The pro-Assad Syrian Electronic Army has had its fair share of huge hacking attempts. With propaganda messages spilling out from outlets like the Associated Press and The Guardian, hacks from the group have become more prevalent than ever before on media outlets.

However, they made a mistake earlier this month: hacking The Onion. The online parody newspaper seemed an unlikely target of the SEA, but the result was very similar to other outlets — multiple tweets promoting Assad and the triumph of the SEA. Most outlets who have been victims of an SEA attack have reacted by merely announcing that it happened.

That wasn’t enough for The Onion’s tech team, which decided to break down every level of SEA’s multilayer phishing attack and describe to the public, in great detail, how the SEA managed to find its way to The Onion’s accounts.

Read more

A week ago, the World Press Photo of the year award went to a digitally enhanced photo taken by Paul Hansen. It’s a really compelling photo, one that SpeigelOnline writers Matthias Krug and Stefan Niggemeier write “conveys a beauty that seems almost innappropriate.”

The fact, though, is that every digital photographer enhances their pictures. Even just adjusting the colors to make it pop on screen is changing the story, altering reality. Of course, in a newsroom, any blatant manipulation of a picture — even one of the protagonisst of Krug and Niggenmeier’s article, Claudio Palmisano of 10b Photography in Rome, notes that they never ‘alter pixels’ — is a violation of journalistic ethics akin to making up quotes or sources. 

But in a digital landscape, where catchy headlines and niche journalism seem to be key components of profitability, it’s hard to distinguish between what’s bias and what’s best practice. 

Is adding a dramatic light just an attention grabber or an opinion? I’m not so sure. The nature of storytelling through words or images is such that just by picking a subject, it becomes interesting or ‘newsworthy.’ The only underlined sentence in my undergrad copy of Susan Sontag’s On Photography is this:  Read more

Just like its print counterpart, the Web incarnation of Inc hopes to provide the startup world with useful advice. “It’s a resource for business owners, fast-growing companies, entrepreneurs and people with an entrepreneurial spirit,” said Nicole Richardson, the site’s executive editor of special projects. Despite their similar missions, however, Inc.com ‘s content is decidedly more Web-friendly with short, service pieces. Plus, those with startup expertise can land a gig as a regular columnist.
 
For more details, read How To Pitch: Inc.com.

The full version of this article is exclusively available to Mediabistro AvantGuild subscribers. If you’re not a member yet, register now for as little as $55 a year for access to hundreds of articles like this one, discounts on Mediabistro seminars and workshops, and all sorts of other bonuses.

At the time of this writing, NPR’s Planet Money has raised $524,286 on Kickstarter. The project has a day left, and is a pretty remarkable feat considering the sum is more than 10 times their initial goal of $50,000. So how did they do it? Read more

For better or for worse, Twitter has become an essential tool of journalists and news outlets alike. Not only can it help in discovering or reporting stories, it’s also valuable in connecting with your audience and gaining eyeballs, which is why retweets are so important. In the latest Mediabistro feature, digital media pros give advice to journos and news orgs on how to ensure that your tweets don’t fall into the Internet abyss. For example, a common rookie mistake is:

3. You don’t have the right followers

When it comes to Twitter, it’s not just the quantity of your followers that counts but also the quality of your followers. “The more influential followers you have, the more likely you are to get to retweets,” said Sree Sreenivasan, Columbia University’s chief digital officer and a digital media professor at its journalism school.

Your followers’ followers can actually have a profound impact on the distance your tweets can go. “Think about the folks that are following you and who are following them,” Sreenivasan said.

Get four more tips in The Real Reason You’re Not Getting Retweeted.

The full version of this article is exclusively available to Mediabistro AvantGuild subscribers. If you’re not a member yet, register now for as little as $55 a year for access to hundreds of articles like this one, discounts on Mediabistro seminars and workshops, and all sorts of other bonuses.