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UnBeige logo by Niels Shoe Meulman, as part of our regular design our logo feature
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Wednesday, Jul 16
What Comes "After Nature"? Cabins, Kudzu, Headless Horse
After getting all excited by yesterday morning's announcement of the New Museum's new international triennial for emerging artists, we were plunged into the eerie, postapocalyptic world of the musem's "After Nature" exhibition, which opens tomorrow and runs through September 21. "The future it presents is pretty grim," said director of exhibitions Massimilano Gioni, who organized the show with curatorial assistant Jarrett Gregory. Another tip-off: the taxidermied headless horse (a 2007 work by Maurizio Cattelan) stuck to the wall. The exhibition aims to "survey a landscape of wilderness and ruins, darkened by uncertain catastrophe" (surely the best kind), and so Cattelan's decapitated horse shares the museum's cathedral-like fourth floor space with Zoe Leonard's 70-foot "Tree" (1997), hobbled and propped up on crutches, and the 1894 "Celestographs" (sheets of photographic paper left on the windowsill overnight) of Swedish writer August Strindberg, a wild-haired posterboy for doom.
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