WASHINGTON, DC / ACCESS Newswire / February 9, 2026 / A report by the Middle East Media Research Institute (MEMRI), authored by MEMRI Executive Director Steven Stalinsky, Ph.D., was published to mark International Holocaust Remembrance Day, January 27. In it, Dr. Stalinsky warned that 80 years after the liberation of Auschwitz, Holocaust memory now faces a threat its witnesses could not have imagined: artificial intelligence.

The report was released as part of its ongoing cutting-edge research by the MEMRI Violent Extremism Threat Monitor (VETM) project. This project tracks the online activity of neo-Nazis and violent extremists, briefs government, law enforcement, and media, and provides information to authorities that has led to arrests.

This latest report "On International Holocaust Remembrance Day – Confronting AI’s Role In Antisemitism And The Distortion Of Holocaust Memory" documents how AI tools are being used to generate and amplify Holocaust distortion and denial, to create new and attractive forms of antisemitic propaganda, and to incite to violence at an unprecedented scale – modernizing Nazi-era narratives and disseminating them more quickly than ever before, particularly among younger audiences. It also calls for the urgent establishment of a working group/task force comprising leading Holocaust research and memorial institutions and AI experts to tackle this issue.

As Dr. Stalinsky writes: "On International Holocaust Remembrance Day, ongoing partnerships with Holocaust research institutions, memorial organizations, and leading scholars of antisemitism must form the foundation of the working group called for in this study. That group should be tasked with developing concrete, enforceable standards to address the misuse of AI in distorting and denying Nazism and the Holocaust. This must include establishing independent, mandatory auditing and certification mechanisms for AI systems; requiring continuous red-team testing focused specifically on Holocaust denial, Nazi glorification, and antisemitic historical falsification; and defining clear prohibitions against the use of AI for synthetic historical falsification related to genocide and mass atrocity."

He concludes the report by underlining the vital need to address this normalization of antisemitism: "Working in coordination, these measures must be paired with meaningful transparency through public reporting on detection, enforcement outcomes, and systemic failures. Together, these steps are essential to restoring trust, closing the gap between assurances and reality, and ensuring that AI technologies do not become instruments for the erosion of historical truth or the normalization of antisemitism."

The VETM recently published Part II of a major series on this topic: Neo-Nazis And White Supremacists Globally Look To Artificial Intelligence To Promote Their Message, Spread Misinformation, And Aid Their Cause.

ABOUT MEMRI

Exploring the Middle East and South Asia through their media, MEMRI bridges the language gap between the West and the Middle East and South Asia, providing timely translations of Arabic, Farsi, Urdu-Pashtu, Dari, Turkish, Russian, and Chinese media, as well as original analysis of political, ideological, intellectual, social, cultural, and religious trends.

Founded in February 1998 to inform the debate over U.S. policy in the Middle East, MEMRI is an independent, nonpartisan, nonprofit 501(c)3 organization. MEMRI’s main office is in Washington, DC, with branch offices in various world capitals. MEMRI research is translated into English, French, Polish, Japanese, Spanish, and Hebrew.

MEMRI – Middle East Media Research Institute: www.memri.org

MEMRI TV – www.memri.org/tv

Jihad & Terrorism Threat Monitor (JTTM) – www.memri.org/jttm

Cyber & Jihad Lab (CJL) – www.memri.org/cjlab

MEMRI Twitter: https://twitter.com/memrireports/

MEMRI YouTube: https://www.youtube.com/channel/UC59Cpk70K2TwdmApJOTuW9g/videos

MEMRI Instagram: https://www.instagram.com/memrireports/

Contact Information:

MEMRI
media@memri.org
202-955-9070
www.memri.org

SOURCE: Middle East Media Research Institute

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Why Answer Engine Optimization Determines Which Sources AI Selects, Trusts, and Cites

POST FALLS, IDAHO / ACCESS Newswire / February 9, 2026 / As AI assistants replace traditional search results with direct answers, organizations are asking a new question: how do you rank first in AI search when there is only one answer?

According to Trustpoint Xposure, ranking in AI search is determined less by keyword position and more by Answer Engine Optimization (AEO), a methodology focused on how AI systems evaluate trust, authority, and citation eligibility.

