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Interview Tips

Salary Negotiation: How to Boost Your Job Offer, Ask for a Raise & Negotiate Beyond Money

Top negotiators show you how to ask for what you're worth

salary increasing shown through growing stacks of money
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By Brittany Taylor
Brittany Taylor is an enterprise marketing manager and content strategist with over a decade of experience in B2B content marketing, brand building, and ghostwriting, with bylines in SELF, Teen Vogue, and Mediabistro. She currently leads content and branding across multiple brands at HireQuest Inc.
7 min read • Originally published February 19, 2016 / Updated March 19, 2026
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By Brittany Taylor
Brittany Taylor is an enterprise marketing manager and content strategist with over a decade of experience in B2B content marketing, brand building, and ghostwriting, with bylines in SELF, Teen Vogue, and Mediabistro. She currently leads content and branding across multiple brands at HireQuest Inc.
7 min read • Originally published February 19, 2016 / Updated March 19, 2026

Let’s talk shop about one of the biggest hurdles you’ll be dealing with during the job hunt: salary. Both sides of the table know that’s the end game—and always will be, at least until your landlord agrees to barter blog posts or infographics for rent—but nobody wants to bring it up first.

And if you’re a woman, that’s especially true. “We don’t always think we should be negotiating things and when it comes to compensation, we also tend to be paid less,” says Fatimah Gilliam, CEO of The Azara Group, a consultancy company that focuses on negotiation and diversity services.

The thing is, when you don’t negotiate, it has major financial repercussions. Over the course of your career, the $5,000 you may have left on the table when accepting your first job offer, no questions asked, can add up to hundreds of thousands. Raises are pegged to your baseline salary, as are bonuses. Remember learning about compounded value in high school math? Here’s where that idea comes into play.

It doesn’t matter if you’re a recent college grad or a media veteran making a lateral move. “No matter what stage of your career you’re in, accepting whatever offer comes your way is a big mistake,” says Diane Domeyer-Kock, executive director of The Creative Group.

Per Katie Donovan, founder of Equal Pay Negotiations, 84 percent of hiring managers expect you to. “What that means is that at least 84 percent of offers do not have all of the money available in that offer,” Donovan shares. “They’re proactively low. It’s on purpose. They expect you to come back and say, ‘Hey, wait a minute, that’s not right.'”

So how do you play the game without flinching, folding or showing your cards too soon?

Take a deep breath, steel your nerves and read on.

How to Boost Your Job Offer

The most power you’ll ever have throughout your relationship with an employer is before you accept a job offer.

Your goal during the interview process is to make the hiring managers fall in love with you. The more they want you on their team, Donovan says, the more power you hold. In an ideal world, they’ll be the ones to bring up salary terms.

If you handle it right, you can get them to do just that. Leave “desired pay” fields on applications blank (or fill them in with placeholder text). When they bring up how much you want to make, swallow your “a cool million, thanks” retort and try responding with one of Donovan’s favorite lines: “I don’t know enough about the job to know what it should pay,” or, “Well, what’s it budgeted at?”

Whatever you say, make it about what the job’s market value is. To establish market value, you’ll need to do some research. “You can never negotiate in a bubble and say, ‘OK, I want X more just because,'” Gilliam tells us.

“You need to speak to your friends. You need to speak to people in different industries.” Salary.com, Glassdoor and job sites with listings that offer salaries or ranges are all great places to start your investigation.

Try salary calculators, too, and be on the lookout for consistent answers rather than outliers. When you present your research, suggest a number from the higher end of the market range. Chances are you won’t get the number you throw out—the company will want to get you down lower.

If you aim on the higher side of what’s reasonable, you and your prospective employer will probably agree on an average salary.

The Right Way to Ask for a Raise

Asking for a bump in pay is all about timing—and we don’t mean when you need more moola in the house-renovation fund. “The best time to ask for a raise is not necessarily when you need the money; it’s when you’re most likely to get your request approved,” Domeyer says.

