22 Asian American-centered films to watch

Cinema is an ever-evolving medium that showcases art, talent, and lived experiences. But audiences will find that representation on the screen is dependent on who is behind the camera.

White filmmakers have dominated American film since its inception. Still, over time, artists of color have been able to step in and share their stories and voices, giving viewers a glimpse of the many ways one could be American while straddling an Asian heritage.

The road to the now-increasing number of Asian American-centered movies was not without a few bumps. Whitewashed casting and blatant anti-Asian racism were prevalent in Hollywood, from the character of Fu Manchu to John Wayne portraying Genghis Khan and Mickey Rooney’s infamous performance in “Breakfast at Tiffany’s.”

While whitewashing hasn’t completely gone away—prominent examples being “Aloha” in 2015 and “Ghost in the Shell” in 2017—the practice has gone out of fashion. Public backlash has helped turn the tide, with some actors stepping down from roles not meant for them, such as Ed Skrein exiting 2019’s “Hellboy.”

Additionally, more Asian creators are producing popular movies like the 2025 releases “A Nice Indian Boy” and Andrew Ahn’s reimagining of “The Wedding Banquet.” Authenticity means that even movies that might seem niche can find audiences across the globe: Netflix’s June 2025 release “KPop Demon Hunters” has become a worldwide phenomenon, showing up on the top 10 list in all 93 countries where Netflix measures data.

Because filmmakers are drawing on their own lives and real cultural moments, there are more and more movies we can point to as having a place on this list. Overall, there is a range of films that are authentic to Asian American experiences, showing a mosaic of perspectives from several different cultures that have all made a home in the United States.

“When you look at these films, for a certain segment of our community, watching these films was not just notable, it was life-changing because they affirmed that they belong, because it gave them context,” Jeff Yang, author of “The Golden Screen: The Movies That Made Asian America,” told the San Francisco Chronicle.

Stories can range from retellings of an immigrant family’s experience in the United States to more fantastical stories rooted in Asian history or even a hybrid of both realism and fantasy. Whatever the case, Asian-based talent is on the rise, with fare including modern action movies, streaming romantic comedies, documentaries, and prestige award-winning dramas.

Stacker scoured IMDb and Metacritic data to highlight 22 Asian American films. These movies stem from different cultures, including but not limited to Chinese, Japanese, Korean, and Indian Americans. Look through this chronological list to see which movies you’ve already seen and which you need to add to your watchlist.

Chan Is Missing (1982)

– Director: Wayne Wang
– IMDb user rating: 7.1
– Metascore: 85
– Run time: 76 minutes

Hong Kong-born American director Wayne Wang has enjoyed an extensive filmmaking career, and it all started with his indie movie “Chan Is Missing.” Shot in black and white, this offbeat take on a film noir takes place in San Francisco’s Chinatown. The plot begins with the search for a missing man, but it soon transforms into a deeper examination of the Chinese American identity. There is also a meta-contextual element to the film, as it mocks the “Charlie Chan” trope and character from movies of the 1930s and ’40s.

Mississippi Masala (1991)

– Director: Mira Nair
– IMDb user rating: 6.7
– Metascore: 78
– Run time: 118 minutes

The film “Mississippi Masala” explores an interracial romance between characters portrayed by Denzel Washington and Sarita Choudhury. The film includes some historical context, depicting the expulsion of Asians from Uganda by dictator Idi Amin in 1972. After Mina, a Ugandan Indian, is forced to leave her home with her family, she settles in Mississippi, eventually falling in love with a carpet cleaner named Demetrius. The cult film explores identity, xenophobia, and colorism through this fiery romance.

The Wedding Banquet (1993)

– Director: Ang Lee
– IMDb user rating: 7.6
– Metascore: Data not available
– Run time: 106 minutes

“The Wedding Banquet,” a romantic comedy by Taiwanese filmmaker Ang Lee, centers around a gay Taiwanese immigrant man who ends up between a rock and a hard place. To satisfy his parents, the man decides to marry a Chinese woman, but when his parents unexpectedly come to Manhattan, he must hide his relationship with his male partner from them. Well-reviewed at the time of its release, the film was nominated for Best Foreign Language Film at the Academy Awards and was later added to the National Film Registry in 2023.

The Joy Luck Club (1993)

– Director: Wayne Wang
– IMDb user rating: 7.7
– Metascore: 84
– Run time: 139 minutes

Based on the book of the same name by Amy Tan, “The Joy Luck Club” was a landmark film featuring an all-Asian cast—practically unheard of for major Hollywood films at the time. The ensemble film follows the relationships between several Chinese American women and their immigrant mothers, focusing on their bonds and histories. The name of the film comes from the group of four women in the film who regularly meet to play mahjong and share stories.

Unfortunately, despite positive reviews, the casting accomplishment of “The Joy Luck Club” wouldn’t be repeated until “Crazy Rich Asians” in 2018. Prominent actors who found further fame after the film include Ming-Na Wen and Tamlyn Tomita, both of whom played daughters in the film.

Maya Lin: A Strong Clear Vision (1994)

– Director: Freida Lee Mock
– IMDb user rating: 7.3
– Metascore: Data not available
– Run time: 105 minutes

Depicting the life of Chinese American artist Maya Lin, this documentary centers on the artist’s struggles and triumphs in designing the Vietnam Veterans Memorial. The film won the Academy Award for Best Documentary Feature but faced some controversy, as the critically acclaimed documentary “Hoop Dreams” failed to garner a nomination in the category that same year. Even so, critics like Roger Ebert still conceded that “Maya Lin” was a strong and important documentary.

Snow Falling on Cedars (1999)

– Director: Scott Hicks
– IMDb user rating: 6.7
– Metascore: 44
– Run time: 127 minutes

A murder case is at the center of “Snow Falling on Cedars,” which is based on an award-winning 1994 novel by David Guterson. The film takes place in 1950s Washington state, where post-World War II anti-Japanese sentiments are prevalent. A trial for the murder where a Japanese American man stands as the accused is central to the plot, and the prejudices of the townspeople emerge. While critics did not particularly take to the film adaptation, they agreed that it was well-shot.

Better Luck Tomorrow (2002)

– Director: Justin Lin
– IMDb user rating: 7.0
– Metascore: 67
– Run time: 101 minutes

Film commentators have given crime drama “Better Luck Tomorrow” credit for combating select Asian stereotypes in the early 2000s. Featuring a cast that includes a young John Cho, the film depicts suburban Asian American high schoolers who engage in acts of theft and murder, with the plot unraveling as consequences arise from their actions. Director Justin Lin went on to direct several “Fast & Furious” films and introduced the “Better Luck Tomorrow” character Han (played by Sung Kang) to the action series.

Saving Face (2004)

– Director: Alice Wu
– IMDb user rating: 7.4
– Metascore: 65
– Run time: 91 minutes

In this LGBTQ+ romantic comedy, a closeted Chinese American woman struggles to keep her budding relationship with another woman a secret when her mother unexpectedly moves in with her. The premise of the film comes from filmmaker Alice Wu’s experience as a lesbian Taiwanese American. Although Wu took a break from directing until her 2020 film “The Half of It,” “Saving Face” had a massive impact on Asian American women in Hollywood, including Ali Wong and Awkwafina.

The Namesake (2006)

– Director: Mira Nair
– IMDb user rating: 7.5
– Metascore: 82
– Run time: 122 minutes

Filmmaker Mira Nair once again tells a story about the immigrant experience in “The Namesake,” which is based on a 2003 book by Jhumpa Lahiri. The story follows an Indian family comprising immigrant parents and American-born children; actor Kal Penn portrayed the son, Gogol, a departure from his usual comedic fare like “Harold & Kumar.” “The Namesake” is a multigenerational narrative, and throughout the film, Gogol goes through many relationships and discovers more about his identity, and yes, his namesake.

Abacus: Small Enough to Jail (2016)

– Director: Steve James
– IMDb user rating: 7.1
– Metascore: 73
– Run time: 88 minutes

The compelling story of Abacus Federal Savings Bank is the subject of this PBS documentary. Flashing back to the 2007-08 financial crisis, the film examines the only bank to face criminal charges as a result of the subprime mortgage crisis, seemingly because it was “small enough to jail” rather than “too big to fail.” The Chinatown bank was eventually able to clear its name in a long and arduous legal process, but its effects on its employees and the immigrant community it served were lasting.

Columbus (2017)

– Director: Kogonada
– IMDb user rating: 7.2
– Metascore: 89
– Run time: 100 minutes

John Cho portrays a scholar looking after his ailing father in “Columbus,” written and directed by Korean American filmmaker and video essayist Kogonada. Cho’s character strikes up a friendship with a young architectural enthusiast, and the film uses the imagery of modern buildings in Columbus, Indiana, as a metaphor for the emotions and experiences of the characters.

The Big Sick (2017)

– Director: Michael Showalter
– IMDb user rating: 7.5
– Metascore: 86
– Run time: 120 minutes

Comedian Kumail Nanjiani and his wife, writer Emily V. Gordon, wrote “The Big Sick” based on their real-life relationship. Nanjiani plays a fictional version of himself who deals with cultural clashes and inner turmoil after his girlfriend, played by Zoe Kazan, falls ill. The film garnered a Best Original Screenplay nomination at the Oscars.

Minding the Gap (2018)

– Director: Bing Liu
– IMDb user rating: 8.0
– Metascore: 89
– Run time: 93 minutes

The documentary “Minding the Gap” depicts three young men in the city of Rockford, Illinois, who navigate their complex familial and interpersonal relationships as they grow up, all while they bond over their love for skateboarding. The film explores themes of masculinity and trauma, and Chinese American director Bing Liu, as one of the subjects of his own film, turns it into a very personal story. The Hulu film received an Oscar nomination for Best Documentary Feature.

Crazy Rich Asians (2018)

– Director: Jon M. Chu
– IMDb user rating: 6.9
– Metascore: 74
– Run time: 120 minutes

Based on the bestselling book of the same name by Kevin Kwan, rom-com “Crazy Rich Asians” was reportedly the first English-language Hollywood movie with an all-Asian cast in over two decades since “The Joy Luck Club.” Starring Constance Wu, Henry Golding, Gemma Chan, Awkwafina, and Michelle Yeoh, the story centers on Wu’s character of Rachel Chu as she travels to Singapore and learns that the family of her boyfriend (Golding) is significantly wealthy. The film was a massive showcase of how an Asian-led film can be a cultural and box office powerhouse, although the development of a sequel has stalled for a few years.

Driveways (2019)

– Director: Andrew Ahn
– IMDb user rating: 7.2
– Metascore: 83
– Run time: 83 minutes

After director Andrew Ahn made “Spa Night,” he decided to veer away from his personal experience as a gay Asian American and made “Driveways,” a more intimate family drama. Hong Chau portrays a woman who arrives at the house of her late sister, intending to sell it. While she stays in the home, her young son develops an unexpected friendship with an elderly widower next door. A relatively quiet film, “Driveways” is full of subtle yet powerful moments and expresses the powerful bond that neighbors can form. Ahn would later make a more comedic film about LGBTQ+ Asian Americans with “Fire Island” in 2022.

