For a journo who has found success with decidedly old-school methods, Ed Gordon has some advice for aspiring broadcasters: get on YouTube. “In today’s world… it’s about producing and owning your content,” he told Mediabistro in the latest installment of So What Do You Do?. Gordon also advises young people with dreams of being on the small screen to “learn where your craft is headed,” and talks about the importance of perseverance when it comes to career success.

“There are a lot of people who’ve given up trying to get on commercial television and have gone to securing their own YouTube channels, and I think, at the end of the day, that’s going to be the future of broadcasting,” Gordon said. “People are just going to put stuff out there. They’re gonna have their own YouTube channels, and eventually you’ll be able to buy things from those channels. But I think one of the things that people have to understand is it takes perseverance.”

Read the full interview in So What Do You Do, Ed Gordon, Host of Conversations with Ed Gordon?

The pro-Assad Syrian Electronic Army has had its fair share of huge hacking attempts. With propaganda messages spilling out from outlets like the Associated Press and The Guardian, hacks from the group have become more prevalent than ever before on media outlets.

However, they made a mistake earlier this month: hacking The Onion. The online parody newspaper seemed an unlikely target of the SEA, but the result was very similar to other outlets — multiple tweets promoting Assad and the triumph of the SEA. Most outlets who have been victims of an SEA attack have reacted by merely announcing that it happened.

That wasn’t enough for The Onion’s tech team, which decided to break down every level of SEA’s multilayer phishing attack and describe to the public, in great detail, how the SEA managed to find its way to The Onion’s accounts.

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A week ago, the World Press Photo of the year award went to a digitally enhanced photo taken by Paul Hansen. It’s a really compelling photo, one that SpeigelOnline writers Matthias Krug and Stefan Niggemeier write “conveys a beauty that seems almost innappropriate.”

The fact, though, is that every digital photographer enhances their pictures. Even just adjusting the colors to make it pop on screen is changing the story, altering reality. Of course, in a newsroom, any blatant manipulation of a picture — even one of the protagonisst of Krug and Niggenmeier’s article, Claudio Palmisano of 10b Photography in Rome, notes that they never ‘alter pixels’ — is a violation of journalistic ethics akin to making up quotes or sources. 

But in a digital landscape, where catchy headlines and niche journalism seem to be key components of profitability, it’s hard to distinguish between what’s bias and what’s best practice. 

Is adding a dramatic light just an attention grabber or an opinion? I’m not so sure. The nature of storytelling through words or images is such that just by picking a subject, it becomes interesting or ‘newsworthy.’ The only underlined sentence in my undergrad copy of Susan Sontag’s On Photography is this:  Read more

Just like its print counterpart, the Web incarnation of Inc hopes to provide the startup world with useful advice. “It’s a resource for business owners, fast-growing companies, entrepreneurs and people with an entrepreneurial spirit,” said Nicole Richardson, the site’s executive editor of special projects. Despite their similar missions, however, Inc.com ‘s content is decidedly more Web-friendly with short, service pieces. Plus, those with startup expertise can land a gig as a regular columnist.
 
For more details, read How To Pitch: Inc.com.

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At the time of this writing, NPR’s Planet Money has raised $524,286 on Kickstarter. The project has a day left, and is a pretty remarkable feat considering the sum is more than 10 times their initial goal of $50,000. So how did they do it? Read more