Waste less, want more? That’s the thinking behind Wasteless, a sustainability-minded competition that challenged Parsons students to transform Poltrona Frau‘s leather leftovers–freshly harvested from the floor of its factory in in Tolentino, Italy–into luxe accessories and objects. Designer and Parsons faculty member Andrea Ruggiero led a group of 15 Parsons product design students in the seven-week project, and earlier this month they presented their projects to a panel of judges that included Massimo Vignelli, Metropolis editorial director Paul Makovsky, and Federico Materazzi of Poltrona Frau.

Jenny Hsu emerged on top with “Piqnique” (at left), a woven case for meals on the go that doubles as a leather placemat. Rounding out the top three were Yuna Kim‘s “Miovino” leather wine glass tags and the “Tuft” candle holders (at right) designed by Benjamin Billick. The three winning designers will head to Italy this summer to visit the Poltrona Frau factory and work with the company’s master craftsmen to fabricate prototypes. Check out all 15 of the student designs at Poltrona Frau’s Soho showroom, where they’re on view through Tuesday.

A production still from 2012 episode of Art in the Twenty-First Century that featured Glenn Ligon.

The School of the Museum of Fine Arts, Boston will honor artist Glenn Ligon with its SMFA Medal. First presented in 1996, the award honors individuals “who have made a significant and lasting impact on the art world, and recognizes their commitment to diversifying and communicating with the world through art.” Past recipients include Alex Katz, Kiki Smith, Ellen Gallagher, and Robert Rauschenberg. Ligon will receive his SMFA Medal (complete with red ribbon) this evening at a gala that will take place at the museum and benefit the school. Guests can assess potential future SMFA medalists during a pre-dinner silent auction of student work.
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Fab made a splash in Milan with more than cushy Warhol Brillo boxes. The online retailer invited designers from around the world to pitch new products for the chance to have them produced and sold on Fab. More than 150 creative types from 30 countries turned out, and now it’s onto New York. In addition to showcasing its new private label alongside collaborations with the likes of the Albers Foundation and Blu Dot at the International Contemporary Furniture Fair, which opens to the trade tomorrow, Fab is hosting another “Disrupting Design” competition.

The fearless leader of the judging panel will be Fab co-founder and chief design officer Bradford Shellhammer. “At Fab, we are constantly reinventing ourselves and rethinking what Fab can be,” he says. “By directly engaging with designers to find the best new work out there, we’re hoping to help even more of our members find things they love.” Today’s ever-changing offering ranges from a Louis Ghost Chair signed by Philippe Starck and vintage Kodak Brownies to a subscription to BirdWatching magazine and a pepperoni pizza t-shirt. Shellhammer paused in his booth preparations (find Fab at #1220 at ICFF) to answer our questions.

How did the Disrupting Design competition go in Milan last month?
We were overwhelmed by the response in Milan, which is why we’ve decided to do it again in New York during ICFF. We had so many great entries from all over the world when we did the call out in Milan. Initially we were planning on selecting three winning designs, but we couldn’t narrow it down so we ended up shortlisting twelve designs which we are working to put into production and sell on Fab–the revenue of which we of course share with the winning designers.

What advice would you give to those interested in presenting their designs to the Fab jury on Tuesday at ICFF?
Take a look at our site and keep the Fab viewpoint in mind when presenting. The winning designs from Milan all embody the Fab ethos–they tell great stories, utilize interesting materials, or have a sense of whimsy. We are looking for designs that will be appreciated by our global community of more than 12 million design lovers.

What are some qualities of a successful product on Fab?
Great products tell a story, elicit emotions, or solve problems. It’s that simple. It needs to check at least one of those boxes (hopefully all three). They can be in any category and at any price, as long as there’e something compelling.

What is a product that you’ve sold on Fab that has surprised you, in terms of expected versus actual interest from customers?
Yves Behar‘s medicine accessories for Sabi I thought may be targeted for a customer older than ours, but we sell a lot of them!
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• Those in New York have plenty to keep them busy this weekend, as NYCxDESIGN rolls on and ICFF arrives. Whether you’re in Manhattan or Mumbai, Saturday is International Museum Day, an annual initiative of the International Council of Museums to encourage public awareness of the role of museums in the development of society. This year’s theme is “Museums (memory + creativity) = social change,” a nod to ICOM’s partnership with the UNESCO Memory of the World Program. Check out what some North American institutions have planned for International Museum Day here.

• The Association of Art Museum Directors is also seizing the Museum Day momentum. The organization is encouraging its members to offer free admission and special programs on Saturday for Art Museum Day. See if your favorite museum is participating by consulting the AAMD’s latest list.

• All that museumgoing sure works up an appetite. Depatures highlights some extraordinary museum restaurants around the world. Please pass the “whipped casein with strawberry-and-violet ice cream,” a specialty at the Guggenheim Bilbao’s Nerua.

• Where in the world are the best university museums? Consult this new ranking of the 30 Most Amazing University Museums. Created by Best Colleges Online, the international list is based on qualities such as architecture, depth of resources and collections, and activity as a learning and teaching resource for the surrounding community.

Do you excel at explaining phenomena ranging from plate tectonics to nuclear fission using only a pen and a dinner napkin? Doodle double helices—and their accompanying nucleotides? Then listen up, because the American Association for the Advancement of Science (or “triple-A S,” as the cool kids call it) is looking for a new visual Einstein to join the graphics and layout department for its flagship journal, Science, at its Washington, D.C., headquarters. Need you be able to tell xylem from phloem, ventricles from atria, a chupacabra from an exasperated kangaroo? Probably not, but be ready to describe how your “proven ability to create sophisticated, high quality visuals” will react with your “strong technology skills in contemporary software packages” to keep the visual standards of Science as high as its impact factor. And don’t forget to balance your equation.

