The Mediabistro editorial team draws on 25 years of media industry expertise to cover jobs, careers, and trends shaping the industry.
1 min read • Originally published April 13, 2016 / Updated March 26, 2021
If you’ve got a passion for the written word—and let’s face it, what media professional doesn’t?—then you probably yearn for the chance to surround yourself with books. Even in our digital age, there is still plenty of demand for books. And, lucky for you, the word-loving job-seeker, there are also lots of opportunities to work on and with books, thanks to the current openings on our job board.
No matter your level of experience, whether you’re looking to learn the ropes as an editorial assistant, or you’re an editorial director who can establish the mission and tone of a division or company, if you’re looking for editorial jobs in publishing, look no further than our job board, and these open jobs below.
Katie Hottinger is a content strategist and UX designer with over 15 years of editorial experience across brands including JPMorgan Chase, Google, Condé Nast Traveler, and Mediabistro. She specializes in digital content strategy and multi-platform editorial execution.
1 min read • Originally published April 6, 2016 / Updated March 26, 2021
Katie Hottinger is a content strategist and UX designer with over 15 years of editorial experience across brands including JPMorgan Chase, Google, Condé Nast Traveler, and Mediabistro. She specializes in digital content strategy and multi-platform editorial execution.
1 min read • Originally published April 6, 2016 / Updated March 26, 2021
If you’re a wordsmith with a good handle on how to grow a story online, get juice from a social media campaign and are pretty handy with a CMS, chances are you’ve got digital editor chops.
No matter your level of experience, whether you’re just starting out or have led teams, if you’re looking for digital editor jobs, look no further than our job board, and these open jobs below:
Parenting is a magical, mystifying, and fulfilling experience, but it is also hard, lonely, and expensive. People often feel immense comfort in seeing others go through similar experiences. Whether it is the exuberance of watching our children grow and learn or dealing with loss and obstacles, we are never alone. Examples of these poignant and difficult family moments are everywhere, but nowhere are they more relevant or more accessible than in film, particularly documentary films.
Lovevery compiled and ranked 20 documentaries about parenthood, using data from Metacritic and IMDb. Each documentary was ranked according to its Metascore. Ties were broken by IMDb user rating and further ties were broken by votes.
From the devastating to the divine, these stories tell tales of modern parenthood, sibling love and loss, and families ruined by addiction, abuse, and secrets. These stories, documented on film, are both relatable and unbelievable, offering glimpses of ourselves and our families.
Join Lovevery for 20 top documentaries about parenthood.
Imagine Documentaries
#20. Dads (2019)
– Director: Bryce Dallas Howard
– Metascore: 59
– IMDb user rating: 6.6
– Runtime: 87 minutes
In her directorial debut, Bryce Dallas Howard teamed up with her own famous father, actor-director Ron Howard, for this film that features a look at contemporary fatherhood. Howard weaves her father’s story throughout the film and provides an expanded view of fathers as caregivers, a role that social and structural forces mostly assign to mothers. Will Smith, Judd Apatow, Patton Oswalt, and Andy Griffith, as well as nonfamous fathers from around the globe, share anecdotes and pearls of wisdom about what it means to be a dad.
“The Business of Being Born” explores what it means to give birth in the modern world by looking at the history of obstetrics and examining the ways in which birth is a big business. Featuring many couples who give birth outside of hospitals, “The Business of Being Born” is especially helpful for people to discover what options exist outside of giving birth in the de facto hospital setting.
Six brothers in the Angulo family are confined to a New York City apartment. Movies teach them everything about the world, and they learn to emulate what they see by making elaborate costumes and reenacting their favorite film scenes. “The Wolfpack” is a tale about abuse, brotherly love, resilience, and the ways that movies help us to escape, create, and imagine.
The story of the Sanford family and their struggles with addiction and gun violence unfolds through two decades of home videos. The film’s title “17 Blocks” is a reference to the distance between the Sanford family home, in one of the most dangerous neighborhoods in Washington D.C., and the United States Capitol. While the story is hard to watch, it provides an accurate depiction of family life that more privileged viewers may not otherwise see, and highlights the reality of suffering the United States inflicts on its poor.
