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Careers & Education

Which industries require hazardous waste training?

Which industries require hazardous waste training?
By Kirstie Chisholm for Hazmat School
9 min read • Published April 29, 2026
By Kirstie Chisholm for Hazmat School
9 min read • Published April 29, 2026

Hazardous materials team cleaning up a truck and chemicals accident on the road.

mikeledray // Shutterstock

Which industries require hazardous waste training?

Many industries generate hazardous waste. If you belong in one of these fields, you must train your workers in handling such wastes to ensure their safety and protect the environment. Different agencies regulate hazardous waste, such as the Environmental Protection Agency (EPA), Occupational Safety and Health Administration (OSHA), and Department of Transportation (DOT). Title 40 of the Code of Federal Regulations (CFR) discusses the federal hazardous waste regulations.

Requirements generally depend on your monthly waste generation. Some states have not adopted certain federal regulations, while others have their own standards. You need to identify which regulations apply to you, since some state requirements may be more stringent. To give you a good overview, Hazmat School explains which industries have hazardous waste training requirements.

Key Takeaways

Hazardous waste training requirements protect workers and the environment. Here’s what you need to know about these guidelines:

  • Industries that handle hazardous wastes must undergo appropriate training, which typically includes companies in the manufacturing, oil, waste management, health care, transportation, emergency response, and construction industries.
  • Navigating compliance requirements involves knowing how much hazardous waste you generate monthly and the types you produce.
  • All workers involved in the process, whether they’re managing, transporting, cleaning, or treating hazardous wastes, must receive the training from their employers, hazmat employees, or contracted training services.

Agencies That Govern Hazardous Waste Regulations

Different agencies and organizations have standards and requirements for managing hazardous waste, including:

  • EPA: The Resource Conservation and Recovery Act (RCRA) enables the EPA to control hazardous waste management, including generation, transportation, treatment, storage, and disposal.
  • OSHA: OSHA ensures worker safety and health protection through different standards. For instance, OSHA’s Hazardous Waste Operations and Emergency Response (HAZWOPER) contains the requirements for workplaces that can potentially release hazardous materials. The Hazard Communication Standard requires the classification of hazardous chemicals and informing workers of this classification. Meanwhile, workplaces that involve asbestos — except for construction and ship-related employment — must follow standards for toxic and hazardous substances.
  • DOT: The DOT’s Pipeline and Hazardous Materials Safety Administration (PHMSA) establishes standards for companies involved in the hazardous materials transportation system, such as those that manufacture packaging materials to be used in transporting hazardous materials.

Noncompliance with relevant regulations can lead to penalties. For instance, violating PHMSA’s federal hazardous material transportation law can lead to penalties ranging from $102,348 to $238,809 per violation. You can be charged the maximum violation if noncompliance results in a severe injury, serious illness, or death. Training violations can cost a minimum of $617 per violation.

Industries With Hazardous Waste Training Requirements

Workers who handle hazardous waste must undergo hazardous waste training. These individuals generally work in the following industries:

Infographic listing the industries with hazardous waste training requirements.

Hazmat School

1. Manufacturing and Chemical

The manufacturing and chemical industries produce, store, and use hazardous materials, such as chemicals and gases. Improper material handling can lead to fires, explosions, and dangerous chemical reactions. HAZWOPER standards, or 29 CFR 1910.120, apply to the general industry, which includes all industries except for construction, agriculture, and maritime. Relevant training courses often teach you how to:

  • Communicate hazards.
  • Interpret safety data sheets.
  • Wear proper personal protective equipment.

Workers who operate chemical-handling machinery or those responsible for decontamination and emergency response must undergo such training.

2. Oil, Gas, and Energy

The oil, gas, and energy industries often deal with petroleum products, flammable gases, and other radioactive substances. Wastes from crude oil and natural gas operations are generally subject to the RCRA and state regulations. Industry operations often involve transporting oil and gas through pipelines, which pose risks of leaks and spills. Meanwhile, nuclear energy plants often deal with radioactive materials. Proper training enables workers to handle and dispose of these hazardous materials safely and mitigate risks.

3. Waste Management and Environmental Services

Workers who manage industrial waste and clean up environmental disasters require training for handling hazardous materials. Chemical spills and similar contamination events involve removing and cleaning up hazardous substances. The training is essential so workers can properly dispose of materials that pose health and environmental risks. For instance, these materials can include electronics, chemicals, or biohazardous waste.

4. Pharmaceutical and Other Health Care Industries

Pharmaceutical and other health care industries often deal with medications, chemicals, and other medical waste, which are biohazardous materials. Medical and research laboratories, in particular, work with pathogens, radioactive materials, and other dangerous substances, which, when mishandled, can cause contamination, health risks, and legal issues. Proper worker training ensures health care professionals can manage waste responsibly.

5. Transportation and Logistics

Companies in the transportation and logistics industries move hazardous materials across locations. While they don’t generate waste per se, they’re involved in waste handling as a part of a chain. For instance, a trucking company may transport hazardous wastes between states. Workers must understand proper packaging, labeling, and transportation requirements to adhere to relevant regulations.

Your workers need a certification or endorsement depending on your industry. Truck drivers who transport hazardous materials, such as corrosive substances and flammable materials, need a hazmat endorsement on their commercial driver’s license. Airline workers must follow the International Air Transport Association (IATA) regulations, while maritime workers must meet the International Maritime Dangerous Goods (IMDG) regulations. Medical couriers must also be highly trained in moving time-sensitive, temperature-controlled cargo and comply with regulations such as OSHA’s standards for bloodborne pathogens.

6. Emergency Response and Public Safety

Emergency responders are often the first to respond in hazardous situations, whether there’s a gas leak, a chemical spill, or a factory fire. Specialized teams must understand how to handle hazardous materials, especially when performing decontamination processes or containment procedures. Some emergency responders may not handle waste themselves, but are still involved in dealing with hazardous situations. For instance, paramedics might need to manage patients who were exposed to dangerous substances.

Crime scene cleanup industries must also learn to sanitize areas that were used for criminal activities. These areas may contain hazardous wastes, especially if they were used for murder or drug production. Proper training ensures workers understand how to manage blood, bodily fluids, and other potentially harmful substances.

7. Construction and Demolition

Construction and demolition workers often encounter hazardous wastes on-site, especially in older buildings with asbestos and lead-based paints. Exposure to these wastes can cause long-term health issues, such as lead poisoning or lung cancer. Proper training helps workers identify these hazardous materials and understand how to remove them safely.

OSHA has a specific HAZWOPER standard for the construction industry known as 29 CFR 1926.65. Employers must provide relevant training for their workers who can become exposed to hazardous materials during:

  • Government cleanup operations.
  • Corrective actions involving cleanup operations at RCRA-covered sites.
  • Voluntary cleanup operations at uncontrolled hazardous waste sites.

How to Navigate Compliance Requirements

Having a systematic approach can help you navigate industry-specific compliance requirements regarding hazardous waste management. Consider these steps:

An infographic showing how to navigate compliance requirements.

Hazmat School

1. Identify if Your Facility Generates Hazardous Waste

Wastes pertain to solid, liquid, or contained gaseous materials you discard through disposal, burning, incineration, or recycling. They are often by-products of a manufacturing process or a commercial product your business has used. These wastes can be hazardous and can be considered:

  • Listed waste: A listed waste is a hazardous waste type listed in Title 40 of the CFR. Acute hazardous wastes are the most dangerous types, which are fatal to humans even in low doses.
  • Characteristic waste: Characteristic wastes can be ignitable, corrosive, reactive, or toxic. An ignitable waste catches fire, while corrosive wastes corrode metals or come with high or low pH. Reactive wastes are unstable and can explode or produce toxic fumes. Toxic wastes are fatal when absorbed or ingested, and leach toxic chemicals into the soil or groundwater. You can determine toxic waste through the Toxicity Characteristic Leaching Procedure.

2. Calculate How Much Hazardous Waste You Generate Monthly

Companies that generate hazardous waste are called generators, and the amount of waste you produce determines your generator category. Hazardous wastes are often liquids, which you measure in gallons. You must convert gallons to kilograms or pounds to count the wastes.

The EPA has three generator categories, each with its own hazardous waste requirements:

  • Very small quantity generator (VSQG): Companies that generate less than 100 kg of hazardous waste per month.
  • Small quantity generator (SQG): Companies that generate 100-1,000 kg of hazardous waste per month.
  • Large quantity generator (LQG): Companies that generate more than 1,000 kg of hazardous waste per month.

Sometimes, you might produce larger amounts of hazardous waste than your typical operations — for instance, due to a cleanout or an oil spill. This event might move you from a VSQG to an SQG. Because it’s an uncommon circumstance, you can be eligible for a different set of requirements to avoid having to comply with more stringent generator regulations.

3. Notify Relevant Authorities of Your Hazardous Waste

If you’re an SQG or LQG, you must notify the EPA or state agencies of your hazardous waste activities. Some states also have the same requirements for VSQGs.

