First podcast dedicated to the profession of pharmacy covers McKesson, Cencora, and Cardinal Health events

BROWNSVILLE PA / ACCESS Newswire / August 6, 2025 / RxPR, LLC is proud to announce that the Pharmacy Podcast Network (PPN) has successfully delivered podcast media coverage of all three of the nation’s largest drug wholesaler conferences in 2025 – a historic milestone in the platform’s 16-year history. Through a dedicated three-part podcast series, the PPN spotlighted innovation, advocacy, and profitability strategies at Cardinal Health’s RBC 2025, McKesson ideaShare 2025, and Cencora’s ThoughtSpot 2025 – all in support of independent community pharmacies across the country.

The first stop was Cardinal Health’s Retail Business Conference (RBC) in Denver, Colorado, where podcast host and SaveRite Pharmacy Owner Dr. Adam Robinson, PharmD, provided boots-on-the-ground coverage and expert interviews from the frontlines of independent pharmacy business transformation.

The second event, McKesson ideaShare 2025 in Nashville, Tennessee, featured in-depth interviews at the IPC (Independent Pharmacy Cooperative) booth for the second year in a row, with support from IPC Digital Health, showcasing cutting-edge technology, digital tools, and pharmacist-led innovations.

"We’re incredibly grateful for the Pharmacy Podcast Network’s dedication to amplifying the voice of independent pharmacy. Having Todd Eury and the PPN team in the IPC booth at McKesson ideaShare 2025 allowed us to showcase the innovation driving our industry forward. Their coverage has been instrumental in highlighting the strength and evolution of community pharmacy." stated Marc Essensa, CEO Independent Pharmacy Cooperative.

The final leg brought PPN to Las Vegas for Cencora’s ThoughtSpot 2025, sponsored by Outcomes, focusing on medication management, AI-enabled tools, and scalable revenue strategies for community pharmacies. With more than 4,000 pharmacy leaders in attendance, Good Neighbor Pharmacy’s flagship event highlighted how pharmacies are shaping healthcare from the ground up.

"These three events demonstrate that independent pharmacy isn’t just surviving – it’s evolving with purpose," said Todd Eury, Founder and Editor-in-Chief of the Pharmacy Podcast Network. "Covering all three national wholesaler conferences in a single year is a testament to the momentum behind this profession and the critical role media must play in advocacy and amplification."

Each podcast series focuses on themes essential to independent pharmacy success in 2025 and beyond – including AI integration, innovative clinical services, policy advocacy, and building sustainable cash-based models in a changing reimbursement landscape.

The full press coverage podcast series – "Independent Pharmacy Rising" – is now live across all major platforms including Apple Podcasts, Spotify, and Amazon Music.

For sponsorship opportunities, interview requests, or more information, visit: www.pharmacypodcast.com

About the Pharmacy Podcast Network
Founded in 2009, the Pharmacy Podcast Network is the first and largest podcast platform dedicated to the pharmacy profession, reaching more than 80,000 monthly listeners with a growing library of over 40 shows focused on pharmacy care, business development, advocacy, and innovation.

Contact:

Todd Eury
RxPR, LLC
eury@RxPR.net
(412) 585-4001

SOURCE: RxPR

View the original press release on ACCESS Newswire

First podcast dedicated to the profession of pharmacy covers McKesson, Cencora, and Cardinal Health events

BROWNSVILLE PA / ACCESS Newswire / August 6, 2025 / RxPR, LLC is proud to announce that the Pharmacy Podcast Network (PPN) has successfully delivered podcast media coverage of all three of the nation’s largest drug wholesaler conferences in 2025 – a historic milestone in the platform’s 16-year history. Through a dedicated three-part podcast series, the PPN spotlighted innovation, advocacy, and profitability strategies at Cardinal Health’s RBC 2025, McKesson ideaShare 2025, and Cencora’s ThoughtSpot 2025 – all in support of independent community pharmacies across the country.

The first stop was Cardinal Health’s Retail Business Conference (RBC) in Denver, Colorado, where podcast host and SaveRite Pharmacy Owner Dr. Adam Robinson, PharmD, provided boots-on-the-ground coverage and expert interviews from the frontlines of independent pharmacy business transformation.

The second event, McKesson ideaShare 2025 in Nashville, Tennessee, featured in-depth interviews at the IPC (Independent Pharmacy Cooperative) booth for the second year in a row, with support from IPC Digital Health, showcasing cutting-edge technology, digital tools, and pharmacist-led innovations.

"We’re incredibly grateful for the Pharmacy Podcast Network’s dedication to amplifying the voice of independent pharmacy. Having Todd Eury and the PPN team in the IPC booth at McKesson ideaShare 2025 allowed us to showcase the innovation driving our industry forward. Their coverage has been instrumental in highlighting the strength and evolution of community pharmacy." stated Marc Essensa, CEO Independent Pharmacy Cooperative.

The final leg brought PPN to Las Vegas for Cencora’s ThoughtSpot 2025, sponsored by Outcomes, focusing on medication management, AI-enabled tools, and scalable revenue strategies for community pharmacies. With more than 4,000 pharmacy leaders in attendance, Good Neighbor Pharmacy’s flagship event highlighted how pharmacies are shaping healthcare from the ground up.

"These three events demonstrate that independent pharmacy isn’t just surviving – it’s evolving with purpose," said Todd Eury, Founder and Editor-in-Chief of the Pharmacy Podcast Network. "Covering all three national wholesaler conferences in a single year is a testament to the momentum behind this profession and the critical role media must play in advocacy and amplification."

Each podcast series focuses on themes essential to independent pharmacy success in 2025 and beyond – including AI integration, innovative clinical services, policy advocacy, and building sustainable cash-based models in a changing reimbursement landscape.

The full press coverage podcast series – "Independent Pharmacy Rising" – is now live across all major platforms including Apple Podcasts, Spotify, and Amazon Music.

For sponsorship opportunities, interview requests, or more information, visit: www.pharmacypodcast.com

About the Pharmacy Podcast Network
Founded in 2009, the Pharmacy Podcast Network is the first and largest podcast platform dedicated to the pharmacy profession, reaching more than 80,000 monthly listeners with a growing library of over 40 shows focused on pharmacy care, business development, advocacy, and innovation.

Contact:

Todd Eury
RxPR, LLC
eury@RxPR.net
(412) 585-4001

SOURCE: RxPR

View the original press release on ACCESS Newswire

RightEdition.com, a leading conservative lifestyle and news platform, is proud to announce the addition of a new webcaster to its lineup.