The Farewell (2019)

– Director: Lulu Wang
– IMDb user rating: 7.5
– Metascore: 89
– Run time: 100 minutes

Starring Awkwafina as a Chinese American woman named Billi, “The Farewell” is a lighthearted drama that has Billi return to China to see her grandmother, or “nai nai.” Although her nai nai has a terminal cancer diagnosis, the family elects not to tell her as a way of sparing her grief and anxiety. Cursed with the knowledge of their matriarch’s illness, family members have a difficult time keeping their emotions in check around her as they try to enjoy their remaining time with her. The film, which is partially based on writer-director Lulu Wang’s own grandmother, gained Awkwafina a Golden Globe win for Best Actress in a Motion Picture – Musical or Comedy.

Always Be My Maybe (2019)

– Director: Nahnatchka Khan
– IMDb user rating: 6.7
– Metascore: 64
– Run time: 101 minutes

Comedic actors Randall Park and Ali Wong portray two adults who had a brief and unsuccessful fling as teenagers in “Always Be My Maybe.” In their adulthood, they cross paths again and still find a bit of spark between them. Directed by the creator of “Fresh Off the Boat,” the Netflix movie is a distinctly Asian American rom-com—and to many viewers, it was because it featured Asian American characters doing very normal rom-com things. As a bonus, it even features Keanu Reeves in a small role playing himself.

Minari (2020)

– Director: Lee Isaac Chung
– IMDb user rating: 7.4
– Metascore: 89
– Run time: 115 minutes

Loosely based on the upbringing of writer-director Lee Isaac Chung, “Minari” follows a South Korean family who immigrated to rural Arkansas in the 1980s. The narrative mainly focuses on the young son David, who has a heart condition. His father (Steven Yeun) is strict and shows tough love, and his grandmother (Youn Yuh-jung) moves from South Korea to help look after the children.

For their performances, Yeun received an Oscar nomination for Best Actor, while Youn won the Oscar for Best Supporting Actress. Controversially, the film was only in the running for Best Foreign Language Film (instead of Best Motion Picture – Drama) at the Golden Globes due to the amount of Korean dialogue it had.

Shang-Chi and the Legend of the Ten Rings (2021)

– Director: Destin Daniel Cretton
– IMDb user rating: 7.4
– Metascore: 71
– Run time: 132 minutes

The first film in the Marvel Cinematic Universe with a mostly Asian cast, “Shang-Chi and the Legend of the Ten Rings” paid homage to kung-fu action movies. Starring Simu Liu as the eponymous character, and featuring Awkwafina, Michelle Yeoh, and legendary Hong Kong actor Tony Leung as the main antagonist, the film depicted a new version of the Ten Rings and did away with the “Mandarin” and “Fu Manchu” stereotypes from the comics. The MCU movie was one of the highest-grossing films of 2021.

Everything Everywhere All at Once (2022)

– Directors: Daniel Kwan, Daniel Scheinert
– IMDb user rating: 7.8
– Metascore: 81
– Run time: 139 minutes

The filmmaking duo simply called “Daniels” made their biggest and most bonkers film with the A24 hit “Everything Everywhere All at Once.” With an all-star cast that includes Michelle Yeoh, Ke Huy Quan, Stephanie Hsu, and James Hong, the action-comedy starts with a tax audit and turns into a twisty and emotional multiverse story. It’s A24’s highest-grossing film, and it won seven Oscars, including Best Director for the Daniels; acting trophies for Yeoh, Quan, and Jamie Lee Curtis; and Best Picture.

Nam June Paik: Moon Is the Oldest TV (2023)

– Director: Amanda Kim
– IMDb user rating: 6.8
– Metascore: 79
– Run time: 107 minutes

There certainly aren’t too many artists like Nam June Paik, a Korean artist who moved to New York City. Paik’s work comprises some of the earliest examples of “video art,” utilizing televisions and video tape recorders. Paik even reportedly coined the term “electronic superhighway” before the advent of the internet. The film comes from Korean American filmmaker Amanda Kim and features narration from actor Steven Yeun.

Past Lives (2023)

– Director: Celine Song
– IMDb user rating: 7.9
– Metascore: 94
– Run time: 105 minutes

Playwright Celine Song made her film debut with the semiautobiographical drama “Past Lives,” which stars Greta Lee. The film follows a Korean American writer who reconnects with a childhood sweetheart from South Korea (Teo Yoo), whom she left after her family immigrated to Canada. As adults, they briefly meet up in New York City. The story centers around a Korean word and concept called “inyeon,” which basically means “fate” even across one’s previous lives. The film netted a Best Picture nomination at the 96th Academy Awards, and Song also received several nominations during that year’s awards circuit—including a Best Original Screenplay Oscar nomination.

Data reporting by Luke Hicks. Story editing by Carren Jao. Copy editing by Tim Bruns.

Best albums of all time by Black artists

There would be no American music as we know it without the contributions of Black artists. Since the earliest Africans were brought to the Americas in bondage beginning in the 16th century, Black singers and musicians have profoundly shaped every stage of American music’s evolution. From country-western, the foundation of which was banjo music from Africa, to rock ‘n’ roll, first played by the legendary Sister Rosetta Tharpe on electric guitar in 1938, each genre of American music has a Black artist (or many) who helped create it.

In addition to establishing new sounds, Black musicians worked to advance civic life as well. They helped bring about the end to segregation, with the likes of Josephine Baker, Ray Charles, and dozens more refusing to play to segregated crowds, with white allies like the Beatles taking similar stands. They also used their music to advance messages—from Billie Holiday’s “Strange Fruit” to Sam Cooke’s “A Change Is Gonna Come.”

Today’s Black artists continue to break new ground—Beyoncé’s genre-bending “Cowboy Carter” sparked crucial conversations regarding diversity in country music, while André 3000 electrified audiences with his experimental flute-based album “New Blue Sun.” While both releases scored Album of the Year nominations at the 2025 Grammys, it was Beyoncé who picked up the trophy, along with two other awards, including Best Country Album. A week later, Kendrick Lamar’s Super Bowl Halftime show was rife with symbolism, including about the way Black artists have been dismissed by the predominantly white establishment as “too loud, too reckless, too ghetto.”

And that’s just the start of recent noteworthy work by Black musicians. To name just a few, Chance the Rapper’s “Star Line,” Cardi B’s “Am I the Drama?,” and Doja Cat’s “Vie” have all made waves among listeners this year. On the horizon, we can look forward to a number of undated, but hotly anticipated 2025 albums, like A$AP Rocky’s “Don’t Be Dumb,” Megan Thee Stallion’s “Megan: Act III,” and Summer Walker’s “Finally Over It.”

To celebrate some of the greatest American music of all time, Stacker compiled data on the top 100 albums by Black artists according to data from Best Ever Albums, which ranks albums according to their appearance and performance on 40,000 editorial and data-based charts, including Rolling Stone, Pitchfork, and Billboard. The Best Ever Albums score is derived from a formula that weighs how many charts an album has appeared on and how high it was on each of those charts, and awards points accordingly. For more background on how Best Ever Albums determines its rankings, click here.

As with any ranking, no “best of” list can be fully representative, particularly when dealing with such a wide range of time, talent, and musical style. The fact that Ray Charles, Nina Simone, Whitney Houston, Louis Armstrong, Ella Fitzgerald—among dozens of others—don’t appear here underscores that shortcoming. Still, this iteration of the best albums of all time by Black artists offers an insightful look at a significant cross-section of American music that ranges from jazz to soul to hip-hop and back again, with household names like Jimi Hendrix and less obvious monikers like Love and Flying Lotus.

In conjunction with this piece, be sure to check out our Spotify playlist, which features a track from each of these albums.

#100. ‘Awaken, My Love!’ by Childish Gambino

– Best Ever Albums score: 2,547
– Best Ever Albums user rating: 79
– Rank in decade: #103
– Rank all-time: #742
– Year: 2016

Childish Gambino has proven there is little he can’t do. The actor, producer, writer, director, comedian, and rapper (who is also known as Donald Glover) went heavy on the singing when he released his third studio album, “Awaken, My Love!” The album, which contains soulful, funky chart-toppers like “Me and Your Mama,” was produced and written by Gambino (with the exception of the track “Zombies”).

Must-listen: “Me and Your Mama”

#99. ‘Lady Soul’ by Aretha Franklin

– Best Ever Albums score: 2,591
– Best Ever Albums user rating: 79
– Rank in decade: #77
– Rank all-time: #735
– Year: 1968

It was obvious that 14-year-old Aretha Franklin was going to be a star when she was recorded live in 1956 by J-V-B records singing “You Grow Closer” at New Bethel Baptist Church in Detroit (the complete recordings were released in 1965 by Checker Recordings).

Just six years later, she was laying down blues and big-band tracks that would set her inevitable ascendancy to a cultural icon with a seven-decade career spanning gospel, soul, R&B, pop, rock, and virtually everything in between. In 1987, Franklin became the first woman inducted into the Rock & Roll Hall of Fame. “Lady Soul” features some of Franklin’s most famous songs of her storied career, including “(You Make Me Feel Like) a Natural Woman” and “(Sweet Sweet Baby) Since You’ve Been Gone.”

Must-listen: “(Sweet Sweet Baby) Since You’ve Been Gone”

#98. ‘Let’s Get It On’ by Marvin Gaye

– Best Ever Albums score: 2,609
– Best Ever Albums user rating: 81
– Rank in decade: #166
– Rank all-time: #728
– Year: 1973

A hallmark in soul music, Marvin Gaye’s eight-track “Let’s Get It On” album went platinum in three weeks flat and propelled the artist to icon status. In many ways, the album marked a return to Gaye’s 1960s heartthrob status and stood in stark contrast to his more introspective persona on the 1971 album “What’s Going On.”

Must-listen: “Keep Gettin’ It On”

#97. ‘The Infamous…’ by Mobb Deep

– Best Ever Albums score: 2,646
– Best Ever Albums user rating: 80
– Rank in decade: #130
– Rank all-time: #716
– Year: 1995

Mobb Deep’s sophomore album came about during an iconic and unforgettable era in hip-hop. From Wu-Tang to Nas, there was no shortage of talent. The album featured members Havoc and Prodigy, along with appearances by Raekwon, Ghostface Killah, Q-Tip, and Nas. The album showed up at #15 on the Billboard charts and had four singles, of which “Shook Ones (Part II)” was the most popular. The album went on to be a defining feature of the East Coast hardcore hip-hop scene.

Must-listen: “Shook Ones, Pt. II”

#96. ‘My Favorite Things’ by John Coltrane

– Best Ever Albums score: 2,663
– Best Ever Albums user rating: 81
– Rank in decade: #76
– Rank all-time: #709
– Year: 1961

History’s most important tenor saxophonist John Coltrane did more than turn jazz on its head: He created a whole new musical genre called psychedelic rock. Almost 60 years later, “My Favorite Things,” is still relevant and revolutionary, showing one of many gifts Coltrane gave to the historic story of jazz in America.

