Mediabistro Logo Mediabistro Logo
  • Jobs
    Search Creative Jobs Hot Jobs Remote Media Jobs Create Job Alerts
    Job Categories
    Creative & Design Marketing & Communications Operations & Strategy Production Sales & Business Development Writing & Editing
    Quick Links
    Search All Jobs Remote Jobs Create Job Alerts
  • Career Resources
    Career Advice & Articles Media Industry News Media Career Interviews Creative Tools Resume Writing Services Interview Coaching Job Market Insights Member Profiles
  • Mediabistro Membership
    Membership Overview How to Pitch (Premium Tool) Editorial Calendars (Premium Access) Courses & Training Programs Membership FAQ
  • Showcase
    Featured Creative Stories Submit your Story
  • Log In
Post Jobs
Mediabistro Logo Mediabistro Logo
Search Creative Jobs Hot Jobs Remote Media Jobs Create Job Alerts
Job Categories
Creative & Design Marketing & Communications Operations & Strategy Production Sales & Business Development Writing & Editing
Quick Links
Search All Jobs Remote Jobs Create Job Alerts
Career Advice & Articles Media Industry News Media Career Interviews Creative Tools Resume Writing Services Interview Coaching Job Market Insights Member Profiles
Membership Overview How to Pitch (Premium Tool) Editorial Calendars (Premium Access) Courses & Training Programs Membership FAQ
Featured Creative Stories Submit your Story
Log In
Post Jobs
Log In | Sign Up

Follow Us!

Entertainment

The most talked-about TV series of 2026

By Colby Droscher
8 min read • Published March 17, 2026
By Colby Droscher
8 min read • Published March 17, 2026

Sydney Sweeney holding an ice cream cone

HBO

When it comes to TV in 2026, the question isn’t whether there’s something to watch—it’s whether you can keep up. The streaming wars have matured into something closer to a stalemate, which means the shows that break through are earning it the old-fashioned way: through exceptional writing, magnetic casts, and stories that refuse to sit still.

The year is already shaping up to be a landmark one. HBO launched a new Game of Thrones universe entry that critics are calling the best fantasy television of the decade. Prime Video dropped a star-studded crime thriller that had everyone arguing on opening weekend. And by April, the most delayed comeback in prestige TV history will finally land when Euphoria returns after a four-year absence.

The revival economy is also alive and well. Beloved comedies from the early 2000s are making their long-awaited returns, while continuing anthology series are arriving with casts so stacked they seem engineered to trend. And for fans of the dark and gothic, a vampire rock star is preparing to mount the most dramatic tour since Ziggy Stardust.

To identify the most talked-about TV of 2026, Stacker surveyed coverage from outlets including The Hollywood Reporter, Deadline, Variety, and Rolling Stone to identify 10 series commanding the most attention this year. Only brand-new series or new seasons premiering in 2026 were considered.

One honest caveat: with so much airing this year, plenty had to be left off. You’ll need to look elsewhere for “Scarpetta,” “Bridgerton” Season 4, “The Comeback” Season 3, and “Outlander’s” final season. Consider our 10 as a starting point.

 

A Knight of the Seven Kingdoms

Peter Claffey as Ser Duncan the Tall

HBO Max

HBO | Premiered January 18, 2026

The Westeros franchise has been running long enough to need a reset—and HBO quietly delivered one on January 18, 2026. “A Knight of the Seven Kingdoms,” the second Game of Thrones prequel series, is set a full century before the events of the original show and follows Ser Duncan the Tall (Peter Claffey), a lowborn hedge knight, and his improbable squire Egg (Dexter Sol Ansell), a bald child harboring a very significant family secret.

Adapted from George R.R. Martin’s “Tales of Dunk and Egg” novellas by creator Ira Parker, the six-episode first season took critics and audiences by surprise with its intimate, road-trip energy. Gone are the dragons, palace intrigue, and operatic bloodbaths of the franchise’s previous entries. What replaced them earned a 94% approval rating on Rotten Tomatoes and an IMDb score of 8.8. The season averaged nearly 14 million viewers per episode in the U.S. by February, and HBO has already renewed it for a second season, set for 2027.

 

The Boys: Season 5

The Boys season 5 promo photo

Amazon // MGM Studios

Prime Video | Premieres April 8, 2026

It was always going to end like this: a fascist with laser eyes trying to become immortal, and a team of violent underdogs with a supe-killing virus as their only play. Prime Video’s superhero satire “The Boys” wraps its five-season run on April 8, 2026, with showrunner Eric Kripke—who announced the final season during the Season 4 premiere with characteristic flair—ready to go out as loud as possible.

The final eight episodes open on a world under Homelander’s (Antony Starr) complete control, with dissidents imprisoned in so-called Freedom Camps. Karl Urban returns as the newly radicalized Billy Butcher, armed with a virus capable of wiping out every super-powered being on earth—himself included. The season also reunites Kripke with his “Supernatural” cast: Jared Padalecki and Misha Collins join Jensen Ackles (already back as Soldier Boy) for a finale worth the wait. The series finale airs May 20, 2026.

 

The Testaments

Chase Infiniti as Agnes

IMDb // Disney

Hulu | Premieres April 8, 2026

“The Handmaid’s Tale” ended in May 2025 after six seasons and 66 episodes. The door to Gilead closed. Then it opened again when Hulu green-lit “The Testaments,” a sequel series based on Margaret Atwood’s 2019 Booker Prize-winning novel of the same name. The first three episodes arrive April 8, 2026, with weekly installments to follow.

The shift in perspective is complete. Where “The Handmaid’s Tale” followed June Osborne’s escape from the regime, “The Testaments” is set roughly 15 years after the original show’s events and follows two teenagers: Agnes (Chase Infiniti), June’s daughter Hannah, who has grown up entirely inside Gilead; and Daisy (Lucy Halliday), a young Canadian whose life is upended by a secret connecting her to the same world. Ann Dowd returns as Aunt Lydia—now positioned not as an enforcer but as something closer to a dissident from within. Creator Bruce Miller returns as showrunner. Elisabeth Moss produces.

 

Malcolm in the Middle: Life’s Still Unfair

Cast promo art for Malcolm in the Middle reboot

Disney / Hulu

Hulu | Premieres April 10, 2026

It took 18 years, a creator holdout, two writers the creator specifically demanded, and a pitch that started as a movie before shrinking into four episodes—but “Malcolm in the Middle” is finally, improbably back. The revival miniseries drops April 10, 2026, with Frankie Muniz reprising the title role alongside Bryan Cranston, Jane Kaczmarek, Christopher Kennedy Masterson, Justin Berfield, and Emy Coligado. Nearly the complete original ensemble.

The premise is exactly what you’d expect from a show that always understood the comedy of inevitability: Malcolm has spent over a decade shielding his daughter from his chaotic family. Hal and Lois demand his presence at their 40th anniversary party. The walls close. The chaos returns. Creator and writer Linwood Boomer is back in the room, and director Ken Kwapis—who helmed episodes of the original—directed all four installments.

 

Euphoria: Season 3

Zendaya sitting in a truck in art for Euphoria season 3

HBO Max

HBO | Premieres April 12, 2026

In December 2025, HBO’s Instagram posted a photo of Zendaya in a car with two words: “Let’s ride.” The internet recognized it as confirmation that the longest wait in prestige television was almost over. “Euphoria” Season 3 premieres April 12, 2026—four years after Season 2’s finale, through what creator Sam Levinson has described as a complete reinvention of the show’s world.

A five-year time jump carries the East Highland characters out of high school and into an adult reckoning. Rue (Zendaya) resurfaces in Mexico, in debt to a dangerous figure named Laurie (Martha Kelly), looking for ways out. Cassie and Nate are engaged. Jules is in art school. The season was shot partially on 65mm film—the first narrative television series to do so in significant volume—and carries eight episodes with a finale airing May 31, 2026. The delays were real. The production chaos was real. The impatient audience waiting on the other end is also very real.

 

Beef: Season 2

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin in Beef season 2

Netflix

Netflix | Premieres April 16, 2026

“Beef” won eight Emmy Awards for its first season and then went quiet for three years. The anthology format gave creator Lee Sung Jin the freedom to start over entirely—new characters, new conflict, new cast—and what he came back with on April 16, 2026, is an embarrassment of riches. Oscar Isaac and Carey Mulligan play the feuding Millennial couple at the center of Season 2’s unraveling. Cailee Spaeny and Charles Melton play the younger employees who stumble into the blast radius. Youn Yuh-jung and Song Kang-ho play the Korean billionaire owners of the country club where all of it unfolds.