4. Manage Wastes Appropriately

You need to manage your hazardous waste according to the generator category requirements. Certain waste types may also have unique requirements, including:

  • Universal wastes, such as batteries, pesticides, and mercury-containing equipment.
  • Hazardous wastes at academic laboratories.
  • Pharmaceutical hazardous wastes.

5. Transport Wastes Properly

SQGs and LQGs are often required to have a manifest to transport hazardous waste off-site. These forms enable the tracking of hazardous wastes from your generator facility to a waste management facility that will store, treat, and dispose of the wastes.

6. Recycle, Treat, and Dispose of Wastes Correctly

SQGs and LQGs can generally recycle hazardous wastes on-site without permits, provided they comply with waste accumulation time limits and regulations under Title 40 of the CFR. You may also treat hazardous waste on-site in an accumulation unit, such as a tank or container, without a permit, to transform the waste into a nonhazardous or less hazardous waste — provided the treatment is nonthermal and you comply with the other requirements in Title 40.

Otherwise, you must treat and dispose of the wastes according to the Hazardous Waste Treatment, Storage, and Disposal Facilities regulations.

Frequently Asked Questions

To further understand what’s required of your industry, consider these common questions regarding hazardous waste management training:

Who Is Required to Have Hazardous Waste Training?

All employees who handle or are exposed to hazardous wastes must undergo appropriate training. This requirement includes employees involved in the generation, management, transportation, treatment, storage, and disposal of hazardous wastes.

Is Hazmat Training Required by Law?

Yes, hazmat training is required by law. The training must include the following topics:

  • General hazardous waste or material requirements
  • Training specific to the employee’s work
  • Safety training
  • Security awareness training

If you’re required to have a security plan, security training must be in-depth. This training can be performed by employers, hazmat employees, or contracted training services.

What Specific Hazardous Waste Courses Are Required for the Construction Industry?

The construction industry would benefit from hazardous waste courses discussing standards unique to the industry. For instance, OSHA has the HAZWOPER standard, or 29 CFR 1926.65, for the construction industry, which is similar to 29 CFR 1910.120, a more general standard of the same title. These standards apply to operations involving an ongoing or a likely incident of an uncontrolled release of hazardous substances.

Consider courses with discussions unique to your business type. For instance, you may choose a course that covers forklift and industrial truck safety, scaffolding requirements, or asbestos management.

How Much Does Hazardous Waste Training Cost for a Small Business?

Training costs depend on the specific course. For instance, a DOT or RCRA training course can cost around $150 to $300. Some training courses may charge per participant. Participants can often work at their own pace and receive their certificate immediately after completion.

Hazardous Waste Training Is Essential for Compliance

When handling dangerous and toxic materials, workers in many industries are required to undergo hazardous waste training to protect themselves and the environment. Generally, these industries include:

  1. Manufacturing and chemical.
  2. Oil, gas, and energy.
  3. Waste management and environmental services.
  4. Pharmaceutical and other health care industries.
  5. Transportation and logistics.
  6. Emergency response services and public safety.
  7. Construction and demolition.

To effectively navigate the compliance requirements, identify whether you produce or manage hazardous waste materials, and which waste type you’re handling. Then, calculate your monthly waste production. You must also notify relevant authorities, such as the EPA or state agencies, of your hazardous waste activities. Manage, transport, and treat the waste appropriately based on the industry- and waste-specific requirements.

This story was produced by Hazmat School and reviewed and distributed by Stacker.

Topics:

Careers & Education
media-news

Hestia Insight Inc. Launches Impact-O AI Suite: Elite News Drafting and Compliance Screening for an Introductory $179

By Media News
4 min read • Published April 29, 2026
By Media News
4 min read • Published April 29, 2026

NEW YORK, NY / ACCESS Newswire / April 29, 2026 / Hestia Insight Inc. today officially opened market access to Impact-O, its proprietary AI engine designed to revolutionize the corporate disclosure process. For an introductory price of $179.00 per release, companies can now access a high-performance suite that provides two exceptional news drafts and automated compliance screening, drastically reducing the time and legal expense usually required for public announcements.

The Impact-O platform empowers management teams to generate superb content without the premium price tag of a traditional agency. By utilizing a dual-drafting system, users can select the most effective narrative for their brand while the built-in compliance checker ensures the content meets rigorous standards, protecting the company and saving on billable legal hours.

Beyond the core AI suite, Hestia Insight is also offering an optional, high-impact news distribution service. This arrangement provides access to a vast array of important media and financial service platforms that are typically inaccessible to ordinary clients.

"With Impact-O, we are providing the ‘brain’ of the news release at an unbeatable price," said Edward C. Lee, CEO of Hestia Insight Inc. "While the drafting and compliance tools are transformative on their own, our optional distribution arrangement is the ultimate multiplier. We have secured pricing and platform access that most companies simply cannot obtain independently, and we are making those rates available upon request."

The Impact-O Advantage:

  • Two Exceptional Drafts: Choose from two AI-generated variations to ensure the perfect tone and message.

  • Compliance & Cost Savings: Integrated screening reduces the need for expensive legal review and accelerates the filing timeline.

  • Optional Elite Distribution: Reach premier financial networks and media outlets with exclusive pricing available upon request.

Companies interested in modernizing their communication strategy and accessing these "members-only" distribution rates can contact Hestia Insight for a personalized quote or platform demonstration.

About Hestia Insight Inc.

Hestia Insight Inc. is a strategic consulting firm and technology developer specializing in capital markets. Through its Impact-O platform, the company provides AI-driven solutions that bridge the gap between complex regulatory requirements and effective corporate storytelling.

For more information about Hestia Insight, please visit the Company’s website: www.hestiainsight.com

Facebook: Hestia Insight Inc.

LinkedIn: Hestia Insight Inc.

Twitter: @HestiaInsight

Hestia Insight is subject to the information and reporting requirements of the Securities Exchange Act of 1934, as amended (the "Exchange Act"), and, in accordance with the Exchange Act, the Company files periodic reports, documents, and other information with the Securities and Exchange Commission (the "Commission") relating to our business, financial statements, and other matters. These filings are available to the public on the Commission’s website at http://www.sec.gov.

Safe Harbor Provision

This press release contains "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995, as amended, that are intended to be covered by the safe harbor created thereby. All statements other than statements of historical fact contained herein, including, without limitation, statements regarding the Company’s future financial position, business strategy, plans and objectives, growth and profitability, growth strategy, liquidity and access to public markets, operating expense reduction, and trends in the industry in which the Company operates, are forward-looking statements. Forward-looking statements generally can be identified by the use of forward-looking terminology such as "may," "will," "expects," "intends," "plans," "projects," "estimates," "anticipates," or "believes" or the negative thereof or any variation thereon or similar terminology or expressions. Forward-looking statements are subject to risks and uncertainties that could cause actual results to differ materially from results proposed in such statements. Although the Company believes that the expectations reflected in such forward-looking statements are reasonable, it can provide no assurance that such expectations will prove to have been correct. Important factors that could cause actual results to differ materially from the Company’s expectations include, but are not limited to, those factors set forth in the Company’s Annual Report on Form 10-K for the year ended November 30, 2024 and its other filings and submissions with the Securities and Exchange Commission. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date made. Except as required by law, the Company assumes no obligation to update or revise any forward-looking statements.

Investor Relations Contact:
Tel: 516.212.0727
Email: corp@hestiainsight.com

SOURCE: Hestia Insight Inc.

View the original press release on ACCESS Newswire

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media-news
Entertainment

Which Eurovision 2026 tracks are leading on momentum and platform data

Which Eurovision 2026 tracks are leading on momentum and platform data
By Kristian Gorenc for Viberate
7 min read • Published April 29, 2026
By Kristian Gorenc for Viberate
7 min read • Published April 29, 2026

Trucks are parked outside Stadthalle for the Eurovision Song Contest in Vienna, Austria.

Joe Klamar // AFP via Getty Images

Which Eurovision 2026 tracks are leading on momentum and platform data

Every Eurovision season builds its own kind of momentum long before the final results are in. Songs begin to travel across streaming platforms, fan communities start to rally around early favorites, and some entries separate themselves through sheer scale, while others build more quietly through steady growth. By the time the contest reaches its final stretch, platform data can already reveal which tracks are breaking through and which ones are still trying to catch up.

That does not mean data can fully explain Eurovision. Live performances, staging, jury preferences, national voting patterns, and the unpredictable chemistry of the night still matter. But platform performance can offer a useful early read on where attention is concentrating, which entries are accelerating at the right time, and which songs look strongest if the field is judged only on measurable traction.

With that in mind, Viberate examined 35 Eurovision 2026 entries using recent streaming and platform data to identify which tracks are showing the strongest measurable traction. The goal is to identify which songs are gaining momentum, which ones already command the strongest audience demand, and which entries have built the broadest platform support. In this article, Viberate explores a simple question: If measurable streaming and platform signals were the main basis for judging the field, which songs would look strongest heading into Eurovision 2026?