Must-listen: “My Favorite Things”

#95. ‘Section.80’ by Kendrick Lamar

– Best Ever Albums score: 2,665
– Best Ever Albums user rating: 80
– Rank in decade: #98
– Rank all-time: #708
– Year: 2011

Kendrick Lamar could be seen as a direct descendant of the West Coast Hip-Hop style created in Southern California during the 1990s. “Section.80” flows like a long drive up the coast. But his insightfulness is what sets him apart from the generations past. Lamar shows a thoughtful self-awareness that makes him relatable to a wide array of audiences.

Must-listen: “Rigamortis”

#94. ‘The Epic’ by Kamasi Washington

– Best Ever Albums score: 2,720
– Best Ever Albums user rating: 82
– Rank in decade: #96
– Rank all-time: #698
– Year: 2015

You’ve probably already heard his saxophone playing in the background of a Kendrick Lamar track, or maybe you saw him touring with Snoop Dogg, but Kamasi Washington went even bigger than all that with his first album “The Epic.” The album is almost three hours long and features more than 60 musicians.

Must-listen: “Clair de Lune”

#93. ‘Saxophone Colossus’ by Sonny Rollins

– Best Ever Albums score: 2,740
– Best Ever Albums user rating: 82
– Rank in decade: #14
– Rank all-time: #693
– Year: 1957

Made up of only five tracks, “Saxophone Colossus” might be Sonny Rollins’ most defining album. He made it less than a year after kicking his addiction to heroin. That year he recorded a handful of other albums, as well as being featured on records of other artists. Rollins, who had recordings with Art Blakey and Bud Powell under his belt by the time he was 20, is still alive and performing at 90 years old.

Must-listen: “Strode Rode”

#92. ‘Fear Of A Black Planet’ by Public Enemy

– Best Ever Albums score: 2,741
– Best Ever Albums user rating: 79
– Rank in decade: #125
– Rank all-time: #692
– Year: 1990

Chuck D.—prolific producer, activist, and rapper—once famously called Public Enemy, the rap group he formed, the “CNN for Black people.” That’s because, in the late ’80s, the masses had to look to hip-hop to cover racial disparities in American culture, the prison-industrial complex, poverty, profiling, and police brutality. Chuck D. helped to strengthen a culture of hip-hop that worked for social change and inspired a generation of artists.

Must-listen: “Brothers Gonna Work It Out”

#91. ‘ATLiens’ by OutKast

– Best Ever Albums score: 2,749
– Best Ever Albums user rating: 81
– Rank in decade: #124
– Rank all-time: #690
– Year: 1996

Atlanta-based hip-hop duo Outkast released its sophomore album “ATLiens” in 1996 when Andre 3000 and Big Boi were going through some big changes in life. Andre was sober, celibate, and vegan while working on it. Big Boi suffered the loss of a family member and welcomed his first child. Those factors may have influenced their work on this profound album which nearly topped the Billboard charts and remains relevant to this day.

Must-listen: “ATLiens”

#90. ‘A Tábua De Esmeralda’ by Jorge Ben

– Best Ever Albums score: 2,805
– Best Ever Albums user rating: 83
– Rank in decade: #158
– Rank all-time: #674
– Year: 1974

The title of Jorge Ben’s 1974 release translates to “The Emerald Tablet,” which was a stone containing ancient writings popular with European alchemists. A traditional Brazilian Samba musician who is highly regarded as a master of the craft, Ben filled this album with references to Egyptian texts along with upbeat melodies. Ben released more than 30 albums throughout his career.

Must-listen: “O namorado da viúva”

#89. ‘Chuck Berry Is On Top’ by Chuck Berry

– Best Ever Albums score: 2,825
– Best Ever Albums user rating: 80
– Rank in decade: #13
– Rank all-time: #671
– Year: 1959

Chuck Berry—who once said famously said he saw his career as “one long Sister Rosetta Tharpe impersonation” (see if the opening measures of her 1947 track “The Lord Followed Me” sounds familiar)—personified the adage “third time’s a charm” with his junior studio album that is widely considered to be his best. “Chuck Berry Is On Top” features his classics “Johnny B Goode,” “Maybellene,” and “Roll Over Beethoven” (just for starters) that were not just high-performing tracks of their time but have survived as rock ‘n’ roll standards for more than 70 years.

Must-listen: “Maybellene”

#88. ‘Brilliant Corners’ by Thelonious Monk

– Best Ever Albums score: 2,836
– Best Ever Albums user rating: 81
– Rank in decade: #12
– Rank all-time: #668
– Year: 1957

It wasn’t easy being Thelonious Monk at first, existing on the fringes as he did of New York City’s mid-20th-century jazz scene. But at 39 years old, with the release of his junior effort “Brilliant Corners,” Monk took his rightful, recognized place as one of the greatest pianists and composers of all time.

Must-listen: “I Surrender, Dear”

#87. ‘Lady In Satin’ by Billie Holiday

– Best Ever Albums score: 2,850
– Best Ever Albums user rating: 80
– Rank in decade: #11
– Rank all-time: #666
– Year: 1958

“Lady Satin” was the last album released while the great Lady Day was still alive, her upper vocal range damaged from years of heroin abuse. The tracks come across gritty and solemn but with the distinct beauty and delicacy that she demanded of the recording. Holiday sings from a place of staggering experience and immense, palpable loss. Whenever one wants to sit in the biting beauty sadness brings, there is quite possibly no better soundtrack than this.

Must-listen: “But Beautiful”

#86. ‘Talking Book’ by Stevie Wonder

– Best Ever Albums score: 2,905
– Best Ever Albums user rating: 80
– Rank in decade: #150
– Rank all-time: #652
– Year: 1972

Stevie Wonder (born Stevland Hardaway Morris), blind since infancy, demonstrated an early mastery over multiple instruments and a natural singing ability. His first album came out in 1962 when he was just 12. On “Talking Book,” Wonder broke from his standard Motown fare, opting instead for fresh expression through inspired ballads and inventive funk tracks that synthesized essential social commentary with high-energy dance tunes.

Must-listen: “Superstition”

#85. ‘Untitled Unmastered.’ by Kendrick Lamar

– Best Ever Albums score: 2,928
– Best Ever Albums user rating: 80
– Rank in decade: #94
– Rank all-time: #646
– Year: 2016

Lamar’s fourth album flipped the script on his previous album “To Pimp a Butterfly.” The tracks are titled with dates and numbers. There’s no album artwork. The lyrics show him as an artist responding to fame and criticism by speaking up. “Untitled Unmastered” is Lamar making a statement, presented by an artist unburdened by the need to prove himself.

Must-listen: “untitled 04”

#84. ‘Moanin” by Art Blakey & The Jazz Messengers

– Best Ever Albums score: 3,014
– Best Ever Albums user rating: 83
– Rank in decade: #9
– Rank all-time: #632
– Year: 1959

Art Blakey was a self-taught bandleader who brought along countless others on his rise to prominence in the world of jazz music. “Moanin'” was originally self-titled, but got renamed on later pressings because of the first track’s popularity.

Must-listen: “Moanin'”

#83. ‘Live At The Apollo’ by James Brown

– Best Ever Albums score: 3,091
– Best Ever Albums user rating: 79
– Rank in decade: #70
– Rank all-time: #615
– Year: 1963

James Brown’s stunning “Live at the Apollo,” the singer’s first live album, is cemented in the annals of soul and rock history as the best live concert to be captured on record. On that recording from 1962 (released the following year) is a medley featuring “Please, Please, Please,” a tune with all the elements that made James Brown James Brown.

The song has no lyrics beyond the title itself, with a few lines of longing (“Baby you did me wrong,” “Well, well you done me wrong,” and so forth), which would have been a tough sell for virtually any other artist. Record labels at first were so put off by the grittiness of the song when he began performing it in 1954 that Brown went unsigned until 1956 when King Records took a chance and set the Hardest Working Man in Show Business in motion and, arguably, changed soul music forever while setting the stage for a new genre of music decades later known as hip-hop.

Must-listen: “Medley: Please Please Please/You’ve Got The Power/I Found Someone”

#82. ‘Acid Rap’ by Chance The Rapper

– Best Ever Albums score: 3,150
– Best Ever Albums user rating: 77
– Rank in decade: #86
– Rank all-time: #609
– Year: 2013

Chance the Rapper’s second mixtape, 2013’s “Acid Rap,” solidified the Chicago artist’s ascent to stardom as well as his disdain for record labels. The mixtape was free to download and featured an array of collaborators, giving “Acid Rap” a fusion of genres. The album is bursting with hits including “Good A** Intro” and “Chain Smoker.”

Must-listen: “Good A** Intro”

#81. ‘Mm.. Food’ by MF DOOM

– Best Ever Albums score: 3,160
– Best Ever Albums user rating: 81
– Rank in decade: #103
– Rank all-time: #604
– Year: 2004

MF DOOM has almost as many names as there are albums featuring his work. In an interview with Spin magazine, Doom described his fifth studio album “Mm… Food” as being about “things you find on a picnic, or at a picnic table.” That quote makes sense when you press play, with tracks like “Beef Rap,” “Filet O Rapper,” and “Gumbo.” Doom is many people in many places making many kinds of music, but that’s what sets him apart.

Must-listen: “Kookies”

#80. ‘Piñata’ by Freddie Gibbs & Madlib

– Best Ever Albums score: 3,171
– Best Ever Albums user rating: 79
– Rank in decade: #83
– Rank all-time: #602
– Year: 2014

From humble beginnings selling mixtapes, Gibbs earned his place in the world of street rap with his third album. Released in 2014, “Piñata” is the second collaboration between Gibbs and Madlib. Danny Brown, Raekwon, Scarface, Mac Miller are among the many artists who collaborated on the album.

Must-listen: “Real”

#79. ‘Stand!’ by Sly & The Family Stone

– Best Ever Albums score: 3,260
– Best Ever Albums user rating: 80
– Rank in decade: #67
– Rank all-time: #592
– Year: 1969

Sly & The Family Stone broke boundaries from the beginning. The group’s album “Stand!” contained the first #1 single, “Everyday People.” The album deals with complex social issues with melodies and beats guaranteed to keep your feet moving.

Must-listen: “Everyday People”

#78. ‘808s & Heartbreak’ by Kanye West

– Best Ever Albums score: 3,310
– Best Ever Albums user rating: 76
– Rank in decade: #99
– Rank all-time: #577
– Year: 2008

The fourth studio album by Kanye West featured the rapper’s intimate processing of turbulent events going on in his life at the time. His mother had recently passed unexpectedly, and an engagement ended. Though family and friends encouraged him to take time off, West went inside and created “808 & Heartbreak” from an emotional state, creating a lasting piece of artistry that continues to have a great impact.

Must-listen: “See You in My Nightmares”

#77. ‘Cosmogramma’ by Flying Lotus

– Best Ever Albums score: 3,322
– Best Ever Albums user rating: 80
– Rank in decade: #78
– Rank all-time: #576
– Year: 2010

Flying Lotus is the stage name for Los Angeles producer Steven Ellison, who was brought up in the world of music as the nephew of jazz master Alice Coltrane. The album contains a blend of sounds from Ellison’s entire world of influence. From electronic music and hip-hop to jazz and video game sounds, his work on “Cosmogramma” runs the creative gamut of what a brilliant musical mind can do.