The setting is more elevated than the parking lot where Season 1 ignited, but the thesis is the same: rage as social revelation, grievance as character portrait. All eight 30-minute episodes drop simultaneously on April 16. The show’s score is entirely original music by Finneas O’Connell, a multiple Oscar and Grammy winner. Steven Yeun and Ali Wong stay on as executive producers.

 

The Vampire Lestat

Sam Reid as the Lestat de Lioncourt

AMC

AMC | Premieres June 7, 2026

AMC’s “Interview with the Vampire” adaptation earned two acclaimed seasons by doing something the 1994 film never fully managed: taking the queer, race-conscious heart of Anne Rice’s novels seriously. For the third season—officially retitled “The Vampire Lestat” to honor the book it adapts—the brat prince himself (Sam Reid) takes over the narrative. The premiere is June 7, 2026.

The conceit is perfect: fed up with Daniel Molloy’s published account of his life with Louis, Lestat launches a multi-city rock tour in the 1980s to set the record straight. The season cuts between his San Francisco concerts and his origins in 18th-century France. Reid performs all the songs himself. Jacob Anderson returns as Louis, now watching Lestat’s fame spiral with the particular exhaustion of a man who knows exactly how this ends. New cast additions include Sheila Atim as Akasha, the Queen of the Damned, and Jennifer Ehle as Gabriella, Lestat’s mother. Rolin Jones returns as creator and showrunner.

 

House of the Dragon: Season 3

Emma D'Arcy in House of Dragons

HBO

HBO | Premieres Summer 2026

The Dance of the Dragons has been building toward this. Season 2 of “House of the Dragon” ended on the cusp of the Battle of the Gullet—a massive aerial and naval confrontation drawn from George R.R. Martin’s “Fire & Blood”—and Season 3, premiering in June 2026, opens with it. Filming ran from March to October 2025. The eight-episode season brings back Emma D’Arcy as Rhaenyra Targaryen and Olivia Cooke as Alicent Hightower, now on opposite sides of a civil war for which neither was quite prepared.

Showrunner Ryan Condal confirmed in January 2026 that the forthcoming fourth season—announced by HBO in November 2025 and slated for 2028—will be the show’s last. Which means Season 3 is the penultimate chapter of the Targaryen civil war: the point at which the dance becomes a slaughter. HBO has already signaled the network’s commitment to keeping the franchise alive through 2028, with “A Knight of the Seven Kingdoms” Season 2 arriving in 2027 to bridge the gap.

 

The Madison

Michelle Pfeiffer as Stacy Clyburn in The Madison

Emerson Miller // Paramount+

Paramount+ | Premiered March 14, 2026

Taylor Sheridan has built a television empire out of rugged men, Montana landscapes, and the quiet cost of protecting what you love. “The Madison,” which premiered March 14, 2026, is his most personal departure from that template. Michelle Pfeiffer and Kurt Russell—reunited onscreen for the first time since 1988’s “Tequila Sunrise”—play Stacy and Preston Clyburn, a New York City family who relocate to the Madison River valley of central Montana following a tragedy that scatters them.

The six-episode first season was released in two three-episode drops (March 14 and 21) and was already renewed for a second season before Season 1 finished its debut run. Critics noted the tonal shift from Sheridan’s previous work—less gunfire, more grief—and Sheridan himself has called it his most intimate project to date. The cast also includes Matthew Fox, Patrick J. Adams, and Beau Garrett. The Clyburns have no connection to the Duttons. This one stands on its own.

 

One Piece: Into the Grand Line

Emily Rudd and Iñaki Godoy in One Piece

Netflix

Netflix | 2026 (date TBA)

Netflix’s live-action adaptation of “One Piece” was the surprise of 2023—praised for honoring the spirit of Eiichiro Oda’s beloved manga, where every previous Hollywood attempt had failed. The second season, subtitled “Into the Grand Line,” continues Monkey D. Luffy’s (Iñaki Godoy) journey to become King of the Pirates as the crew sails into deeper, more dangerous waters. Oda returns as executive producer and has been sharing production updates with the franchise’s devoted fanbase throughout filming.

The show premieres in 2026 with an exact date still to be confirmed at the time of writing, but it arrives as one of Netflix’s most anticipated scripted releases of the year. The task for Season 2 is the same as it was for Season 1: maintain the tone, honor the source material, and keep the crew together. Early signs—including Oda’s continued involvement and a cast that visibly loves what they’re making—suggest the answer to all three is yes.

Topics:

Entertainment
media-news

Dolphin Subsidiary 42West Celebrates Oscar Win as "Mr. Nobody Against Putin" Takes Best Documentary Feature at the 98th Academy Awards

By Media News
4 min read • Published March 17, 2026
By Media News
4 min read • Published March 17, 2026

Ceremony Hosted for the Second Consecutive Year by Longtime 42West Client Conan O’Brien

LOS ANGELES, CA / ACCESS Newswire / March 17, 2026 / The entertainment PR and marketing powerhouse 42West, a subsidiary of Dolphin (NASDAQ:DLPN), celebrated a major triumph at the 98th Academy Awards on Sunday night as "Mr. Nobody Against Putin" took home the Oscar for Best Documentary Feature. This year’s ceremony was hosted for the second consecutive year by longtime 42West client Conan O’Brien.

"Mr. Nobody Against Putin" premiered at the Sundance Film Festival in 2025. The film follows a brave teacher navigating Russia’s full-scale invasion of Ukraine, as primary schools across the country are transformed into recruitment stages for the war. Faced with the ethical dilemma of working within a system defined by propaganda and violence, he secretly films what’s really happening inside his own school. The film is co-directed by David Borenstein and Pavel Talankin, and produced by Borenstein, Helle Faber, Radovan Síbrt, and Alžběta Karásková.

In its 21-year history, 42West has worked on the campaigns of countless Academy Award winning films, including eight Best Picture winners. "Mr. Nobody Against Putin" marks the company’s fourth win in the Documentary Feature category, following "Taxi to the Dark Side" (2007), "The Cove" (2010) and "Searching for Sugar Man" (2013).

At the 98th Academy Awards, the company had additional nominations in the categories of Best Picture (client Ashley Schlaifer, producer of "Train Dreams"), Best Documentary Feature ("The Alabama Solution," and client Andrew Jarecki), Best Animated Feature ("Little Amelie or the Character of Rain," from client GKIDS), Best Makeup and Hairstyling ("Kokuho," also from GKIDS), and Best Documentary Short ("Children No More: Were and Are Gone").

ABOUT 42WEST:
42West, a subsidiary of Dolphin Entertainment, is one of the entertainment industry’s leading full-service public-relations firms. With offices in New York and Los Angeles, 42West has four divisions: Talent, Strategic Communications, Entertainment Marketing, and Fandoms & Franchises, the award-winning firm’s gaming, consumer products and publishing practice. The agency has developed and executed marketing and publicity strategies for hundreds of movies and television shows as well as countless actors, filmmakers, recording artists, personalities and authors. In addition, 42West provides strategic counsel to a wide variety of high-profile individuals and corporate clients-ranging from movie and pop stars to major studios, charitable organizations, and media conglomerates-looking to raise, reposition, or rehabilitate their public profiles.

ABOUT DOLPHIN:
Dolphin (NASDAQ:DLPN) is where cultural creation meets marketing execution. Founded in 1996 by Bill O’Dowd, Dolphin operates as both a venture studio-developing and investing in breakthrough content, products, and experiences-and a marketing consortium, featuring leading agencies across every communications discipline.

At its core, the venture studio creates, produces, finances, markets, and promotes new businesses and cultural ideas – ranging from acclaimed film, television, and digital content to consumer goods, live events and partnerships that define entertainment and lifestyle. Surrounding this entrepreneurial engine, Dolphin’s marketing prowess brings together best-in-class firms including 42West, The Door, Shore Fire Media, Elle Communications, Special Projects and The Digital Dept. Together, this collective delivers unmatched cross-marketing expertise and relationships across every vertical of pop culture – from film, television, music, influencers, sports, hospitality, and fashion to consumer brands and purpose-driven initiatives. Dolphin marketing has been the recipient of many accolades, including #1 Agency of the Year on the Observer PR Power List in 2025, The PR Net 100, and the PR News Elite 120.

Follow us on Instagram here.