Why data still matters before Eurovision night

In a contest built on live performance, staging, and national voting patterns, raw platform data can never tell the whole story. Still, it can say a lot about which songs are breaking through before viewers cast a single vote.

To see which Eurovision 2026 entries look strongest on measurable traction alone, 35 nominated tracks were ranked using a data-only model built from recent demand, momentum, and platform support signals. The analysis focused on three questions: Which songs are attracting the most audience demand right now? Which ones are gaining momentum at the right moment? And which entries are receiving the strongest platform support through playlist reach and related indicators?

That approach does not attempt to predict the actual winner. Eurovision has always been more complicated than a streaming race. Jury preferences, diaspora patterns, live vocals, staging, and the chemistry of the night can all change the outcome. But if the field is judged only on current data signals, a clearer hierarchy emerges.

Top 10 Eurovision 2026 entries by data signals

A table ranking the top 10 Eurovision 2026 entries by data signals.

Courtesy of Viberate

Per sempre sì leads the field

At the top of that hierarchy is “Per sempre sì.” The track leads the full field in overall score, driven by the strongest demand profile and the highest support score in the 35-song set. In practical terms, that means it is not simply posting one strong metric. It is performing at a high level across the areas the model values most: sustained audience pull and broad platform backing. Its recent momentum is solid rather than spectacular, but the base is strong enough that it still finishes clearly ahead of the rest of the field.

The main reason that matters is that big tracks can lead in different ways. Some are rising quickly from a smaller base. Others are already operating from a position of scale. “Per sempre sì” belongs to the second group. Its case is not that it is the fastest riser in the race. Its case is that it has already built the largest measurable footprint while maintaining enough current movement to stay in front.

The chasing pack behind the leader

Behind it, the chasing group is tighter and more interesting. “Liekinheitin,” “JALLA,” “Bangaranga,” “Før Vi Går Hjem,” and “Ferto” form the clearest second tier in the model. Those songs do not all get there the same way, which is one reason the analysis is more useful than a simple streams chart.

“Liekinheitin” looks like one of the most secure all-round contenders. It combines high demand, strong support, and enough momentum to avoid looking static. It does not dominate one category as decisively as the leader, but it does very little wrong. That makes it one of the least fragile profiles in the top tier.

“JALLA” also scores strongly, especially on scale. It has one of the strongest demand profiles in the set, and its support metrics remain good enough to keep it firmly among the leaders.

If one song makes the strongest case as the most balanced challenger, though, it is “Bangaranga.” That track stands out because it does not lean too heavily on one pillar. Its demand is strong, its momentum is among the best in the upper tier, and its support metrics are solid enough to keep it competitive. In a data-only ranking, balance matters. A track that is merely large can stall. A track that is merely rising can still be too small. “Bangaranga” looks more complete than that. It is one of the few entries near the top that looks strong in all three directions at once.

“Før Vi Går Hjem” and “Ferto” round out the strongest cluster. Both are credible high-end contenders in the model, but with slightly different profiles. “Før Vi Går Hjem” leans more on support and steady demand than on explosive recent acceleration. “Ferto” looks broad and stable, with fewer extreme strengths but no major weakness. Neither track feels inflated by one odd metric or one short-lived spike, which helps explain why both remain close to the top in multiple scoring scenarios.

That stability matters because the model was rerun under alternative weighting systems, including versions that gave more weight to demand and momentum. The ordering shifted slightly, but the same core group stayed near the front. That is one of the strongest signs that the ranking is capturing something real rather than producing an arbitrary result.

Which songs are gaining momentum fastest

Just below the top cluster, a second analytical divide appears. Some songs look strong because they are already large. Others look dangerous because they are moving fast.

The clearest momentum names in the wider field include “Nova Zora – Eurovision 2026,” “Paloma Rumba,” “Ridnym – Eurovision Version,” “Just Go,” and “Nân.” These tracks show stronger acceleration patterns than many of the bigger entries above them. That makes them worth watching, but not all momentum profiles should be treated the same way. A track can climb quickly while still lacking enough total demand or support to challenge the leaders outright.

That is why “Nân” is the most interesting of the momentum-heavy group. It does not merely post a strong growth signal. It also carries enough total strength to break into the top 10 overall. In other words, it looks less like a curiosity and more like a plausible late mover.

By contrast, tracks like “Paloma Rumba” and “Ridnym – Eurovision Version” read more like surge stories than frontrunner stories. Their momentum helps them stand out, but their overall scale remains thinner than the songs at the top of the ranking. In a data-only model, that makes them more compelling as rising threats than as outright leaders.

The reverse is also true. A few entries show the opposite pattern: large footprint, softer recent pace. “Michelle,” “Fire,” “My System,” and “REGARDE !” all fall somewhere in that category. None of them can be dismissed. In fact, “Michelle” is especially strong on pure demand. But their current movement does not look as convincing as their overall size. That distinction matters because it separates songs riding a strong present wave from songs holding on to a larger existing base.

Where the model is most likely to misread the field

One of the most useful parts of this analysis is identifying where the model itself is most likely to overrate or underrate songs. Tracks with especially strong support scores but weaker direct audience pull can look better in a composite than they would in a pure demand race. That appears to be more relevant for entries like “Fire,” “TANZSCHEIN,” and “Ya Ya Ya.” These are not weak songs in the data, but they lean more on platform support than on direct audience-demand leadership.

Another warning sign appears in one-platform skew. A track that looks strong on Spotify but much weaker on YouTube, or vice versa, may have a narrower base than its headline position suggests. That is one reason broad, cross-platform strength is more persuasive than one large isolated number.

What the results actually show

The final result is not a prediction of who will win Eurovision 2026 on stage. It is a ranking of which entries currently look strongest if platform demand, recent momentum, and support signals are treated as the contest’s only inputs.

On that basis, “Per sempre sì” is the clearest leader. “Liekinheitin,” “JALLA,” “Bangaranga,” “Før Vi Går Hjem,” and “Ferto” make up the strongest immediate chasing pack. And within that group, “Bangaranga” may be the most interesting analytical challenger, because its profile is the most balanced rather than the most lopsided.

Methodology

This analysis compared 35 nominated Eurovision 2026 tracks using recent platform data from Viberate exports. Each song was assessed in three areas: audience demand, recent momentum, and platform support. Demand was based on recent Spotify and YouTube activity, momentum was based on whether a track was picking up speed over the recent tracking window, and support was based on playlist reach and related Spotify indicators.

To keep the comparison fair, the ranking focused on recent 30-day performance rather than raw longer-term totals, since the nominated songs were not all released at the same time. That reduced the advantage older releases would otherwise have had. The final result is a data-based ranking of which entries currently look strongest on measurable traction.

This story was produced by Viberate and reviewed and distributed by Stacker.

Topics:

Entertainment
media-news

The White House Just Changed How Late-Night TV Books Guests

Political targeting moves from tweets to talent cancellations in 48 hours. Meanwhile, Mumbai producers head to Cannes and crime reporters get training upgrades.

By Mediabistro Team
5 min read • Published April 29, 2026
By Mediabistro Team
5 min read • Published April 29, 2026

A mentalist cancels a late-night appearance days after being named headliner for the White House Correspondents Dinner. The connection isn’t subtle.

When political power targets a television host by name, the ripple effects move fast through talent booking, advertiser confidence, and editorial risk calculations. This is what pressure looks like when it leaves rhetoric behind and starts reshaping how a major network show actually operates.

Elsewhere: a Mumbai production banner brings a six-picture slate to Cannes. A journalism institute runs another cohort through intensive crime coverage training.

When the White House Comes for Your Monologue

Jimmy Kimmel opened his show Monday with a joke about the First Lady demanding he be fired. The setup was deliberate.

Last week, Kimmel made a joke about Melania Trump becoming an “expectant widow,” a reference to President Trump’s age and health. The White House framed the joke as assassination rhetoric, and the First Lady issued a public statement calling for his termination.

Kimmel called the characterization “absurd,” noting the déjà vu of facing similar attacks from the same administration.

The substance of the political dispute matters less here than what happens next in the talent pipeline.

The Speed of Impact: From White House criticism to booking disruption: 48 hours. When political pressure moves from rhetoric to operational interference, the infrastructure supporting late-night television reveals its fragility.

Mentalist Oz Pearlman was scheduled to appear on Jimmy Kimmel Live! Monday night. Pearlman backed out.

The timing tells the story: two days earlier, he’d been announced as the headliner for the White House Correspondents Dinner, one of the highest-profile bookings available to a performer in his category. Appearing on a show the White House just targeted creates an obvious conflict. Pod Save America’s Jon Lovett replaced him.

This is the operational story. When a late-night host becomes a named political target, the calculus shifts for guests, especially those with White House proximity or aspirations.

Talent agents start running different risk scenarios. Advertisers get nervous calls. Booking producers face a narrower pool of guests willing to wade into the controversy.

The show doesn’t go off the air, but the machinery gets harder to operate.

