Assistant Audio Engineer Job at New York Racing Association in New York

Title:

Assistant Audio Engineer

Employee Status:

Regular Full Time

Work From Home Option:

Not Applicable

FLSA Status:

Non-Exempt

Job Overview
NYRA TV is seeking a technically capable Audio Assistant (A2) to support live studio and simulcast productions. This is a hands‑on broadcast role in fast‑paced, mission‑critical environments. This position will be based on out wherever track live racing is occurring.

Ability to travel to Belmont, Aqueduct and Saratoga is essential.

Essential Functions
Primary Responsibilities

Oversee audio‑related setup, support, and strike for live studio and simulcast productions

Set up and maintain audio systems for daily NYRA TV broadcasts

Mic and support on‑air talent using wired and wireless systems

Manage IFB and production communications using RTS KP panels and AZedit

Support and troubleshoot Dante‑based audio networks

Troubleshoot audio issues in real‑time during live production

Store, maintain, and inventory audio equipment

Coordinate repair and servicing of damaged or malfunctioning equipment

Qualifications
Requirements

Must have working knowledge of Dante networks

Strong understanding of signal flow and broadcast routing

Knowledge of RTS intercom systems, KP panels, ipedit and Azedit software

Experience with wired and wireless microphone systems

Strong understanding of networking

Familiarity with STUDER audio consoles a plus

Skills Proficiency

Audio Systems & signal flow – Intermediate – Able to understand, trace and troubleshoot signal paths in a broadcast environment

Dante Audio Network – Intermediate – able to configure devices, verify clocking, subscriptions, diagnose common network/audio issues

Intercom & IFB system (RTS) – Intermediate – knowledge of RTS KP panels and IFB and production comms

Microphone Systems – Intermediate – able to deploy, troubleshoot and maintain broadcast systems

Summary of Physical Requirements and Work Environment
This position requires the ability to work in fast‑paced broadcast environments, including studios and control rooms, with prolonged periods of standing, walking, and operating technical equipment. The role involves lifting and moving audio gear, running cables, wearing headsets, and performing repetitive tasks while maintaining focus during live productions. Work hours may include early mornings, evenings, weekends, and holidays, with exposure to elevated noise levels and time‑sensitive, high‑pressure conditions.

Pay Range / Salary
$27.94 - $34.97

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