love airplanes. We eschew airplane food yet can spend hours happily discussing the EPCOT-y optimism of the curvy blue plastic silverware favored by Icelandair, the smart lighting choices (and kooky liveries) of Virgin America, or the evolution of Delta’s increasingly unhinged pre-flight safety video. We wish that the short-lived dramatic series Pan Am had not been grounded after one season. And so it is with nostalgia for a “golden age of air travel” that we never actually experienced—and yet can get an intoxicating whiff of in the streamlined, space-age-polymer forms of Marc Newson—that we anticipate Keith Lovegrove‘s Airline: Style at 30,000 Feet, out next month from Laurence King. Charting a course through interior design and fashion (pass the Pucci), technicolor food, and logos a-go-go, the book shows how airborne culture has changed from the 1920s to today’s sweatpants-and-flip-flops milieu. Here’s a cinematic sneak peek made by Lovegrove and Andrew Lennox:
Archives: July 2013
It’s the summer of Sendak here in New York, with the Society of Illustrators celebrating the beloved children’s book artist, who died last year at the age of 83, with an exhibit of more than 200 never-before-seen Sendak originals (on view through August 17). Over at the New York Public Library, “The ABC of It: Why Children’s Books Matter” exhibition (on view through March 2014) devotes an entire wall to a giant, furry, and unmistakable silhouette of one of the “Wild Things” encountered and conquered by young Max. We scoured the gorgeous Abrams book that accompanies the former exhibition—and particularly the chapter contributed by children’s book expert Leonard S. Marcus, who happens to have curated the latter show—to bring you this handful of fun facts.
1. Sendak honed his drawing skills at a young age, while looking out from the window of his family’s Brooklyn apartment and “making endless sketches of the children playing in the streets below,” writes Marcus in Maurice Sendak: A Celebration of the Artist and His Work, “drawings that recorded not only the children’s body language and facial expressions but also their emotional weather.”
2. He skipped college and went right from high school to a job as the assistant window decorator at FAO Schwarz on New York’s Fifth Avenue.
3. Sendak’s close friend and editor Ursula Nordstrom, who Marcus describes as “America’s most daring publisher of books for young people,” planned early on to pair Sendak with Margaret Wise Brown (Goodnight Moon), but she died suddenly in 1952 at the age of 42 before the two could even meet, much less collaborate.
The University of Chicago doesn’t want for distinctive architecture. The campus is home to buildings designed by everyone from Eero Saarinen and Ludwig Mies van der Rohe to Rafael Viñoly and Tod Williams and Billie Tsien, whose 184,000-square-foot Reva and David Logan Center for the Arts opened last year. And in a few years, some 800 undergrads will get to live (and eat) in a dorm designed by Chicago’s own Jeanne Gang.
The university has selected Studio Gang Architects to design a major new residence hall and dining commons on the north end of the UChicago campus. The firm will work with Mortenson Construction on the project, which is expected to open in 2016 and will shoot for LEED Gold certification. “We are excited to develop our design that focuses on creating vibrant student communities within the residence halls, connected to a series of new, active public green spaces and environments,” said Gang in a statement issued Tuesday. Read more
This week, Hearst Magazines is hiring a design director for Seventeen, while Allure.com needs a photo editor. Bauer Publishing is seeking a graphic artist, and Broadway.com is on the hunt for a photo editor/photographer. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.
- Design Director, Seventeen Hearst Magazines (New York, NY)
- Photo Editor Allure.com (New York, NY)
- Graphic Artist Bauer Publishing (Englewood Cliffs, NJ)
- Photo Editor/Photographer Broadway.com (New York, NY)
- Interactive Art Director/Designer Aria (Dallas, TX)
Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.
Dealer-turned-director Jeffrey Deitch is poised to part ways with the Los Angeles Museum of Contemporary Art, the Los Angeles Times reports. He is expected to step down with just under two years left in his five-year contract. “One person, who was not authorized to speak publicly, said that Deitch was ‘choosing to step down,’” wrote Mike Boehm in an article published today. “Another person who has spoken to Deitch said that MOCA is expected to announce Deitch’s exit along with the news that the museum is nearing completion of a fundraising campaign it announced in March to boost its endowment from about $20 million to $100 million.” Stay tuned for the press release, which is reportedly due following a MOCA board meeting scheduled for tomorrow. And L.A.’s loss may be New York’s (re)gain. B.L.A.T.C. reports that Deitch is already on the hunt for an apartment and a gallery space on the Upper East Side.