This press release contains ‘forward-looking statements’ within the meaning of the Private Securities Litigation Reform Act. These forward-looking statements may address, among other things, Dolphin Entertainment Inc.’s offering of common stock as well as expected financial and operational results and the related assumptions underlying its expected results. These forward-looking statements are distinguished by the use of words such as "will," "would," "anticipate," "expect," "believe," "designed," "plan," or "intend," the negative of these terms, and similar references to future periods. These views involve risks and uncertainties that are difficult to predict and, accordingly, Dolphin Entertainment’s actual results may differ materially from the results discussed in its forward-looking statements. Dolphin Entertainment’s forward-looking statements contained herein speak only as of the date of this press release. Factors or events Dolphin Entertainment cannot predict, including those described in the risk factors contained in its filings with the Securities and Exchange Commission, may cause its actual results to differ from those expressed in forward-looking statements. Although Dolphin Entertainment believes the expectations reflected in such forward-looking statements are based on reasonable assumptions, it can give no assurance that its expectations will be achieved, and Dolphin Entertainment undertakes no obligation to update publicly any forward-looking statements as a result of new information, future events, or otherwise, except as required by applicable law.

# # #

CONTACT:
James Carbonara
HAYDEN IR
(646)-755-7412
james@haydenir.com

SOURCE: Dolphin Entertainment

View the original press release on ACCESS Newswire

Topics:

media-news
media-news

Dolphin Subsidiary 42West Celebrates Oscar Win as “Mr. Nobody Against Putin” Takes Best Documentary Feature at the 98th Academy Awards

By Media News
4 min read • Published March 17, 2026
By Media News
4 min read • Published March 17, 2026

Ceremony Hosted for the Second Consecutive Year by Longtime 42West Client Conan O’Brien

LOS ANGELES, CA / ACCESS Newswire / March 17, 2026 / The entertainment PR and marketing powerhouse 42West, a subsidiary of Dolphin (NASDAQ:DLPN), celebrated a major triumph at the 98th Academy Awards on Sunday night as "Mr. Nobody Against Putin" took home the Oscar for Best Documentary Feature. This year’s ceremony was hosted for the second consecutive year by longtime 42West client Conan O’Brien.

"Mr. Nobody Against Putin" premiered at the Sundance Film Festival in 2025. The film follows a brave teacher navigating Russia’s full-scale invasion of Ukraine, as primary schools across the country are transformed into recruitment stages for the war. Faced with the ethical dilemma of working within a system defined by propaganda and violence, he secretly films what’s really happening inside his own school. The film is co-directed by David Borenstein and Pavel Talankin, and produced by Borenstein, Helle Faber, Radovan Síbrt, and Alžběta Karásková.

In its 21-year history, 42West has worked on the campaigns of countless Academy Award winning films, including eight Best Picture winners. "Mr. Nobody Against Putin" marks the company’s fourth win in the Documentary Feature category, following "Taxi to the Dark Side" (2007), "The Cove" (2010) and "Searching for Sugar Man" (2013).

At the 98th Academy Awards, the company had additional nominations in the categories of Best Picture (client Ashley Schlaifer, producer of "Train Dreams"), Best Documentary Feature ("The Alabama Solution," and client Andrew Jarecki), Best Animated Feature ("Little Amelie or the Character of Rain," from client GKIDS), Best Makeup and Hairstyling ("Kokuho," also from GKIDS), and Best Documentary Short ("Children No More: Were and Are Gone").

ABOUT 42WEST:
42West, a subsidiary of Dolphin Entertainment, is one of the entertainment industry’s leading full-service public-relations firms. With offices in New York and Los Angeles, 42West has four divisions: Talent, Strategic Communications, Entertainment Marketing, and Fandoms & Franchises, the award-winning firm’s gaming, consumer products and publishing practice. The agency has developed and executed marketing and publicity strategies for hundreds of movies and television shows as well as countless actors, filmmakers, recording artists, personalities and authors. In addition, 42West provides strategic counsel to a wide variety of high-profile individuals and corporate clients-ranging from movie and pop stars to major studios, charitable organizations, and media conglomerates-looking to raise, reposition, or rehabilitate their public profiles.

ABOUT DOLPHIN:
Dolphin (NASDAQ:DLPN) is where cultural creation meets marketing execution. Founded in 1996 by Bill O’Dowd, Dolphin operates as both a venture studio-developing and investing in breakthrough content, products, and experiences-and a marketing consortium, featuring leading agencies across every communications discipline.

At its core, the venture studio creates, produces, finances, markets, and promotes new businesses and cultural ideas – ranging from acclaimed film, television, and digital content to consumer goods, live events and partnerships that define entertainment and lifestyle. Surrounding this entrepreneurial engine, Dolphin’s marketing prowess brings together best-in-class firms including 42West, The Door, Shore Fire Media, Elle Communications, Special Projects and The Digital Dept. Together, this collective delivers unmatched cross-marketing expertise and relationships across every vertical of pop culture – from film, television, music, influencers, sports, hospitality, and fashion to consumer brands and purpose-driven initiatives. Dolphin marketing has been the recipient of many accolades, including #1 Agency of the Year on the Observer PR Power List in 2025, The PR Net 100, and the PR News Elite 120.

Follow us on Instagram here.

This press release contains ‘forward-looking statements’ within the meaning of the Private Securities Litigation Reform Act. These forward-looking statements may address, among other things, Dolphin Entertainment Inc.’s offering of common stock as well as expected financial and operational results and the related assumptions underlying its expected results. These forward-looking statements are distinguished by the use of words such as "will," "would," "anticipate," "expect," "believe," "designed," "plan," or "intend," the negative of these terms, and similar references to future periods. These views involve risks and uncertainties that are difficult to predict and, accordingly, Dolphin Entertainment’s actual results may differ materially from the results discussed in its forward-looking statements. Dolphin Entertainment’s forward-looking statements contained herein speak only as of the date of this press release. Factors or events Dolphin Entertainment cannot predict, including those described in the risk factors contained in its filings with the Securities and Exchange Commission, may cause its actual results to differ from those expressed in forward-looking statements. Although Dolphin Entertainment believes the expectations reflected in such forward-looking statements are based on reasonable assumptions, it can give no assurance that its expectations will be achieved, and Dolphin Entertainment undertakes no obligation to update publicly any forward-looking statements as a result of new information, future events, or otherwise, except as required by applicable law.

# # #

CONTACT:
James Carbonara
HAYDEN IR
(646)-755-7412
james@haydenir.com

SOURCE: Dolphin Entertainment

View the original press release on ACCESS Newswire

Topics:

media-news
NYC

How gas prices have changed in New York City in the last week

How gas prices have changed in New York City in the last week
By Stacker Feed
1 min read • Published March 17, 2026
By Stacker Feed
1 min read • Published March 17, 2026

pan demin // Shutterstock

How gas prices have changed in New York City in the last week

Stacker compiled statistics on gas prices in New York, NY metro area using data from AAA. Gas prices are current as of March 16.

New York City by the numbers
– Gas current price: $3.64
— New York average: $3.62
– Week change: +$0.18 (+5.3%)
– Year change: +$0.54 (+17.4%)
– Historical expensive gas price: $5.21 (6/14/22)

– Diesel current price: $5.32
– Week change: +$0.42 (+8.6%)
– Year change: +$1.14 (+27.2%)
– Historical expensive diesel price: $6.77 (5/18/22)

Metros with the least expensive gas
#1. Springfield, MO: $3.03
#2. Le Flore-Sequoyah, OK: $3.04
#3. Fort Smith (AR only), AR: $3.05

Read on to see which metros have the most expensive gas prices.

jittawit21 // Shutterstock

#5. San Luis Obispo-Atascadero-Paso Robles, CA

– Regular gas price: $5.65

Daniel Avram // Shutterstock

#4. Santa Rosa, CA

– Regular gas price: $5.68

Rangsarit Chaiyakun // Shutterstock

#3. San Francisco, CA

– Regular gas price: $5.69

Christian Mueller // Shutterstock

#2. San Rafael, CA

– Regular gas price: $5.70

Elen Nika // Shutterstock

#1. Napa, CA

– Regular gas price: $5.71

Topics:

NYC
LA

How gas prices have changed in Los Angeles in the last week

How gas prices have changed in Los Angeles in the last week
By Stacker Feed
1 min read • Published March 17, 2026
By Stacker Feed
1 min read • Published March 17, 2026

pan demin // Shutterstock

How gas prices have changed in Los Angeles in the last week

Stacker compiled statistics on gas prices in Los Angeles-Long Beach, CA metro area using data from AAA. Gas prices are current as of March 16.