LAS VEGAS, NV / ACCESS Newswire / August 5, 2025 / Wild Bill for America (Bill Findlay) joins the Right Edition platform, bringing his sharp wit, unapologetic conservative commentary, and a strong following built over years of online broadcasting. Known as America’s leading liberal-ologist, Wild Bill has shared his videos with millions of viewers and gained national attention for his bold viewpoints.

A former Deputy U.S. Marshal and Deputy Sheriff, Wild Bill remains a colorful figure. He still holds the unofficial record for wrecking police cruisers in Florida. These days, he’s safer on his motorcycle, which he rides to Christian and political events across multiple states, continuing to speak out on faith, freedom, and the American way.

"It’s very exciting to finally have Wild Bill join our platform. His videos are fantastic! His conservative messages add to the Right Edition voice and strengthen our commitment to truth and traditional values," said Brian Lovig, founder of RightEdition.com.

Wild Bill’s videos are now available on RightEdition.com, alongside an expanding library of digital content focused on conservative politics and culture.

For more information, contact:

admin@rightedition.com

https://www.RightEdition.com

SOURCE: The Right Edition

View the original press release on ACCESS Newswire

Five accomplished women to be honored in Chicago for their outstanding impact across architectural design, sustainability, and education

NEW YORK CITY, NY / ACCESS Newswire / August 5, 2025 / Architectural Record unveils the recipients of its 2025 Women in Architecture Awards. Now in its 12th year, the program honors outstanding achievement by women across the architectural profession.

The five awardees are Gina Bocra, Emily McGlohn, Chandra Robinson, Roberta Washington, and Cynthia Weese. They will be celebrated at a ceremony on September 9 at the S.R. Crown Hall, designed by Ludwig Mies van der Rohe, on the campus of the Illinois Institute of Technology in Chicago.

About the Awardees

Gina Bocra – As vice president of the Built Ecology team at WSP, Bocra has led efforts to deliver high-performance, safe, and resilient buildings over a 30-year career. She previously led New York City’s Department of Buildings team responsible for implementing Local Law 97, the city’s landmark carbon-emissions regulations. Her leadership roles include sustainable design positions at architecture firms, along with volunteer service with the American Institute of Architects (AIA), the U.S. Green Building Council, and the International Code Council.

Emily McGlohn – A registered architect in Virginia and Alabama, McGlohn is an associate professor at Auburn University’s School of Architecture, Planning and Landscape Architecture. She teaches at the Rural Studio in Newbern, Alabama, where she engages students in designing and building homes for local communities. She is also collaborating with engineers at Auburn, the University of Alabama, and the University of South Alabama on a pilot decentralized wastewater treatment system for rural areas.

Chandra Robinson – Robinson, a past Women in Architecture Awards juror, is a principal at Portland, Oregon-based Lever Architecture. With the firm, she completed Meyer Memorial Trust’s LEED Platinum headquarters as part of an all-women design-and-development team and is working with communities on transformative designs for affordable housing and libraries. A member of the Portland Design Commission, a founding board member and treasurer of the National Organization for Minority Architects (NOMA) Portland chapter, and an advisory board member of Hip Hop Architecture Camp, Robinson is passionate about creating beautiful spaces that are accessible to all.

Roberta Washington – Washington established her Harlem-based architectural practice in 1983 after several years spent designing health facilities and schools in Maputo, Mozambique. Her firm’s projects include the interpretive center at the African Burial Ground National Monument in Manhattan and public schools in Brooklyn, Mount Vernon, and New Haven. She has also researched, written, and lectured about the history of New York State’s earliest African American architects and the nation’s first Black women architects. She has served on the NYC Landmarks Preservation Commission and as president of both the New York AIA Foundation and NOMA.

Cynthia Weese – Weese is a founding partner of Weese Langley Weese. Her projects include Chicago’s Chestnut Place Apartments, the Kraft General Foods Education Center at the Art Institute of Chicago, and recent work at the University of Chicago and Northwestern University. She served as professor and dean of the School of Architecture at Washington University in St. Louis from 1993 to 2005-the first woman named dean of any school at the university.

About the Jury

The 2025 jury included past honorees Carol Ross Barney (2022), founder of Ross Barney Architects, and Anne Marie Duvall Decker (2023), co-founder of Duvall Decker Architects, as well as Julie Hiromoto, partner and director of integration at HKS; climate strategist Yasemin Kologlu; and Mark Gardner principal of Jaklitsch/Gardner Architects.

Event & Programming

This year marks the first time the Women in Architecture Awards will be held in Chicago. The September 9 ceremony will be followed by the Sustainability in Practice Conference on September 10.

About the Women in Architecture Awards

Since 2014, Architectural Record has hosted the Women in Architecture Awards, a national program dedicated to honoring women in architecture across generations and disciplines. As of 2025, nearly sixty women have been recognized through the program.

About Architectural Record
Founded in 1891, Architectural Record is the leading source for architecture and design news, serving professionals with award-winning coverage of innovative projects worldwide. The publication offers expert commentary, technology features, and continuing education content, both in print and online, and explores a wide range of building types including residential, educational, healthcare, and interiors. Widely regarded as the authoritative voice in the profession, Architectural Record highlights top firms and emerging trends in design, urbanism, and sustainability.

For more information, please contact:
Carly Reimer
Event Specialist, BNP Media
248.490.5763
reimerc@bnpmedia.com

SOURCE: Architectural Record

View the original press release on ACCESS Newswire

SHORE FIRE MEDIA CLIENT BRUCE SPRINGSTEEN TO RECEIVE THE MUSEUM’S INAUGURAL LEGACY AWARD

PENÉLOPE CRUZ, WALTER SALLES, AND BOWEN YANG WILL ALSO BE HONORED AT THE GALA ON OCTOBER 18, 2025

LOS ANGELES, CA / ACCESS Newswire / August 5, 2025 / Special Projects, a subsidiary of Dolphin (NASDAQ:DLPN) oversees talent relations for The Academy Museum of Motion Pictures’ gala for the fourth year in a row. The Special Projects team secured Oscar®-winning actress Penélope Cruz, Director Walter Salles, Oscar-winning musician Bruce Springsteen and actor and comedian Bowen Yang as the honorees of its annual fundraising gala on October 18, 2025.

Bruce Springsteen is a longtime client of Shore Fire Media, another Dolphin subsidiary. Springsteen will receive the museum’s inaugural Legacy Award and is also set for a live performance at the event. The inaugural Legacy Award honors an artist whose body of work has inspired generations of storytellers and deeply influenced our culture.

"We are incredibly proud to see both Special Projects and Shore Fire play such key roles in one of the most prestigious nights in entertainment," said Bill O’Dowd, CEO of Dolphin. "Supporting the Academy Museum’s mission and celebrating talent like this are perfect examples of how Dolphin creates meaningful cultural moments through collaboration."

