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Posts Tagged ‘The New Yorker’

David Remnick: New Yorker Not Going Biweekly

New Yorker fans, breathe easy. David Remnick, the glossy’s editor, told WWD that there are no plans to cut back on publishing and make it a biweekly.

“I think the combination of a weekly print magazine and a daily website is perfect for us now I think if you go to a biweekly, you lose your seat at the table of what’s going on in the world a little bit,” he explained.

The entire interview is well worth a read, but below are some highlights.

On his relationship with Anna Wintour:

She has been nothing but supportive of what we do. If I need advice, I know that I have an extremely smart magazine person [whom] I can rely on, and she has been nothing but supportive of The New Yorker doing what it should be doing.

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Personal Essay Writing: Master Class

Personal Essay Writing: Master ClassStarting October 21, work with the senior editor at Marie Claire magazine to polish and publish your essay! Whitney Joiner will help you to develop your voice, narrative, and identity, draft your pitch, and decide where to market your essay. Register now!

Martin Schoeller’s Pivotal Career Boost

Martin Schoeller is an award-winning photographer who for many years was on staff with The New Yorker. And as he reminds this week, his ascension to that position owes a great deal to a certain Oscar-winning actress.

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In 1998, freelancer Schoeller counted just five assigned jobs – three of which were weddings. In 1999, the year he was hired by The New Yorker, that total would jump to 127.

Per Schoeller’s contribution to the Time Lightbox series “The Photo That Made Me,” it all changed for him after he was asked in 1998 to photograph Vanessa Redgrave for Time Out New York:

I had come across the Kino Fluorescent lighting system (a sort of fluorescent tube lighting) and started to incorporate it into my work. This started to change things: these lights really bring out a subject’s eyes. And because I had adopted the style of a super close-up portrait, my work started to stick out. Back then the mainstream thing to do was a more distanced shot with a perfect background and styling – and it was also a time when Photoshop was really becoming a big part of things.

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Morning Media Newsfeed: Kal Penn Joins Fusion for Midterms | SoftBank, DWA Talks Cool

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Kal Penn Named Special Correspondent of Fusion’s Midterm Mayhem (TVNewser)
Actor Kal Penn is joining Fusion as a special correspondent for its midterm election coverage. Fusion’s election coverage plans include a nightly primetime program Midterm Mayhem: The Ultimate Political Smackdown hosted by Fusion’s Nando Vila. FishbowlDC In addition to its television broadcast, the program will be livestreamed. Midterm Mayhem will be hosted by Vila with contributions from anchors Jorge Ramos and Alicia Menendez and Fusion’s Alice Brennan and Romina Puga. Capital New York Fusion is still modestly distributed, with Comcast, Time Warner Cable and DirecTV among the major distributors that don’t yet carry the channel. The livestream — which will only apply to the month-long midterm election series — is a chance for viewers who don’t get Fusion to sample its programming, with the goal of getting them to lobby their pay-TV provider to carry the channel. The channel held a similar stunt tied to its coverage of the 2014 World Cup from Brazil. THR Penn is known for his roles in the Harold And Kumar trilogy, The Namesake, House and How I Met Your Mother. In 2009, he took a break from acting to work as an associate director of the White House’s Office of Public Engagement, serving as the Obama administration’s liaison to young Americans. Politico / Dylan Byers on Media The show aims to “bring viewers all the essential political news of the day and answer questions of fundamental importance to Fusion’s audience,” the network said in a release. It premieres Sunday, Oct. 5, at 9:30 p.m. and runs until Election Day.

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Latest New Yorker Cover is a Gif

“Rainy Day,” an illustration by Christoph Niemann — is The New Yorker’s first ever animated cover. Of course it’s not animated in real life, but the raindrops do move when viewing the cover online.

We’re telling you this now so you’ll have adequate time to figure out how to explain gifs to your grandparents. Please, if nothing else, make sure they know to pronounce it with a hard “g,” like “gift.”