Designer Peter Olaf with (from left) the 2012, 2013, and 2011 Tour de France trophies.
The 100th Tour de France wrapped up yesterday in a spectacular “jubilee” burst of yellow near the Champs-Élysées finish line, where Kenyan-born Briton Chris Froome added to what’s proving to be a banner summer for the United Kingdom (see also: Andy Murray at Wimbledon, the highly awaited Baby Prince). In addition to the yellow jersey, Froome was presented with a hand-cut crystal trophy from Czech-based Lasvit.
Since 2011, designer Peter Olaf has masterminded the series of hand-blown, hand-cut trophies, which are produced for the overall winner, best under-25 rider, best sprinter, and best climber. Each trophy, the product of hours of sizzling glassmaking toil, is over two feet tall and weighs almost eight pounds, according to Lasvit. Among the special touches for the 100th Tour is a layer of opal glass that was ground using wedge-shaped cutters, revealing the crystal underneath and producing a decorative design with a strict, geometric shape.
Now approaching 50, Rolling Stone still rocks, and the storied bimonthly is in want of creative assistance. The search is on for a crackerjack associate photo editor to oversee the photographs in the Rock and Roll, Random Notes, and Live Review sections as well as general and music features. Bring your “proficiency in photo assigning and photo research,” thorough knowledge of photo resources, and pop culture passion. Got problem-solving skills and a knack for working collaboratively? That’s music to their ears.
We first encountered Byron Kalet several years ago as the design- and music-savvy mind behind the Journal of Popular Noise, an experimental audio magazine (published from 2007 to 2010) that took the form of a twice-yearly trio of seven-inch vinyl records tucked inside letterpress-printed, hand-folded packaging. Now the Brooklyn-based designer, art director, and musician—who once described Seattle band Foscil, featured in JPN, as “the Dick Avedon to my Alexey Brodovitch“—is looking to launch a print magazine, Popular Noise.
The new quarterly will be about “everything but the music—life and style, places, people, and moments. All the things that go into a life worth making music about, and an exploration of how one gets from here (life) to there (music),” says Kalet, who has lined up contributing photographers including Chito Yoshida, Spencer Higgins, and Hannah Whitaker to help create “the new blueprint for how music should look.”
The debut “New York/Art”-themed issue will include some never-before-seen Avedon outtakes, a visit to Richard Phillips‘s Chelsea studio (“to find out what’s on the play list while he’s working and why”), and a lesson on the world of Black Metal academia (we have no idea what that is but are game to learn). Kalet is seeking backers for Popular Noise on Kickstarter, and t-shirts and tote bags are up for grabs along with copies of issue #1, which is slated for publication in September. Read more
What’s better than making sandcastles? Watching artists make sandcastles while enjoying summery snacks and refreshments! Our friends at Creative Time are heading back out to Far Rockaway, Queens on Friday, August 9th to host the organization’s second annual artist sandcastle competition. A group of selected artists and their teams will gather on the sand near the Beach 86th Street boardwalk to battle it out for special prizes from esteemed judges. The free-and-open-to-the-public day of fun will kick off at noon, with castle-building starting at 2:00 p.m. A post-awards party is planned for that evening at Rippers.
While you have your calendar out, circle October 25th and 26th, the dates of this year’s Creative Time Summit at NYU’s Skirball Center for the Performing Arts. The freshly expanded conference, titled “Art, Place, and Dislocation in the 21st-Century City,” will bring together artists, activists, students, critics, curators, and other culture vultures for more than 30 presentations by the likes of Vito Acconci, Lucy Lippard, Rick Lowe, and Rebecca Solnit (and maybe you?) as well as on-stage debates, short films, and regional reports by leading curators. A new “pay-what-you-choose” ticket pricing structure ensures that the event will fit your budget. Read more
Jean Pigozzi (pictured) is an eccentric millionaire with a sharp eye for contemporary art and a weakness for loudly patterned shirts. He needs your help. Pigozzi is expanding his wild and crazy menswear line, LimoLand, with a Zodiac-themed collection, and is looking for a few—OK, a dozen—out-of-this-world astrological designs. Submit your most “original, quirky, and colorful” concepts by the end of the month, and esteemed judges including Pigozzi and Barneys creative director Dennis Freedman will pick their favorites.