The journalist on how he built a decades-long beat covering race and the media -- and why that intersection still does not get enough sustained attention from the mainstream press.
The 10,000 Words founder on the gap in digital journalism education he set out to fill -- and the specific audience that made the site more influential than he initially expected.
The Radar Online editor on what tabloid journalism requires beyond a good tip -- and why he thinks the genre has more editorial depth than its critics are willing to acknowledge.
Veteran freelancers share the habits, boundaries, and client management strategies that helped them reach the top of their field -- and remain there over the long haul.
The bishop and media mogul on the urgency of Black creative ownership -- and the specific reasons he built a production company rather than simply licensing his stories to others.
The relationship-building and follow-up habits that keep a freelancer's calendar full -- and the common mistakes that create dry spells even when the quality of the work is strong.
The habits and communication practices that help writers manage the anxiety of pitching and the sting of edits without letting either one derail the working relationship with an editor.
A film journalist on why covering only independent cinema creates blind spots -- and the mainstream assignments that keep a critic's perspective honest and commercially grounded.
The L.A. Weekly editor on the specific advantages that print-adjacent alt-weeklies retain over digital-only rivals -- and why she still believes the format has a viable future.
The Good Morning America anchor on what the transition from print sports journalism to television actually demands -- and the skills he had to build from scratch once the cameras were rolling.