Variance Films
#16. Elena (2012)
– Director: Petra Costa
– Metascore: 81
– IMDb user rating: 7.6
– Runtime: 80 minutes
Petra leaves Brazil to look for her sister Elena in New York City where both have gone, during different decades, to pursue the dream of becoming an actress—the same dream their mother once had. When Petra eventually finds her sister, the reunion is not what she expected. “Elena” is a tale of sisterhood, motherhood, dreams, and loss that Stephen Holden, writing for The New York Times, says “unfolds like a cinematic dream whose central image is water, which symbolizes the washing away of grief. But more than that, it represents the stream of life, with beautiful images of women floating through time.”
RAW
#15. Three Identical Strangers (2018)
– Director: Tim Wardle
– Metascore: 81
– IMDb user rating: 7.6
– Runtime: 96 minutes
Three young men meet up in 1980s New York, discover they are triplets separated at birth, and attempt to uncover the mysterious reason why in the stranger-than-fiction documentary “Three Identical Strangers.” The “why” is like something from a science-fiction film and included a study on the effects of nature versus nurture. The film also documents the many similarities the brothers share in spite of having been raised by different families without knowledge of one another until they were adults, demonstrating the strength of genetic bonds.
CineDiaz
#14. Motherland (2017)
– Director: Ramona S. Diaz
– Metascore: 84
– IMDb user rating: 7.1
– Runtime: 94 minutes
The viewer gains access to one of the busiest maternity hospitals in the Philippines in “Motherland.” The film documents the experiences of mothers, their families, and the hospital staff with humor and heart. The eye-opening view into these women’s lives and the poverty many of them face, which exposes them to a continuous cycle of pregnancy and childbirth, is explored with acuity and honesty.
Walking Iris Media
#13. Our Time Machine (2019)
– Directors: S. Leo Chiang, Yang Sun
– Metascore: 84
– IMDb user rating: 7.9
– Runtime: 86 minutes
The influential artist who goes by Maleonn creates “Papa’s Time Machine,” a stage show about time travel, featuring mechanical puppets to try to help him come to terms with his father’s dementia. Maleonn teams up with his father, Ma Ke, a well-known Peking Opera director, to create the autobiographical show, which confronts mortality and allows the two men to connect before Ma Ke’s memories fade.
Just Films
#12. Hale County This Morning, This Evening (2018)
– Director: RaMell Ross
– Metascore: 85
– IMDb user rating: 6.4
– Runtime: 76 minutes
Filmmaker RaMell Ross observed and filmed the people of Hale County, Alabama, over the course of five years and presents a searing narrative on race and class in a tight-knit, disenfranchised Black community. Nominated for an Academy Award, the film focuses primarily on two young men, both high school basketball players, one who goes on to college and one who has a child.
Filmmaker and first-time mother Nanfu Wang documents China’s one-child policy and its history. The film explores the fallout of this social experiment and its effect on generations of families. The horrors uncovered by Wang are a valid argument against governments restricting the reproductive rights of its citizens and reveal the disastrous impact such government intrusions can have.
“Sound and Fury” is the story of both hearing and deaf members of a family and the decision they must make about a controversial surgery. The Academy Award-nominated film concerns three generations and examines the choices that families of deaf children face.
Focus Features
#9. Won’t You Be My Neighbor? (2018)
– Director: Morgan Neville
– Metascore: 85
– IMDb user rating: 8.4
– Runtime: 95 minutes
This film is an exploration into the life of children’s television pioneer Fred Rogers. Rogers provided a safe space for generations of children to learn valuable and sometimes difficult life lessons that remain relevant today. His series “Mister Rogers’ Neighborhood” broached topics that many shows of the time wouldn’t dare.
Netflix
#8. Strong Island (2017)
– Director: Yance Ford
– Metascore: 86
– IMDb user rating: 6.4
– Runtime: 107 minutes
Filmmaker Yance Ford tells the story of his brother, who was murdered at 24 by a white man later set free. Ford’s film is a portrait of a family that moved from the South to try to escape racism, worked hard to obtain the American dream, and was ultimately shattered by horrific and unimaginable loss. “Strong Island” was nominated for an Academy Award.