Learn more about this scientific technical illustrator, American Association for the Advancement of Science job or view all of the current mediabistro.com design/art/photo jobs.

Best known for its widely coveted modular shelving system designed by Dieter Rams, Vitsœ recently scored the exclusive worldwide license to Rams’ original furniture designs. First up on the relaunching pad for the London-based company is the designer’s 620 chair, which hits the market this month following a top-to-bottom reengineering. Every last purpose-designed stainless steel bolt in the chair, designed for Vitsœ in 1962 and later the subject of a legal scuffle that led to the design being copyrighted, has been given the once over, and the versatile seat–add castors for swivelling, connect a few together for a multi-seat sofa–emerged from the makeover with a reduced price ($3,340, sans casters) and a footstool.

So many collaborations, so little time. Last night in New York, Versace launched its Versus Versace J.W. Anderson capsule collection, for which the British designer mixed 90′s-infused androgyny (Body Glove brights, cropped and slashed black knitwear) with house signatures (gold lion heads, safety pins). Those not in the market for pricey unisex clubwear should mark their calendars for the ides of September, when Target will unveil its one-off line with Phillip Lim. The designer, who describes his aesthetic as “something between classic and that sense of madness,” set out to create something “cool and chic, but still very accessible.” For the range of women’s and men’s apparel and accessories, he kept the focus on autumnally appropriate neutral tones and prints in materials such as jersey, French terry, and leather. Prices for the approximately 100 items in the 3.1 Phillip Lim for Target collection will range from $19.99, for a travel pouch, to $299.99, for a leather moto jacket.

If we’ve heard it once, we’ve heard it a thousand times: “I could tell you this Big Design News, but then I’d have to kill you.” Now you can give us the scoop and skip the messy murder plot, thanks to our “Anonymous Tips” box, which the Mediabistro tech wizards have placed at the top right of this page. Your mission, should you choose to accept it: Type in your news—design happenings, gossip, movements of the Revolving Door, a designer’s hidden talent, or any newsy, design-y morsel—and click “send.” We’ll get the news, you’ll retain your air of mystery.

The Trusteeship Council Chamber at the United Nations, originally designed by Danish architect Finn Juhl in 1952, reopened last month after a three-year renovation.

“We all moan about the United Nations, but there was no supranational body, no international forum [in 1914],” says Harold Evans in this week’s New York Times Book Review Podcast, discussing the DIY state of diplomacy at the dawn of the First World War. “You were reliant on these errant telegrams, these errant messages, these ambassadors in their frock coats carrying these ambiguous messages. Oh, crikey! What a thing worth studying.” The frock coat-free body has just had an update of its own, with the reopening of the Trusteeship Council Chamber at the UN headquarters in New York. Originally designed by Finn Juhl in 1952, the chamber has undergone a multi-million-dollar renovation–a collaborative effort by the Danish Ministry of Foreign Affairs, the Danish Ministry of Culture, Realdania, and the UN.

The floor and wall panels have been restored, but this was basically a gut reno: new ventilation, piping, wiring, and carpeting as well as a fresh floor that recreates the original, including the sunken section in the middle of the horseshoe configuration. And then there’s the furniture: a modified version of Juhl’s FJ51 chair is joined by new furniture designed by Kasper Salto and Thomas Sigsgaard. The Copenhagen-based designer-architect duo won a 2011 design competition for new tables for the delegates and a new table and chairs for the secretariat. “Our motto has been letting the furniture add to the existing room by having them consist of as few elements and parts as possible,” say Salto and Sigsgaard, who were on hand last month for the opening ceremony. “Respecting the room and the consequent use of wood in the room.” Their Council chair (pictured) is an elegant two-part shell of molded Reholz 3D veneer in oak, upholstered in light-colored leather. Juhl’s Chieftain chair was a primary inspiration.
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There’s more to the Met this spring than PUNK. Writer Nancy Lazarus headed up to the roof.

(Photo: Metropolitan Museum of Art)

And how many rains must fall before the stains are washed clean? This question, posed by Pakistani poet Salima Hashmi, is at the heart of Imran Quereshi‘s latest work, created for the Metropolitan Museum of Art’s roof garden. “This is an open space, and there will be lots of rain, so we’ll see what happens,” noted the artist.

During a rooftop museum press conference on Monday morning, the brisk weather cooperated, with partly sunny skies. But the theme of global violence and regeneration still casts a dark cloud over Qureshi’s artwork, on view through November 3.

Born in Hyderabad and now based in Lahore, Qureshi said he worked with the color red more as a political statement than to depict blood, but that changed in 2010, after a suicide bombing in his neighborhood. “When I saw TV images after the bombing, the area had transformed into a bloody landscape within seconds. I was thinking, how could a landscape full of life change so quickly? For me, this altered the meaning and symbolism of the color red.”

The artist specializes not only in expansive installations but also in miniature paintings in the style of the Mughal court. He said he’s fascinated by the New York City skyline, and for him the rooftop perspective reminds him of landscapes and miniature paintings.

Assistant curator Ian Alteveer said it took Qureshi about ten days, including breaks, to create his roof garden work. The artist used high-grade acrylic, rich in pigment and waterproof, so it did withstand the monsoon-like rains of the past weekend.
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