The evening will help raise vital funds to support museum exhibitions, education initiatives, and public programming, including screenings, K-12 programs, and access initiatives in service of the public and the local community of Los Angeles. Last year’s gala raised more than $11MM for the museum. Supported by Rolex, the exclusive presenting partner and founding supporter of the Academy Museum, the Gala is being co-chaired by Jon M. Chu; Common; Viola Davis and Julius Tennon; Robert Downey Jr. and Susan Downey; Jennifer Hudson; and Academy Museum Trustee Alejandro Ramírez Magaña.

The 2025 Academy Museum Gala Host Committee includes Amy Adams and Darren Le Gallo, Judd Apatow and Leslie Mann, Noah Baumbach, Dave Bautista, Gael García Bernal, Alison Brie and Dave Franco, Adrien Brody, Nia DaCosta, Willem Dafoe, Danielle Deadwyler, Ariana DeBose, Laura Dern, Harris Dickinson, Colman Domingo, Kirsten Dunst, Jesse Eisenberg, Jacob Elordi, Jeff Goldblum, Ludwig Göransson, Maggie Gyllenhaal, Goldie Hawn and Kurt Russell, Brian Tyree Henry, Oscar Isaac, Rian Johnson, Simon Kinberg, Zoë Kravitz, Jude Law, Greta Lee, Julia Louis-Dreyfus and Brad Hall, Demi Moore, Lupita Nyong’o, Jenna Ortega, Ke Huy and Echo Quan, Da’Vine Joy Randolph, Eddie Redmayne, Seth and Lauren Miller Rogen, Eli Roth, Bird Runningwater, Meg Ryan, Winona Ryder, Zoe Saldaña, Chloë Sevigny, Celine Song, June Squibb, Ben Stiller and Christine Taylor, Jeremy Strong, Tessa Thompson and Rachel Zegler.More individuals joining the host committee will be announced at a later date.

ABOUT SPECIAL PROJECTS

Founded in 2016 by Andrea Oliveri and Nicole Vecchiarelli, Special Projects is the leading talent booking, creative content, and special event agency. By uniting brands and public figures, our team creates opportunities that garner press, build engagement, drive sales, and uniquely position our partners within the cultural zeitgeist. Our extensive expertise as talent strategists, content creators, cultural forecasters, and event producers has earned us unparalleled trust across the entertainment, media, and fashion industries. Special Projects operates offices in New York and Los Angeles. To learn more, visit specialprojectsmedia.com.

ABOUT SHORE FIRE

Shore Fire Media represents artists, talent, creators, authors, athletes, cultural institutions, businesses, brands and entrepreneurs at the forefront of their respective fields – including some of the most exciting emerging and established voices in the arts, entertainment and beyond. With dedicated teams in New York, Los Angeles and Nashville, Shore Fire leverages extensive expertise and relationships to strategically amplify narratives and shape reputations that facilitate career advancement in an ever-evolving media landscape. To learn more, visit ShoreFire.com and follow Shore Fire on Instagram: @shorefire.

ABOUT DOLPHIN

Dolphin (NASDAQ:DLPN) was founded in 1996 by Bill O’Dowd and has evolved from its origins as an Emmy-nominated television, digital and feature film content producer to a company with three dynamic divisions: Dolphin Entertainment, Dolphin Marketing and Dolphin Ventures.

Dolphin Entertainment: This legacy division, where it all began, has a rich history of producing acclaimed television shows, digital content and feature films. With high-profile partners like IMAX and notable projects including The Blue Angels, Dolphin Entertainment continues to set the standard in quality storytelling and innovative content creation.

Dolphin Marketing: Established in 2017, the Marketing division, which was just named by Observer as the 2025 #1 Agency of the Year, is a powerhouse in public relations, influencer marketing, branding strategy, talent booking and special events. Comprising top-tier companies such as 42West, The Door, Shore Fire Media, Elle Communications, Special Projects, The Digital Dept., and Always Alpha, Dolphin Marketing serves a wide range of industries – from entertainment, music and sports to hospitality, fashion and consumer products.

Dolphin Ventures: This division leverages Dolphin’s best-in-class cross-marketing acumen and business development relationships to create, launch and/or accelerate innovative ideas and promising products, events and content in our areas of expertise.

Contact
James Carbonara/HAYDEN IR
(646)-755-7412
james@haydenir.com

SOURCE: Dolphin Entertainment

View the original press release on ACCESS Newswire

SHORE FIRE MEDIA CLIENT BRUCE SPRINGSTEEN TO RECEIVE THE MUSEUM’S INAUGURAL LEGACY AWARD

PENÉLOPE CRUZ, WALTER SALLES, AND BOWEN YANG WILL ALSO BE HONORED AT THE GALA ON OCTOBER 18, 2025

LOS ANGELES, CA / ACCESS Newswire / August 5, 2025 / Special Projects, a subsidiary of Dolphin (NASDAQ:DLPN) oversees talent relations for The Academy Museum of Motion Pictures’ gala for the fourth year in a row. The Special Projects team secured Oscar®-winning actress Penélope Cruz, Director Walter Salles, Oscar-winning musician Bruce Springsteen and actor and comedian Bowen Yang as the honorees of its annual fundraising gala on October 18, 2025.

Bruce Springsteen is a longtime client of Shore Fire Media, another Dolphin subsidiary. Springsteen will receive the museum’s inaugural Legacy Award and is also set for a live performance at the event. The inaugural Legacy Award honors an artist whose body of work has inspired generations of storytellers and deeply influenced our culture.

"We are incredibly proud to see both Special Projects and Shore Fire play such key roles in one of the most prestigious nights in entertainment," said Bill O’Dowd, CEO of Dolphin. "Supporting the Academy Museum’s mission and celebrating talent like this are perfect examples of how Dolphin creates meaningful cultural moments through collaboration."

The evening will help raise vital funds to support museum exhibitions, education initiatives, and public programming, including screenings, K-12 programs, and access initiatives in service of the public and the local community of Los Angeles. Last year’s gala raised more than $11MM for the museum. Supported by Rolex, the exclusive presenting partner and founding supporter of the Academy Museum, the Gala is being co-chaired by Jon M. Chu; Common; Viola Davis and Julius Tennon; Robert Downey Jr. and Susan Downey; Jennifer Hudson; and Academy Museum Trustee Alejandro Ramírez Magaña.