AI models do not rank pages in the traditional sense. Instead, they select sources based on entity consistency, structured clarity, historical citation reliability, and contextual trust signals. Organizations that lack these signals may be excluded from AI answers even if they perform well in conventional search rankings.

Trustpoint Xposure explained that its AEO Certification Framework formalizes this process by defining measurable standards for AI visibility. Under the framework, ranking first in AI search requires validation across multiple dimensions, including content structure optimized for direct answers, entity authority reinforced through media placement, and sustained citation performance over time.

The firm emphasized that AEO differs fundamentally from SEO. While SEO optimizes for links and rankings, AEO optimizes for answer selection. This includes how information is attributed, how entities are represented across platforms, and whether AI systems consistently trust the source.

Organizations seeking to rank first in AI search must therefore focus on becoming the most reliable, clearly structured, and consistently validated answer source for a given topic. Trustpoint Xposure‘s AEO-certified methodology integrates content architecture, entity authority, and AI-optimized media placement to support that goal.

The standards used to assess AEO capability and ranking eligibility are documented within the Trustpoint Xposure AEO Certification Framework.

Jack Smith
Media Director
Trustpoint Xposure
contact@trustpointxposure.com

SOURCE: Trustpoint Xposure

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Here’s the exclusive first look at the new Noah’s Ark movie remake – The Flood: End of Mankind – is building excitement in the faith-based community as the film’s trailer was released this past Friday. Pastors across denominations are embracing the only remake of Noah’s Ark that strives to stay true and honor God in every scene.

LOS ANGELES, CA / ACCESS Newswire / February 9, 2026 / The new Noah’s Ark movie remake – The Flood: End of Mankind – is building excitement in the faith-based community as the film’s trailer was released this past Friday. Pastors across denominations are embracing the only remake of Noah’s Ark that strives to stay true and honor God in every scene.

The epic film’s trailer can be viewed here:

The large-scale production looks at the final three days leading up to the great flood that destroyed the entire earth as outlined in The Book of Genesis in the Bible.

One pastor who viewed the trailer said, "Incredible. This movie needs to be seen by the entire world as I believe we’re in the final days before the Lord’s return."

Another pastor said, "Finally a Noah’s Ark movie done right that will wake up the sleeping church about the end times."

The film’s trailer will be premiered at the largest faith-based convention in Nashville before advanced screenings begin in April/May/June 2026 across the country.

The film will release nationwide in theaters starting October 2, 2026.

Kevin Sorbo plays Noah and according to the producers ‘hit his role out of the park’.

"We’re so excited the film is hitting on all cylinders," says a spokesperson for the film. "Kevin did a magnificent job playing Noah and Tim directed the film to ensure every scene emulated the last days before the flood."

Both Sorbo and Chey are sold-out Christians with Chey being a former atheist before finding Christ in a hotel room. Chey is a Harvard alumnus and director of over 18 feature films. Sorbo is a worldwide star of many films and TV shows.

Chey spent over 10 years bring ‘The Flood: End of Mankind’ to fruition. The script was polished every step of the way. Chey was compelled after seeing the previous ‘Noah’ version that he felt did not correctly portray the events in Genesis or honored God.

The Flood: End of Mankind
In Theaters Nationwide
October 2, 2026

About Unlimited Publicity

Unlimited Publicity is a faith-based publicity firm that specializes in faith-based movies. It is working with the movie ‘The Flood’ and Tim Chey the director of the film.

For Media contacts:

Lisa Stallworth, Kim Haskel, and Carolyn Wright
RR Communications
production@post.com
424 360 9306

SOURCE: Unlimited Publicity

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The program broadcasts as sponsored programming at 6:30 PM ET in the U.S. and 12:30 PM local time across Bloomberg MENA and Bloomberg Latin America.

NEW YORK CITY, NEW YORK / ACCESS Newswire / February 7, 2026 / New to The Street, the globally distributed business television platform, will air a new episode tonight on Bloomberg Television, reaching audiences across the United States, Middle East & North Africa (MENA), and Latin America. Broadcasting as sponsored programming, the show features executive interviews filmed from the world’s most iconic financial venues, paired with national television commercials from select public-company sponsors.