If the pressure sustains, it affects everything from advertiser rates to affiliate confidence to the ability to book A-list talent during sweeps. Late-night comedy has always been political, but direct, sustained White House targeting of a specific host changes the risk profile for everyone in the ecosystem.

The lesson for media professionals is about infrastructure fragility. A successful late-night show operates on predictable guest flow, advertiser stability, and network backing. Political pressure tests all three simultaneously.

The formats that survive have diversified revenue and talent benches deep enough to absorb cancellations without visible gaps.

Mumbai to Cannes: The Global Slate Keeps Growing

First Ray Films, the Mumbai-based banner founded by actor-filmmaker Anshuman Jha, is bringing six titles to the Cannes Film Market in May. The slate spans 2026 to 2028, with two films scheduled for Indian theatrical release and the rest positioned for festival circuits and international co-production financing.

The company is entering its second decade. That matters in a market where most independent production banners fold before year five.

First Ray is shopping finished and in-development projects to international distributors and co-production partners with capital to deploy.

The career signal is straightforward. Production talent pipelines are increasingly global, and the infrastructure supporting them is maturing outside the traditional Hollywood studio system.

Banners like First Ray operate with lower overhead, access to local tax incentives, and partnerships that move capital across borders more fluidly than legacy studio deals. For producers, directors, and development executives, opportunity is concentrating in places that weren’t major players a decade ago.

Cannes remains where these deals get structured. A six-picture slate from a Mumbai banner suggests confidence in both the creative pipeline and the financing relationships necessary to sustain multi-year production cycles.

Rethinking How Newsrooms Cover Crime

Poynter Institute announced the 2026 cohort for its Transforming Crime Coverage program, an intensive training and coaching initiative designed to help reporters and editors rethink how they approach one of journalism’s most sensitive beats.

The program continues into its latest cycle, reflecting sustained demand for structured professional development in an area where traditional practices are under real scrutiny.

Crime coverage shapes public perception of safety, community trust in institutions, and policy debates around policing and justice reform. The way newsrooms frame these stories has consequences, and the profession’s growing self-awareness about those consequences is driving investment in skills training that goes beyond basic reporting mechanics.

The program focuses on methodology: how to contextualize crime data, how to avoid amplifying harmful stereotypes, how to balance public interest with individual privacy, how to cover law enforcement critically without undermining accountability reporting.

These skills weren’t part of most journalism curricula a decade ago. Newsrooms that prioritize them are building real advantages in audience trust.

Training as Competitive Advantage: Sophisticated crime coverage methodology is a differentiator when editorial judgment and ethical rigor are hard to assess from a resume alone. Newsrooms rebuilding community trust want staff who can execute on nuanced approaches.

That Poynter is running another cohort suggests the demand is sustained. Crime coverage remains a daily assignment for metro reporters, and the pressure to get it right is increasing as audiences have their own platforms to push back.

The reporters who can navigate that pressure while maintaining aggressive accountability reporting are the ones newsrooms invest in retaining.

What This Means

Late-night comedy is absorbing direct political targeting that translates into operational disruption. Global production infrastructure is expanding into territories with lower overhead and more flexible financing. Journalism training is evolving to address skills gaps that directly affect audience trust.

The parts of the industry under pressure reveal fragility in business models relying on advertiser comfort and predictable talent cooperation. The parts building infrastructure reveal where capital and opportunity are flowing. The parts investing in skills training reveal where competitive advantages are being constructed.

Watch how late-night shows adjust their guest booking if political pressure sustains. Watch which production banners show up at Cannes with multi-year slates already structured. Watch which newsrooms treat crime coverage training and other specialized, sensitive beats as a retention and recruitment tool.

If you’re looking to move into roles where these dynamics are playing out, browse open roles on Mediabistro in production, editorial, and content strategy. If you’re hiring for positions that require navigating political pressure, global production partnerships, or sophisticated editorial judgment, post a job on Mediabistro and reach the media professionals who understand how these systems operate under stress.


This media news roundup is automatically curated to keep our community up to date on interesting happenings in the creative, media, and publishing professions. It may contain factual errors and should be read for general and informational purposes only. Please refer to the original source of each news item for specific inquiries.

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media-news
Hot Jobs

Mission-Driven Media Jobs Hiring Now in Communications and Journalism

From foreign policy journalism to conflict resolution storytelling, purpose-led organizations are competing hard for senior media talent.

mediabistro hot jobs
Mediabistro icon
By Mediabistro
The Mediabistro editorial team draws on 25 years of media industry expertise to cover jobs, careers, and trends shaping the industry.
4 min read • Published April 29, 2026
Mediabistro icon
By Mediabistro
The Mediabistro editorial team draws on 25 years of media industry expertise to cover jobs, careers, and trends shaping the industry.
4 min read • Published April 29, 2026

Purpose-Led Organizations Are Paying Up for Media Talent

Something worth watching is unfolding across today’s listings: mission-driven organizations are posting senior roles with compensation and creative latitude that would have belonged exclusively to commercial media companies a few years ago. These are strategic leadership positions at organizations doing genuinely consequential work.

A nonprofit focused on conflict resolution is seeking a senior content writer. An award-winning trans media organization is offering up to $155,000 for a digital director. HuffPost needs a reporter to cover the conservative movement with the kind of source-building skills that used to live only at legacy newspapers. And one of the most prestigious foreign policy journals in the world is hiring someone to amplify its scholarship across earned media channels.

The through line is clear: organizations with a strong editorial mission are investing in communications talent at a level that signals real institutional commitment. For media professionals who’ve felt squeezed between shrinking newsrooms and soulless content mills, these roles represent a genuinely different path.

Today’s Hot Jobs

Senior Politics Reporter, Conservatives at HuffPost

Why this one matters: Beat reporter roles covering a specific political movement are increasingly rare as newsrooms consolidate. HuffPost is looking for someone who can break news, cultivate sources on the American right, and write sharp features on deadline. The salary range of $97,055 to $136,500 reflects union-negotiated compensation through the Writers Guild of America East, and the posting explicitly values a candidate who can “get inside the minds of decision-makers and opinion-shapers.”

What they need from you:

  • Proven track record breaking news and building sources within conservative politics
  • Ability to write sharp news stories on deadline and longer informative features
  • Deep knowledge of the Republican Party, right-wing media, and the conservative movement
  • Based in Washington, D.C.

Apply for the Senior Politics Reporter position at HuffPost

Director of Digital and Social Media at TransLash Media

The draw here: TransLash is a multi-platform, award-winning organization producing podcasts, films, zines, and original journalism centering transgender and gender nonconforming communities. This fully remote role at $135,000 to $155,000 reports directly to the CEO, which means real strategic influence over how the brand shows up across every digital channel. You’d be building the social infrastructure for an organization whose storytelling is shaping national conversations.

Core qualifications:

  • Strategic leadership experience across digital and social platforms
  • Ability to operate at both high-level strategy and day-to-day execution
  • Team-building experience with a creative, mission-aligned sensibility
  • Remote within the U.S., reporting directly to the CEO

Apply for the Director of Digital and Social Media role at TransLash

Foreign Affairs Communications Manager at the Council on Foreign Relations

What makes this distinctive: Foreign Affairs magazine remains one of the most influential publications in geopolitics, and this role puts you at the center of its promotion strategy. You’d build and execute launch plans for six annual issues, pitch essays to reporters and producers during breaking news moments, and develop a network of media contacts across traditional and emerging channels.

If you have experience in foreign affairs writing or journalism, this is a rare chance to work from the institutional side of that ecosystem.

Key requirements:

  • Experience building and executing media promotion plans across traditional and digital channels
  • Strong existing network of reporters, editors, and producers (or ability to build one fast)
  • Skill managing press lists, coverage trackers, and author relationships
  • Based in New York City

Apply for the Foreign Affairs Communications Manager position

Senior Content Writer at Resetting the Table

An unusual opportunity: Resetting the Table works at the intersection of conflict resolution, media, and democratic repair. Their trainings have reached more than 100,000 participants, including faith leaders, TV writers, and higher education administrators. This remote role involves creating “empathy-generating media content” designed to help communities navigate polarization. The organization is open to pro-rated, part-time arrangements, which is increasingly appealing for experienced writers managing multiple commitments.

What they’re seeking:

  • Strong writing chops with experience creating content that drives culture change
  • Comfort working across mediation, conflict transformation, and social research topics
  • Remote within the contiguous U.S., with flexible scheduling options
  • Reports directly to the Co-CEO

Apply for the Senior Content Writer role at Resetting the Table

The Takeaway for Job Seekers

Two of today’s four featured roles report directly to a CEO or equivalent. That structural detail matters more than title inflation ever could. Mission-driven organizations tend to run leaner, which means senior communications and content hires carry outsized influence over brand voice, audience strategy, and organizational direction.

If you’ve spent years executing someone else’s content strategy at a large company, these roles offer something different: the chance to define the strategy yourself.