New Yorker Cover Skewers NFL

With all the bad news swirling around the NFL, you had to know this was coming. As Barry Blitt explains, his latest New Yorker cover shows that the league has taken a turn toward ugliness. That’s saying a lot, given that playing football can often lead to life threatening brain damage.

“My current awareness of the NFL has little to do with the actual games being played on the field,” wrote Blitt.

New Yorker Illustrator Tips His Cap to Derek Jeter

In 2001, illustrator Mark Ulriksen told the San Francisco Chronicle that growing up, all he wanted to be was a center fielder for the San Francisco Giants. But over the years, his allegiances have gravitated to another MLB team, creating an ongoing professional conflict that he has talked about before.

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This time around for The New Yorker, Ulriksen has illustrated Roger Angell‘s story ”S’Long Jeet” with a striking cover illustration of Derek Jeter. The September 8 issue cover, the San Francisco-based artists insists, put him once again at odds:

“Derek Jeter presents a conundrum for a Red Sox fan like me,” Ulriksen says about the cover. “I loathe the Yankees, but I appreciate and respect Jeter. No baseball fan can ever forget ‘the flip’ against the Oakland A’s in the playoffs. He’s a classic—humble, consistently spectacular, both at bat and in the field.”

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New Yorker Publishes Lena Dunham Book Excerpt

lena_dunham--300x300Not That Kind of Girl: A Young Woman Tells You What She’s ‘Learned,” the Lena Dunham memoir, doesn’t hit book stores until September 30. Luckily for Dunham fans (and Dunham haters!) The New Yorker has published an excerpt, which Dunham described as “about the therapists who raised me.”

“I am used to appointments: allergist, chiropractor, tutor,” writes Dunham. “All I want is to feel better, and that overrides the fear of something new, something reserved for people who are crazy. Plus, both my parents have therapists, and I feel more like my parents than like anybody else.”

The piece is titled “Difficult Girl.” You can enjoy it or hate it — or secretly enjoy it but publicly hate it — by clicking here.

The New Yorker’s Ferguson Cover

The New Yorker is the latest magazine to publish a moving cover dedicated to the Michael Brown shooting — and the aftermath — in Ferguson, Missouri.

Eric Drooker, who created the illustration, said the events brought forth disturbing memories:

As a resident of Manhattan’s Lower East Side, I witnessed the blurring distinctions between the police and military during the Tompkins Square riots of the eighties. I’ll never forget the day the N.Y.P.D. showed up in a military tank to evict nonviolent squatter friends from buildings on Avenue B and Thirteenth Street, where I grew up. This incident triggered a vivid childhood memory of the police driving a similar armored tank on East Fourteenth street, in 1968, to quell possible ‘disturbances’ after Martin Luther King was assassinated.

Details Taps New Publisher

You can’t win them all.

DrewSchutteLinkedInAs we reported last month, WWD summarized the rumor mill of names being mentioned for the vacant Details publisher slot. Nowhere in that summary was the individual today disclosed. From Keith J. Kelly‘s report:

Condé Nast on Monday chose a Web-focused executive from its ranks as the new publisher at Details — signalling it wants to jump start the title’s nascent digital efforts.

Drew Schutte, a former publisher of Wired and The New Yorker, who was most recently executive vice president and chief integration officer at the publishing giant, replaces Kevin Martinez, who was lured to Maxim a month ago.

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New Yorker Photo Editor: ‘It’s About More Than the Picture That Gets Published’

Seattle native Whitney C. Johnson is back in her hometown to give a lecture at the Seattle Art Museum.

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Ahead of the museum talk, she spoke via telephone with The Stranger visual arts writer Jen Graves about her seven years on the job as one of The New Yorker‘s team of photo editors. At one point during the informative Q&A, Johnson – now the director of photography – outlined her admirable big-picture M.O.:

“I try to assign photographers assignments that can contribute to a person’s body of work. Thomas Struth had a show in New York recently, and one of the images he shot on assignment for us. Moises Saman was recently showing me the book dummy for his work from the Middle East over the last five years or so, and I’d say about 20 percent of the pictures he’s shot on assignment for us.”

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