The 2025 Academy Museum Gala Host Committee includes Amy Adams and Darren Le Gallo, Judd Apatow and Leslie Mann, Noah Baumbach, Dave Bautista, Gael García Bernal, Alison Brie and Dave Franco, Adrien Brody, Nia DaCosta, Willem Dafoe, Danielle Deadwyler, Ariana DeBose, Laura Dern, Harris Dickinson, Colman Domingo, Kirsten Dunst, Jesse Eisenberg, Jacob Elordi, Jeff Goldblum, Ludwig Göransson, Maggie Gyllenhaal, Goldie Hawn and Kurt Russell, Brian Tyree Henry, Oscar Isaac, Rian Johnson, Simon Kinberg, Zoë Kravitz, Jude Law, Greta Lee, Julia Louis-Dreyfus and Brad Hall, Demi Moore, Lupita Nyong’o, Jenna Ortega, Ke Huy and Echo Quan, Da’Vine Joy Randolph, Eddie Redmayne, Seth and Lauren Miller Rogen, Eli Roth, Bird Runningwater, Meg Ryan, Winona Ryder, Zoe Saldaña, Chloë Sevigny, Celine Song, June Squibb, Ben Stiller and Christine Taylor, Jeremy Strong, Tessa Thompson and Rachel Zegler.More individuals joining the host committee will be announced at a later date.

ABOUT SPECIAL PROJECTS

Founded in 2016 by Andrea Oliveri and Nicole Vecchiarelli, Special Projects is the leading talent booking, creative content, and special event agency. By uniting brands and public figures, our team creates opportunities that garner press, build engagement, drive sales, and uniquely position our partners within the cultural zeitgeist. Our extensive expertise as talent strategists, content creators, cultural forecasters, and event producers has earned us unparalleled trust across the entertainment, media, and fashion industries. Special Projects operates offices in New York and Los Angeles. To learn more, visit specialprojectsmedia.com.

ABOUT SHORE FIRE

Shore Fire Media represents artists, talent, creators, authors, athletes, cultural institutions, businesses, brands and entrepreneurs at the forefront of their respective fields – including some of the most exciting emerging and established voices in the arts, entertainment and beyond. With dedicated teams in New York, Los Angeles and Nashville, Shore Fire leverages extensive expertise and relationships to strategically amplify narratives and shape reputations that facilitate career advancement in an ever-evolving media landscape. To learn more, visit ShoreFire.com and follow Shore Fire on Instagram: @shorefire.

ABOUT DOLPHIN

Dolphin (NASDAQ:DLPN) was founded in 1996 by Bill O’Dowd and has evolved from its origins as an Emmy-nominated television, digital and feature film content producer to a company with three dynamic divisions: Dolphin Entertainment, Dolphin Marketing and Dolphin Ventures.

Dolphin Entertainment: This legacy division, where it all began, has a rich history of producing acclaimed television shows, digital content and feature films. With high-profile partners like IMAX and notable projects including The Blue Angels, Dolphin Entertainment continues to set the standard in quality storytelling and innovative content creation.

Dolphin Marketing: Established in 2017, the Marketing division, which was just named by Observer as the 2025 #1 Agency of the Year, is a powerhouse in public relations, influencer marketing, branding strategy, talent booking and special events. Comprising top-tier companies such as 42West, The Door, Shore Fire Media, Elle Communications, Special Projects, The Digital Dept., and Always Alpha, Dolphin Marketing serves a wide range of industries – from entertainment, music and sports to hospitality, fashion and consumer products.

Dolphin Ventures: This division leverages Dolphin’s best-in-class cross-marketing acumen and business development relationships to create, launch and/or accelerate innovative ideas and promising products, events and content in our areas of expertise.

Contact
James Carbonara/HAYDEN IR
(646)-755-7412
james@haydenir.com

SOURCE: Dolphin Entertainment

View the original press release on ACCESS Newswire

Strong Results in Both Segments Grew Total Revenue by 8%

NEW YORK CITY, NY / ACCESS Newswire / August 5, 2025 / Reservoir Media, Inc. (NASDAQ:RSVR) ("Reservoir" or the "Company"), an award-winning independent music company, today announced financial results for the first quarter of fiscal 2026 ended June 30, 2025.

Recent Highlights:

• Revenue of $37.2 million, increased 5% organically, or 8% including acquisitions year-over-year

  • Music Publishing Revenue rose 4% year-over-year

  • Recorded Music Revenue increased by 8% year-over-year

• Operating Income of $5.4 million, increased by 10% year-over-year

• OIBDA ("Operating Income Before Depreciation & Amortization") of $12.8 million, an increase of 12% year-over-year

• Net Loss of ($0.6) million, or ($0.01) per share, compared to a net loss of ($0.5) million, or ($0.01) per share

• Adjusted EBITDA of $13.9 million, up 10% year-over-year

• Invested in London-based immersive entertainment company Lightroom, also providing access to Reservoir’s catalog for new IP-driven experiences

• Struck a deal with independent tastemaker record label Fool’s Gold Records to acquire the master rights of five of the label’s artists and exclusively market and distribute all other recordings including future releases

• Extended publishing deals with music icon Joni Mitchell and Grammy award-winning songwriter and producer Khris Riddick-Tynes

• Welcomed writer-producers Oscar Linnander and Jayme Silverstein to the roster

Management Commentary:

"We achieved healthy top-line growth in the first fiscal quarter, while continuing to manage our costs to generate a 10% year-over-year improvement in our adjusted EBITDA," said Golnar Khosrowshahi, Founder and Chief Executive Officer of Reservoir Media. "Reservoir remains focused on identifying opportunities for both capital deployment and value enhancement, as evidenced by our acquisition of independent tastemaker label Fool’s Gold, and recently announced investment in immersive entertainment company Lightroom. As we enter the second fiscal quarter, we are building on strong momentum and are well-positioned to continue focusing on organic growth opportunities for our catalog of high-quality music, while remaining a trusted partner to our growing roster of creators."

First Quarter Fiscal 2026 Financial Results

Summary Financials		Q1 FY26			Q1 FY25			Change
Total Revenue		$37.2			$34.3			8%
Music Publishing Revenue		$24.9			$24.0			4%
Recorded Music Revenue		$10.4			$9.6			8%
Operating Income		$5.4			$5.0			10%
OIBDA		$12.8			$11.3			12%
Net Loss		$(0.6)			$(0.5)			42%
Adjusted EBITDA		$13.9			$12.6			10%

(Table Notes: $ in millions; Quarters ended June 30th; Unaudited)

Total revenue in the first quarter of fiscal 2026 increased 8% to $37.2 million, compared to $34.3 million in the first quarter of fiscal 2025. This increase was driven by a 4% increase in Music Publishing revenue, alongside an 8% increase in Recorded Music revenue that was largely attributable to strong synchronization licensing in the Music Publishing segment and continued growth of digital revenue within the Recorded Music segment.

