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Pitchfork Gets Immersive with Daft Punk in New Feature

Next week, the musical world will experience a huge event: eight years after their last album, master of dance music Daft Punk will drop their much-hyped album, Random Access Memories. Music website Pitchfork has honored that with an amazing, immersive feature that evokes the immersive nature of the buzzy New York Times piece, “Snowfall.”

Offering a rare glimpse into the largely private world of Daft Punk’s Thomas Bangalter and Guy-Manuel de Homem-Christo, and it achieves it best with strong visual elements that only new media can provide. Taking advantage of HTML5 and GIFs, the layout of the piece flows smartly and shows a lot more editorial flair than the standard feature.

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IndieGoGo Project Seeks To ‘Free The Press, Buy The Tribune Company’

The Tribune Company is looking at potentially selling its newspapers, and one Indiegogo project from The Other 98% wants to “put the ‘free’ back in ‘free press’” by crowdfunding the money to purchase the media conglomerate. The price tag? Oh, you know, only $660 million. Today they are just over $60,000, with 30 days remaining in the campaign. Read more

Send Your Multimedia Story Ideas to Audubon

Journos covering all things green can land a byline at the website of Audubon, one of the nation’s oldest continuously published magazines. The advocacy magazine promotes the mission of saving birds, wildlife and habitat and serves as the flagship publication of the National Audubon Society, one of the oldest environmental groups in the country.

The mag’s website covers the same nature-friendly topics as the print mag, and editors are open to hearing from freelancers who want to write Web content and establish a relationship with the pub. In particular, they would love to receive more multimedia pitches, like videos, slideshows and audio pieces. 

For more info, read How To Pitch: Audubon.

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The Anonymous Tip Box: Why Do We Bother?

Yesterday, the New Yorker launched an anonymous tip box. Excuse my skepticism, but I’m not sure why any newsroom wastes their resources on those things. (Sorry, boss!)

Instead of being a useful, secure tool for the public to use as a means of contacting an organization, tip boxes are in reality just a kitschy, spammy, and not particularly secure design element. I get why we have them — to make a show of transparency — but how many leads have you ever gotten from the tip box?

Every time I glimpse one of the notifications from ours in my inbox, I half expect the Syrian Electronic Army to pop out. But it’s usually an insult, jibberish, or a well meaning publicist with a request to cover an event entirely unrelated to the theme of our blog.

The key element here is safety. No one in their right mind– or at least the kind if people you’d want to be conversing with concerning a potential story– is going to try to contact you via the tip box. It’s like calling someone on a landline: intrusive and unlikely to result in a timely connection. It’s called email, or at this point, even a Twitter DM. 

If it weren’t for the disturbing news this week about the Justice Department’s seizure of AP’s phone records, maybe I could find room in my heart for the tip box. But if phone records aren’t safe from our own government, why would anyone leak something through an online tool such as the tip box? Perhaps I’m still just in shock and feeling vicariously betrayed, but the digital anonymous tip box is akin to the charming little crinkly noise my Kindle makes on my iPad. It’s a cute reminder of the more idealistic days of yore — the ones we like to think existed or hope for. But it’s all sort of a farce, isn’t it? 

‘The New New Media News’: A New Site For Discussing Digital Storytelling Landscape

Scott Porad, the former CTO of Cheezburger who is now leading product development at Rover.com, has launched a site called The New New Media News to serve as a “central location for reading news about the new media, and seeing examples of new media done well.”

The site — kind of like a Subreddit — lets you post, share and comment on the evolving landscape of online media and digital storytelling. You can post a link, discussion topic, photo or video to the site under the category of commentary, examples or Q&A. Each item can be upvoted or downvoted. Each user has a profile, and the ability to be followed. And there’s a handy bookmarklet that you book in your bookmarks bar so that you can easily share any links on the web.

Because the site is new, content is a little sparse, but I could see this site evolving into a valuable resource for anyone obsessed with digital storytelling trends.

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