Must-listen: “…And the World Laughs With You”

#76. ‘Super Fly’ by Curtis Mayfield

– Best Ever Albums score: 3,326
– Best Ever Albums user rating: 81
– Rank in decade: #138
– Rank all-time: #575
– Year: 1972

Curtis Mayfield goes down in history as one of the most politically conscious artists of his time, a talented songwriter and guitarist, progressive soul musician, and insightful record producer. Mayfield got his start in a gospel choir and joined The Impressions when he was just 14 years old. “Super Fly” marked Mayfield’s third solo album and is rich with the early ’70s turmoil coming on the heels of the civil rights movement as it collided with American conservatism.

Must-listen: “Pusherman”

#75. ‘We Got It From Here… Thank You 4 Your Service’ by A Tribe Called Quest

– Best Ever Albums score: 3,333
– Best Ever Albums user rating: 82
– Rank in decade: #77
– Rank all-time: #573
– Year: 2016

Many people associate concept albums with bands like The Who or The Moody Blues. But the style has also been par for the course for A Tribe Called Quest, a band that released all six of its albums as cohesive, full-length commentaries on American culture. The group’s final album, ‘We Got It From Here… Thank You 4 Your Service” lays out next-level raps over tracks as varied as “Willy Wonka and the Chocolate Factory” and Musical Youth (“Pass the Dutchie”) with all-star guests including Kendrick Lamar and Elton John.

Must-listen: “We the People…”

#74. ‘Lemonade’ by Beyoncé

– Best Ever Albums score: 3,337
– Best Ever Albums user rating: 78
– Rank in decade: #76
– Rank all-time: #572
– Year: 2016

Beyoncé got her start as a teenager in Destiny’s Child, which in its own right was one of the bestselling girl groups in American history. She forged out on her own with the album “Dangerously in Love” in 2003. As her success grew so too did her messaging, which culminated in 2016 with the epic “Lemonade,” her sixth studio album. That record, which explores themes of family history, politics, relationships, and infidelity, came alongside an hour-long art film.

Must-listen: “Daddy Lessons”

#73. ‘Clube Da Esquina’ by Milton Nascimento / Lô Borges

– Best Ever Albums score: 3,361
– Best Ever Albums user rating: 82
– Rank in decade: #135
– Rank all-time: #569
– Year: 1972

Milton Nascimento is one of the most influential Brazillian musicians of all time. “Clube Da Esquina” was recorded with his dear friend and songwriting partner Lô Borges. They began writing together while Nascimento was performing at night and working as an accountant by day in the city of Belo Horizonte. Pitchfork called the album “Pet Sounds, Innervisions, and The White Album all rolled into one,” and said it “remains beloved even for those who know just a few Brazilian albums.”

Must-listen: “Cravo E Canela”

#72. ‘Voodoo’ by D’Angelo

– Best Ever Albums score: 3,419
– Best Ever Albums user rating: 80
– Rank in decade: #98
– Rank all-time: #564
– Year: 2000

Pop-soul artist D’Angelo, who had worked as a member of The Soulquarians, created something new with his sophomore effort “Voodoo.” After taking three years to record, mix, and finish, the end result shadowed the history of R&B while taking the genre to a modern space unoccupied by other artists of that time.

Must-listen: “The Root”

#71. ‘3 Feet High And Rising’ by De La Soul

– Best Ever Albums score: 3,472
– Best Ever Albums user rating: 78
– Rank in decade: #83
– Rank all-time: #558
– Year: 1989

Hailing from Long Island, hip-hop threesome (four when they brought in producer DJ Paul “Prince Paul” Huston) De La Soul’s first album “3 Feet High And Rising” took a unique stand on the East Coast rap scene. All of the four members went to the same school and created music from a place of evolving self-awareness. It was this lightness and positivity which set them apart from the rest.

Must-listen: “Potholes in My Lawn”

#70. ‘Here’s Little Richard’ by Little Richard

– Best Ever Albums score: 3,552
– Best Ever Albums user rating: 79
– Rank in decade: #8
– Rank all-time: #545
– Year: 1957

With numerous singles preceding his first full-length album, the wildly new and inventive Little Richard defined his own genre in the 1950s. His on-stage persona, flamboyant and bright, was new to the world of pop music. Countless musicians were influenced by Richards over the years. “Here’s Little Richard” was his highest-ranking album of all time, coming in at #13 on the Billboard charts.

Must-listen: “Can’t Believe You Wanna Leave”

#69. ‘Black Messiah’ by D’Angelo And The Vanguard

– Best Ever Albums score: 3,625
– Best Ever Albums user rating: 81
– Rank in decade: #71
– Rank all-time: #531
– Year: 2014

Fourteen years following “Voodoo,” R&B icon D’Angelo returned with “Black Messiah.” After struggling through some hardships and gaining new skills, his fourth album was released shortly after multiple Black men were killed by police around the country including in Ferguson, Missouri, and New York City. D’Angelo’s music spoke to the outrage of many, but it was also an experience of hope during a slew of dark days. The album was well worth the wait.

Must-listen: “Another Life”

#68. ‘Dear Science’ by TV On The Radio

– Best Ever Albums score: 3,628
– Best Ever Albums user rating: 78
– Rank in decade: #93
– Rank all-time: #530
– Year: 2008

Rock band TV On The Radio has a gritty, distorted, hard sound unlike anything else. With lyrics that go into the intellectual, and music that can make anybody get up out of their seat, “Dear Science” tells stories from somewhere between knowing and seeking, is often chaotic and wailing, and true to the band’s signature grit. Known to many to put on great performances, this rap, funk, rock group plays to a crowd all its own.

Must-listen: “Shout Me Out” (listen for obvious borrows from Bob Dylan’s “A Hard Rain’s A-Gonna Fall”)

#67. ‘Giant Steps’ by John Coltrane

– Best Ever Albums score: 3,732
– Best Ever Albums user rating: 83
– Rank in decade: #63
– Rank all-time: #519
– Year: 1960

Released after a period of recovery from drug addiction, “Giant Steps” is viewed as a masterwork of jazz music. Seen as a sort of response to Miles Davis’ slower tempo “Kind of Blue,” Coltrane’s first album on Atlantic Records was created from a veteran mindset. The title track “Giant Steps” features Cedar Walton on piano, Paul Chambers on bass, and Lex Humphries in the percussion section.

Must-listen: “Countdown”

#66. ‘Sketches Of Spain’ by Miles Davis

– Best Ever Albums score: 3,763
– Best Ever Albums user rating: 82
– Rank in decade: #62
– Rank all-time: #513
– Year: 1960

“Sketches of Spain” is a concept album that broke barriers of jazz conventions at the time. Mixed and recorded with a wide range of artists from varying musical backgrounds, the album received high praise and showcased a new side of Davis. Thanks to a partnership with composer Gil Evans who put together the album’s Latin flare, “Sketches of Spain” serves as an easily accessible piece of jazz history.

Must-listen: “Will O’ the Wisp”

#65. ‘The Blueprint’ by Jay-Z

– Best Ever Albums score: 3,764
– Best Ever Albums user rating: 78
– Rank in decade: #89
– Rank all-time: #512
– Year: 2001

The stunning, award-speckled rise of Jay-Z (Shawn Carter) over his 30-year career began with his independently released “Reasonable Doubt” in 1996 on his newly created label Roc-A-Fella and continues to this day with that label making him the richest man in hip-hop. Jay-Z’s net worth stands at around $1 billion, making him the first hip-hop billionaire in history. He demonstrates the vast reaches of today’s music industry, with his hands over the years in a streaming service, alcohol company, clothing line, sports club, and various entertainment labels.

His secret? Relying on himself to build his brands and rapping about that which he knows most about: himself. It’s not a stretch to say Jay-Z is believed to be among the best rappers in history.

Must-listen: “Song Cry”

#64. ‘The Life Of Pablo’ by Kanye West

– Best Ever Albums score: 3,916
– Best Ever Albums user rating: 75
– Rank in decade: #67
– Rank all-time: #495
– Year: 2016

“The Life Of Pablo” represents one of Kanye West’s most self-realized (and, possibly, self-obsessed) albums. Though it didn’t receive the same kind of recognition as previous work, West was able to reach out to an already established base who adores his musical skills, and the fun of questioning his methods.

Must-listen: “I Love Kanye”

#63. ‘Straight Outta Compton’ by N.W.A

– Best Ever Albums score: 3,972
– Best Ever Albums user rating: 78
– Rank in decade: #69
– Rank all-time: #490
– Year: 1988

“Straight Outta Compton” is the debut album from the unforgettable West Coast hip-hop group N.W.A. With tracks that were too much for MTV and the FBI, the album—recorded for a reported $12,000—was one of the most intense and massively popular examples of gangster rap in the late 1980s. The group was the first home of many artists who went on to create solo careers including Dr. Dre, Ice Cube, and Eazy E.

Must-listen: “Express Yourself”

#62. ‘1999’ by Prince

– Best Ever Albums score: 3,988
– Best Ever Albums user rating: 80
– Rank in decade: #68
– Rank all-time: #488
– Year: 1982

Throughout his tenure, Prince created a staggering 39 studio albums and four live albums as well as numerous compilations. Few of those albums stand out like “Lovesexy,” “Sign O’ the Times,” or the iconic “1999,” which catapulted Prince to international star status when he was just 24 years old. “1999” came out just 12 months after “Controversy” and included five commercially released singles: the apocalyptic “1999,” “Automatic,” “Delirious,” “Let’s Pretend We’re Married,” and “Little Red Corvette.” The album was inducted into the Grammy Hall of Fame in 2008.

Must-listen: “1999”

#61. ‘Head Hunters’ by Herbie Hancock

– Best Ever Albums score: 3,995
– Best Ever Albums user rating: 82
– Rank in decade: #113
– Rank all-time: #484
– Year: 1973

Prolific pianist and composer Herbie Hancock was 7 when it became obvious he was a musical prodigy. But throughout his tenure as a classical musician and jazz composer, including becoming the first Black man to win an Oscar for Best Original Score, Hancock is most well-known for the unforgettable “Head Hunters” that functioned, above all else, as a departure from classic jazz. With heavy synths and funk, Hancock planted a new flag in the arc of musical evolution and history, transforming the industry with tracks like “Chameleon” and “Watermelon Man.”

Must-listen: “Watermelon Man”

#60. ‘Tracy Chapman’ by Tracy Chapman

– Best Ever Albums score: 4,107
– Best Ever Albums user rating: 78
– Rank in decade: #66
– Rank all-time: #468
– Year: 1988

With heavyweight tracks like “Fast Car,” Tracy Chapman’s self-titled album brought substantial commercial success with numerous singles hitting the Billboard charts. From early beginnings as a busker on the streets of Boston, Chapman cemented her legacy in folk music with this series of varied, story-driven songs. The album, released on Elektra Records, was expected to have modest sales; not long after its release, the album went platinum and made Chapman a household name.