Also worth noting: both remote positions today come from organizations doing work that requires deep subject-matter understanding, not just platform expertise. If you’re looking to strengthen your positioning for roles like these, investing time in a specific editorial niche, whether that’s social media strategy, policy communications, or narrative nonfiction, will serve you far better than adding another generalist credential.

Topics:

Hot Jobs
Mediabistro Archive

So What Do You Do, Ted Genoways, Editor, Virginia Quarterly Review?

The Virginia Quarterly Review editor on the writing he lives for -- and why a literary magazine can still matter in the digital age.

mediabistro interview
By Dylan Stableford
7 min read • Originally published April 30, 2007 / Updated April 29, 2026
By Dylan Stableford
7 min read • Originally published April 30, 2007 / Updated April 29, 2026
Archive Interview: This interview was originally published by Mediabistro in approximately 2007. It is republished here as part of the Mediabistro archive.

Leading up to the May 1, 2007 National Magazine Awards, mediabistro.com is publishing a special package of our popular interview series, “So What Do You Do?,” with daily interviews of selected nominees, ranging from well-known to obscure. Today we chat with Ted Genoways, editor of last year’s dark horse, The Virginia Quarterly Review.

See our other interviews with Ellie 2007 nominees:
Joyce Rutter Kaye, Editor, Print; David Granger, Editor, Esquire?; Moisés Naím, Editor, Foreign Policy; Jay Stowe, Editor, Cincinnati; Mark Strauss, Editor, Bulletin of the Atomic Scientists


Name: Ted Genoways
Position: Editor, Virginia Quarterly Review
Resumé: Genoways worked at several literary magazines (Prarie Schooner, Callaloo, Merdian [which I founded], and Iowa Review) and small presses (Texas Tech University Press, Coffee House Press, and the Minnesota Historical Society Press). He has also edited a number of books — though “they are mostly poetry titles for academic presses.”
Birthdate: April 13, 1972
Hometown: Born in Lubbock, Texas. “All my family is in Lincoln, Nebraska.”
Education: B.A. in English, Nebraska Wesleyan University, 1994; MA in English, Texas Tech University, 1996; MFA in Creative Writing, University of Virginia, 1999; completing a PhD in English at University of Iowa
Marital status: Married
First Section of the Sunday Times: The Book Review. “I’m usually reading it online some time on Saturday.”
Favorite television show: Deadwood
Guilty pleasure: “I’m a voracious consumer of bad television. MTV’s The Hills and I’m from Rolling Stone, especially amuse me because they seem like some alternate reality. They show the publishing world, but on another planet than mine. I also love watching Fox News. It’s akin to the trash-talking interviews with opposing players that football coaches pin to their team bulletin boards. If my resolve ever flags, I just turn on Fox.”
Last book read: “I read a lot — but the last two poetry books that really knocked me out were Natasha Trethewey’s Native Guard (which just won the Pulitzer) and Kevin Young’s For The Confederate Dead. Both amazing books — and Trethewey and Young are colleagues at Emory. There’s a faculty lounge I’d like to hang out in.”
2007 Nominations: 2 (General Excellence, Fiction)


Last year your nominations came as a surprise — a shock, really — to the magazine-watching media in New York. What was that experience like, and how is it different — if at all — this year?
It came as something of a shock to us, too. We’d gotten two nominations in 2005, so we were all hoping that we wouldn’t come up empty in ’06. Then, we got six nominations. Everyone took notice, and it did a lot to boost our profile — but also upped the ante for this year. A lot of media watchers seemed to expect that we’d be disappointed with two nominations this year, but I was delighted. It was our third straight nomination in general excellence, our fourth nomination in three years in fiction. If there’s any big difference, it’s that we’re a bit more philosophical this year. Win or lose, we’re glad to be considered again. And, I think we may have another big year next year — not because the work is better, but because it seems to fit some of the categories better. We’re more philosophical in that way, too — recognizing that we publish what matters to us, then worry about awards later.

As a quarterly, you are competing against monthlies for awards like this. What’s the biggest challenge?
The biggest challenge for us is timeliness. We can’t cover news in the way that weeklies or monthlies do. But, that’s also our advantage. We afford the stories that we select a great deal more length. I think that helps us select our topics and focus in many cases, because we know that we have to be publishing on subjects that warrant 8,000-10,000 words of reporting and analysis.

Since your breakout of sorts last year, have you been approached by bigger media companies for bigger media jobs?
Yes, I have. And, one must always be weighing the options, but I’m extremely happy with my situation here. I’ve got excellent support from the University of Virginia and unfettered freedom in determining the content of the magazine. The larger magazines are tempting, because they reach so many people. But, I want to reach people with the kind of writing that matters to me. If that means reaching a more select audience, then I can live with that.

What do you think of your Ellies chances?
I think they’re probably slim. We won in these two categories last year, and I think it’s pretty tough to repeat — especially in general excellence. I’m planning to go and cheer on the other little magazines like Georgia Review and New Letters.

What’s the biggest challenge of your job as an editor?
Our small staff. We have four full-time employees, so we rely a great deal on freelancers and student assistants. But when crunch time arrives, all of the editorial work falls to me and my managing editor Kevin Morrissey.

Take us through a typical day in the life of VQR‘s editor.
I usually wake up at 8 or so, when my four-year-old son starts demanding cereal and that someone switch on Dragon Tails. I realize that’s a late start for most people, but I do a lot of my work — especially reading unsolicited manuscripts, line editing accepted manuscripts, etc. — between 11PM and 2-3AM. Anyway, I usually talk my wife into taking my son to school, while I answer e-mails and read Google News and the New York Times online. When I hit the office by mid morning, every semblance of a “typical” day disappears. As I said, we’re a staff of four, so it may be that I can steal time to read manuscripts, or it may be that I have to be in regular touch with our copy editor in Denver or our designers in Minneapolis. I may be corresponding with authors in South America or photographers in Iraq. What I like about my day is that it’s never typical. I also like the fact that my wife picks me up at 5, we get our son from school, and we’re all home or out to dinner by 5:30 or 6.


“We’re pretty happy with our quarterly status. What I would like is a lot more readers.”


How do you feel about the state of the industry?
I think there’s a lot of logical concern about how print will continue to compete against TV and Internet media outlets. For me, the simple solution is that magazines have to place more focus on storytelling and analysis. Television never slows down, never corrects itself, and the Internet [at-large] is a bewildering forest of misinformation. Online magazines like Slate and Salon have achieved a permanent place for themselves online by providing cogent and insightful pieces. Print magazines will survive by doing the same — and they certainly are. Vanity Fair, New Yorker, Harper’s, and the Atlantic are obvious examples. But, there’s also remarkable work being published by mid-sized magazines like Mother Jones and Foreign Policy, and small magazines like Bulletin of the Atomic Scientists and Paris Review.

I thought the best reporting of the year was done by Matthew Teague for Philadelphia Magazine (as well as a remarkable piece that he wrote for The Atlantic), the best special issues appeared from Tin House and New Orleans Review, and the best poetry appeared in New England Review and Kenyon Review. What that suggests to me is that print is alive and well. I think these smaller magazines could use an infusion of marketing dollars, but the work is better than ever.

A lot of magazines are currently trying to figure out the Web. Is this a problem for you? Are you, as a “quarterly” insulated by this at all?
The web is a topic of constant discussion in our offices. We’re trying to use it to our fullest advantage — because there are so many more online readers than readers of small quarterlies. So, we put a lot of our current content online, we’re expanding our already extensive online archive, and we’re developing all kinds of web-exclusive content [interviews, audio, manuscripts from our archives]. The biggest challenge is trying to bring our measured approach to a Web environment. We’re still figuring that out, as is everyone else.

What’s the next step for VQR? Go monthly?
God, I hope not. We’d go crazy. We’re pretty happy with our quarterly status. What I would like is a lot more readers — especially paid subscribers. I think that building our readership will be a central focus in the coming years. There’s no money to be made in it, of course, but we see our readership as a measure of our relevance — and that’s what we’re really after. We want our writers to reach more people.

What will you be wearing to the Ellies?
I’ll be wearing some miserable, last-minute tuxedo, as always. Some have suggested that I buy a tux — but that seems like inviting bad luck. So, I wait each year for the list of nominees, then hope the Men’s Wearhouse will have a surplus of tuxes after the prom season. I figure I can’t possibly be as nervous as the last guy who inhabited those clothes.


Dylan Stableford was Mediabistro.com’s managing editor of media news. This interview has been published and slightly edited as part of Mediabistro’s interviews with well-known media personalities and practitioners.

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Mediabistro Archive
media-news

Trustpoint Xposure Launches Industry's First AEO-Certified PR Program Guaranteeing Brand Placement Inside AI-Generated Answers

By Media News
4 min read • Published April 28, 2026
By Media News
4 min read • Published April 28, 2026

As ChatGPT Gemini, Perplexity and Google AI Overviews Replace Traditional Search, Trustpoint Xposure Gives Brands a Proven, Guaranteed Path to Becoming the New Answer AI Recommends

POST FALLS, ID / ACCESS Newswire / April 28, 2026 / Trustpoint Xposure, a pioneering digital authority and public relations agency, today announced the launch of its Answer Engine Optimization(AEO) Certified PR Program industry to guarantee brand placements inside AI-generated answers across ChatGPT Gemini, Claude, Perplexity, and Google AI Overviews.