Los Angeles by the numbers
– Gas current price: $5.62
— California average: $5.53
– Week change: +$0.37 (+7.0%)
– Year change: +$0.96 (+20.5%)
– Historical expensive gas price: $6.49 (10/5/22)

– Diesel current price: $6.43
– Week change: +$0.53 (+9.0%)
– Year change: +$1.40 (+27.7%)
– Historical expensive diesel price: $6.98 (6/18/22)

Metros with the least expensive gas
#1. Springfield, MO: $3.03
#2. Le Flore-Sequoyah, OK: $3.04
#3. Fort Smith (AR only), AR: $3.05

Read on to see which metros have the most expensive gas prices.

Daniel Avram // Shutterstock

#5. San Luis Obispo-Atascadero-Paso Robles, CA

– Regular gas price: $5.65

Rangsarit Chaiyakun // Shutterstock

#4. Santa Rosa, CA

– Regular gas price: $5.68

jittawit21 // Shutterstock

#3. San Francisco, CA

– Regular gas price: $5.69

Istvan Csak // Shutterstock

#2. San Rafael, CA

– Regular gas price: $5.70

Elen Nika // Shutterstock

#1. Napa, CA

– Regular gas price: $5.71

Topics:

LA
Entertainment

15 worst superhero movies that still made hundreds of millions

By Colby Droscher
10 min read • Published March 16, 2026
By Colby Droscher
10 min read • Published March 16, 2026

Austro-American actor Arnold schwarzenegger on the set of Batman & Robin, directed by Joel Schumacher.

Warner Bros. Pictures/Sunset Boulevard // Getty Images

A movie doesn’t have to be good to draw a crowd. In the superhero genre, that rule applies more reliably than almost anywhere else in Hollywood.

Superhero films are among the most pre-sold products in the entertainment industry. A beloved character, a familiar franchise, or the promise of two icons finally sharing the screen can fill theaters regardless of what critics write. Studios have learned—sometimes painfully—that even a film with a Metascore in the 30s can gross several hundred million dollars if the IP is strong enough.

Stacker compiled data on superhero and comic book films using IMDb user ratings, Metacritic scores (Metascore), and worldwide box office gross from Box Office Mojo. Each film was ranked using a combined score—an average of the IMDb rating (normalized to a 100-point scale) and the Metascore—to reflect both audience and critic consensus. Only films that earned at least $200 million worldwide are eligible. Ties were broken by Metascore, then by IMDb vote count. The film with the lowest combined score appears last.

Read on to find out which superhero movies earned hundreds of millions at the box office—and what critics and audiences made of them.

#15. Spider-Man 3 (2007)

Spiderman in Spiderman 3

IMDb

– Director: Sam Raimi
– IMDb user rating: 6.3
– Metascore: 59
– Combined score: 62.5 / 100
– Worldwide lifetime gross: $890.9 million
– Domestic lifetime gross: $336.5 million
– Runtime: 139 min

After two beloved installments, director Sam Raimi returned for a third chapter that attempted to juggle three separate villains—Sandman, Venom, and the New Goblin—while also exploring an alien symbiote’s corrupting influence on Peter Parker. Critics found the film overstuffed and tonally uneven, with Roger Ebert noting that the movie “contains characters acting on the basis of information we don’t have.” What kept audiences coming was the same thing that always brings them to a Spider-Man sequel: loyalty to the characters. The $890 million worldwide gross made it the highest-earning film of 2007 at the time of its release, even as it remains the most divisive entry in the Raimi trilogy.

#14. Thor: The Dark World (2013)

Thor holding his hammer

IMDb

– Director: Alan Taylor
– IMDb user rating: 6.7
– Metascore: 54
– Combined score: 62.0 / 100
– Worldwide lifetime gross: $644.8 million
– Domestic lifetime gross: $206.4 million
– Runtime: 112 min

The second Thor solo film pits the God of Thunder against Malekith, leader of the Dark Elves, who seeks to use an ancient weapon called the Aether to plunge the universe into darkness. Critics largely agreed that while Chris Hemsworth and Tom Hiddleston’s chemistry remained a bright spot, the villain was underdeveloped and the plot mechanical. Director Alan Taylor later said that Marvel substantially altered the film from his original vision during post-production—a tension that showed in the finished product. The film grossed over $644 million worldwide, riding the goodwill of the MCU brand and the promise of more Loki.

#13. Thor: Love and Thunder (2022)

Natalie Portman and Chris Hemsworth in Thor Love and Thunder

IMDb

– Director: Taika Waititi
– IMDb user rating: 6.1
– Metascore: 57
– Combined score: 59.0 / 100
– Worldwide lifetime gross: $761.0 million
– Domestic lifetime gross: $343.3 million
– Runtime: 119 min

Taika Waititi’s follow-up to the acclaimed Thor: Ragnarok reunites Thor with Jane Foster, who has become the Mighty Thor, as the two face off against Gorr the God Butcher, played by Christian Bale. Critics who praised Ragnarok found this entry leaned too far into comedy at the expense of its more compelling dramatic elements, particularly underusing Bale’s genuinely threatening villain. Audiences responded more warmly than critics, though the film’s 6.1 IMDb rating makes it the lowest-rated MCU film on this list. It still grossed $761 million worldwide, a testament to the franchise’s reliable drawing power.

#12. The Amazing Spider-Man 2 (2014)

Spiderman clinging to a wall

IMDb

– Director: Marc Webb
– IMDb user rating: 6.6
– Metascore: 53
– Combined score: 59.5 / 100
– Worldwide lifetime gross: $709.0 million
– Domestic lifetime gross: $202.9 million
– Runtime: 142 min

Sony’s second entry in its Amazing Spider-Man series arrived burdened with the task of launching a broader cinematic universe, and the ambition showed. Three villains, multiple origin setups for planned spinoffs, and a romantic subplot all competed for space in a 142-minute runtime that critics widely found exhausting. The Hollywood Reporter described it as “a movie that too often feels like a commercial for its own sequels.” The one sequence that drew near-universal praise—the death of Gwen Stacy—was a reminder of what the series was capable of when it focused. Sony subsequently reached an agreement with Marvel Studios to share the Spider-Man character, and the Garfield era ended there.

#11. Venom (2018)

Venom in the movie Venom

IMDb

– Director: Ruben Fleischer
– IMDb user rating: 6.6
– Metascore: 35
– Combined score: 51.0 / 100
– Worldwide lifetime gross: $856.1 million
– Domestic lifetime gross: $213.5 million
– Runtime: 112 min

Sony’s standalone Venom film arrived with a 30% score on Rotten Tomatoes and an $856 million worldwide gross, one of the sharpest disconnects between critical and commercial reception in superhero movie history. Critics cited a weak script, a villain with little screen presence, and a tone that couldn’t commit to either horror or comedy. Audiences were more forgiving, drawn in by Tom Hardy’s committed performance as Eddie Brock and the darkly comedic dynamic between host and symbiote. The film was profitable enough to spawn two sequels, neither of which improved on the original’s reviews.

#10. X-Men Origins: Wolverine (2009)

Hugh Jackman in Wolverine

IMDb

– Director: Gavin Hood
– IMDb user rating: 6.5
– Metascore: 40
– Combined score: 52.5 / 100
– Worldwide lifetime gross: $373.1 million
– Domestic lifetime gross: $179.9 million
– Runtime: 107 min

The first solo Wolverine film traces Logan’s origins from the 19th century through his transformation into the adamantium-clawed mutant audiences knew from the X-Men series. Hugh Jackman’s performance was generally praised, but critics found the script rushed and the treatment of supporting characters—particularly Deadpool, whose mouth is literally sewn shut in the film’s climax—baffling to fans of the source material. Ryan Reynolds, who played the character, spent years publicly lamenting the portrayal before reclaiming the role in his own Deadpool franchise. X-Men Origins: Wolverine grossed $373 million worldwide but is widely considered a low point for Fox’s mutant film series.

#9. Batman v Superman: Dawn of Justice (2016)

Batman and Superman face to face

Warner Bros. Pictures

– Director: Zack Snyder
– IMDb user rating: 6.4
– Metascore: 44
– Combined score: 54.0 / 100
– Worldwide lifetime gross: $874.4 million
– Domestic lifetime gross: $330.4 million
– Runtime: 151 min

The first-ever theatrical meeting of Batman and Superman arrived with some of the highest anticipation in superhero movie history and a Metascore of 44. Critics found the 151-minute runtime ungainly, the tone relentlessly grim, and the central conflict—resolved when both heroes realize their mothers share the name Martha—a storytelling shortcut that became one of the most mocked moments in the genre. The film earned a C+ CinemaScore, an unusually poor grade for a major tentpole. Despite all of that, $874 million at the worldwide box office made clear that the promise of seeing two icons face off was enough to fill theaters regardless of what critics wrote.