Operating income in the first quarter of fiscal 2026 was $5.4 million compared to operating income of $5.0 million in the first quarter of fiscal 2025. OIBDA in the first quarter of fiscal 2026 increased 10% to $12.8 million, compared to $11.3 million in the prior year’s quarter. Adjusted EBITDA in the first quarter of fiscal 2026 increased 10% to $13.9 million, compared to $12.6 million last year, primarily as a result of an increase of total revenue and improving margins. See below for calculations and reconciliations of OIBDA and Adjusted EBITDA to operating income and net loss, respectively.

Net loss in the first quarter of fiscal 2026 was ($0.6) million, or ($0.01) per share, compared to net loss of ($0.5) million, or ($0.01) per share, in the year-ago quarter. The increase in net loss was primarily driven by higher interest expense and losses on fair value swaps, partially offset by gains in foreign exchange and an increase in operating income.

First Quarter Fiscal 2026 Segment Review

Music Publishing		Q1 FY26			Q1 FY25			Change
Revenue by Type
Digital		$14.3			$14.6			(2%)
Performance		$4.8			$5.1			(7%)
Synchronization		$4.2			$2.8			48%
Mechanical		$0.6			$0.7			(7%)
Other		$1.1			$0.8			42%
Total Revenue		$24.9			$24.0			4%
OIBDA		$7.6			$6.8			12%

(Table Notes: $ in millions; Quarters ended June 30th; Unaudited)

Music Publishing Revenue in the first quarter of fiscal 2026 was $24.9 million, an increase of 4% compared to $24.0 million in last year’s first quarter. The increase was mainly driven by a significant upswing in Synchronization revenue and Other revenue attributed to stage rights. This rise was partially offset by declines in both performance and digital revenue.

In the first quarter of fiscal 2026, Music Publishing OIBDA increased 12% to $7.6 million, compared to $6.8 million in the first quarter of fiscal 2025. Music Publishing OIBDA margin in the first quarter increased from 28% to 30%. The increases in Music Publishing OIBDA and OIBDA Margin embody stronger revenue performance alongside margin expansion.

Recorded Music		Q1 FY26			Q1 FY25			Change
Revenue by Type
Digital		$8.0			$6.6			23%
Physical		$1.1			$1.4			(21%)
Neighboring Rights		$1.1			$1.1			(3%)
Synchronization		$0.3			$0.6			(57%)
Total Revenue		$10.4			$9.6			8%
OIBDA		$4.9			$4.5			9%

(Table Notes: $ in millions; Quarters ended June 30th; Unaudited)

Recorded Music Revenue in the first quarter of fiscal 2026 was $10.4 million, an increase of 8% compared to $9.6 million in last year’s first quarter. The increase was driven by digital revenue with the continued expansion of music streaming services, as well as the acquisition of additional catalogs. These gains were partially offset by a decline in synchronization revenue, driven by the timing of licenses, and a reduction in physical revenue.

In the first quarter of fiscal 2026, Recorded Music OIBDA increased 9%, to $4.9 million, compared to $4.5 million in the first quarter of fiscal 2025. Recorded Music OIBDA margin in the first quarter remains unchanged at 46%.

Balance Sheet and Liquidity

For the three months ended June 30, 2025, cash provided by operating activities was $6.0 million, a decrease of $2.5 million compared to the same period last year, primarily due to the timing of royalty payments.

As of June 30, 2025, Reservoir had cash and cash equivalents of $14.8 million and $158.2 million available for borrowing under its revolving credit facility, for total available liquidity of $173.0 million. Total debt was $387.4 million (net of $4.5 million of deferred financing costs) and Net Debt was $372.5 million (defined as total debt, less cash and equivalents and deferred financing costs). This compares to cash and cash equivalents of $21.4 million and $58.2 million available for borrowing under its revolving credit facility, for total available liquidity of $79.6 million as of March 31, 2025. Total debt was $388.1 million (net of $3.7 million of deferred financing costs) and Net Debt was $366.7 million as of March 31, 2025.

Fiscal Year 2026 Outlook

Reservoir maintains its previously provided financial outlook range for fiscal year 2026, and expects the financial results for the year ending March 31, 2026, to be as follows:

Outlook		Guidance			Growth (at mid-point)
Revenue		$ 164M – $169M			5%
Adjusted EBITDA		$ 68M – $72M			6%

Jim Heindlmeyer, Chief Financial Officer of Reservoir, stated, "The first fiscal quarter was hallmarked by our top-line growth, prudent cost containment, and our continued track record of value-additive acquisitions and retaining our talented roster of creators. We are squarely on the path to achieving our previously issued revenue and adjusted EBITDA guidance for fiscal year 2026."

Conference Call Information

Reservoir is hosting a conference call for analysts and investors to discuss its financial results for the first quarter for fiscal year ending March 31, 2026 at 10:00 a.m. EDT today, August 5, 2025. The conference call can be accessed via webcast in the Investor Relations section of the Company’s website at https://investors.reservoir-media.com/news-and-events/events-and-presentations.

Interested parties may also participate in the call using the following registration link: Here. Once registered, participants will receive a dial-in number as well as a PIN to enter the event. Participants may re-register for the conference call in the event of a lost dial-in number or PIN. Shortly after the conclusion of the conference call, a replay of the audio webcast will be available in the investor relations section of Reservoir’s website for 30 days after the event.

About Reservoir Media, Inc.

Reservoir is an independent music company based in New York City and with offices in Los Angeles, Nashville, Toronto, London, Abu Dhabi, and Mumbai. Reservoir is the first female-founded and led publicly traded independent music company in the U.S. Founded as a family-owned music publisher in 2007, Reservoir represents copyrights and master recordings including titles dating as far back as 1900 and hundreds of #1 releases worldwide. Reservoir frequently holds a Top 10 U.S. Market Share according to Billboard’s Publishers Quarterly, was twice named Publisher of the Year by Music Business Worldwide’s The A&R Awards and won Independent Publisher of the Year at the 2020 and 2022 Music Week Awards.

Reservoir also represents a multitude of recorded music through Chrysalis Records, Tommy Boy Music, and Philly Groove Records and manages artists through its ventures with Blue Raincoat Music and Big Life Management.