The announcement comes as AI-powered answer engines now serve hundreds of millions of daily queries, delivering a single synthesized answer instead of a list of results. For brands and subject-matter experts, this shift creates an unprecedented opportunity: The brand that earns that citation captures immediate authority. The brand that doesn’t cedes that authority to a competitor.

"Trustpoint Xposure helped us appear inside AI answers, instantly boosting credibility and how people find and trust us." – Edward F. Cohn, CEO · Edward F. Cohn, Attorney at Law

What Makes This Different

Traditional PR measures success in impressions and placements. Traditional SEO measures it in keyword rankings. The Trustpoint Xposure AEO Certified PR Program measures success in AI citations, verified appearances inside the answers that ChatGPT, Gemini, Claude, and Perplexity deliver to users who are actively looking for an expert.

The program addresses the five authority signals AI models weigh most: entity clarity, third-party media verification, structured schema content, Google Knowledge Graph presence, and consistent citation patterns across authoritative sources.

"We built this because no other agency was addressing it," said a spokesperson for Trustpoint Xposure. "SEO gets you ranked. AEO gets you chosen. Those are completely different outcomes, and they require completely different strategies."

How It Works

The program integrates four components:

  1. Guaranteed top-tier media placements that function as verifiable third-party authority signals recognized by AI systems.

  2. Google Knowledge Panel acquisition and management to verify entity identity within Google’s knowledge graph.

  3. Wikipedia entity establishment to build foundational credibility used across AI training data.

  4. Structured AEO content architecture , including schema markup and extractable Q&A content, aligned with the signals AI models use to select citations.

Industry Context

More than 73% of users now report trusting AI-generated answers over traditional search results. High-value decision-makers, executives, investors, attorneys, and medical professionals are among the fastest adopters of AI-first discovery behavior. In this environment, being cited in an AI answer is no longer a differentiator; it is rapidly becoming the baseline expectation for any expert who wants to be found.

"The window is open right now," the spokesperson added. "Brands that establish AI authority in 2026 benefit from compounding citation advantages as these models reinforce existing source preferences. Brands that wait will find that window has closed."

About Trustpoint Xposure

Trustpoint Xposure is the only AEO-certified PR and digital authority agency that guarantees brand placements inside AI-generated answers across ChatGPT, Gemini, Claude, Perplexity, and Google AI Overviews. The agency’s integrated methodology combines Answer Engine Optimization (AEO), top-tier media placements, Google Knowledge Panel verification, and Wikipedia entity establishment to position brands as the definitive answer AI recommends. Clients include attorneys, physicians, financial executives, technology founders, and authors across North America.

FAQs

Q What is Answer Engine Optimization (AEO)?

A Answer Engine Optimization (AEO) is the practice of structuring a brand’s content, media authority, and entity data so that AI platforms, including ChatGPT, Gemini, Claude, Perplexity, and Google AI Overviews, can confidently select and cite that brand as the authoritative answer to a relevant query. Unlike traditional SEO, which helps people find links, AEO helps AI choose a specific brand or expert as the definitive answer.

Q What does Trustpoint Xposure do?

A Trustpoint Xposure is an AEO-certified PR and digital authority agency that guarantees brand placements inside AI-generated answers. The agency secures top-tier media placements, establishes Google Knowledge Panels, builds Wikipedia entity presence, and implements structured AEO content strategies to make its clients the answer AI recommends in their field.

Q Who should use AEO services?

Any professional or brand that relies on being found and trusted by high-value clients or decision-makers should invest in AEO. This includes attorneys, physicians, financial advisors, executives, authors, technology companies, and consultants, particularly those in competitive categories where AI is increasingly the first point of discovery.

Q How is AEO different from traditional PR or SEO?

A Traditional PR builds awareness and credibility through media coverage. Traditional SEO improves rankings in search result lists. AEO specifically targets AI answer engines, systems that deliver a single answer, not a list. AEO requires structured entity data, extractable answer content, and verified third-party authority signals that AI models use to select citations. Trustpoint Xposure is the only agency that combines all three disciplines with a guaranteed outcome.

Q How quickly can a brand start appearing in AI answers?

For live-search AI platforms such as Perplexity, results from media placements can appear within weeks of publication. For model-trained platforms such as ChatGPT and Claude, meaningful signal typically develops within 60 to 90 days, with compounding authority gains over six to 12 months as citation patterns reinforce themselves across model updates.

Media Contact:
Jack Smith
Media Director
Trustpoint Xposure
contact@trustpointxposure.com

SOURCE: Trustpoint Xposure

View the original press release on ACCESS Newswire

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media-news
Careers & Education

The hourly-salaried divide: Why flexibility is not created equal

The hourly-salaried divide: Why flexibility is not created equal
By Eric Czerwonka for Buddy Punch
7 min read • Published April 28, 2026
By Eric Czerwonka for Buddy Punch
7 min read • Published April 28, 2026

A vector illustration of a businessman working and a clock on a seesaw balance, as a concept of balancing flexible hours.

Yellow_man // Shutterstock

The hourly-salaried divide: Why flexibility is not created equal

For years, workplace flexibility has been framed as a transformation.

But what does work actually look like today inside organizations?

To answer that, Buddy Punch surveyed 527 U.S.-based business owners, HR leaders, and managers responsible for scheduling and workforce planning. The goal was simple: understand how work is really structured, how flexibility is being applied, and where coordination breaks down.

The data points to a more grounded picture.

Rather than reinventing work from the ground up, it’s being adjusted, layered, and in many cases, reinforced. Structure remains the foundation. Flexibility is being added carefully, unevenly, and within clear limits.

What emerges is less a clean shift to new ways of working and more a complex system, one where organizations are balancing operational demands with evolving expectations.

Key Findings

  • Structured schedules aren’t going anywhere. Nearly two-thirds (64%) of organizations rely on shift-based schedules, while 45% say their use has increased. This reinforces the idea that fixed, time-bound work remains the foundation.
  • Flexibility is growing, but not in a straight line. Hybrid work is expanding (41% increased) but also pulling back (14% decreased). Meanwhile, fully remote work shows even more volatility (35% increased versus 25% decreased), signaling recalibration rather than steady expansion.
  • Where you work depends on what you do. Hourly workforces remain anchored to shift-based schedules (75%). Hybrid and outcome-based models are significantly more common in salaried environments.
  • Hybrid work adds complexity, not just flexibility. Coordination challenges are widespread but fragmented. These challenges increase significantly in larger and more salaried organizations, where alignment and cross-team coordination become harder to manage.

A set of data charts showing how work is structured today and how it is changing.

Buddy Punch

Structured Work Still Sets the Foundation

Structured schedules still dominate how work gets done. Nearly two-thirds of organizations (64%) rely on shift-based schedules, making fixed, time-bound work the clear standard. Despite ongoing conversations about flexibility, most organizations continue to anchor work around defined hours and coverage needs.

Flexibility tends to happen within structure, not instead of it. A sizable share (42%) uses rotating or variable shifts. This suggests organizations are adapting schedules to changing demands while still maintaining control over when work happens. This reinforces a pattern seen before: Flexibility operates within existing structures rather than replacing them, often creating trade-offs between autonomy and coordination.

Remote work is present, but not the norm. Only 30% report hybrid models and 23% fully remote work, indicating that most organizations still center work around physical presence or set schedules rather than location flexibility.

Where differences emerge is in how these models are distributed.

Larger organizations are significantly more likely to offer hybrid and compressed work models. Hybrid work rises from 19% among smaller organizations to 41% among large organizations, while compressed workweeks increase from 14% to 26%. Scale appears to enable more structured flexibility.

Workforce composition shapes this even more. Organizations with mostly hourly employees are significantly more reliant on shift-based schedules (75%), while hybrid and outcome-based models are concentrated in salaried environments. Outcome-based schedules, for example, rise from just 4% to 7% in hourly settings to 29% in fully salaried organizations.

This divide is reflected in the 2025 McKinsey American Opportunity Survey, which highlights that workers with higher levels of education and income are significantly more likely to have access to remote or hybrid models, while those in lower-income or labor-intensive roles remain largely tethered to physical job sites.

Flexibility isn’t evenly distributed. It follows the realities of the work itself.

Flexibility Is Expanding But Unevenly

Traditional scheduling models are holding steady and, in many cases, expanding.

Half of organizations (50%) say shift-based schedules have stayed the same, while 45% report increased use. Rotating shifts follow a similar pattern, with 48% increasing.

Hybrid work shows net growth (41% increased), but also a meaningful pullback, with 14% reporting decreased use.

And fully remote work is even more mixed, with 35% increasing and 25% decreasing. Some organizations are expanding flexibility, while others are actively recalibrating it.

