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Tuesday, Mar 01
"Epistolary Climax": Reaction Shot, Take Two
During the weeks I was working on this article, he answered the questions that were put to him and reported on his whereabouts on a nearly daily basis; indeed, sometimes on an hourly basis. A kind of epistolary climax was reached one Sunday earlier this month, when I received a total of 19 e-mail messages from him...While my reaction to Deborah Solomon's profile of Jonathan Safran Foer stressed the profile's most unattractive aspects, I've noticed that other bloggers' commentaries instead stressed Solomon's mortifying attraction to JSF. Gawker, for example, characterizes the profile as "a (teen-age) romance with subject and author falling deeper in love with each feverish email and fleeting encounter." Similarly, Rake's Progress compares reading the profile to drunkenly opening a door at a college party and "[witnessing] some sweaty intimacy in a back bedroom, something you should not have been privy to." Return of the Reluctant takes a slightly less judgmental approach, imagining Solomon's love from the profiler's perspective: My friends had warned me of Fatal Attraction types, but there was something of the easy conquest represented in the 150 e-mail messages he sent me every hour. I did everything in my power to resist his attraction, even comparing him to Liberace. But I realized that I could not resist the man who had penned Extremely Loud and Incredibly Close.But is JSF's love for Solomon earnest or is he simply, as one reader intimates, a one-handed "epistolary climax" addict? According to that very anon reader, JSF wheedled an invitation to house-sit an older author and editor's apartment while the gent was out of town and then rifled through his rolodex to fire off unctuous, nearly-identical fan letters to all the writers therein.(On that note: who knows what icky stuff infrared light might find on JSF's collection of blank pages...) UPDATE: Tom Scocca imagines Foer's post-profile emails to Solomon in the NY Observer. ...No. 15: That was a beautiful passage you wrote, about how when we said goodbye at 4 p.m., "the fading daylight lent the moment a veiled, elegiac feeling, an unsettling suggestion of oblivion." Sometimes I weep at the end of the day. And I wonder: Is the sun truly going away from us, or are we the ones who are going away from it? Email This Post |
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