TONIGHT’S FEATURED INTERVIEW LINEUP

Virtuix (Nasdaq:VTIX)
Opening the broadcast, Virtuix showcases its immersive technology platform behind the Omni One omnidirectional treadmill-often described as the "Peloton for gamers"-and its defense-focused Virtual Terrain Walk (VTW) system. The segment highlights Virtuix’s dual-use strategy, AI-powered 3D reconstruction capabilities, and rapid growth across consumer and defense markets.

YY Group Holding Limited (NASDAQ:YYGH)
Second in the lineup, YY Group provides an update on accelerating international expansion, AI-enabled workforce automation, and strong revenue momentum across Hong Kong, the UAE, and Southeast Asia, serving premium hospitality and enterprise clients.

Roadzen Inc. (NASDAQ:RDZN)
The third segment features Roadzen’s leadership discussing strategic acquisitions and the scaling of its end-to-end, AI-driven auto insurance and claims ecosystem, including rapid claims-to-repair execution.

Alphaton Capital (NASDAQ:ATON)
Closing the interview lineup, Alphaton Capital is featured from Fintech TV at the New York Stock Exchange, where executives outline the company’s fintech-driven investment strategy, capital markets positioning, and long-term vision. Filmed on the NYSE trading floor, the interview reinforces Alphaton’s institutional credibility and global investor engagement.

TV COMMERCIAL SPONSORS AIRING DURING THE BROADCAST

PetVivo Holdings Inc. (OTCQB:PETV) – Featuring SPRYNG®, its injectable osteoarthritis treatment for senior dogs and cats, now available in all 50 states through 800+ veterinary clinics.

Synergy CHC Corp. (NASDAQ:SNYR) – Highlighting the expansion of Focus Factor® into ready-to-drink functional and energy beverages.

NeOnc Technologies Holdings Inc. (NASDAQ:NTHI) – Showcasing progress on NEO-212, including NIH-supported research and advancement toward Phase 2 clinical trials.

DataVault AI Inc. (NASDAQ:DVLT) – Presenting enterprise AI, secure data monetization, and next-generation digital infrastructure.

GLOBAL BROADCAST DETAILS

United States: 6:30 PM Eastern Time

MENA: 12:30 PM local time

Latin America: 12:30 PM local time

Network: Bloomberg Television

Format: Sponsored programming

About New to The Street®

New to The Street® is a 17-year-old financial media brand and one of the fastest-growing business YouTube channels globally, broadcasting weekly across the U.S., MENA, and Latin America as sponsored programming on Bloomberg Television and FOX Business Network.

The platform uniquely combines:

Long-form linear television interviews across multiple global networks

A rapidly scaling financial YouTube audience:
New to The Street TV YouTube: https://www.youtube.com/@NewToTheStreetTV

Iconic outdoor billboard placements in major financial districts, including Times Square and Wall Street corridors

A multi-channel approach to financial public-company storytelling, blending television, digital, social, and outdoor media into a single, repeatable distribution model

"New to The Street delivers something no other platform can-global linear television, large-scale digital reach, and iconic outdoor visibility working together to tell the stories of public companies at scale," said Vince Caruso, CEO of New to The Street.

Media Contact:
Monica@NewtoTheStreet.com

SOURCE: New to The Street

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BRUSSELS, BE / ACCESS Newswire / February 7, 2026 / A new immersive exhibition has opened in Brussels, introducing a contemporary cultural format that combines digital art, sound, and visual storytelling. The exhibition presents creative content through large-scale projections and spatial design, allowing visitors to experience art in an interactive and sensory environment.

The project forms part of the growing cultural movement of Exposition immersive à Bruxelles, where traditional exhibition models are replaced with digital experiences that focus on atmosphere, emotion, and participation. Instead of observing artworks from a distance, visitors are placed inside evolving visual spaces.

A Contemporary Cultural Format

Immersive exhibitions represent a shift in how culture is presented. Traditional exhibitions rely on physical objects, written explanations, and fixed viewing points. Immersive formats, by contrast, create environments where sound, light, and movement shape the experience.