Must-listen: “Fast Car”

#59. ‘Igor’ by Tyler, The Creator

– Best Ever Albums score: 4,197
– Best Ever Albums user rating: 83
– Rank in decade: #60
– Rank all-time: #460
– Year: 2019

Tyler, The Creator lived up to his name with “Igor.” The artist handled every aspect of the album, from production to musical arrangements. Known for expressing personal anguish from his past through his music, “Igor” brings us a slightly older and wiser version of the rapper.

Must-listen: “Gone, Gone”

#58. ‘The ArchAndroid’ by Janelle Monáe

– Best Ever Albums score: 4,227
– Best Ever Albums user rating: 80
– Rank in decade: #58
– Rank all-time: #456
– Year: 2010

Janelle Monáe, who has done everything from opening for Erykah Badu to playing with Of Montreal at the Lilith Fair, was 24 when “The ArchAndroid” was released on Atlantic Records. The songs on this album vary wildly between funk, R&B, disco, cabaret, and virtually everywhere in between and are filled with pop culture references from “Star Wars” to Muhammed Ali. Monae said the tracks were inspired by dreams and colors. The musical-genre ping pong’s only recent comparison would be OutKast’s “The Love Below.”

Must-listen: “Dance or Die”

#57. ‘The Shape Of Jazz To Come’ by Ornette Coleman

– Best Ever Albums score: 4,276
– Best Ever Albums user rating: 81
– Rank in decade: #7
– Rank all-time: #450
– Year: 1959

Ornette Coleman’s Atlantic debut “The Shape Of Jazz To Come” was built on a structure unlike anything else at the time. Though it appeared unconventional then, today the album fits neatly into the progressive jazz movement. “The Shape of Jazz” also debuted Coleman performing with a rhythm section; something he hadn’t done on a record up until this.

Must-listen: “Eventually”

#56. ‘Graduation’ by Kanye West

– Best Ever Albums score: 4,310
– Best Ever Albums user rating: 77
– Rank in decade: #78
– Rank all-time: #446
– Year: 2007

“Graduation” showcases all of Kanye West’s energy and creativity in tracks with his signature creative mixing. As his third album, West showed how his skills were just that much better than those of his counterparts. Many agree that “Graduation” marks the point in West’s career when he went from a mere mortal musician to rap icon.

Must-listen: “Stronger”

#55. ‘The Chronic’ by Dr. Dre

– Best Ever Albums score: 4,372
– Best Ever Albums user rating: 80
– Rank in decade: #82
– Rank all-time: #441
– Year: 1992

While N.W.A. launched Dr. Dre, Dre’s “The Chronic” became the launching vehicle for a handful of others—including a mostly underground rapper going by the name Snoop Dog. Dre, a legend in the business, has since come under fire numerous times for his treatment of other rappers, his homophobic language, and claims of abuse by multiple women.

Must-listen: “Nothin’ but a ‘G’ Thang”

#54. ‘Midnight Marauders’ by A Tribe Called Quest

– Best Ever Albums score: 4,384
– Best Ever Albums user rating: 83
– Rank in decade: #81
– Rank all-time: #440
– Year: 1993

“Midnight Marauders,” the third album by legendary hip-hop group A Tribe Called Quest, proved to be the most successful and sold more than 1 million copies in its first year. Moving from a history of including jazz influence, this album had a more distinct feeling of funk and showcased the growing philosophical lyricism of members Q-Tip, Phife Dawg, Ali Shaheed Muhammad, and Jarobi White.

Must-listen: “Electric Relaxation”

#53. ‘I Never Loved a Man the Way I Love You’ by Aretha Franklin

– Best Ever Albums score: 4,438
– Best Ever Albums user rating: 80
– Rank in decade: #54
– Rank all-time: #435
– Year: 1967

“I Never Loved a Man the Way I Love You” is a veritable who’s-who of top Franklin numbers, from the title track and “Respect” to “Do Right Woman, Do Right Man” and “Drown in My Own Tears.” Still, Rolling Stone knocked the album when it came out for sounding flat.

Must-listen: “Do Right Woman, Do Right Man”

#52. ‘Donuts’ by J Dilla

– Best Ever Albums score: 4,516
– Best Ever Albums user rating: 81
– Rank in decade: #75
– Rank all-time: #429
– Year: 2006

The incomparable J Dilla had his hands in more musical moments in hip-hop history than most. “Donuts,” likely the artist’s penultimate work, is comprised of 31 tracks that stand as individual masterpieces. Dilla released the album shortly before dying from complications from a rare blood disorder called thrombotic thrombocytopenic purpura. Long after his death, music long considered lost was unearthed and added to the legend of one of hip-hop’s most influential beatmakers.

Must-listen: “Last Donut of the Night”

#51. ‘Kids See Ghosts’ by Kids See Ghosts

– Best Ever Albums score: 4,571
– Best Ever Albums user rating: 82
– Rank in decade: #54
– Rank all-time: #424
– Year: 2018

“Kids See Ghosts” is a musical collaboration between Kid Cudi and Kanye West. Cudi is known for being honest about his issues with mental health and said this album, along with the partnership with West, was influential in his process of getting well. Cudi continues to model how expressions of vulnerability build strength.

Must-listen: “Reborn”

#50. ‘The Miseducation Of Lauryn Hill’ by Lauryn Hill

– Best Ever Albums score: 4,608
– Best Ever Albums user rating: 77
– Rank in decade: #75
– Rank all-time: #422
– Year: 1998

Few artists (or listeners) will do anything but bow to the continued brilliance and relevance of “The Miseducation of Lauryn Hill.” Lauryn Hill’s debut album brought hip-hop into the mainstream music scene in an entirely new way and earned her five Grammy Awards, including Album of the Year—a first for a woman hip-hop artist.

Must-listen: “Doo Woop (That Thing)”

#49. ‘Maggot Brain’ by Funkadelic

– Best Ever Albums score: 4,722
– Best Ever Albums user rating: 82
– Rank in decade: #105
– Rank all-time: #414
– Year: 1971

“Maggot Brain” showcased the arrival of the wild guitar stylings of Eddie Hazel, who some called the next Jimi Hendrix. With lyrics voiced by soon to be wildly famous George Clinton, Funkadelic’s showed what Detroit would produce after years of being the home of Motown. The psychedelic sounds were unlike anything else at the time, and the album remains a classic to this day.

Must-listen: “Maggot Brain”

#48. ‘There’s A Riot Goin’ On’ by Sly & The Family Stone

– Best Ever Albums score: 4,999
– Best Ever Albums user rating: 81
– Rank in decade: #97
– Rank all-time: #389
– Year: 1971

“There’s A Riot Goin’ On” was a departure from Sly & The Family Stone’s previous album “Stand!” in that the former’s joyful melodies were replaced by the latter’s more cynical side. This was an album made during Sly Stone’s exploration of drugs, and it spoke of a darker world with harsher edges.

Must-listen: “Family Affair”

#47. ‘Bad’ by Michael Jackson

– Best Ever Albums score: 5,067
– Best Ever Albums user rating: 76
– Rank in decade: #52
– Rank all-time: #387
– Year: 1987

Michael Jackson’s conflicted history can make it difficult or unseemly to appreciate the irreversible impact he had on today’s music. In his musical career, Jackson broke the color barrier by being the first Black artist on MTV with his “Billie Jean” video; he determined a new method of production and promotion with “Thriller;” and he took home hundreds of awards. He also followed in the footsteps of greats like Nat King Cole, pushing the boundaries of what roles Black men could acceptably occupy in American society, whether adored, wanted, or rebellious.

Must-listen: “Bad”

#46. ‘Stankonia’ by Outkast

– Best Ever Albums score: 5,086
– Best Ever Albums user rating: 80
– Rank in decade: #69
– Rank all-time: #384
– Year: 2000

Outkast has always been consistent by being different. The duo’s fourth album “Stankonia” continued on with a boundaries-shattering style that harnessed the energy of the time and introduced radical hope for a new future.

Must-listen: “Ms. Jackson”

#45. ‘Run The Jewels 2’ by Run The Jewels

– Best Ever Albums score: 5,182
– Best Ever Albums user rating: 81
– Rank in decade: #46
– Rank all-time: #375
– Year: 2014

Few rappers critique the world with the kind of ferocity and scope of Run The Jewels members El-P and Killer Mike. And no one—from politicians to materialistic celebrities—is safe from the ire expressed on ‘Run The Jewels 2.’ These no-limit rappers began as a festival act and “RTJ2” is their first official album together.

Must-listen: “All My Life”

#44. ‘Legend’ by Bob Marley & The Wailers

– Best Ever Albums score: 5,187
– Best Ever Albums user rating: 84
– Rank in decade: #47
– Rank all-time: #374
– Year: 1984

Bob Marley sold more than 20 million records and goes down in history as being the first worldwide success to come from the “Third World.” As an ambassador for reggae music, he helped to spread Rastafari messaging through his songs and shone a spotlight on Jamaica and its politics. He additionally made reggae mainstream, paving the way for its international popularity throughout the United States, Britain, and Africa. “Legend,” his penultimate compilation of greatest hits, runs through the top tracks of Marley’s career.

Must-listen: “Redemption Song”

#43. ‘Otis Blue / Otis Redding Sings Soul’ by Otis Redding

– Best Ever Albums score: 5,305
– Best Ever Albums user rating: 83
– Rank in decade: #48
– Rank all-time: #369
– Year: 1965

“Otis Blue / Otis Redding Sings Soul” featured classic songs such as “Satisfaction” and “Change Gonna Come.” Recorded in two separate sessions over a 24-hour period, the largely impromptu soundtrack holds within it a certain feeling of magic and spontaneity.

Must-listen: “I’ve Been Loving You Too Long”

#42. ‘Flower Boy’ by Tyler, The Creator

– Best Ever Albums score: 5,379
– Best Ever Albums user rating: 84
– Rank in decade: #45
– Rank all-time: #366
– Year: 2017

Tyler, The Creator tries coming to terms with some of his previous conflicts and aggressive stances on his album “Flower Boy.” Taking in years of tumult and time spent processing emotions, the album is an honest piece of art that strives for something more. Though his forward stance continues, “The Creator” brings the listener along towards a better, more mature future with these songs.

Must-listen: “See You Again”

#41. ‘Off The Wall’ by Michael Jackson

– Best Ever Albums score: 5,492
– Best Ever Albums user rating: 79
– Rank in decade: #90
– Rank all-time: #359
– Year: 1979

‘”Off The Wall” marks Michael Jackson’s debut as a superstar separate from his previously achieved family fame. Open and honest, 21-year-old Jackson sang about where he was and what got him there. Produced by Quincy Jones, the album is often considered a fan favorite over the more commercially successful followup album “Thriller.”