#8. Justice League (2017)

The Justice League

IMDb

– Director: Zack Snyder / Joss Whedon
– IMDb user rating: 6.0
– Metascore: 45
– Combined score: 52.5 / 100
– Worldwide lifetime gross: $657.9 million
– Domestic lifetime gross: $229.0 million
– Runtime: 120 min

Production on Justice League was upended when director Zack Snyder stepped away following a family tragedy, and Joss Whedon was brought in to oversee extensive reshoots. The result was a film that critics described as tonally inconsistent, with a generic villain and a rushed storyline that failed to give its newly assembled team room to breathe. A $25 million CGI effort to remove star Henry Cavill’s production mustache became a widely reported symbol of the film’s troubled making. The movie grossed $658 million worldwide but fell well short of its estimated $750 million break-even point. A fan campaign eventually led Warner Bros. to release Snyder’s original cut in 2021 to a considerably warmer reception.

#7. Suicide Squad (2016)

Harley Quinn

IMDb

– Director: David Ayer
– IMDb user rating: 5.9
– Metascore: 40
– Combined score: 49.5 / 100
– Worldwide lifetime gross: $747.1 million
– Domestic lifetime gross: $325.1 million
– Runtime: 123 min

Suicide Squad assembles a team of incarcerated supervillains for a covert government mission, a premise that generated enormous pre-release excitement. Critics, however, found the theatrical cut—reportedly recut by the studio to more closely match the energy of its marketing materials—choppy and incoherent, with underdeveloped characters and a climax that failed to justify the setup. Margot Robbie’s Harley Quinn was broadly singled out as the film’s most effective element. The film grossed $747 million worldwide and won an Academy Award for Best Makeup and Hairstyling. Director David Ayer has since said the released version differed significantly from his intended cut.

#6. Black Adam (2022)

The Rock in Black Adam

IMDb

– Director: Jaume Collet-Serra
– IMDb user rating: 6.1
– Metascore: 39
– Combined score: 50.0 / 100
– Worldwide lifetime gross: $393.0 million
– Domestic lifetime gross: $168.0 million
– Runtime: 125 min

Dwayne Johnson had championed the anti-hero Black Adam for over a decade, and the character’s solo film was positioned as a major turning point for the DC Extended Universe. Critics found the film formulaic, with a predictable story arc and action sequences that prioritized spectacle over consequence. The film grossed $393 million worldwide against an estimated $195 million budget—a return that fell short of what a star of Johnson’s profile typically delivers. When James Gunn and Peter Safran took over DC Studios shortly after the film’s release and announced a full franchise reset, Black Adam’s future in the new continuity was effectively closed.

#5. Aquaman and the Lost Kingdom (2023)

Jason Momoa in Aquaman

IMDb

– Director: James Wan
– IMDb user rating: 5.6
– Metascore: 40
– Combined score: 48.0 / 100
– Worldwide lifetime gross: $435.1 million
– Domestic lifetime gross: $129.4 million
– Runtime: 124 min

The original Aquaman surprised many in 2018 by grossing over $1.1 billion worldwide, making it the highest-earning film in DCEU history at the time. The sequel arrived under very different circumstances: DC Studios had already announced a new creative direction under James Gunn, effectively marking the film as the final chapter of an era audiences knew was ending. Critics found the story unengaging and the humor forced, and the film grossed $435 million—less than half of what its predecessor earned. Jason Momoa’s charisma carried the series as far as it could go.

#4. Ghost Rider (2007)

Nicolas Cage in Ghost Rider

IMDb

– Director: Mark Steven Johnson
– IMDb user rating: 5.3
– Metascore: 35
– Combined score: 43.0 / 100
– Worldwide lifetime gross: $228.7 million
– Domestic lifetime gross: $115.8 million
– Runtime: 114 min

Ghost Rider follows motorcycle stuntman Johnny Blaze, who sold his soul to the devil as a teenager and is now compelled to transform into a flaming skeleton at night to hunt down evildoers. Nicolas Cage starred in and produced the film, which critics found slow and strangely humorless given its pulpy premise. The villain, Blackheart, was seen as a weak antagonist, and the PG-13 rating was widely noted as a constraint on a character whose source material skewed much darker. The film grossed $228 million worldwide—more than double its production budget—which was enough for Sony to greenlight a sequel in 2012. Ghost Rider: Spirit of Vengeance earned worse reviews and grossed $132 million.

#3. Green Lantern (2011)

Ryan Reynolds in Green Lantern

IMDb

– Director: Martin Campbell
– IMDb user rating: 5.5
– Metascore: 39
– Combined score: 47.0 / 100
– Worldwide lifetime gross: $219.9 million
– Domestic lifetime gross: $116.6 million
– Runtime: 114 min

Warner Bros. invested $200 million in Green Lantern as the intended foundation of a DC cinematic universe, casting Ryan Reynolds as test pilot Hal Jordan, who is inducted into an intergalactic police force after receiving a powerful alien ring. Critics found the film unfocused, with a CGI-heavy aesthetic that felt unfinished and a villain—a fear-consuming cloud entity called Parallax—that failed to generate tension. The film grossed $220 million worldwide, a number that left the studio well short of recouping its investment after marketing costs. Warner Bros. shelved plans for a sequel. Reynolds later referenced the film repeatedly in his Deadpool films as a source of self-deprecating humor.

#2. Batman Forever (1995)

Batman Forever

IMDb

– Director: Joel Schumacher
– IMDb user rating: 5.5
– Metascore: 51
– Combined score: 53.0 / 100
– Worldwide lifetime gross: $336.5 million
– Domestic lifetime gross: $184.1 million
– Runtime: 121 min

When Tim Burton stepped away from the Batman franchise after Batman Returns, Warner Bros. brought in Joel Schumacher with a mandate to lighten the tone and broaden the audience. The result replaced Burton’s gothic atmosphere with neon-lit sets, brightly colored villains, and a campiness that divided fans of the darker earlier films. Val Kilmer took over the Batsuit, joined by Jim Carrey as the Riddler and Tommy Lee Jones as Two-Face. Critics were mixed but not hostile—the film’s Metascore of 51 reflects a more divided response than outright rejection. Audiences turned out in large numbers, delivering $336 million worldwide and setting the stage for a sequel that would test the franchise’s limits far more severely.

#1. Batman & Robin (1997)

Batman and Robin

IMDb

– Director: Joel Schumacher
– IMDb user rating: 3.8
– Metascore: 28
– Combined score: 29.0 / 100
– Worldwide lifetime gross: $238.3 million
– Domestic lifetime gross: $107.3 million
– Runtime: 125 min

Widely regarded as one of the worst superhero films ever made, Batman & Robin replaced Val Kilmer with George Clooney and doubled down on the campy aesthetic of its predecessor to a degree that critics found unwatchable. Arnold Schwarzenegger’s Mr. Freeze delivered ice-themed puns at a rate that reviewers found numbing, Uma Thurman’s Poison Ivy was reduced to broad comedy, and the Bat-suits featured anatomical details that became the film’s most enduring cultural legacy. Clooney has since apologized for his performance in interviews on multiple occasions. The film opened to $42 million domestically but collapsed in its second weekend, dropping 63% as word of mouth spread. Warner Bros. shut down the Batman franchise entirely in response, and it did not return to theaters until Christopher Nolan’s Batman Begins in 2005. Batman & Robin grossed $238 million worldwide—enough to rank it among the biggest superhero box office disappointments of the decade.

 

Topics:

Entertainment
media-news

Designer Lauren Makk Shares Tips for a Spring Home Reset on TipsOnTV

By Media News
2 min read • Published March 16, 2026
By Media News
2 min read • Published March 16, 2026

TV Design Star Reveals Affordable Luxury Upgrades for a Stunning Spring Transformation

ATLANTA, GA / ACCESS Newswire / March 16, 2026 / Spring is officially glow-up season, and national TV design star Lauren Makk offers ideas to live large without spending big. Known for her design work on television, and as a co-host on FABLife, Lauren has built her reputation transforming everyday spaces into polished, personality-packed homes all with her signature "affordable luxury" twist. Lauren reveals the designer secrets that instantly elevate a space through bold accents, smart swaps, layered textures, and simple upgrades that create a high-end look without the sticker shock. Luxury is not about more money, it is about more intention.