This new exhibition follows that model by offering digital spaces where artistic themes are communicated through visuals and audio rather than text. The experience is designed to be intuitive, allowing visitors to explore content freely and form personal interpretations.

The exhibition does not focus on a single artist or historical period. Instead, it highlights the possibilities of digital storytelling as a medium for creative expression. This approach reflects changing audience expectations, where emotional engagement and accessibility are valued alongside cultural learning.

As part of the expanding field of Immersive exhibition in Brussels, the project contributes to the city’s evolving cultural identity.

Exhibition Design and Experience

The exhibition is organised into several immersive zones, each designed around abstract artistic themes. These zones are visually connected, creating a continuous journey rather than separate rooms.

Each space uses:

• Large-scale digital projections

• Ambient sound and music

• Soft lighting and colour transitions

The absence of physical artworks allows the experience to remain fluid and adaptable. Walls, floors, and ceilings become part of the artistic environment, creating a sense of movement and depth.

Visitors move through the exhibition at a relaxed pace, without guided routes or strict timelines. This open structure supports personal reflection and encourages visitors to engage with the content emotionally rather than intellectually.

The design focuses on calmness and simplicity, avoiding complex visual effects. This creates an environment that is accessible and suitable for a wide audience.

Role of Digital Technology

Digital technology plays a central role in shaping the exhibition. Video mapping, spatial audio, and lighting systems are used to transform empty spaces into immersive environments.

These tools allow artistic ideas to be expressed without physical materials. Instead of objects, the exhibition uses light and sound as its primary creative elements.

This method supports a modern approach to cultural presentation. Digital tools enable flexibility, allowing content to be updated or adapted without physical reconstruction.

The use of technology also allows for greater inclusivity. Visitors do not need prior knowledge or language skills to understand the exhibition. Visual storytelling and sound design communicate meaning through sensory experience.

This approach reflects broader trends in contemporary culture, where digital art is increasingly used to create emotional and interactive experiences.

Cultural Context in Brussels

Brussels is recognised as an important cultural center in Europe, hosting a wide range of museums, galleries, and creative spaces. In recent years, immersive exhibitions have become a significant part of the city’s cultural landscape.

These exhibitions attract diverse audiences, including families, students, tourists, and cultural professionals. The combination of art and technology allows cultural topics to reach people who may not engage with traditional art institutions.

The growth of immersive exhibitions also reflects changes in cultural consumption. Many visitors now seek experiences that are engaging, reflective, and accessible.

Within this context, the new exhibition strengthens the presence of Exposition immersive à Bruxelles as a key cultural format in the city.

Audience and Accessibility

The immersive exhibition is designed for a broad audience. The content is presented in a neutral and simple way, making it suitable for visitors of all ages.

The experience does not rely on complex text or technical explanations. Visual and audio elements guide the journey, allowing understanding through observation and feeling.

The exhibition space is accessible for wheelchair users, and the calm atmosphere supports visitors seeking quiet cultural activities.

International visitors can also enjoy the exhibition without language barriers, as the experience is primarily visual and sensory.

This inclusive design supports cultural participation across different backgrounds and levels of familiarity with digital art.

Educational and Cultural Value

Although not structured as a formal educational program, the exhibition offers cultural value through experiential learning. Visitors engage with artistic ideas through space, movement, and emotion.

This format supports alternative learning styles, particularly visual and emotional learning. Instead of focusing on information, the exhibition encourages reflection and creative thinking.

Such experiences may also contribute to cultural awareness by introducing new forms of artistic expression. Immersive exhibitions demonstrate how art can evolve beyond physical objects into shared environments.

The exhibition, therefore, contributes to ongoing discussions about the role of digital art in modern cultural spaces.

About the Immersive Exhibition

The immersive exhibition is a digital cultural project focused on artistic storytelling through visual and sound environments. The experience combines technology and creativity to create spaces where visitors can explore art in a sensory and emotional way.

The project aims to present contemporary art in an accessible format, using immersive design to encourage reflection, creativity, and cultural engagement.

