Why settle for an ordinary vacation home when you can have a “baroque event”? Frieze recently visited artist Pablo Bronstein—who you may recall from the mythical architectural history of the Metropolitan Museum of Art that he conjured in 2009—on the east coast of Kent, England, where he is embracing a “mid-century, slightly granny” aesthetic and the “pleasurable mess” of baroque architecture. “I think that it has no shame,” he says. “Baroque architecture does everything it possibly can to appeal, to amuse, to impress, to show off, to seem heavy or grand or important. It’s really sort of desperate architecture.” Watch Bronstein discuss art, architecture, taste, and the playful pathos of postmodernism.
Ready to respond to requests of “Show me the data!” with more than a sad little bar graph? The Mediabistro mothership is now recruiting would-be data visualizers for an online course in infographics that can “engage an audience in your brand, cause, or mission.” Guided by digital communications pro Amanda McCormick, whose resume includes projects with New York City Ballet, Bitly, and Bertlesmann, students will get up to speed with online tools (we’re looking at you Many Eyes) and develop a robust spec for a data visualization. The infographical fun starts on Tuesday, October 7. Learn more here.
(Courtesy of the John D. & Catherine T. MacArthur Foundation)
Cartoonist and graphic memoirist Alison Bechdel (Fun Home, Are You My Mother?) and artist Rick Lowe (Project Row Houses) are among this year’s MacArthur fellows, the annual mix of thinkers, writers, artists, mathematicians, and materials scientists awarded $500,000 in no-strings-attached “genius grants” over five years. “Those who think creativity is dying should examine the life’s work of these extraordinary innovators who work in diverse fields and in different ways to improve our lives and better our world,” said MacArthur Fellows Program vice president Cecilia Conrad, in a statement issued today. “Together, they expand our view of what is possible, and they inspire us to apply our own talents and imagination.” Other 2014 fellows include documentary filmmaker Joshua Oppenheimer, translator and poet Khaled Mattawa, playwright Samuel D. Hunter, and computer scientist Craig Gentry. Meet all 21 MacArthur fellows here.
This week, Kostow Greenwood Architects is hiring a marketing/administrative assistant, while the Museum of Modern Art needs an assistant creative director for MoMa Retail. LACSD is seeking a graphic artist specialist, and Portland Monthly magazine is on the hunt for an associate art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.
- Marketing/Admin Assistant Kostow Greenwood Architects (NYC)
- Assistant Creative Director, MoMA Retail Museum of Modern Art (NYC)
- Graphic Artist Specialist LACSD (Whittier, CA)
- Associate Art Director Portland Monthly (Portland, OR)
- Art Director Tattoo Projects (Charlotte, NC)
Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.
Whether you live in the NYC area or need an excuse for a fall visit, check out Open House New York weekend on October 11 and 12. The event, now in its twelfth year, invites the public to explore architecture, design, and cultural sites throughout the five boroughs. Among the more than 200 sites that will open their doors (many typically closed to the public) are the 425-square-foot “Manhattan Micro-Loft” atop an Upper West Side brownstone, the meticulously restored Williamsburgh Savings Bank building at the foot of the Williamsburg Bridge, and Kickstarter’s new Brooklyn headquarters, located in the remnants of the historic Eberhard Faber Pencil Factory. Listings of all OHNY Weekend sites will be posted on the OHNY website on September 30, and reservations can be made beginning at 11 a.m. on October 1. Be quick, because once the event guide hits newsstands on October 2 as an insert in Time Out New York, the waitlists—and disappointments—are bound to follow.
“I must say, some are not very beautifully made. They’re coffee-table books for people who drink alcohol. I have nothing against coffee-table books as long as they are well done. They must not look like gravestones on a table. Sometimes they are too big, they come in boxes and things like this. No, a book has to be easy to open and you don’t have to be a bodybuilder to lift it. I like books I can read in bed. Those big tombstones would kill me.”
-Karl Lagerfeld in an interview with Miles Socha that appears in today’s issue of WWD. At his own bookshop, 7L, Lagerfeld gets 5% off retail prices. Notes the designer, “I am very much against the idea that you get it for free because it’s your bookshop.”