Grasshopper Film
#7. Black Mother (2018)
– Director: Khalik Allah
– Metascore: 86
– IMDb user rating: 6.8
– Runtime: 77 minutes
This journey through Jamaica is both wondrous and tragic. The film is not only a tribute to Jamaica and its history, people, and culture but also to its women. “Black Mother” is broken into three parts, representing the trimesters of pregnancy, giving it the feel of a birth journey.
Kino Lorber
#6. To Be and to Have (2002)
– Director: Nicolas Philibert
– Metascore: 87
– IMDb user rating: 7.8
– Runtime: 104 minutes
In a one-room schoolhouse in rural France, teacher Georges Lopez teaches children of varying ages ranging from 4 to 11. “To Be and to Have” documents the dedication of one teacher and gives a view into childhood education and how wondrous it can be. Writing for The Dissolve, Noel Murray noted, “This movie is a portal, leading to a living museum of childhood at its most poignant.”
Step 1 Productions
#5. Rewind (2019)
– Director: Sasha Joseph Neulinger
– Metascore: 87
– IMDb user rating: 8.0
– Runtime: 86 minutes
Filmmaker Sasha Joseph Neulinger uncovers generations of sexual abuse after finding his father’s home video collection. Neulinger explores the difficulty of prosecuting such cases, while also using the film as a way to work through his trauma and help others who have suffered abuse.
Netflix Worldwide Entertainment
#4. Dick Johnson Is Dead (2020)
– Director: Kirsten Johnson
– Metascore: 89
– IMDb user rating: 7.5
– Runtime: 89 minutes
A darkly comedic look at death and the aging process, the film imagines all the ways director Kirsten Johnson’s father Dick could die, while also presenting a poignant portrayal of a father/daughter relationship. Both hilarious and touching, Johnson stages inventive and bizarre death scenarios. Writing for The Hollywood Reporter, Todd McCarthy called the film “brilliantly original in every way” and “one of the craftiest and funniest love letters ever composed.”
Channel 4
#3. For Sama (2019)
– Directors: Waad Al-Kateab, Edward Watts
– Metascore: 89
– IMDb user rating: 8.5
– Runtime: 100 minutes
This touching love letter from a mother to her daughter follows filmmaker Waad Al-Kateab through several milestones in her life including love, marriage, and the birth of her daughter, Sama. This Oscar-nominated documentary is a tragic tale of war detailing the uprising in Aleppo, and the heart-wrenching decision a mother must make to protect her daughter.
ITVS
#2. Minding the Gap (2018)
– Director: Bing Liu
– Metascore: 90
– IMDb user rating: 8.1
– Runtime: 93 minutes
“Minding the Gap” focuses on three young friends who use skateboarding to escape the harsh realities of their lives, including family dysfunction, in a declining Rust Belt town. The film is an important commentary on class, race, and politics with a narrative on skate culture. It was nominated for an Academy Award.
Roadside Attractions
#1. Stories We Tell (2012)
– Director: Sarah Polley
– Metascore: 91
– IMDb user rating: 7.5
– Runtime: 108 minutes
Actress and filmmaker Sarah Polley explores her family history, uncovering truths and secrets, in “Stories We Tell.” The stories her family members share are similar, but the details vary depending on which member is relaying the story. At the heart of Polley’s film is her mother, who died in 1990 and who remains a mystery in many ways.
The Mediabistro editorial team draws on 25 years of media industry expertise to cover jobs, careers, and trends shaping the industry.
1 min read • Originally published June 8, 2016 / Updated March 23, 2021
If you’re picturing yourself in your next job, surrounded by beautiful or evocative photography, now’s the time to make your move. With open positions at magazines, websites and more, our job board has the photography jobs you’re looking for.
Jenell Talley is a journalist and program analyst with a background spanning media, government, and editorial work. She holds a journalism degree from Howard University and a master's in human resources management from the University of Maryland.
4 min read • Originally published October 11, 2017 / Updated March 16, 2021
Jenell Talley is a journalist and program analyst with a background spanning media, government, and editorial work. She holds a journalism degree from Howard University and a master's in human resources management from the University of Maryland.