Forward-Looking Statements

This press release contains forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995 and are made in reliance on the safe harbor protections provided thereunder. Forward-looking statements are typically identified by words such as "anticipate," "believe," "continue," "could," "estimate," "expect," "forecast," "intend," "may," "might," "outlook," "plan," "possible," "potential," "predict," "project," "should," "target," "would" and other similar words and expressions. Forward-looking statements in this press release relate to, among other things: Reservoir’s anticipated financial condition, results of operations and performance, expected growth, plans and objectives for future operations, business prospects and market conditions. Forward-looking statements are based on the current expectations and beliefs of management and information currently available to management. These statements are inherently subject to a number of risks, uncertainties and assumptions, many of which are outside of our control and could cause future events or results to be materially different from those stated or implied in this press release, including the risk factors that are described in Reservoir’s Annual Report on Form 10-K for the year ended March 31, 2025 and our other filings with the SEC available on the SEC’s website at www.sec.gov or Reservoir’s website at www.reservoir-media.com. Any forward-looking statement made in this press release speaks only as of the date on which it is made and Reservoir undertakes no obligation to update or revise any forward-looking statement, whether as a result of new information, future developments or otherwise.

Reservoir Media, Inc. and Subsidiaries
Condensed Consolidated Statements of Income
Three Months Ended June 30, 2025 versus June 30, 2024
(Unaudited)
(Expressed in U.S. dollars)

		Three Months Ended June 30,
		2025				2024				% Change
Revenues		$	37,164,293			$	34,316,843				8	%
Costs and expenses:
Cost of revenue			13,192,715				13,281,116				(1	)%
Amortization and depreciation			7,313,737				6,384,757				15	%
Administration expenses			11,211,147				9,689,437				16	%
Total costs and expenses			31,717,599				29,355,310				8	%
Operating income			5,446,694				4,961,533				10	%
Interest expense			(6,295,958	)			(5,059,398	)
Gain (loss) on foreign exchange			1,095,414				(59,463	)
Loss on fair value of swaps			(997,165	)			(490,295	)
Other income (expense), net			(163,776	)			(99,522	)
Loss before income taxes			(914,791	)			(747,145	)
Income tax benefit			(271,066	)			(293,968	)
Net loss			(643,725	)			(453,177	)
Net loss attributable to noncontrolling interests			88,066				106,522
Net loss attributable to Reservoir Media, Inc.		$	(555,659	)		$	(346,655	)
Loss per common share:
Basic		$	(0.01	)		$	(0.01	)
Diluted		$	(0.01	)		$	(0.01	)
Weighted average common shares outstanding:
Basic			65,369,891				64,970,693
Diluted			65,369,891				64,970,693

Reservoir Media, Inc. and Subsidiaries
Condensed Consolidated Balance Sheets
June 30, 2025 versus March 31, 2025
(Unaudited)
(Expressed in U.S. dollars)

		June 30, 2025				March 31, 2025
Assets
Current assets
Cash and cash equivalents		$	14,857,144			$	21,386,140
Accounts receivable			34,674,579				37,848,611
Current portion of royalty advances			14,983,380				15,182,463
Other current assets			4,956,968				4,867,081
Total current assets			69,472,071				79,284,295
Intangible assets, net			721,795,939				719,673,219
Equity method and other investments			2,622,560				1,100,000
Royalty advances, net of current portion and reserves			54,444,388				55,508,155
Property and equipment, net			388,681				406,784
Operating lease right of use assets, net			5,677,243				5,949,418
Fair value of swap assets			1,087,832				1,828,303
Other assets			1,487,469				1,376,836
Total assets		$	856,976,183			$	865,127,010
Liabilities
Current liabilities
Accounts payable and accrued liabilities		$	3,758,677			$	5,394,755
Royalties payable			42,089,753				47,210,727
Accrued payroll			541,529				2,588,758
Deferred revenue			2,740,224				1,885,462
Other current liabilities			3,891,791				7,954,208
Income taxes payable			680,682				803,342
Total current liabilities			53,702,656				65,837,252
Secured line of credit			387,367,065				388,134,754
Deferred income taxes			39,149,703				38,228,099
Operating lease liabilities, net of current portion			5,491,313				5,723,930
Fair value of swap liability			666,701				410,008
Other liabilities			490,244				593,185
Total liabilities			486,867,682				498,927,228
Contingencies and commitments
Shareholders’ Equity
Preferred stock			–				–
Common stock			6,550				6,524
Additional paid-in capital			344,646,039				344,145,789
Retained earnings			22,591,911				23,147,570
Accumulated other comprehensive loss			1,630,061				(2,422,107	)
Total Reservoir Media, Inc. shareholders’ equity			368,874,561				364,877,776
Noncontrolling interest			1,233,940				1,322,006
Total shareholders’ equity			370,108,501				366,199,782
Total liabilities and shareholders’ equity		$	856,976,183			$	865,127,010

Supplemental Disclosures Regarding Non-GAAP Financial Measures

This press release includes certain financial information, such as OIBDA, OIBDA margin, EBITDA, Adjusted EBITDA, and Net Debt, which has not been prepared in accordance with United States generally accepted accounting principles ("GAAP"). Reservoir’s management uses these non-GAAP financial measures to evaluate Reservoir’s operations, measure its performance and make strategic decisions. Reservoir believes that the use of these non-GAAP financial measures provides useful information to investors and others in understanding Reservoir’s results of operations and trends in the same manner as Reservoir’s management and in evaluating Reservoir’s financial measures as compared to the financial measures of other similar companies, many of which present similar non-GAAP financial measures. However, these non-GAAP financial measures are subject to inherent limitations as they reflect the exercise of judgments by Reservoir’s management about which items are excluded or included in determining these non-GAAP financial measures and, therefore, should not be considered as a substitute for net income, operating income or any other operating performance measures calculated in accordance with GAAP. Using such non-GAAP financial measures in isolation to analyze Reservoir’s business would have material limitations because the calculations are based on the subjective determination of Reservoir’s management regarding the nature and classification of events and circumstances. In addition, although other companies in Reservoir’s industry may report measures titled OIBDA, OIBDA margin, Adjusted EBITDA, and Net Debt, or similar measures, such non-GAAP financial measures may be calculated differently from how Reservoir calculates such non-GAAP financial measures, which reduces their overall usefulness as comparative measures. Because of these limitations, such non-GAAP financial measures should be considered alongside other financial performance measures and other financial results presented in accordance with GAAP. You can find the reconciliation of these non‐GAAP financial measures to the nearest comparable GAAP measures in the tables below.

OIBDA

Reservoir evaluates operating performance based on several factors, including its primary financial measure of operating income before non-cash depreciation of tangible assets and non-cash amortization of intangible assets ("OIBDA"). Reservoir considers OIBDA to be an important indicator of the operational strengths and performance of its businesses and believes this non-GAAP financial measure provides useful information to investors because it removes the significant impact of amortization from Reservoir’s results of operations. However, a limitation of the use of OIBDA as a performance measure is that it does not reflect the periodic costs of certain capitalized tangible and intangible assets used in generating revenues in Reservoir’s businesses and other non-operating income (loss). Accordingly, OIBDA should be considered in addition to, not as a substitute for, operating income, net income attributable to us and other measures of financial performance reported in accordance with GAAP. In addition, our definition of OIBDA may differ from similarly titled measures used by other companies. OIBDA Margin is defined as OIBDA as a percentage of revenue.

