But forget for a moment about Jay Penske, Nikki Finke and Bonnie Fuller. As NYC-based columnist Roger Friedman astutely points out, one of the central figures in this new Hollywood trade horizon could be an individual most media watchers are unfamiliar with:
Sitting pretty on the Penske board is my old friend, Gerry Byrne (pictured), who commands a daily table at Michael’s. Years ago, it was Gerry who engineered Variety’s stunning comeback from the dead with Peter Bart as editor-in-chief. In the early 90s they revamped the Variety design and made the paper matter again. Eventually Gerry left Variety and sometime later became publisher of The Hollywood Reporter when it was owned by Nielsen. When the Guggenheim people came in, Byrne was sidelined. He left when his contract was up, and joined up with Penske.