Other flexible models are evolving more gradually. Compressed workweeks and job-sharing arrangements show modest growth (36%) but are just as likely to remain unchanged. These are incremental additions, not core shifts.

Outcome-based work remains the exception. While 32% report growth, most organizations (53%) say it has stayed the same.

Two donut charts showing percentage of how structure scheduling holds up in practice: How well shift structures cover peak demand and how employees experience rotating and changing schedules.

Buddy Punch

Why Structure Still Works

If structure is still dominant, the next question is whether it’s actually working. Nearly all (97%) organizations that use shift-based schedules say these structures provide coverage during peak times, including 58% who say they do so very well. Gaps are rare, reported by just 3%.

In organizations that use rotating or variable shifts, most employees are able to adapt to changing schedules without major difficulty. Over two-thirds (68%) say adjusting to rotating or frequently changing shifts isn’t at all or only a little challenging. That said, the strain isn’t insignificant. Nearly one-third (32%) report that it is at least somewhat challenging, including 4% who find it very challenging, suggesting that while rotating schedules are manageable for many, they still create meaningful friction for a sizable share of employees.

A set of data charts showing how hybrid works is managed and where it breaks down.

Buddy Punch

How Hybrid Work Is Actually Managed

As flexibility expands, hybrid work has become one of the most common ways organizations try to balance structure with autonomy, but it is rarely left to chance. In organizations that allow hybrid work, managers assigning on-site days (35%) and teams coordinating shared schedules (34%) are the most common approaches. Fully autonomous models are less common, with only 18% allowing employees to choose their own days.

This reflects a broader pattern: Hybrid work requires coordination. And coordination requires some level of control.

The Real Friction in Hybrid Teams

But even with these structures in place, coordination just shifts where friction shows up.

Recent findings from the Cisco 2025 Global Hybrid Work Study underscore this disconnect, revealing that 86% of employees believe regular office attendance remains essential for career progression. Furthermore, 82% of professionals report that effective mentorship, which is a cornerstone of team integration, is significantly harder to achieve in a hybrid format compared to being on-site full-time.

The Buddy Punch survey found that the top hybrid work challenges all cluster within a narrow range (12%-14%), suggesting that organizations aren’t dealing with one central breakdown, but a series of smaller, persistent friction points.

Alignment and connection are at the core, but not evenly across all organizations.

As work becomes less time-bound, maintaining alignment becomes harder. Ensuring coverage, scheduling meetings, and knowing availability all reflect day-to-day complexity. These challenges intensify with scale. Scheduling cross-team meetings, for example, rises significantly from 8% in smaller organizations to 21% in large ones. Managing handoffs follows a similar pattern.

Keeping remote and on-site employees aligned and maintaining team cohesion are significantly more pronounced in salaried and mixed workforces. Alignment rises from just 9% in hourly environments to 32% in mostly salaried teams. Cohesion follows a similar pattern, increasing from 6%-7% to as high as 36%.

What changes isn’t just the type of challenge, but the nature of coordination itself. Smaller or hourly-based organizations manage time. Larger and more salaried organizations manage interdependence.

A set of data charts showing the tools powering modern work coordination.

Buddy Punch

The Tools Behind Modern Coordination

Behind all of this is a layer of infrastructure.

Indeed, work coordination today is driven by a mix of tools. Time-tracking systems (59%), scheduling software (56%), and messaging platforms (56%) form the core, supported by shared calendars (48%) and project management tools (42%).

These tools are primarily used to create visibility.

Most organizations rely on them to know who is available and when (61%) and to improve communication across schedules (61%). They also support operational needs like coverage (56%) and workflow timing (37%).

Fewer organizations use these tools to reduce meeting overload (27%) or align hybrid teams (26%), suggesting that while tools handle logistics well, they do less to address deeper coordination challenges.

Research Lokalise conducted on digital workplace habits in 2025 underscores this, revealing that the average worker loses nearly an hour a week simply switching between platforms. While digital tools are essential, the fragmentation — with many employees navigating three to 10 platforms daily — leads to significant tool fatigue that hampers productivity rather than enhancing it.

Even so, most organizations feel equipped. Nearly all (98%) say their tools are effective at coordinating work across schedules and locations. The systems are in place. The complexity lies in how work itself is structured.

The Takeaway: Evolution, Not Reinvention

Across every measure, the pattern is consistent.

Structure remains dominant. Flexibility is expanding, but selectively. And the experience of work varies significantly depending on organization size, workforce composition, and operational complexity.

What’s changing isn’t the foundation of work but how it is managed, as organizations continue to rely on structure while adapting it. The result is a workplace that is more flexible but also more complex, where coordination, clarity, and alignment matter more than ever.

Methodology

This survey was conducted with 527 U.S.-based adults aged 18 or older who are currently employed full-time or part-time and work in business owner, HR, or HR-adjacent roles with responsibility for managing or influencing employee time, schedules, or workplace policies. All respondents actively participate in scheduling or managing employee work hours, time off, flexibility policies, or workforce planning, and have been in their current role for at least three months. Respondents worked at organizations with five or more employees across a range of organization sizes, industries, and workforce compositions, including hourly, salaried, and mixed workforces. The survey was fielded online from Dec. 4 to Dec. 10, 2025. Results reflect descriptive statistics with no weighting applied.

This story was produced by Buddy Punch and reviewed and distributed by Stacker.

Topics:

Careers & Education
media-news

The Last Click: How AI Agents Are Reshaping the News Business

From Facebook referrals to Google AI summaries to agentic browsers, the way audiences find news is changing fast. Here's what it means for publishers building for what's next.

Miles icon
By Miles Jennings
@milesworks
Miles Jennings is CEO of Mediabistro and its parent CognoGroup. He previously founded and led Recruiter.com through its NASDAQ listing, executing more than 10 acquisitions over nearly a decade as CEO and COO.
8 min read • Published April 28, 2026
Miles icon
By Miles Jennings
@milesworks
Miles Jennings is CEO of Mediabistro and its parent CognoGroup. He previously founded and led Recruiter.com through its NASDAQ listing, executing more than 10 acquisitions over nearly a decade as CEO and COO.
8 min read • Published April 28, 2026

In March 2016, Emily Bell wrote what turned out to be a call to action. “Facebook is eating the world,” she declared in the Columbia Journalism Review, and she meant it structurally, not metaphorically. News publishers had ceded control over distribution to platforms.

The four horsemen — Google, Facebook, Apple, Amazon — were at war over whose infrastructure would win, and journalism was caught in the middle, dependent on systems it did not own and could not influence.

Nearly a decade later, Bell’s diagnosis looks prescient — but so does the industry’s response. Each wave of platform disruption has pushed publishers to build more direct relationships with their readers. The current wave, driven by AI, may be the most significant yet. And it is producing the most fundamental rethinking of the news business model in a generation.

Phase One: Facebook and the Referral Era

For most of the 2010s, Facebook referral traffic was a primary growth engine for digital publishing. Outlets built editorial strategies, audience teams, and revenue models around the assumption that social sharing would keep readers flowing to their websites. Then, gradually and then all at once, Meta decided to move on from news.

The shift accelerated in 2023. CNBC documented the scale of the change in January 2024: the top 100 global news publishers saw Facebook referral traffic drop sharply year over year, continuing a decline that had been building for years.

Mother Jones reported a 99% drop from its Facebook referral peak. Meta’s rationale was direct: “We know that people don’t come to Facebook for news and political content” — and the company deprecated its News Tab in the US and multiple European markets.

What made the contraction so severe was how unevenly it fell. National publishers with established subscription bases — The Atlantic, The New York Times — absorbed the shock better than local and regional outlets that had never built an alternative revenue floor. The warning signs had been visible for years, but the economic logic of chasing platform scale was difficult to resist when the traffic was still flowing.

The fundamental lesson — that distribution built on someone else’s platform is always conditional — had to be relearned at painful cost. Publishers who had diversified into newsletters, direct subscriptions, and owned audiences were better positioned than those who hadn’t.

Phase Two: Search Changes the Deal

Search had always felt like the more stable relationship. Unlike social, where virality was unpredictable, Google Search was transactional: someone types a query, Google returns links, and readers arrive. That model sustained publishing economics for more than two decades.

It is worth noting that the zero-click problem predates AI. Google’s featured snippets, introduced in 2014, began appearing on the results page to answer simple queries. Knowledge panels, shopping carousels, and local packs all eroded click-through rates over time. AI Overviews are not a new phenomenon so much as an acceleration of a trend that was already underway — which is precisely what makes them so consequential.

Reuters Institute’s January 2026 Trends and Predictions report, surveying 280 senior newsroom executives across 51 countries, found that Google search traffic to publishers fell by roughly a third globally in the prior year. Traffic from Google Discover was down 21%. News organizations now forecast a 40% decline in search referrals over the next three years.

The mechanism is familiar: AI synthesizes answers from publisher content at the top of the results page, resolving many queries before a click is needed. Publishers supply the reporting. Google surfaces the answer.