Company Details

Company Name: Khalil Gibran, the Immersive Experience of Love
Contact Person: H. J. Sebaly
Email: immersive.gibran@gmail.com
Phone: 0032 485 058 216
Address: Palais 2 – Brussels Expo, Place de Belgique 1, 1020 Bruxelles, Brussels, Belgium
Website: https://khalilgibranexperience.com/

Social links

https://www.facebook.com/profile.php?id=61584139791708
https://www.instagram.com/immersive_gibran/

SOURCE: Khalil Gibran, the Immersive Experience of Love

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SAN FRANCISCO, CA / ACCESS Newswire / February 6, 2026 / Foundry, one of the world’s leading tech media, data and marketing services companies, today announced the international expansion of Next CIO, its acclaimed leadership development and awards program for rising technology executives. Originally launched in the UK, and following a successful expansion into Australia, Next CIO will now extend its programming to the United States, further strengthening its mission to accelerate the careers of emerging IT leaders worldwide.

Next CIO is a year-round leadership initiative designed to identify and celebrate high-potential technology professionals on the path toward senior executive roles such as CIO, CTO, or CDO. The program combines recognition with career advancement opportunities, helping participants build the strategic capabilities, visibility, and professional networks required to step into future C-suite technology leadership positions.

Central to the initiative is its annual awards celebration, which shines a spotlight on rising technology leaders who are already driving meaningful innovation and measurable business impact. Award recipients are profiled across CIO.com, elevating their presence within the global IT leadership community.

Beyond the awards, and country dependent, the program may also include year-round development offerings such as mentoring with established CIOs, executive readiness leadership workshops, and opportunities to engage with a growing peer network of high potential technology leaders.

As the program expands into the United States, Next CIO will be fully integrated into the CIO Leadership Live five-city regional event series, creating new opportunities for emerging leaders to engage with senior CIOs and influential peers. Each region will feature Next CIO networking luncheons and editorial showcases. Participants will also benefit from access to Foundry’s broader portfolio of CIO-focused events, including CIO 100 Awards & Conference, enabling deeper connections with established technology executives and greater exposure to the conversations shaping modern IT leadership. Next CIO award submission deadline in the US is March 31, 2026.

Speaking on the expansion, Romy Tuin, Global Director of Events Content, said:

"We are thrilled to launch the program in the United States as part of our ongoing commitment to supporting the CIO community. This initiative provides a powerful opportunity to recognize leaders on a strong path to the technology C-suite, while building a network of future CIOs who can develop, refine, and strengthen the skills needed for executive success."

The global expansion of Next CIO underscores Foundry’s commitment to building a diverse, future-ready pipeline of technology leaders. By bringing the program to the United States, Foundry aims to broaden access to mentorship, reduce barriers to advancement, and support rising talent at a pivotal stage in their leadership journeys.

Next CIO now operates as a unified international framework designed to champion mid-career technology professionals-creating a clear, supported pathway from rising leader to future CIO.

For more information on sponsorship and participation, visit:

US Next CIO and CIO 100 Leadership Live Event Series and US CIO 100 Awards & Conference

About Foundry

Foundry helps companies bring their visions to reality through a combination of media, marketing technologies and proprietary data on a global scale. Our platforms are powered by data from an owned and operated ecosystem of global editorial brands, awards, and events, all engineered and integrated to drive marketing campaigns for technology companies.

Foundry is one of the world’s leading tech media, data and marketing services companies, and is the proud owner of the global tech sector’s most revered media brands – CIO, Computerworld, CSO, InfoWorld, Macworld, Network World, PCWorld, Tech Advisor, TechCrunch and TechHive. To learn more, visit  foundryco.com.

About CIO.com

CIO.com is the leading digital brand for chief information officers and senior technology executives, providing trusted insights on IT leadership, strategy, innovation, and business transformation. Part of the Foundry portfolio, CIO.com delivers award‑winning journalism, research, events, and peer‑driven communities-including the prestigious CIO 100-that help technology leaders drive impact and navigate today’s rapidly evolving digital landscape.

For more information, visit www.cio.com.

Contact:

Debra Becker
VP, Event Strategy and Marketing
Foundry
Debra_becker@foundryco.com

SOURCE: Foundry

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