Lisa Martin started at InStyle in 1999 as a freelance photo editor. Fifteen years and several promotions later she is director of photography at the Time Inc. magazine-cum-media brand, which prides itself on “delivering the knowledge and confidence to make the everyday fabulous.” On the occasion of InStyle‘s 20th anniversary mega-issue, Martin (pictured at right, sailing in St Barts while on a shoot with cover girl Cameron Diaz) took a break from overseeing the photo department, hiring photographers and stylists, and conceptualizing photo shoots to tell us about some of her favorite images, how she views the magazine’s signature aesthetic, and more.
What are a few of your favorite images from the September fall fashion/20th anniversary issue?
There are so many outstanding pictures in our September issue that I love, but the beauty story we did with Haley Bennett (below), shot by Jan Welters, was extraordinary. It was one of those shoots when all the pieces come together—the makeup artist, Wendy Rowe, achieved beautiful, clean skin texture with subtle neutral tones on Haley’s eyes and lips; the lighting was beautiful; and the styling, perfect. I don’t wear makeup, but if I did, I would try those makeup looks.
How do you describe the aesthetic or visual signature of InStyle?
Our visual aesthetic is sophisticated but accessible—the photos are rich in texture and color, so readers want to linger and look at them, especially because they’re inspired by what they see. Our fashion looks luxurious—and in many cases, it is—but it also looks like clothing you would want to wear. We want to make images that are modern and iconic while celebrating the recent fashion trends and celebrities.
How have you seen that aesthetic change over the 15 years you’ve been at the magazine?
InStyle was the first magazine to give readers access to the stars’ everyday lives, seen through a lens of fashion, beauty, and lifestyle. Now, we’ve evolved into a luxury fashion brand—we went from shooting lifestyle and home stories to creating beautiful fashion and beauty stories in the well. We’ve also broadened our photography roster to include more fashion photographers. In addition, there’s a huge front-of-book section and in the back of the book there’s the “Life Etc.” section, with incredible food and lifestyle photography. We give the InStyle reader 360-degree celebrity access.
If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy task of plotting murder, thanks to our handy “Anonymous Tips” box nestled in the menu bar at right, below the search box. Simply type in your news—design happenings, movements of the Revolving Door, scandalous revelations, a designer’s hidden talent, or any newsy, design-y morsel—and click “Send.” And for those not inclined to clandestine tipping, we’re still just an e-mail away.
What do you get when you cross Norman Rockwell with Roy Lichtenstein? The Don Draper-era illustrations of Mac Conner. Writer Nancy Lazarus previewed the new exhibition of his work and sketched out her impressions.
Mac Conner’s illustrations for “The Girl Who Was Crazy About Jimmy Durante” in Woman’s Day, September 1953 and below, for “How Do You Love Me” in Woman’s Home Companion, August 1950. (Courtesy of the artist)
At the ripe age of 100, McCauley “Mac” Conner is ready for his close-up. The illustrator made a special appearance this week at the opening of an exhibition of his work at the Museum of the City of New York (MCNY). “Mac Conner: A New York Life,” on view through January 19, 2015, provides an in-depth look at Conner’s career along with his working process.
“The period from the late 1940s through the early ’60s was Mac’s heyday,” said Terrence Brown, the exhibit’s guest curator and director of the Society of Illustrators, at Tuesday’s press preview. During the “Mad Men” era, Conner’s illustrations appeared on the covers of leading magazines of the day such as The Saturday Evening Post and the “Seven Sisters” women’s titles, like Good Housekeeping, Cosmopolitan, and Redbook.
“It was a vibrant time and Mac relished it,” said Sarah Henry, MCNY deputy director and chief curator. “Magazines were Mac’s favorite medium since they allowed more creative freedom. That’s also the time when he grew as a designer,” she added.
The Architecture & Design Film Festival returns to New York next month with a slate of more than 25 designtastic films that will screen at Tribeca Cinemas. Kicking off the five days of cinematic pleasures on October 15 will be the world premiere of Marco Orsini’s Gray Matters, a documentary about designer and architect Eileen Gray.
Pay no heed to the clunky title; the film is a historical, scholarly, and cinematic investigation of Gray’s life and career—well beyond the headline-making $28 million auction sale of her Dragons chair. Orsini and his crew followed Gray’s own travels, from the Irish countryside to London, from Paris to the Riviera, and drew upon never-before-seen footage and candid interviews with scholars, curators, auctioneers and collectors, including four living peers and collaborators of the artist. Here’s the trailer, best enjoyed while relaxing in a concrete modernist villa:
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