EBITDA and Adjusted EBITDA

EBITDA is defined as earnings (net income or loss) before net interest expense, income tax (benefit) expense, non-cash depreciation of tangible assets and non-cash amortization of intangible assets and is used by management to measure operating performance of the business. Adjusted EBITDA, in addition to adjusting net income to exclude income tax expense, interest expense and depreciation and amortization, further adjusts net income by excluding items or expenses such as, among others, (1) any non-cash charges (including any impairment charges and loss on early extinguishment of debt and to write-down an equity investment to its estimated fair value), (2) any net gain or loss on foreign exchange, (3) any net gain or loss resulting from interest rate swaps, (4) equity-based compensation expense and (5) certain unusual or non-recurring items.

Adjusted EBITDA is a key measure used by Reservoir’s management to understand and evaluate operating performance, generate future operating plans, and make strategic decisions regarding the allocation of capital. However, certain limitations on the use of Adjusted EBITDA include, among others, (1) it does not reflect the periodic costs of certain capitalized tangible and intangible assets used in generating revenue for Reservoir’s business, (2) it does not reflect the significant interest expense or cash requirements necessary to service interest or principal payments on Reservoir’s indebtedness and (3) it does not reflect every cash expenditure, future requirements for capital expenditures or contractual commitments. In particular, Adjusted EBITDA measure adds back certain non-cash, unusual or non-recurring charges that are deducted in calculating net income; however, these are expenses that may recur, vary greatly and are difficult to predict. In addition, Adjusted EBITDA is not the same as net income or cash flow provided by operating activities as those terms are defined by GAAP and does not necessarily indicate whether cash flows will be sufficient to fund cash needs.

Net Debt

Reservoir defines Net Debt as total debt, less cash and equivalents and deferred financing costs.

Reservoir Media, Inc. and Subsidiaries
Reconciliation of Operating Income to OIBDA
Three Months Ended June 30, 2025 versus June 30, 2024
(Unaudited)
(Dollars in thousands)

		For the Three Months Ended June 30,
		2025				2024
Revenues		$	37,164			$	34,317
Cost of revenue			13,193				13,281
Administration expenses			11,211				9,689
OIBDA			12,760				11,346
Amortization and depreciation			7,314				6,385
Operating income		$	5,447			$	4,962

Reservoir Media, Inc. and Subsidiaries
Music Publishing Segment OIBDA
Three Months Ended June 30, 2025 versus June 30, 2024
(Unaudited)
(Dollars in thousands)

		For the Three Months Ended June 30,
		2025				2024
Revenues		$	24,933			$	24,000
Cost of revenue			10,437				10,635
Administration expenses			6,933				6,581
OIBDA		$	7,564			$	6,784

Reservoir Media, Inc. and Subsidiaries
Recorded Music Segment OIBDA
Three Months Ended June 30, 2025 versus June 30, 2024
(Unaudited)
(Dollars in thousands)

		For the Three Months Ended June 30,
		2025				2024
Revenues		$	10,444			$	9,631
Cost of revenue			2,756				2,646
Administration expenses			2,834				2,534
OIBDA		$	4,854			$	4,451

Reservoir Media, Inc. and Subsidiaries
Reconciliation of Net Loss to Adjusted EBITDA
Three Months Ended June 30, 2025 versus June 30, 2024
(Unaudited)
(Dollars in thousands)

		For the Three Months Ended June 30,
		2025				2024
Net Loss		$	(644	)		$	(453	)
Income Tax Benefit			(271	)			(294	)
Interest Expense			6,296				5,059
Amortization and Depreciation			7,314				6,385
EBITDA			12,695				10,697
(Gain) loss on Foreign Exchange(a)			(1,095	)			59
Loss on Fair Value of Swaps(b)			997				490
Non-cash Share-based Compensation(c)			1,134				1,274
Other (Income) Expense, Net(d)			164				100
Adjusted EBITDA		$	13,895			$	12,620

(a)		Reflects the (gain) or loss on foreign exchange fluctuations.
(b)		Reflects the non-cash loss on the mark-to-market of interest rate swaps.
(c)		Reflects non-cash share-based compensation expense related to the Reservoir Media, Inc. 2021 Omnibus Incentive Plan.
(d)		Reflects Reservoir’s share of losses recorded by equity method investments.

Media Contact
Reservoir Media, Inc.
Suzy Arrabito
Vice President, Marketing & Communications
sa@reservoir-media.com
www.reservoir-media.com

Investor Contact
Alpha IR Group
Jackie Marcus or Nathan Skown
RSVR@alpha-ir.com

SOURCE: Reservoir Media, Inc.

View the original press release on ACCESS Newswire

NEW YORK CITY, NEW YORK / ACCESS Newswire / August 4, 2025 / New to The Street, the 16-year media powerhouse known for national financial programming and multi-platform exposure, announces the official launch of a massive television commercial campaign for Synergy CHC Corp (NASDAQ:SNYR) – best known as the company behind Focus Factor®, the leading brain health supplement in the U.S.

This strategic media blitz will feature over 1,000 commercials across top national networks and local stations, bolstered by:

• NYC #1 Market Penetration via regional commercial placements and bus shelter ads

• NewsOut Video Press Release Coverage, including full production, distribution, and licensing

• Distribution across New to The Street’s YouTube channel with 3.2 million+ subscribers, one of the largest business media audiences globally

• TV rotation on FOX Business, Bloomberg Television, and national lifestyle networks

• Guaranteed earned media support through NewsOut’s press network and ABC/NBC/CBS affiliate access

• Outdoor visibility via Times Square billboards and Financial District placements (Accel Media)

"Synergy CHC and Focus Factor are household names with strong brand equity," said New to The Street Founder Vince Caruso.

"This commercial campaign – backed by our unmatched reach on broadcast, digital, social, and outdoor – puts $SNYR in front of millions weekly. With NewsOut press releases complementing every push, this is one of the most complete visibility campaigns we’ve ever deployed."

This marks a new chapter for Synergy CHC ($SNYR), combining decades of product recognition with cutting-edge media distribution that guarantees measurable, predictable exposure.