4 min read • Originally published October 11, 2017 / Updated March 16, 2021
Circulation: 22 million Frequency: Bimonthly Special issues: None
Background: Turning 50 means turning all the way up and embracing the second half of your life. That’s what it should mean, anyway. AARP The Magazine sure thinks so.
The bimonthly lifestyle publication helps the baby boomer and Silent generations—and even some early Gen-Xers, who began hitting themid-century mark in 2015—live their lives to the fullest by providing in-depth coverage of the topics that matter to them most.
AARP The Magazine separates itself from other general-interest pubs with similar content and a broad audience, such as Reader’s Digest and weekly newspaper magazine Parade, by consistently churning out lively, emotional content for its 37 million-plus members. “The magazine celebrates all the possibilities of life after 50,” says Guroff.
What to pitch: The magazine publishes three editions: The “A Book” for 50- to 59-year-olds; the “B Book” for 60- to 69-year-olds; and the “C Book” for those 70 and older. In-house staff and regular contributors write celebrity profiles and sections such as “Money” and “Health,” but there are opportunities for freelancers who pitch smart stories with current hooks or hard-hitting emotional or investigative narratives that will resonate with readers. Personal essays also work. They should contain original thoughts on an experience of broad interest to people over 50.
Writing content for regional pages is another good way to get a foot in the door at AARP The Magazine. Regional pages aren’t in every copy of the magazine; they’re extra pages found in magazines delivered to a particular area, according to advertising needs. Editors often place additional travel stories opposite BOB regional ads, and fun, trendy entertainment pieces opposite front-of-book regional ads.
What not to pitch: Pieces about older people doing the same thing they’ve been doing since before they turned 50 or doing something that wouldn’t be newsworthy if done by a younger person won’t make the cut, so nix the “Still practicing law at 80” and “Running a marathon at 70” stories. Op-eds won’t work either.
Online opportunities: The magazine doesn’t have its own website; it’s folded into a space on AARP’s page. Only about 20 percent of the magazine’s content makes it to the Web, so online opportunities for freelancers are minimal. However, writers are encouraged to think about multiplatform approaches to their stories.
What publicists should pitch: Trend stories that impact the 50-plus set rule. Stories should focus on topics related to health, personal finance, travel and food.
Percentage of freelance content:About 60 percent Percentage of freelance submissions accepted:1 percent (But don’t get discouraged. The low percentage is more about the insane number of pitches the editors receive than it is them not liking or accepting what they’re receiving.)
Recent freelance stories pitched and published:“The Power of Touch,” a piece about the science of skin contact appeared in the December/January 2016 issue. The article talked about a cheap, practical way to feel better physically and emotionally. “Because the lack of touch is a problem that affects a lot of older people who have lost their partners, it had a special significance for the magazine’s readers,” explains Guroff.
Etiquette:Pitch editors via email. If you’re new to the mag, be sure to send a few clips to show off your writing chops, especially if you’ve worked on similar stories in the past.
Lead time:Six to seven months Pay rate:$2 a word for print; $1 for online Payment schedule:At least 30 days after an article has been submitted and approved Kill fee:Commensurate with the amount of work performed Rights purchased:All rights
Contact info: AARP The Magazine 601 E Street NW Washington, D.C. 20049 www.AARP.org/magazine Twitter handle: @AARPMag Email format: FirstInitialLastName@aarp.org
Direct all pitches to the appropriate editor: For health, executive editor Rachel Nania: RNANIA at AARP dot ORG For film and television, features editor Bill Newcott: WNEWCOTT at AARP dot ORG For work and personal finance, executive editor Jim Henderson: JHENDERSON at AARP dot ORG For travel, entertainment and lifestyle editor Lorrie Lynch, LLYNCH at AARP dot ORG For entertainment and celebrity profiles, entertainment director Meg Grant: MGRANT at AARP dot ORG For investigative and general features, personal and longer essays, food, fitness and “Personal Best,” executive editor Margaret Guroff: MGUROFF at AARP dot ORG
EDITOR’S NOTE: Though we’ve updated this article recently, the speed at which things move in media means things may have already changed since then. Please email us if you notice any outdated info.