PPC Land’s December 2025 analysis found that 51% of the Google Discover feed in the US now consists of AI Summaries, with the remainder increasingly shifting toward YouTube. Google’s Q2 2025 earnings reflected the same dynamic: Network advertising (which includes publisher partners) declined 1%, while YouTube advertising grew 13% to $9.8 billion.

Jim Albrecht, who spent six years as Senior Director of News Ecosystem Products at Google, argued in a February 2024 Washington Post opinion piece that generative AI represents something categorically different from earlier disruptions. Radio, television, and the internet each changed how news was distributed. AI changes whether a news visit happens at all.

The implication for publishers is not despair but urgency: the value has to live somewhere other than the pageview.

Some publishers have responded not through litigation or advocacy alone, but by cutting deals directly. The Associated Press, Axel Springer, and News Corp have each signed licensing agreements with major AI developers — trading structured content access for a revenue stream that doesn’t depend on clicks.

The terms of these deals remain largely private, which makes it difficult to assess whether they represent a meaningful alternative or a modest concession. But they establish a precedent: AI companies have acknowledged, at least commercially, that publisher content has value beyond what the pageview economy has ever priced it at.

Phase Three: Agentic Browsers and the Next Frontier

The next shift is already visible on the horizon. Digiday’s December 2025 report on agentic browsers describes tools like Perplexity’s Comet, OpenAI’s Atlas, and Google’s Gemini-in-Chrome features that are designed to handle browsing tasks on behalf of users. Rather than a reader navigating to a news site, an AI agent retrieves, reads, and summarizes the content, returning an answer without a visit occurring.

Publishers are paying close attention. The concern is not simply traffic loss — it is that the advertising, subscription, and relationship infrastructure that supports journalism is built around the visit. No visit means no ad impression, no subscription prompt, no chance to convert a reader into a supporter.

The Digiday report notes that publishers want platforms to clearly distinguish human traffic from agentic traffic so that measurement and monetization remain meaningful.

The subscription model faces a particular tension here that has not yet been fully addressed. Agentic browsers do not subscribe. If a user’s AI assistant can pull the text of a paywalled article — through cached versions, through previews, through inference from available fragments — the subscription wall that sustains direct-relationship publishing is effectively bypassed without anyone making a deliberate choice to circumvent it.

This is the core challenge of what some analysts are calling the relationship economy: the relationship itself has to be desirable enough that readers seek it out directly, rather than delegating it to an agent.

The JournalismAI Festival 2025 in London framed the shift precisely: news media is “becoming part of AI systems.” That is both a challenge and a commercial opportunity. Publishers whose content is valuable enough to be ingested into AI systems are in a position to negotiate for compensation — if they act collectively.

What Publishers Have Tried, and What Comes Next

The most concrete attempt to restructure the platform relationship came from Australia. As CJR documented in 2022, Australia’s News Media Bargaining Code extracted more than $200 million from tech companies in its first year, funding dozens of new journalism positions. The model required a concentrated media market and a determined competition regulator, but it demonstrated that collective action could shift the economics.

California’s attempt in 2024 produced a more modest result. Google agreed to $172 million over five years, administered through UC Berkeley, plus an AI accelerator program. Critics called it inadequate. But it established a precedent that AI companies have obligations to the publishers whose content trains and informs their systems.

Madhav Chinnappa, the former Google and BBC News executive, has proposed a more ambitious framework: a “NATO for News” collective licensing model in which publishers negotiate AI data access terms together rather than individually. He calls it “the least worst option” — pragmatic about the power imbalance, but clear that collective leverage is the only kind that works at scale.

What these negotiations have clarified, perhaps more than anything else, is that publishers are only beginning to understand what their content is actually worth in an AI context.

The pageview economy priced journalism by the click. The AI economy will price it by something closer to knowledge value — a metric that favors deep, authoritative, well-sourced reporting over volume-optimized content. That is a structural shift that changes who the winners are.

The Business Model Hiding in Plain Sight

Every platform disruption has pointed toward the same answer: direct audience relationships. Newsletters. Subscriptions. Membership. Events. Products where the reader and the publisher have a connection that no algorithm can interrupt.

The New York Times offers the clearest illustration of what this looks like at scale. It has reduced its reliance on advertising and search traffic while growing subscribers, partly through journalism and partly through products — Wordle, Connections, the Cooking app — that create daily habit loops independent of the news cycle.

The strategy is not replicable for most publishers, but the underlying principle is: build something people want to come back to directly, not something they arrive at accidentally through search.

The Reuters Institute 2025 Digital News Report found that 65% of people now consume social video news, up from 52% in 2020 — but it also found that overall news trust has held at 40% for three consecutive years, and that audiences still want journalism they can rely on. The appetite is there, but the delivery mechanism is what’s in flux.

Nieman Lab’s 2026 Predictions, drawing on 210 expert forecasts, found broad consensus on what sustainable news organizations look like: ones that treat editorial independence and community connection as the core product, with distribution as a secondary consideration. Publishers who have diversified revenue, built owned audiences, and stopped measuring success primarily in pageviews are the ones facing this transition from a position of strength.

The news business has effectively split in two. On the one hand, organizations that built direct reader relationships before the AI transition have revenue that doesn’t depend on intermediaries and are positioned to negotiate with AI platforms from a position of something approaching parity. On the other: outlets still reliant on platform traffic, facing the prospect of a 40% decline in search referrals with no structural alternative in place.

It is worth noting what this means for the people working in these organizations. Publishers investing in owned technology and direct audience infrastructure need people who understand both journalism and product thinking — audience development, data analysis, engagement strategy, and reader experience design.

The skills that are gaining value in newsrooms are not the traditional traffic-driving skills but those that build durable relationships. That shift is already visible in where media organizations are hiring.

The arc from Facebook to Google to agentic browsers is a single story about what happens when journalism’s value is delivered through someone else’s infrastructure. The publishers rewriting that story are the ones worth watching.


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Anubis Lane Productions Signals Growth in Colorado's Creative Corridor with Dual Literature and Media Launch

By Media News
3 min read • Published April 28, 2026
By Media News
3 min read • Published April 28, 2026

LAS ANIMAS, CO / ACCESS Newswire / April 28, 2026 / Anubis Lane Productions, a rising force in the Rocky Mountain independent media landscape, today announced the simultaneous release of a new relationship guide and a cinematic music project. The dual launch highlights a growing trend of "creative multi-hyphenates" revitalizing local economies through digital-first storytelling across literature, music, and film.

Leading the literary release is Adam Anubis, whose new book, Love Like They Dream Of, has arrived on global platforms. Moving beyond traditional self-help tropes, the work provides a framework for building deep romantic intimacy and sustainable connection in the modern age. The guide focuses on the "science of attention," offering 52 actionable techniques designed to foster relationship wellness and emotional resilience.

"The modern relationship landscape is often described as transactional," said Adam Anubis. "Our goal with this book was to provide a roadmap for couples to rediscover playfulness and profound connection as a counter-narrative to the digital disconnect we see today."

Complementing the book’s focus on connection is the premiere of "Break You," the latest single and music video from artist Kalista Anubis. The project is a study in cinematic storytelling, featuring a high-intensity, military-themed visual narrative. Filmed on location in Colorado, the production showcases the region’s diverse topography, including a demanding quicksand sequence performed by lead actor Daniel Lane.

The production was managed with a strict focus on creative consent and performer safety, a core pillar of the company’s "Artist-First" philosophy. By integrating rigorous safety protocols with bold visual themes, Anubis Lane Productions aims to set a new standard for independent film crews operating outside of major coastal hubs.

"Whether through literature or film, our mission is to explore the complexities of human desire and power dynamics in a way that is fearless yet responsible," said Kalista Anubis. "By keeping our production base in Las Animas, we are proving that bold storytelling doesn’t require a Hollywood zip code; it requires a dedicated community of creators."

With a casting call currently open for their upcoming project, "Grown Woman," Anubis Lane Productions continues to serve as a hub for local artistic talent and a contributor to the regional economy.

About Anubis Lane Productions

Anubis Lane Productions is a multifaceted creative firm based in Las Animas, Colorado. Led by the collaborative team of Daniel Lane, Kalista Anubis, and Adam Anubis, the company specializes in cross-platform storytelling, including independent publishing, music production, and cinematic music videos. They are committed to fostering community-driven projects that challenge creative conventions.

Media Contact:

Adam Anubis
Anubis Lane Productions
Email: adam@adamanubis.com
Phone: 719-468-4285
Website: https://www.anubislane.com/

Links: Book: Love Like They Dream Of – Available now on Amazon: https://www.amazon.com/gp/aw/d/B0GXQ35HW4/ref=tmm_pap_swatch_0

"Break You" Official Music Video: https://youtu.be/zwx_rWTlZWA?si=oKU3OnmeLgYTybEd

SOURCE: Anubis Lane Productions

View the original press release on ACCESS Newswire

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