Must-listen: “Don’t Stop ‘Til You Get Enough”

#40. ‘Blue Train’ by John Coltrane

– Best Ever Albums score: 5,496
– Best Ever Albums user rating: 84
– Rank in decade: #4
– Rank all-time: #358
– Year: 1957

Recorded in Hackensack, New Jersey, “Blue Train” marked the start of John Coltrane breaking away from fellow greats to forge his own path. With five songs totaling around 40 minutes, the album remains relevant today and is still considered to be one of the greatest jazz recordings of all time. Even Coltrane himself said the album was one of his favorites.

Must-listen: “Locomotion”

#39. ‘Atrocity Exhibition’ by Danny Brown

– Best Ever Albums score: 5,571
– Best Ever Albums user rating: 83
– Rank in decade: #44
– Rank all-time: #353
– Year: 2016

Detroit rapper Danny Brown showcases all the wild, and many of the slightly less enviable, sides of addiction and struggle in his album “Atrocity Exhibition.” The tracks serve as heady reminders of just how harrowing substance abuse can be.

Must-listen: “Today”

#38. ‘Fresh Fruit For Rotting Vegetables’ by Dead Kennedys

– Best Ever Albums score: 5,775
– Best Ever Albums user rating: 81
– Rank in decade: #44
– Rank all-time: #342
– Year: 1980

Saying the Dead Kennedys defined hardcore isn’t a stretch, especially when listening to the fast-paced punk songs on “Fresh Fruit For Rotting Vegetables.” Unabashedly left-leaning statements against conservatives and capitalism are laced through the tracks. It’s a wild experience, provided in an unfiltered and raw format, which was exactly how it was intended.

Must-listen: “California Uber Alles”

#37. ‘Liquid Swords’ by GZA

– Best Ever Albums score: 5,923
– Best Ever Albums user rating: 84
– Rank in decade: #64
– Rank all-time: #332
– Year: 1995

Rap aficionados might know GZA from his role in the iconic and everlasting group known as the Wu-Tang Clan, but his solo work is incredible as well. GZA’s second solo album, mostly recorded in his Staten Island, New York, basement, “Liquid Swords” goes down in history as one of the greatest East Coast hip-hop albums. Listen to any one of these tracks, or preferably the full album as a whole, and you’ll understand why GZA is also known as “The Genius.”

Must-listen: “Investigative Reports”

#36. ‘Blue Lines’ by Massive Attack

– Best Ever Albums score: 5,941
– Best Ever Albums user rating: 80
– Rank in decade: #63
– Rank all-time: #330
– Year: 1991

Heralded as a predecessor to modern British dance music, Massive Attack’s first album “Blue Lines” was released in the early ’90s although it sounds like it could’ve been made last week. Soulful lyrics and booming electronic beats melded together to create a uniquely energizing style that inspired a generation of musicians to come. Originating as part of a group known as the Wild Bunch that DJ’ed street parties in Bristol, England, Massive Attack became a force in the formation of New Age electronic music across the world, but that influence is especially seen in artists from the U.K. who followed in the group’s footsteps.

Must-listen: “Unfinished Symphony”

#35. ‘Silent Alarm’ by Bloc Party

– Best Ever Albums score: 6,084
– Best Ever Albums user rating: 77
– Rank in decade: #54
– Rank all-time: #326
– Year: 2005

Bloc Party’s “Silent Alarm” is an album you don’t need to skip through, with each track containing something new and worthwhile. The album has sold more than 1 million copies in the 15 years since its original release.

Must-listen: “Helicopter”

#34. ‘Aquemini’ by OutKast

– Best Ever Albums score: 6,403
– Best Ever Albums user rating: 82
– Rank in decade: #60
– Rank all-time: #311
– Year: 1998

OutKast redefined Atlanta hip-hop multiple times over the years. The group’s third album “Aquemini” demonstrated a level of growth and ownership over the genre that hadn’t been reached previously. Daunted by the idea of having succeeded with prior albums, each helped along by the production crew Organized Noize, OutKast set out to find itself anew. As with seemingly all things created by Big Boi and Andre 3000, it worked.

Must-listen: “Rosa Parks”

#33. ‘Damn.’ by Kendrick Lamar

– Best Ever Albums score: 6,639
– Best Ever Albums user rating: 80
– Rank in decade: #34
– Rank all-time: #297
– Year: 2017

Kendrick Lamar became the first rap artist to be awarded the Pulitzer Prize for Music in 2018 for his fourth studio album, “DAMN.” At just 32 years old, Lamar has already earned 17 Grammys and a nod from Time magazine as one of the 100 most influential people in the world. He is widely considered one of his generation’s most influential rappers, and as a songwriter and producer, he’s already helping to churn out and develop new talent, from Ab-Soul to Sza.

Must-listen: “LOVE.”

#32. ‘Exodus’ by Bob Marley & The Wailers

– Best Ever Albums score: 6,663
– Best Ever Albums user rating: 82
– Rank in decade: #74
– Rank all-time: #295
– Year: 1977

Bob Marley’s home in Jamaica was raided on Dec. 5, 1976 by (likely politically motivated) gunmen two days before Marley was to headline “Smile Jamaica,” a unity-themed concert meant to quell rising political tensions. The would-be assassins shot him, his wife, a friend, and Marley’s manager. A bandaged Marley performed anyway. After the concert, he went to Nassau, Bahamas, with his team; while there, he wrote “Jamming” about the attack on his life. Marley and the Wailers flew to London after Nassau, where they spent several months recording the songs that comprised “Exodus.” The album was ranked #1 of the 20th century by Time magazine.

Must-listen: “Jamming”

#31. ‘Ready To Die’ by The Notorious B.I.G.

– Best Ever Albums score: 6,693
– Best Ever Albums user rating: 81
– Rank in decade: #57
– Rank all-time: #294
– Year: 1994

Coming off like he’s reciting a premonition, The Notorious B.I.G. speaks on “Ready To Die” about a future he seemed to have known was coming. He candidly talks about the pitfalls and dangers of selling crack cocaine. He lets you know why he started and what it costs to go down that road. Whereas his West Coast counterpart was a poet, The Notorious B.I.G. was a storyteller who wove narratives from his hard-lived youth throughout his songs. At 24 years old, the artist was murdered in a drive-by shooting. The case remains unsolved to this day.

Must-listen: “Juicy”

#30. ‘Mingus Ah Um’ by Charles Mingus

– Best Ever Albums score: 7,737
– Best Ever Albums user rating: 84
– Rank in decade: #2
– Rank all-time: #255
– Year: 1959

Listening to “Mingus Ah Um” is as close as most will come to getting to know the soul of the man behind it. Complex, disjointed at times, and full of emotion, Charles Mingus’ plays to a different crowd. He created a structure for this album but left substantial room for freedom, as well. He wanted everyone to perform what they felt, while he kept the essence true to himself.

Must-listen: “Boogie Stop Shuffle”

#29. ‘Late Registration’ by Kanye West

– Best Ever Albums score: 7,933
– Best Ever Albums user rating: 83
– Rank in decade: #43
– Rank all-time: #251
– Year: 2005

“Late Registration” sold almost 1 million copies in the first week it was out. It’s hard to argue that kind of success, regardless of whether or not the man behind the curtain has flaws and exhibits wild behaviors at times. Kanye West’s self-aggrandizing artistry, coupled with being honest about his process to get there, creates a musical hook in human form which his fans just can’t get enough of. Co-producer Jon Brion helped West on his journey to once again catch the attention of the people, and it worked. When it comes down to what the beatmaker and lyricist can’t do, the answer still remains unknown.

Must-listen: “Hey Mama”

#28. ‘In A Silent Way’ by Miles Davis

– Best Ever Albums score: 8,178
– Best Ever Albums user rating: 86
– Rank in decade: #40
– Rank all-time: #247
– Year: 1969

Always the original, Miles Davis’ “In A Silent Way” captivated audiences with the unique blend of rock and jazz while also being neither, standing in open defiance of any one genre. With only a general format written down for his bandmates to work from and recorded in one session, the two long jams on “In A Silent Way” transcend rational ideas of time and space. They are as free as the minds of those playing their melodies. The album also features fellow greats including Herbie Hancock, Wayne Shorter, and Joe Zawinul.

Must-listen: “In a Silent Way”

#27. ‘Axis: Bold As Love’ by The Jimi Hendrix Experience

– Best Ever Albums score: 8,464
– Best Ever Albums user rating: 83
– Rank in decade: #38
– Rank all-time: #238
– Year: 1967

Jimi Hendrix grew up listening to Buddy Guy, Muddy Waters, and jazz music, all of which are audible in his early recordings. In addition to being one of the greatest guitar players to ever live, Hendrix was also one of the greatest performers. He was notorious for playing guitar with his teeth, setting instruments on fire, and smashing them on stage. He took chances with music no one had taken before and paved the way for future innovators like Prince.

“Axis: Bold As Love” is the second studio album from The Jimi Hendrix Experience and features “Little Wing,” a song he wrote about the Monterey Pop Festival as if it was a woman (“When I’m sad, she comes to me / With a thousand smiles, she gives to me free / It’s alright she says it’s alright / Take anything you want from me, / Anything.”)

Must-listen: “Little Wing”

#26. ‘It Takes A Nation Of Millions To Hold Us Back’ by Public Enemy

– Best Ever Albums score: 8,467
– Best Ever Albums user rating: 80
– Rank in decade: #28
– Rank all-time: #237
– Year: 1988

Formed by Chuck D and Flavor Flav, Public Enemy was sampling music in groundbreaking ways before it was standard hip-hop practice. “It Takes A Nation Of Millions To Hold Us Back” is a culmination of years of work with deeply layered beats and rich lyrics, and it shows: Public Enemy’s sophomore effort went platinum and paved the way for decades of rappers to come.

Must-listen: “Bring the Noise”

#25. ‘Sign ‘O’ the Times’ by Prince

– Best Ever Albums score: 8,539
– Best Ever Albums user rating: 81
– Rank in decade: #27
– Rank all-time: #233
– Year: 1987

Prince’s musical experimentation transformed rock, funk, pop, and new wave music. He was 7 when he wrote his first song, “Funk Machine,” and used not just his solo career to impact how music was packaged and received, but his work as a collaborator and producer. Early in his career, some of his most ambitious works like “777-9311” were used in other groups like The Time, in which Prince sang backing vocals and played all the instruments.

No one had heard anything like Prince before he came along—but forever after, you could hear his legacy in tunes from acts as wide-ranging as Beck and Justin Timberlake. On “Sign “O” the Times,” Prince graces the public with a modern-day iteration of Marvin Gaye’s “What’s Going On.”

Must-listen: “Sign “O” the Times”

#24. ‘The Money Store’ by Death Grips

– Best Ever Albums score: 8,787
– Best Ever Albums user rating: 82
– Rank in decade: #26
– Rank all-time: #221
– Year: 2012

It’s confusing, maddening, fast, and loud. It’s rock, rap, and electronic. Death Grips’ “The Money Store” is all-out weird, in the best sense of the word. It’s noise that might make you confused or angry, and maybe you’ll have to get used to it, but once it hits, you won’t find anything else like it out there.