KEEP IN MIND WHEN WORKING ON PROJECTS

Spring is a great time to refresh your home, but safety comes first especially if a ladder is involved. March is National Ladder Safety Month, led by the American Ladder Institute, and a timely reminder that no design upgrade is worth a preventable injury. Many accidents happen during everyday tasks, so take a few extra seconds to stay safe. It is so important to choose the right ladder for the job, inspect it before each use, make sure it is set on a stable surface, and then climb it safely. For more tips and ways to get involved, visit laddersafetymonth.com.

THE BIGGEST IMPACT

Spring is about fresh starts, and nothing resets the mind faster than a getaway. Wyndham Hotels & Resorts makes travel easy. With places like Wyndham Alltra, Wyndham Grand, and Registry Collection Hotels, there is truly something for every type of traveler. Plus, their award-winning Wyndham Rewards program adds serious value. Right now, during their Member Month celebration, earn up to four free nights, which makes this a great time to plan and save. Head over to WyndhamRewards.com/membermonth to check out all the details.

POST|VIDEO

About TipsOnTV

TipsOnTV is a lifestyle blog featuring content as seen on national and local media outlets. Expert hosts share advice for viewers, listeners, and readers. TipsOnTV covers a variety of topics, including food, entertaining, personal finance, technology, travel, health, lifestyle, and more.

TipsOnTV@gmail.com

SOURCE: TipsOnTV

View the original press release on ACCESS Newswire

Topics:

media-news
media-news

Ready Set Fund Grow Opens Qualified Opportunity Fund to Accredited Investors, Targeting Multi-Vertical Infrastructure Play Across Six Opportunity Zones

By Media News
4 min read • Published March 16, 2026
By Media News
4 min read • Published March 16, 2026

Homestead, FL-based firm positions its QOF as a rare convergence of permanent tax elimination, community infrastructure, and scalable technology – with a December 31, 2026 entry window

HOMESTEAD, FL / ACCESS Newswire / March 16, 2026 / Ready Set Fund Grow, Inc. ("RSFG") today announced it is accepting investment commitments from accredited investors and qualified institutional buyers into its Qualified Opportunity Fund ("QOF"), a tax-advantaged investment vehicle targeting digital infrastructure and economic development across six designated Opportunity Zones in Florida, Indiana, Illinois, and Texas.

The fund represents what RSFG leadership calls a generational alignment of federal tax policy, community need, and technology demand – structured to deliver investors a legally permanent elimination of capital gains taxes on fund appreciation after a 10-year hold, in addition to deferral benefits on original gains through December 31, 2026.

"This is not a tax loophole. This is the tax code working exactly as Congress intended – rewarding patient capital that builds real infrastructure in communities that need it most," said Stuart Fine CEO of Ready Set Fund Grow. "We have assembled what we believe is a very compelling risk-adjusted opportunity in the alternative investment landscape today."

STRATEGIC OVERVIEW

RSFG’s QOF deploys capital into Qualified Opportunity Zone Businesses ("QOZBs") operating across six verticals within designated census tracts. The fund’s thesis centers on a simple premise: underserved communities need digital infrastructure, and the federal government has created an unprecedented incentive for private capital to build it.

The fund’s initial footprint includes a Homestead, Florida pilot with expansion zones identified in Opa-locka (FL), Gary (IN), Brownsville (TX), East St. Louis (IL), and Immokalee (FL). The model is designed to be asset-light, repeatable, and scalable beyond these initial locations.

RSFG has not disclosed detailed financial projections or operational specifics publicly. Prospective investors who meet accredited investor qualifications under SEC Rule 506(c) of Regulation D are invited to request the Private Placement Memorandum and full investment thesis directly from RSFG.

THE OPPORTUNITY ZONE ADVANTAGE

The Opportunity Zone program, originally created by the Tax Cuts and Jobs Act of 2017 and permanently extended by the One Big Beautiful Bill Act signed into law on July 4, 2025, provides three distinct tax benefits to investors:

DEFERRAL – Capital gains reinvested into a QOF are deferred until the earlier of sale or December 31, 2026.

REDUCTION – Investors who held QOF positions for five or more years receive a 10% step-up in basis on deferred gains.

ELIMINATION – After a 10-year hold, ALL appreciation on the QOF investment is tax-free. Permanently. This is not a deferral. It is a complete exclusion from federal capital gains tax.

Under the OBBBA’s enhanced rules, the program is now permanent with rolling five-year deferrals for investments made after December 31, 2026, new zone designations beginning January 2027, and increased benefits for rural Opportunity Zones – including a 30% basis step-up after five years.

"The December 2026 deadline creates urgency, but the 10-year hold is where real wealth is built," Stuart Fine added. "Investors who enter this fund before year-end are positioning capital inside a structure where under the current law the IRS will never collect a dollar of tax on the growth."

THE NONPROFIT DIMENSION

RSFG has established a 501(c)(3) nonprofit affiliate to pursue federal and philanthropic grant funding alongside the for-profit QOF. This dual structure allows the organization to access capital sources unavailable to traditional funds – including EDA Public Works grants, HUD Community Development Block Grants with Opportunity Zone preference, CDFI Fund allocations, and foundation program-related investments.

"Every grant dollar we secure reduces the investor’s capital at risk while preserving 100% of the upside," said Fine. " When non-dilutive capital offsets basis, the math changes in the investor’s favor – structurally, not incidentally."

INVESTOR ELIGIBILITY AND NEXT STEPS

The offering is available exclusively to accredited investors as defined under SEC Regulation D, Rule 506(c). RSFG will take reasonable steps to verify accredited investor status in compliance with current SEC guidance.

Interested investors are invited to:

• Visit www.readysetfundgrow.com to request information • Contact RSFG directly at info@readysetfundgrow.com • Attend upcoming investor briefings (dates to be announced)

ABOUT READY SET FUND GROW

Ready Set Fund Grow, Inc. is a Homestead, Florida-based investment and economic development firm operating at the intersection of Qualified Opportunity Zones, digital infrastructure, and community revitalization. The company’s flagship facility, The Fish Bowl, serves as a business incubator, coworking space, and technology hub within a federally designated Opportunity Zone. RSFG’s mission is to prove that tax-advantaged investment and meaningful community impact are not mutually exclusive – they are mutually reinforcing.

FORWARD-LOOKING STATEMENTS

This press release contains forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. These statements involve risks and uncertainties, and actual results may differ materially. The tax benefits described are based on current federal law, including the Tax Cuts and Jobs Act of 2017 as amended by the One Big Beautiful Bill Act of 2025. Tax outcomes depend on individual investor circumstances. This press release does not constitute an offer to sell or a solicitation of an offer to buy any securities. Securities are offered only to accredited investors through a Private Placement Memorandum. Past performance is not indicative of future results.

Contact:
ReadySetGrowFund
Stuart Fine
info@readysetgrowfund.com

SOURCE: Remergify, Inc.

View the original press release on ACCESS Newswire

Topics:

media-news
media-news

Walls & Ceilings Announces 2026 Women Who Build Honorees

By Media News
3 min read • Published March 16, 2026
By Media News
3 min read • Published March 16, 2026

Program Recognizes Exceptional Women Transforming the Wall and Ceiling Industry Through Leadership, Innovation and Dedication

BIRMINGHAM, MI / ACCESS Newswire / March 16, 2026 / Walls & Ceilings announces the 2026 Women Who Build honorees, recognizing outstanding women who are transforming the wall and ceiling industry through leadership, innovation, and an unwavering commitment to excellence.

Women Who Build celebrates the leaders shaping the future-from business owners and executives to project managers, estimators and skilled tradeswomen-who are strengthening companies, mentoring the next generation and advancing the industry forward. These professionals represent the full spectrum of talent shaping today’s built environment and redefining what leadership looks like in construction.

The program honors women across all career stages and roles who demonstrate:

Leadership Excellence – Driving business growth, operational innovation and team development that elevates company performance and culture.

Technical Mastery – Advancing installation techniques, improving safety standards and expanding product knowledge to set new benchmarks for quality and craftsmanship.

Industry Impact – Contributing to workforce development, advocacy efforts and community engagement initiatives that strengthen the industry.

Mentorship and Vision – Championing diversity and inclusion while creating meaningful pathways for future industry leaders.

Whether they are running multi-million-dollar contracting firms, managing complex commercial projects, developing breakthrough building solutions or training the next generation of craftspeople, the 2026 honorees exemplify the expertise, resilience and determination that continue to move the walls and ceilings sector forward.

2026 Women Who Build Honorees

  • Jessica Azarelo, Founder and CEO, Attic Queen, Oldsmar, Fla.

  • Yamila Bertoniere, President, Jason Bertoniere Inc., Metairie, La.