The Mediabistro editorial team draws on 25 years of media industry expertise to cover jobs, careers, and trends shaping the industry.
1 min read • Originally published March 22, 2017 / Updated March 5, 2021
These companies are hiring like crazy right now and they’re looking for all kinds of marketing talent. Get the scoop on these openings and more below, and find additional just-posted gigs onour job board.
The Mediabistro editorial team draws on 25 years of media industry expertise to cover jobs, careers, and trends shaping the industry.
1 min read • Originally published December 9, 2016 / Updated March 4, 2021
If you’re working your way up in marketing and are looking for a new gig, now’s a great time make the leap into a marketing manager job—a job title that currently has lots of postings on our job board, all available and looking for talented candidates like you.
And if you’re thinking of making the leap into marketing from another field, the marketing manager role is a good one to consider. A mid-level position, the job usually involves executing and reporting on specific tasks associated with a marketing initiative; that can range from developing and overseeing sponsored content, partnerships, ads and events, as well as helping devise engagement-worthy emails and ads displayed online.
Currently available marketing manager jobs include jobs at traditional publishers, major media orgs, non-profits and more. Check ’em out below.
John Lombard is a content strategist and writer with over a decade of experience creating interactive and video content for brands like Apple, IBM, and Samsung. He previously worked at Mediabistro and now serves as a Client Strategist at Ceros.
1 min read • Originally published December 13, 2016 / Updated March 4, 2021
John Lombard is a content strategist and writer with over a decade of experience creating interactive and video content for brands like Apple, IBM, and Samsung. He previously worked at Mediabistro and now serves as a Client Strategist at Ceros.
1 min read • Originally published December 13, 2016 / Updated March 4, 2021
If you have dreams of breaking into a career in television, or if you’re already climbing the ladder in a TV career and are looking for the next rung, have we got good news for you: Now’s the perfect time to look for a job, because there are plenty of TV and digital openings on our job board.
Whether your expertise is in news or content, project management, digital storytelling or something in between, one of these open jobs with major TV operations and their digital offshoots may be right for you.
Katie Hottinger is a content strategist and UX designer with over 15 years of editorial experience across brands including JPMorgan Chase, Google, Condé Nast Traveler, and Mediabistro. She specializes in digital content strategy and multi-platform editorial execution.
1 min read • Originally published December 20, 2016 / Updated March 4, 2021
Katie Hottinger is a content strategist and UX designer with over 15 years of editorial experience across brands including JPMorgan Chase, Google, Condé Nast Traveler, and Mediabistro. She specializes in digital content strategy and multi-platform editorial execution.
1 min read • Originally published December 20, 2016 / Updated March 4, 2021
The basic skills of public relations—formulating media strategies, coordinating interviews and photo shoots, building relationships with reporters, editors and influencers—are always in demand. And at the moment, there are plenty of jobs in PR and communications on our job board right now.
From junior-level gigs that call for just a few years experience to VP-level roles, and employers that run from public relations firms and trade associations, we’ve got public relations jobs worth, well, publicizing. Check ’em out below.
Katie Hottinger is a content strategist and UX designer with over 15 years of editorial experience across brands including JPMorgan Chase, Google, Condé Nast Traveler, and Mediabistro. She specializes in digital content strategy and multi-platform editorial execution.
1 min read • Originally published February 10, 2017 / Updated March 4, 2021
Katie Hottinger is a content strategist and UX designer with over 15 years of editorial experience across brands including JPMorgan Chase, Google, Condé Nast Traveler, and Mediabistro. She specializes in digital content strategy and multi-platform editorial execution.
1 min read • Originally published February 10, 2017 / Updated March 4, 2021
If you’ve got solid editorial chops, an uncanny way to get people to do what you want and a yen to make the trains run on time—and on budget—a managing editor gig may just be the one for you.
A managing editor is generally a newsroom or content operation’s number two; in a small shop, an ME may even be the one calling the shots.
No matter how an operation is organized, the person in the managing editor role almost always runs the day-to-day operations of a publication, including overseeing staff, making sure calendars are up-to-date and populated, spending is in line and contributors get paid.
Depending on staffers’ workload and the ME’s inclination, writing and editing copy is in the cards.