Must-listen: “Punk Weight”

#23. ‘Yeezus’ by Kanye West

– Best Ever Albums score: 8,972
– Best Ever Albums user rating: 77
– Rank in decade: #22
– Rank all-time: #214
– Year: 2013

He might appear on this list more than any other artist, and his sixth studio album, “Yeezus” speaks to one of the reasons why. Kanye West is dramatic and big, but he’s versatile and dedicated. With the help of producer Rick Rubin, West engineered a scaled-down version of his work on this album. It feels more direct, less cluttered, and, as with the rest of his albums, it hit home with his fans.

Must-listen: “Blood on the Leaves”

#22. ‘The College Dropout’ by Kanye West

– Best Ever Albums score: 9,960
– Best Ever Albums user rating: 82
– Rank in decade: #34
– Rank all-time: #189
– Year: 2004

“The College Dropout” was the first record from West to be released on Roc-a-fella Records. Perhaps his most well-known single on the album, “Through the Wire,” was recorded while West was recovering from a car accident that almost killed him. Throughout the recording, West’s jaw was still wired shut. This album was his first big hit, and foreshadowed the successes to come.

Must-listen: “Through the Wire”

#21. ‘B***hes Brew’ by Miles Davis

– Best Ever Albums score: 11,305
– Best Ever Albums user rating: 84
– Rank in decade: #41
– Rank all-time: #163
– Year: 1970

Miles Davis innovated on every piece of music he wrote, took chances, and never grew complacent: No two of his albums are alike, and the echoes of his impact can be felt throughout our culture. “B***es Brew” serves as the standout record in the artists’ jazz fusion work, synthesizing jazz with electric piano and guitar, funk, rock, and so much more, planting a flag in the genre’s seminal work to influence all jazz-fusion work that followed.

Must-listen: “John McLaughlin”

#20. ‘Channel Orange’ by Frank Ocean

– Best Ever Albums score: 12,011
– Best Ever Albums user rating: 82
– Rank in decade: #13
– Rank all-time: #154
– Year: 2012

Frank Ocean’s “Channel Orange” flows from ’70s R&B to modern electronic dance music. This sort of time travel is shown in the track “Pyramids,” which takes the listener on a story spanning nearly all of human history. His honesty and sensitivity have made him popular across the spectrum. “Channel Orange” shows a man committed to learning about himself and the world around him.

Must-listen: “Pyramids”

#19. ‘Mezzanine’ by Massive Attack

– Best Ever Albums score: 12,094
– Best Ever Albums user rating: 83
– Rank in decade: #32
– Rank all-time: #153
– Year: 1998

Massive Attack’s third album “Mezzanine” is decidedly dark, with moods and melodies acting as a prelude to the coming shifts in the band; after its release, the band broke up. Because of the timing of the group’s fame, and the fact that its members always remained a sort of underground phenomenon, Massive Attack’s “Mezzanine” has retained its status as a cult classic.

Must-listen: “Black Milk”

#18. ‘Songs In The Key Of Life’ by Stevie Wonder

– Best Ever Albums score: 13,692
– Best Ever Albums user rating: 85
– Rank in decade: #32
– Rank all-time: #129
– Year: 1976

Most critics agree Wonder’s crowning achievement was the 1976 album “Songs in the Key of Life.” The far-reaching, ambitious record that reads like a greatest hits record earned the distinction of Album of the Year at the 19th Grammy Awards.

Must-listen: “Sir Duke”

#17. ‘Blonde’ by Frank Ocean

– Best Ever Albums score: 14,076
– Best Ever Albums user rating: 84
– Rank in decade: #9
– Rank all-time: #123
– Year: 2016

“Blonde,” written from the perspective of a young, yellow-haired girl riding in a car, represented a significant departure from the artist’s other concept album, the highly acclaimed “Channel Orange.” In “Blonde,” Ocean created a world inside of this girl’s, awash with dreamscapes, driving meditations, vulnerabilities, and social commentaries that are accessible—if strange—to everyone.

Must-listen: “Nikes”

#16. ‘Innervisions’ by Stevie Wonder

– Best Ever Albums score: 14,228
– Best Ever Albums user rating: 85
– Rank in decade: #30
– Rank all-time: #122
– Year: 1973

Stevie Wonder didn’t shy away from the systemic racism he faced every day: “Living for the City” off his “Innervisions” album confronted these issues head-on when few other artists were doing so.

Must-listen: “Living for the City”

#15. ‘Enter The Wu-Tang (36 Chambers)’ by Wu-Tang Clan

– Best Ever Albums score: 14,544
– Best Ever Albums user rating: 84
– Rank in decade: #25
– Rank all-time: #119
– Year: 1993

“Enter The Wu-Tang (36 Chambers)” is the debut album by the nine-person perfection that is Wu-Tang Clan. The album reinvigorated hip-hop across the world and brought back the heart to the New York City rap scene. During the creation of the album, recorded in part at a small house in Staten Island, the band had to scrimp by and even shoplifted canned food at times.

Must-listen: “Wu-Tang Clan Ain’t Nuthing ta F’ Wit”

#14. ‘The Black Saint And The Sinner Lady’ by Charles Mingus

– Best Ever Albums score: 15,225
– Best Ever Albums user rating: 87
– Rank in decade: #24
– Rank all-time: #113
– Year: 1963

The complex, four-part composition created by Charles Mingus for “The Black Saint And The Sinner Lady” is unlike anything else in the world of jazz. Studied by academics, this masterwork’s richness and fullness can be consumed by any listener, yet there is ample fodder for trained musicians to discover when analyzing the structure and melodies therein. This deeply personal album was written in part as a ballet and came complete with liner notes composed by Mingus’ psychologist.

Must-listen: “Group Dancers – (Soul Fusion) Freewoman And Oh, This Freedom’s Slave Cries”

#13. ‘Madvillainy’ by Madvillain

– Best Ever Albums score: 17,116
– Best Ever Albums user rating: 86
– Rank in decade: #12
– Rank all-time: #91
– Year: 2004

“Madvillainy” was created as a one-off collaboration between lyricist MF DOOM and producer Madlib. The album is a raw, spontaneous work of art that serves as a musical conversation between its creators. “Madvillainy” remains a mainstay of any serious hip-hop catalog.

Must-listen: “All Caps”

#12. ‘Purple Rain’ by Prince And The Revolution

– Best Ever Albums score: 17,917
– Best Ever Albums user rating: 83
– Rank in decade: #11
– Rank all-time: #86
– Year: 1984

The Recording Industry Association of America (RIAA) in 1999 enacted a new threshold for top-selling artists called the Diamond awards to act as a threshold for albums that sell at least 10 million copies. Prince’s “Purple Rain” album easily fit that category with well over 25 million copies (and counting) sold. When Billboard ranked all 92 (at the time) diamond-certified albums in 2016, “Purple Rain” was #1.

Must-listen: “Purple Rain”

#11. ‘Thriller’ by Michael Jackson

– Best Ever Albums score: 19,350
– Best Ever Albums user rating: 82
– Rank in decade: #9
– Rank all-time: #79
– Year: 1982

Michael Jackson’s “Thriller” goes down in history as one of the most influential rock albums of all time, but it was so much more than that. The album fuses R&B, pop, rock, and even adult contemporary, uniting fans of every ilk to make it the #1 selling album of all time. Certified 33-times platinum, Jackson supposedly got drew inspiration for “Thriller” from Tchaikovsky’s “Nutcracker Suite,” creating seamless synchronicity between painstakingly choreographed music videos and new sounds (and basslines—see “Billie Jean”) that put the album in a class all by itself.

Must-listen: “Billie Jean”

#10. ‘A Love Supreme’ by John Coltrane

– Best Ever Albums score: 19,379
– Best Ever Albums user rating: 87
– Rank in decade: #19
– Rank all-time: #78
– Year: 1965

“A Love Supreme” is a celebration of recovery, connection to God, and musical spiritualism. In the liner notes, John Coltrane reflects on his “spiritual awakening” after severe alcoholism and heroin addiction that almost cost him his career. Even the track listings—”Acknowledgment,” “Resolution,” “Pursuance,” and Psalm”—refer to his connection to his faith and recovery.

Must-listen: “Psalm”

#9. ‘Electric Ladyland’ by The Jimi Hendrix Experience

– Best Ever Albums score: 20,525
– Best Ever Albums user rating: 86
– Rank in decade: #18
– Rank all-time: #73
– Year: 1968

“Electric Ladyland” was the third and final album by The Jimi Hendrix Experience before bassist Noel Redding quit the band following a June 29, 1969, show in Denver. The album featured backing vocals from the Sweet Inspirations, an all-female group led by Whitney Houston’s mom Emily “Cissy” Houston, on “Burning of the Midnight Lamp;” and “Crosstown Traffic” featured Hendrix on a kazoo he made himself out of some cellophane and a comb.

Must-listen: “Burning of the Midnight Lamp”

#8. ‘Forever Changes’ by Love

– Best Ever Albums score: 20,581
– Best Ever Albums user rating: 85
– Rank in decade: #17
– Rank all-time: #72
– Year: 1967

Psychedelic rock act Love’s “Forever Changes” was the group’s third studio album and barely registered against the backdrop of the Summer of Love, peaking in 1968 at #154. The album has been reissued multiple times and is today widely revered as, in the words of one Pitchfork review, frontman Arthur Lee’s “paranoia-soaked 1967 masterpiece.”

Must-listen: “Alone Again Or”

#7. ‘Illmatic’ by Nas

– Best Ever Albums score: 20,600
– Best Ever Albums user rating: 86
– Rank in decade: #14
– Rank all-time: #71
– Year: 1994

West Coast rap reigned supreme in the early ’90s as hip-hop—still in its adolescence—spread nationwide. That changed in 1994 when East Coast rappers Nas and Biggie reestablished the region as “The Rap Mecca.” Despite being passed over for a signing contract with Def Jam Recordings, Nas came out swinging with his debut album “Illmatic” which is today widely regarded as one of the greatest rap albums ever made. Proving its timelessness, “Illmatic” was rereleased in 2013—almost 20 years after its initial pressing—as a box set complete with wooden case, vinyl pressing, gold CD, and four-dozen-page booklet insert.

Must-listen: “The World Is Yours”

#6. ‘What’s Going On’ by Marvin Gaye

– Best Ever Albums score: 21,149
– Best Ever Albums user rating: 85
– Rank in decade: #20
– Rank all-time: #70
– Year: 1971

Soul artist Marvin Gaye’s influence can be heard in modern-day tracks by Robin Thicke (“Blurred Lines”), The Weeknd (“The Music”), and Bilal (“Love It”). The talented musician did more than write his own tunes still adored today: He was also responsible for massive hits for The Marvelettes, Martha & The Vandellas, and did production work for Gladys Knight & The Pips and Chris Clark and the Originals. His 1971 album “What’s Going On” is widely understood to be one of the most transformative, important albums of the entire 20th century.

Must-listen: “What’s Going On”

#5. ‘Good Kid, m.A.A.d City’ by Kendrick Lamar

– Best Ever Albums score: 30,433
– Best Ever Albums user rating: 88
– Rank in decade: #4
– Rank all-time: #41
– Year: 2012

“Good Kid, m.A.A.d City” is a concept album through and through, tracing a nonlinear telling of Kendrick Lamar’s life with a who’s-who of producers credits from Dr. Dre and Pharrell Williams to T-Minus. Subtitled “A Short Film by Kendrick Lamar,” the album’s cover is a Polaroid of the artist as a toddler and real voicemails from his parents can be heard on the album.