  • Jacquelynn Cadena, Owner, Cadena Inc., North Little Rock, Ark.

  • Sheila Cross, Innovator and Founder, Muddskip, Colleyville, Texas

  • Lydia Crowder, Social Media Influencer and Educator, Drywall Shorty, Boseman, Mont.

  • Kim DeBacco, Senior Acoustical Estimator/Project Manager, TP Acoustics Inc., Phoenix

  • Daana Denzel, Owner, Denzel Northwest LLC, Seattle

  • Karina Eshilian, Senior Business Development Specialist, Performance Contracting Inc., Lenexa, Kan.

  • Tiina Freeman, CAE, Director of Strategic Communications & Operations, Northwest Wall and Ceiling Bureau, Mercer Island, Wash.

  • Ashley Ham, Senior Project Manager, J & J Acoustics Inc., Santa Fe Springs, Calif.

  • Kelly Kertz, Drywall Finisher, IUPAT, Festus, Mo.

  • Eve Biggers-Lewis, Director of Risk Management, Curtis Partition Corp., Chicago

  • Sarah Nichols, Director of Operations and Estimating, Robert A. Aird Inc., Frederick, Md.

  • Carol Schary, President & Owner, Nathan Kimmel Company LLC, Philadelphia

  • Carmen Valencia, Director of Marketing and Communications, Wall And Ceiling Alliance, Washington

  • Tabitha Weaver, Marketing & Merchandising, AMES Tool, Orlando, Fla.

  • Sierra De Sousa, Vice President of Finance, Maxan Interior Systems, Surrey, BC, Canada

The 2026 Women Who Build honorees are featured in the March 2026 issue of Walls & Ceilings and across the brand’s digital platforms, where readers can explore their career journeys, achievements and insights for the next generation of industry professionals.

"Women Who Build shines a spotlight on the professionals whose work is literally shaping our built environment," said Walls & Ceilings Executive Director Jill Bloom. "These honorees are not only leaders within their organizations, but powerful advocates for progress across the entire industry. Their impact is measurable in stronger businesses, safer jobsites and a more resilient future for the industry."

Meet the 2026 Women Who Build Honorees

About Walls & Ceilings

Since 1938, Walls & Ceilings has been "The Voice of the Industry™," serving contractors, architects, distributors and manufacturers in the wall and ceiling market. Through its digital print and event platforms, the brand delivers timely news, technical expertise and business insights that support innovation and growth across the industry. For more information, visit www.wconline.com.

For More Information, Contact:

Tanja Kern
Strategic Content Editor, Walls & Ceilings
417.818.4429
kernt@bnpmedia.com

SOURCE: Walls & Ceilings

View the original press release on ACCESS Newswire

Topics:

media-news
media-news

Bell Rose Capital Inc. (OTCID:BELR) Completes Reverse Merger With 4BIDDENKNOWLEDGE Inc.

By Media News
9 min read • Published March 16, 2026
By Media News
9 min read • Published March 16, 2026

Billy Carson Brings 4biddenknowledge Inc with Conscious Media and AI Innovation Into the Public Markets Under OTCID: BELR

LOS ANGELES, CA / ACCESS Newswire / March 16, 2026 / Bell Rose Capital Inc. (OTCID:BELR) ("Bell Rose" or the "Company"), a diversified public holding company focused on high-growth technology and digital infrastructure ventures, today announced the successful completion of its strategic acquisition of 4biddenknowledge Inc. ("4BK") via a reverse merger. The acquisition includes an independent valuation of over $100 million USD, underscoring the scale, maturity, and market potential of the 4BK ecosystem.

With this transaction, 4BK becomes a wholly owned subsidiary of Bell Rose, establishing an immediate operational footprint across media, AI-powered applications, education technology, digital publishing, and global consumer platforms.

Bell Rose Capital Inc. operates as a diversified holding company pursuing long-term value creation through the acquisition, development, and scaling of operating businesses in high-growth verticals. The Company evaluates opportunities across technology-enabled services, logistics platforms, digital assets, artificial intelligence solutions, and scalable consumer ecosystems. The addition of 4BK marks Bell Rose’s entry into one of the fastest-growing segments of the digital economy.

4BIDDENKNOWLEDGE INC.

4biddenknowledge Inc. ("4BK"), founded by bestselling author and entrepreneur Billy Carson, has officially transitioned into the public markets through its acquisition by Bell Rose Capital Inc. (OTCID: BELR). Supported by an independent valuation exceeding $100 million USD, 4BK now stands as one of the first creator-led, consciousness-driven media and AI ecosystems to operate under a publicly traded structure.

Since its founding in 2017, 4BK has grown into a global digital enterprise spanning:

  • Thousands of paying streaming subscribers

  • Millions of followers across YouTube, Instagram, TikTok, and podcast platforms

  • Multiple AI-powered consumer applications

  • A bestselling publishing division

  • E-commerce and wellness brands

  • Global live events and international tours

4BK has demonstrated consistent year-over-year revenue growth, supported by diversified operations across media, education, and digital technology.

The Billy Carson Podcast Network generates over 100 million monthly impressions, establishing one of the largest independent conscious media ecosystems worldwide.

Mr. Carson explains, "For years, we built 4BK organically, without institutional backing. Now, with access to public markets, we have the financial leverage, strategic partnerships, and operational discipline to move at an entirely different scale. We intend to aggressively expand recurring revenue, accelerate AI commercialization, secure strategic IP acquisitions, and explore joint ventures that strengthen our global footprint. This next chapter is about building a multi-vertical media and technology powerhouse, responsibly, transparently, and with shareholders aligned in our long-term growth trajectory."

About Billy Carson

Billy Carson is a six-time bestselling author, serial entrepreneur, and Founder & CEO of 4biddenknowledge Inc. His work explores the intersection of ancient civilizations, neuroscience, quantum theory, economic systems, and emerging technologies – translating complex research into accessible tools for personal and collective advancement.

Carson has built a diversified portfolio of businesses across media, publishing, digital platforms, and AI-driven technology. His leadership emphasizes systems thinking, disciplined execution, and strategic scaling.

He is the founder of:

  • 4biddenknowledge Inc.

  • 4biddenknowledge TV, a global conscious streaming network

  • 4BK Academy, serving over 1,700 active students

  • A suite of AI-powered applications spanning career tools, dream analysis, food assistance, and numerological analytics

Carson is also the inventor of the 4BK BIOKEY, an AI-driven biomarker technology initiative currently in development.

His work has been featured in Entrepreneur Magazine, Business Insider, Yahoo Finance, USA Today, Bizjournals, and TED-related platforms, and he has appeared on major global podcasts including The Joe Rogan Experience and PBD Podcast.

Mr. Carson earned a Certificate of Science with an emphasis in Neuroscience from the Massachusetts Institute of Technology (MIT) and holds a Certificate in Ancient Civilizations from Harvard University.

A Creator-Led Company Enters the Public Arena

Unlike traditional media corporations, 4BK was built through direct audience engagement, community-driven growth, and diversified digital monetization long before entering the public markets.

Billy Carson further explains:

"This is more than a company entering the public markets – it’s the evolution of independent media into transparent, scalable infrastructure. We built this ecosystem organically. Now, under Bell Rose, we’re entering the next phase with accountability, long-term strategic expansion, and public-market discipline. It is with shareholder value always at the forefront of 4BK’s activities, I contend this infrastructure will bring enormous advantages."

Pursuant to the Definitive Agreement and Plan of Acquisition dated February 11, 2026, each outstanding share of 4BK common stock will be exchanged for shares of Bell Rose common stock in accordance with an exchange ratio set forth in the acquisition agreement.

As provided in the agreement, the exchange ratio was structured to represent a 100% increase relative to the most recent Regulation D offering price of 4BK as defined therein. The exchange ratio and underlying valuation methodology were approved by the board of directors of Bell Rose and agreed upon by the parties through arm’s-length negotiation.

The referenced premium reflects a contractual valuation metric and does not constitute a representation or guarantee of the current or future trading price of Bell Rose Capital Inc. common stock. The market price of publicly traded securities is subject to fluctuation, and actual trading prices may differ materially from the valuation metrics used in the transaction.

Strategic Direction Under Bell Rose

Through this acquisition, Bell Rose expands into:

  • Conscious media and global streaming platforms

  • AI-powered consumer technology applications

  • Educational technology and digital academies

  • Publishing and intellectual property platforms

  • Global experiential events and community ecosystems

By integrating 4BK’s media and AI infrastructure with Bell Rose’s corporate platform, the Company aims to:

  • Strengthen operational transparency

  • Expand strategic partnerships

  • Increase institutional credibility

  • Accelerate AI and content infrastructure development

  • Scale global distribution

Leadership & Governance

As part of the acquisition, Carlos Salgado has resigned.

