While we focused on superstorms and elections over the past month, a certain famous American business made a big change right under our noses.
Billboard magazine, long seen as the ultimate tastemaker in American pop music for its top singles list, decided to join the 21st century by revising its algorithm to include digital sales and online streaming services like Pandora and Spotify when determining which songs are most popular in a given week.
Sounds like progress, right?
Quite a few people in music don’t think so, because these changes give “stars with a pop-oriented sound and broad crossover appeal an advantage over other artists”. We have to agree: the fact that Psy’s “Gangnam Style” ruled the “rap” charts for more than a month while Taylor Swift continues to dominate the “Hot Country” category tells us that something in this new equation is a little off.
This excellent infographic demonstrates the fact that a mere six artists have all but dominated the Billboard charts over the past five years. According to most predictions, these new algorithms will result in more number one hits for Rihanna, Katy Perry, Maroon 5 and Flo Rida while making the climb to the top of the charts even steeper for independent artists and those who work in “niche” genres like country, rock and roll and, you know, pretty much everything but “pop.”
Billboard’s editorial director Bill Werde defended the changes on his tumblr page, but the whole story is ominous news for the vast majority of those who work in or care about the music business. Some have created petitions urging Billboard to abandon its new model, but based on the puny number of signatures collected so far we can’t see that working.
What do we think? Will these changes make it harder for music reps to promote their clients? How will the industry adjust?
(As a bit of a bonus, here’s Werde talking to Mediabistro’s Donya Blaze about the challenges of music journalism):
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