Must-listen: “Money Trees”

#4. ‘Kind Of Blue’ by Miles Davis

– Best Ever Albums score: 31,010
– Best Ever Albums user rating: 89
– Rank in decade: #1
– Rank all-time: #39
– Year: 1959

Miles Davis’ albums did more than influence music; they altogether changed it. “Kind of Blue” perfectly encapsulates this law, as the compilation is almost universally seen as the best jazz album ever made. In it, you find Davis demonstrating—as per usual—an uncanny ability to harness new sounds of the day and put them at the forefront of his music.

Must-listen: “So What”

#3. ‘Are You Experienced’ by The Jimi Hendrix Experience

– Best Ever Albums score: 31,185
– Best Ever Albums user rating: 87
– Rank in decade: #12
– Rank all-time: #37
– Year: 1967

The Jimi Hendrix Experience’s widely influential debut album “Are You Experienced” transcended genres with songs that fused together R&B, rock ‘n’ roll, acid rock, soul, jazz, blues, and pop. That, along with Hendrix’s unmistakable sound on the guitar and efficient lyrics, sent the album soaring to the top of the charts. Today, the album has sold more than 5 million copies in the U.S. alone.

Must-listen: “Purple Haze”

#2. ‘My Beautiful Dark Twisted Fantasy’ by Kanye West

– Best Ever Albums score: 32,779
– Best Ever Albums user rating: 85
– Rank in decade: #2
– Rank all-time: #34
– Year: 2010

“My Beautiful Dark Twisted Fantasy” came out swinging, taking the #1 spot on the U.S. Billboard 200 and selling 496,000 copies in the first seven days before eventually going double platinum and securing a Grammy for Best Rap Album. The highly collaborative, genre-smashing album features a revolving door of musical guests and cameos that include Elton John, Alicia Keys, RZA, Chris Rock, Jay-Z, Bon Iver, Nicki Minaj, and (many, many, many) more.

Must-listen: “All of the Lights”

#1. ‘To Pimp a Butterfly’ by Kendrick Lamar

– Best Ever Albums score: 40,130
– Best Ever Albums user rating: 90
– Rank in decade: #1
– Rank all-time: #25
– Year: 2015

Kendrick Lamar’s “To Pimp a Butterfly” has been called alternatively “perfect” (The Verge), “dense and complex” (Pitchfork), and “dazzling” (uDiscoverMusic). Tracks feature fellow heavy-hitters including Dr. Dre, George Clinton, and Snoop Dogg, and move through a dizzying array of lyrics that explore Black American history. Words rise up alongside a stunning merge of jazz, funk, and soul that would likely stun prior inventive geniuses like Jimi Hendrix and Miles Davis.

Must-listen: “i”

Photo by Noam Galai // Getty Images for Bloomberg Media

This ‘Game of Thrones’ star is taking his search for climate solutions global

In the opening episode of the latest season of “An Optimist’s Guide to the Planet,” Nikolaj Coster-Waldau travels deep into the Ecuadorian Amazon to meet the Indigenous community of Achuar.

There, in an act of collective self-determination, residents are resisting the construction of a road through their territory. They’ve seen what roads have brought elsewhere in the Amazon—deforestation, illegal mining, and spikes in violent crime—and decided that supposed “progress” cannot come at the expense of their autonomy or land. Instead, people here are choosing their own path, connecting their villages by river, converting diesel engines to battery power, and using solar energy to sustain themselves. “Technology is a tool that we can use; that we decide to use,” Coster-Waldau told Atmos. “It cannot be the other way around.”

The second season of “An Optimist’s Guide to the Planet,” which premiered Oct. 23 on Bloomberg TV alongside major streaming platforms, expands its global scope on small and large-scale climate solutions while sharpening its focus on agency and hope. Filmed across Europe, Asia, and the Americas, the series explores how communities are tackling challenges in water, waste management, and energy in deeply local and unexpectedly innovative ways.

Below, Coster-Waldau speaks with Atmos about filming “An Optimist’s Guide to the Planet” in a time of climate doomism—and why optimism is a choice, renewed every time someone decides to act for the Earth.

Daphne Chouliaraki Milner: The world has changed a lot since Season 1 of “An Optimist’s Guide to the Planet” premiered in 2024. Season 2 starts in your native Denmark, and then takes you to many other countries the world over. What feels different this time around in the stories you’re telling and the way you’re approaching them?

Nikolaj Coster-Waldau: It really does feel different this time. What I love about the show being global is that it gives you perspective. It’s so easy to get caught up in where you are. From Denmark, for example, the presence of war in Europe feels like it’s expanding, and other issues like climate have slipped down the ladder of interest, which is understandable but worrying.

When we started this season, I was questioning the optimism in “An Optimist’s Guide to the Planet.” So much seemed to be pulling in the wrong direction. But doing the show again has reminded me how much the human spirit—and our thirst for innovation, finding solutions, helping each other—is still very much an integral part of who we are. That gives me real reason for optimism and hope. It’s easy to lose sight of that because we’re caught in these social media echo chambers, especially with the conflicts in Ukraine and Gaza. People are constantly being fed information that confirms their bias, yet they are very adamant they’re seeing the full truth.

What’s changed for me is also how I think about climate communication. There’s been a tendency to scare people into caring, to create doomsday narratives that say if we don’t act now, the world will end. But that doesn’t work in the long term. These issues won’t be solved in our lifetime or in our kids’ lifetime; they take generations. You can’t keep saying the wolf is coming every other day.

A good example is how we sometimes misuse science, saying the poles are melting and sea levels will rise by 7.5 meters [24.6 feet], which is true only if the ice caps melt completely, thousands of years from now. That kind of exaggeration backfires. It makes it easy for people to dismiss the real crisis as a hoax. The reality is already bad enough. Just look at the extreme weather we’re seeing now, or the loss of biodiversity and pollution. It’s already completely out of whack, and it’s only going to get worse. That should be scary enough.

Daphne: I think that’s also where our responsibility comes in as storytellers, whether as writers or filmmakers. And I want to return to what you said earlier about hope and the intergenerational aspect of it. But before that, I have a more logistical question about the second season. You travel through so many different environments, from coastal cities to farmlands to innovation hubs. How did you decide where to film?

Nikolaj: It was really based on lessons from Season 1 and on going to places we hadn’t been before. In the first season, we wanted to film in India, but didn’t want to travel all that way for just one story. It needed to be part of a full block. So for Season 2, we planned three main shooting blocks: one in the Americas, one in India, and one in Europe.

We combed through all these incredible stories happening around the world. That’s the fun part because it shows there’s so much innovation everywhere. And then, of course, there’s the logistical side: How do we actually make it work? What helped was looking at the themes we wanted to explore this season—water, waste management, and energy were big ones—and choosing stories that felt distinct but connected through those threads. And while we always include a stop in Canada because our production company is based there, the rest really comes down to curiosity and logistics.

Daphne: You met such a big range of people, researchers, activists, entrepreneurs, and land defenders, all of whom are working on sustainability. What stands out to you about the people behind these solutions?

Nikolaj: For me, it’s the realization that we share so much, no matter where you are in the world. Everyone wants the same basic things. Everyone wants to do something meaningful, to have a sense of purpose, and to feel agency over their own destiny. And everywhere we’ve been, there’s this real belief that action matters and that you can make a positive impact in your own life and in others’ by doing something, however small.

What’s interesting is that once you move outside Europe and the wealthiest parts of the world, optimism actually grows. Belief in tomorrow grows. I won’t try to analyze why, but it’s fascinating and it gives me hope. Humans are just incredible. The solutions we’ve seen range from high-tech innovations to the simplest, low-tech ideas that are pure genius. In many places, people are solving very basic problems, like access to water, sewage issues, and waste management challenges, with almost no resources, and doing it in ways that avoid creating more pollution or harm.

What I love about this season is that it connects those stories. The point is that while circumstances differ worldwide, we already have the solutions we need. It now comes down to resources and political will. Hopefully, the show inspires someone to think, “Why don’t we do that?”

Daphne: As you say, you cover a huge range of different solutions, large-scale, small-scale, tech-focused, grassroots. Is there one from Season 2 that really surprised you, or that made you think, why doesn’t the rest of the world already know about this?

Nikolaj: Yes, one that really stayed with me was a story about fungi. We filmed with a company in Chicago called Mycocycle. One of the founders came from construction, which is one of the world’s biggest sources of CO2 emissions and waste. They realized that nature already knows how to break this material down, in that fungi are doing it all the time.

That, to me, is one of the big ideas of this season: There’s no such thing as waste. In nature, everything is reused; a leaf falls, it decomposes, and becomes fuel for new life. We’ve somehow forgotten that everything we create can also be part of that cycle if we find the right processes. Seeing how this company used fungi to break down and reuse construction waste was incredibly inspiring.

Then, in India, we filmed another story that also began with waste, specifically cleaning up the Ganges. A company there collects around 30 tons of discarded flowers a day from temples. One of the scientists noticed a white growth on the flowers, fungi again, and started experimenting. That curiosity led to the creation of flether, a leather-like material made from floral waste. It’s brilliant because it uses nature’s own mechanisms to solve problems we think are uniquely human.

It reminded me of something from Season 1, when we visited the zero-waste village in Japan. A man there told me he’d looked up the English word “waste,” and realized there’s no direct equivalent in Japanese. It’s always “waste of time,” “waste of energy.” That stayed with me. There really is no waste; it’s all energy and resources. We just have to learn how to use them differently.

Daphne: You’ve seen how differently people experience climate change, and how similarly they respond with care and ingenuity. What do you think connects us most in this shared effort to build a livable future?

Nikolaj: I think the problem is that we’re always looking for a bad guy and a good guy. But we’re in this together. Not many people actually want to destroy the world. Sure, there are a few horrible people out there, but 99.99999% of us want the same things.

I always use this example: If you think about your week—all the people you’ve interacted with—how many were truly awful? Maybe one or two, out of hundreds or even thousands. Most people are decent. It’s the same with these global issues. We all basically want the same outcomes, but we’re living in a world of constant noise and division.

That’s why I find it so inspiring to meet people who actually do something. Once you take action, things start to feel more manageable. If we keep focusing on fear or the idea that someone’s out to get us, we’ll get stuck. No one’s out to get us. Everyone just wants a better life. And if we put more of our energy into doing instead of talking, we’d get much further.

Editor’s Note: This interview has been condensed and edited for purposes of length and clarity.

“An Optimist’s Guide to the Planet” airs on Wednesdays at 8 p.m. Eastern time on Bloomberg Originals and is available on major streaming platforms such as Samsung TV+, Amazon Prime Video, and LG channels. Episodes will also air on Bloomberg TV and be available on demand on Bloomberg.com and YouTube.

This story was produced by Atmos and reviewed and distributed by Stacker.