Billy Carson has been appointed President, and Dr. Xavier Mitchell has been appointed Vice President.

The board of directors will consist of:

  • Billy Carson

  • Dr. Xavier Mitchell

  • Seatrice Foster

  • Cynthia DeMonte

Dr. Xavier Mitchell – Dr. Xavier Mitchell is a visionary dealmaker, public company architect, and capital markets strategist known for executing bold, high-impact transactions across media, technology, entertainment, finance, and infrastructure. As a seasoned public company executive, Mitchell has built, acquired, structured, and repositioned multiple entities, guiding them through complex mergers, strategic capital raises, asset acquisitions, and growth restructurings.

Mitchell is the founder and driving force behind several vertically integrated platforms spanning film, digital media, gaming, fintech, and strategic investments. He has negotiated high-level partnerships with major production entities, institutional investors, international operators, and emerging growth platforms – consistently positioning his companies for scalability, monetization, and market visibility.

With a reputation for identifying undervalued assets and transforming them into structured growth vehicles, Mitchell specializes in:

  • Reverse mergers and public company optimization

  • Regulation A and D capital formation strategies

  • Strategic IP acquisition and monetization

  • Cross-border transactions and joint ventures

  • High-visibility brand and media rollouts

His leadership philosophy blends aggressive expansion with disciplined structuring – aligning capital, governance, and vision to create sustainable enterprise value.

Seatrice Foster – a seasoned capital strategist and board-level transaction advisor with more than 20 years of experience structuring and facilitating complex real estate and corporate finance transactions. She is recognized for her ability to align operating companies with strategic capital partners, institutional investors, and growth platforms. Foster specializes in architecting sophisticated capital structures and guiding leadership teams through transformative, high-impact transactions.

Cynthia DeMonte – an expert strategic planner who brings over twenty years of in-the-trenches management counsel, communications, investor relations, media relations, business development and preservation of her clients’ goals. For companies such as The Norman Rockwell Agency, the Guggenheim Museum, Environ/Ramboll, Teva Pharmaceuticals, End Sepsis, ON Technology, Reebok, and Bausch & Lomb, DeMonte provides the essential means: highly effective corporate communications, media, laser point crisis control, business development and unmatched public and investor relations to meet her clients’ most critical objectives.

Prior to the foundation of her own entity, she held the positions of Group Leader and Vice President of IR Communications at Ruder Finn and Senior Vice President of Investor Access Corporation. For her clients at these firms, DeMonte created international communications programs, advised management regarding institutional investors, implemented targeted marketing plans and authored grant applications.

The completion of this transaction marks a defining milestone for Bell Rose Capital Inc. (OTCID: BELR). By integrating 4biddenknowledge’s established media ecosystem, AI-powered technologies, and global community infrastructure into a publicly traded platform, Bell Rose positions itself at the intersection of creator-led commerce, artificial intelligence, education technology, and scalable digital monetization.

Dr. Xavier Mitchell, Vice President, stated:

"We would like to thank Carlos Salgado for his years of service and hard work. In addition, we’d like to thank Paul Khan, M&A consultant, for his dedication in ensuring this massive and complex transaction was completed."

This acquisition represents more than corporate expansion – it signals the institutionalization of an already thriving ecosystem. With disciplined governance, strengthened capital markets access, and an experienced executive leadership team in place, the Company is structured to pursue strategic partnerships, accelerate product development, and expand global distribution channels.

Dr. Mitchell’s relationships span institutional investors, strategic partners, and Fortune 500 executives, providing access to networks that can further expand the Company’s reach and credibility.

Dr. Mitchell continued:

"Billy and I both understand the significance of teamwork, discipline, and long-term vision. What excites me most is Billy’s willingness to push boundaries and pursue opportunities others would never attempt. I thrive in that environment. Together, we are committed to building a company that competes at the highest levels of the global marketplace."

Bell Rose Capital enters this next phase with a clear mandate: build sustainable enterprise value, enhance transparency, and execute a long-term growth strategy designed to compete at the highest levels of the global digital economy.

As public market infrastructure converges with independent media innovation, Bell Rose Capital intends to serve as the scalable platform through which vision, technology, and disciplined execution translate into measurable shareholder value.

Forward-Looking Statements

This press release contains forward-looking statements within the meaning of federal securities laws. These statements include, but are not limited to, statements regarding future growth, strategic initiatives, expansion plans, monetization strategies, product development, and market opportunities. Forward-looking statements are based on current expectations and assumptions and are subject to risks and uncertainties that could cause actual results to differ materially. Bell Rose Capital Inc. (OTCID:BELR) and 4biddenknowledge Inc. undertake no obligation to update these statements except as required by applicable law.

About Bell Rose Capital Inc. (OTCID:BELR)

Bell Rose Capital Inc. (OTCID:BELR) is a diversified public holding company focused on acquiring, developing, and scaling high-growth businesses across technology, digital infrastructure, media, artificial intelligence, and consumer ecosystems. The Company pursues long-term enterprise value creation through strategic acquisitions, disciplined capital formation, and operational optimization within scalable verticals.

Operating under a public market framework, Bell Rose provides governance infrastructure, capital markets access, and strategic leadership to its subsidiaries. The Company evaluates opportunities in technology-enabled services, logistics platforms, AI-driven applications, digital publishing, streaming media, and emerging consumer ecosystems with recurring revenue potential.

Bell Rose’s model emphasizes:

  • Strategic acquisitions of operating businesses with proven traction

  • Capital structure optimization and institutional positioning

  • Revenue diversification across scalable digital platforms

  • Long-term shareholder value creation through disciplined execution

By combining public-market transparency with entrepreneurial growth strategy, Bell Rose Capital is positioning itself as a scalable platform for innovative enterprises seeking expansion, monetization, and institutional credibility.

About 4biddenknowledge Inc. (4BK)

4biddenknowledge Inc. ("4BK") is a diversified digital media, education, and artificial intelligence company founded by bestselling author and entrepreneur Billy Carson. Established in 2017, 4BK has evolved into a global, creator-led ecosystem spanning streaming media, publishing, online education, live events, AI-powered consumer applications, and e-commerce platforms.

The Company operates 4biddenknowledge TV, a subscription-based conscious streaming network; 4BK Academy, serving a growing international student base; a publishing division featuring multiple bestselling titles; and a portfolio of proprietary AI-driven tools designed to support career development, personal insight, and applied analytics. 4BK’s content and digital infrastructure reach millions of followers across YouTube, Instagram, TikTok, podcast platforms, and global event audiences.

Built through direct-to-consumer engagement and diversified digital monetization, 4BK has demonstrated consistent revenue growth across media, technology, and education verticals. The Company’s integration into Bell Rose Capital Inc. (OTCID:BELR) marks the expansion of its operations into a publicly traded structure, positioning 4BK for institutional scaling, strategic partnerships, and continued global growth.

Media & Investor Contact:
Bell Rose Capital Inc.
Investor Relations
IR@bellrosecapitalinc.com

SOURCE: BELL ROSE CAPITAL INC

View the original press release on ACCESS Newswire

Topics:

media-news

Posts navigation

Older posts
Newer posts
Featured Jobs
Kirkus Media
Editorial Intern
Kirkus Media
New York City, New York (US)

Gaia Inc
MEDIA COORDINATOR
Gaia Inc
Louisville, CO

Gaia Inc
Global Paid Media Specialist
Gaia Inc
Louisville, CO

Gaia Inc
Director of Media Strategy
Gaia Inc
Louisville, CO

Hearst Television
Account Executive
Hearst Television
Milwaukee, WI, United States

All Jobs »
PREMIUM MEMBER

Paige Bowers

Atlanta, GA
25 Years Experience
Paige Bowers is a nationally published news and features writer and the author of THE GENERAL'S NIECE: THE LITTLE-KNOWN DE GAULLE WHO FOUGHT TO FREE...
View Full Profile »
Join Mediabistro Membership Today

Stand out from the crowd with a premium profile

Mediabistro Logo Find your next media job or showcase your creative talent
  • Job Search
  • Hot Jobs
  • Membership
  • Newsletter
  • Career Advice
  • Media News
  • Hiring Tips
  • Creative Tools
  • About
Facebook YouTube Instagram LinkedIn
Copyright © 2026 Mediabistro
  • Terms of Use
  • Terms of Service
  • Privacy