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narrative nonfiction

The New New South Publishes Longform From Below Mason-Dixon Line

Longform journalism has become surprisingly trendy and profitable in a rather short amount of time.

The age in which we find ourselves — with virtually unlimited access to the digital space, an abundance of devices on which to consume our stories, the sheer prevalence of lengthy nonfiction narratives and the platforms that host them — could be described as a renaissance. The phrase “a golden age” has been tossed around quite a bit in association with today’s journalism/reporting, but whether those two terms belong together has yet to be determined.

While we’re navigating the murky waters of longform reporting and how to monetize it sustainably, you might check out what The New New South (NNS) is doing. A brand new venture focusing on longform multimedia journalism, the NNS thinks the Southern states so rich with stories to tell that they’re going to release long pieces of nonfiction to readers looking specifically for stories about the South and from the South. Read more

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Nonfiction Storytelling and the Movies: A Winning Combo?

What if you got to see all the elements of your carefully reported story – the topsy-turvy plot lines, the larger-than-life settings and the riveting characters – materialize on the silver screen?

A project created by accomplished magazine writers Joshuah Bearman and Joshua Davis called Epic is an online destination for the most dynamic of nonfiction narrative journalism.

On his Media Equation blog for the New York Times, David Carr reported over the weekend that Epic hopes to create a model allowing the platform to commission stories that would translate into screenplays.

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