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Aquent

Creative Project Manager Job at Aquent in Boston

Aquent, Boston, MA, US, 02298

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Overview

Placement Type:

Temporary

Salary:

$40-45 Hourly

Start Date:

09.15.2025

Creative Project Manager
  • Primary responsibilities:
    • Serves as the day to day, project based, point of contact between the Event Production team and the Creative team
    • Act as day-to-day point of contact for delivery related issues
    • Manages creative team's schedules, including scheduling kickoffs, internal reviews and check-ins
    • Develops and maintains creative project deliverables, including project plans and timelines
    • Works with department leadership to manage the prioritization and throughput of projects
    • Reviews and assigns incoming project requests and communicates with Events Producers, as needed, for additional information prior to Design kickoff
    • Assesses project risk and scope creep, escalates challenges to Creative Studio Ops Mgr and provides solutions-oriented approach.
      • Ensures projects are aligning to budget (escalating blockers)
      • Ensures projects are aligning to timelines (escalating blockers)
      • Ensures Design receives client feedback in a timely manner
    • Owns and maintains Design status documents and Design specific meeting agendas
    • Manages weekly status meetings with Creative team
    • Acts as a communication link between the GDS Design team, GDS Event Production and Video teams by attending weekly XFN meetings to share project status updates and capture relevant notes / direction
    • Acts as additional set of QC eyes, ensuring integrity and quality of creative work
    • Contributes to internal process improvement initiatives, especially those involving tools and knowledge management solutions
    • Reports into Creative Studio Ops Manager

The target hiring compensation range for this role is $40 to $45 an hour. Compensation is based on several factors including, but not limited to education, relevant work experience, relevant certifications, and location.

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