For media kits, bookings, or full broadcast schedules, contact:
Grace@NewToTheStreet.com
www.NewToTheStreet.com

About New to The Street

Since 2009, New to The Street has established itself as a leading media powerhouse, specializing in the production and broadcast of high-impact financial programming. With weekly sponsored broadcasts across prominent networks, including Bloomberg and FOX Business, we deliver unmatched exposure for our featured companies.

Beyond television, our extensive outdoor advertising footprint spans 17 iconic billboards strategically located throughout New York City, amplifying visibility in one of the world’s most dynamic markets. Additionally, New to The Street ranks among the top three largest buyers of TV commercial airtime across major networks such as FOX, CNBC, and Bloomberg, ensuring our clients achieve extensive reach and influence.

Our digital presence is equally commanding, boasting the largest social media platform in the industry with over 3.2 million dedicated subscribers. Through our integrated multimedia approach-combining national television, targeted outdoor advertising, strategic commercial placements, and a dominant online audience-New to The Street empowers brands with unparalleled media visibility and investor engagement.

Head Of Communications; Monica@NewtoTheStreet.com

SOURCE: New To The Street

View the original press release on ACCESS Newswire

NEW YORK CITY, NEW YORK / ACCESS Newswire / August 4, 2025 / New to The Street, the 16-year media powerhouse known for national financial programming and multi-platform exposure, announces the official launch of a massive television commercial campaign for Synergy CHC Corp (NASDAQ:SNYR) – best known as the company behind Focus Factor®, the leading brain health supplement in the U.S.

This strategic media blitz will feature over 1,000 commercials across top national networks and local stations, bolstered by:

• NYC #1 Market Penetration via regional commercial placements and bus shelter ads

• NewsOut Video Press Release Coverage, including full production, distribution, and licensing

• Distribution across New to The Street’s YouTube channel with 3.2 million+ subscribers, one of the largest business media audiences globally

• TV rotation on FOX Business, Bloomberg Television, and national lifestyle networks

• Guaranteed earned media support through NewsOut’s press network and ABC/NBC/CBS affiliate access

• Outdoor visibility via Times Square billboards and Financial District placements (Accel Media)

"Synergy CHC and Focus Factor are household names with strong brand equity," said New to The Street Founder Vince Caruso.

"This commercial campaign – backed by our unmatched reach on broadcast, digital, social, and outdoor – puts $SNYR in front of millions weekly. With NewsOut press releases complementing every push, this is one of the most complete visibility campaigns we’ve ever deployed."

This marks a new chapter for Synergy CHC ($SNYR), combining decades of product recognition with cutting-edge media distribution that guarantees measurable, predictable exposure.

For media kits, bookings, or full broadcast schedules, contact:
Grace@NewToTheStreet.com
www.NewToTheStreet.com

About New to The Street

Since 2009, New to The Street has established itself as a leading media powerhouse, specializing in the production and broadcast of high-impact financial programming. With weekly sponsored broadcasts across prominent networks, including Bloomberg and FOX Business, we deliver unmatched exposure for our featured companies.

Beyond television, our extensive outdoor advertising footprint spans 17 iconic billboards strategically located throughout New York City, amplifying visibility in one of the world’s most dynamic markets. Additionally, New to The Street ranks among the top three largest buyers of TV commercial airtime across major networks such as FOX, CNBC, and Bloomberg, ensuring our clients achieve extensive reach and influence.

Our digital presence is equally commanding, boasting the largest social media platform in the industry with over 3.2 million dedicated subscribers. Through our integrated multimedia approach-combining national television, targeted outdoor advertising, strategic commercial placements, and a dominant online audience-New to The Street empowers brands with unparalleled media visibility and investor engagement.

Head Of Communications; Monica@NewtoTheStreet.com

SOURCE: New To The Street

View the original press release on ACCESS Newswire

Created by Carrie Murray, the new series explores what it means to amplify voices, navigate darkness, and use story as a catalyst for social change

LOS ANGELES, CA / ACCESS Newswire / August 4, 2025 / In a time of uncertainty, storytelling becomes a lifeline. It connects us to not only the truth, but to each other. It gives us hope in a time when the world feels heavy and uncertain. Inspired by the legacy of those who spoke out when silence was easier, Carrie On! With Carrie Murray explores how personal narrative can spark collective action.

For Carrie Murray, what started off as dinner parties with fellow frustrated entrepreneurs quickly turned into a thriving network of women committed to rewriting the rules of business and life. After a decade of connecting thousands of women in business and stimulating over $ 2.5 million in funding through the Bra Network, Carrie is turning the spotlight on a new project: Carrie On. Carrie’s new web series invites intergenerational conversations that span career, identity, resilience, and liberation. She’s not asking for a seat at the table; she’s setting her own.

As the host and creator of Carrie On!, a bold web series and podcast that hands the mic to voices rich with unfiltered wisdom, wit, rage, reinvention, and joy, Carrie makes sure that Carrie On! doesn’t just tell stories, but that it reminds us we’re not alone. The show is made for anyone on the edge of transformation: Gen Xers in their reinvention era, millennials holding it all together, and even younger listeners who’ve been forced to grow up fast.

Carrie On! is a movement. Produced by Rolling Water Entertainment, LLC in partnership with BRA Media under the BRA Network, Carrie On! amplifies the voices of women who refuse to be ignored.

Born from Carrie’s disappointment by the complacency of some women, yet deeply inspired and energized by those who are rising up, Carrie On! is Carrie’s way of bringing together two of her greatest passions: fearless entrepreneurship and bold, disruptive women sharing their truths. This is a space for women 40+ to have the tough, necessary conversations and shine a light on what we need right now.

The 2024 election made one thing painfully clear: marginalized voices are under attack. Government policies are muting dissent, and without relentless advocacy, our democracy and fundamental rights are at risk.

Carrie On! is a stand, a space for women to show up, speak out, share their talents, and get unapologetically real. Because they refuse to be muted.

Carrie Murray is a founder, speaker, author, and unapologetic amplifier of those often pushed to the edges. She is the founder of BRA – Business Relationship Alliance – a community built to connect and elevate female and non-binary entrepreneurs through visibility, collaboration, and real, lasting support.

With a background in social justice, education, and entrepreneurship, Carrie brings a lived understanding of what it means to build something meaningful while balancing real life. She was the first in her family to graduate from college, later becoming a teacher, school principal, and founder of a school for twice-exceptional students. Her leap into entrepreneurship was born out of necessity, curiosity, and community, and she’s been building bridges for others ever since.

In a culture that’s constantly telling women to shrink, Carrie On! invites you to expand. This is the show for those done being defined by what they lack and ready to be seen for what they are: brilliant, brave, and fully here.

For further information, please contact: dottie@rebeccacafiero.com

SOURCE: Carrie Murray LLC

View the original press release on ACCESS Newswire