“This could be after you’ve finished a successful project and your valuable contributions are top of mind, or a positive time for the company, such as when the business lands a deal or realizes an upswing in quarterly revenue.”

Don’t wait for your annual review, Donovan warns, because your company has already allocated money for that season. Set it up earlier, she advises, like three or four months before. And when you do, Domeyer urges you to schedule a meeting with your boss and let him know in advance that you want to talk about your compensation. You want him to be ready to talk money, not be caught off-guard.

Once you’re face-to-face, “start talking about how you’re doing in the job. You want them to agree that you’re doing good [work],” Donovan says. “Then, once they say that, you say, ‘Well, that’s why I was so surprised to find out that I’m underpaid for the market.'” Make it about the market, not about you, and keep the tone along the lines of “how do we fix this problem” rather than “I want $10,000 more a year.”

If your manager asks you for a number, pull out your research and say something like, “Based on what I’m seeing, it should be…” And just as you would do at an interview, quote the higher end of the range rather than the median.

What to Do When the Answer Is “No”

One of Donovan’s biggest pet peeves is when employees take the first “no” as their final answer. “The negotiation actually starts with ‘no,'” she shares. “Keep going. Don’t walk away.” If you’re told that the company can’t afford to pay you a higher salary, try coming back with details supported by your research (yep, here it is again).

“Say, ‘I’m surprised to hear that because I know our company has doubled profits the last four years—whatever the data is,” Donovan urges. “Have a response so that ‘no’ is thrown to the side and you can move to, ‘So, can I get my $10,000 raise?'”

Often, employers will set certain qualifications on discussing and approving a raise—perhaps you can talk about it in six months, or you need to hit certain sales goals. Never take that “no” at face value. “Try to find out what conditions would qualify as a better time to approach the subject. If your boss tells you that he or she doesn’t think you deserve more money, find out why,” Domeyer says. “Ask for guidance on what you need to do to warrant the raise.”

And finally, Gilliam says, you have to know when it’s time for you to walk away. Ask yourself if you’re comfortable with a smaller raise, or returning to the topic during the next quarter, or jumping through various hoops to be eligible.

As you ponder these questions, keep in mind this is about you, not about what your significant other thinks you should settle for or when your mother thinks it’s time for you to take a stand and quit.

Negotiating Beyond Money

Job titles, heath care, company-paid training, vacation time—there are all sorts of other extras that are part of your compensation package that a lot of candidates think are set in stone. And you know what? They’re not. While your prospective employer might not have a lot of wiggle room, money-wise, “that doesn’t mean that there aren’t other things you can negotiate for,” Gilliam says.

Do you want a more flexible start or end time? Do you need to move your start date? Would you like to telecommute a few days a month? Would you really like to work for so-and-so rather than whoever? All of these options tend not to change the bottom line for the company, but they can make a huge difference to your job satisfaction.

If you think asking for these sorts of extras just isn’t done, think again. Domeyer tells us that a survey conducted by The Creative Group found that more than one-third of advertising and media execs worked with candidates to make things like flextime a possibility.

Remember, a new job isn’t (just) about making more money. You want to be successful, whether you’re moving to a new company, starting in a different industry, or working your way up the corporate ladder. Being successful has a lot to do with being happy. If you know what would make you look forward to coming to work in the a.m., there’s only one way to get it: Ask.

One way to make yourself more valuable in the eyes of your employer is by learning a new skill. Check out Mediabistro’s online courses, where our industry experts teach you the in-demand skills to keep you competitive in the media industry. 

Topics:

Get Hired, Interview Tips
Skills & Expertise

What Does an Event Coordinator Do? Job Description, Skills & Salary

Everything you need to know about event coordinator jobs and how to break into the field

stars attending an event that a coordinator created
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By Jenell Talley
Jenell Talley is a journalist and program analyst with a background spanning media, government, and editorial work. She holds a journalism degree from Howard University and a master's in human resources management from the University of Maryland.
6 min read • Originally published April 5, 2016 / Updated March 19, 2026
John icon
By Jenell Talley
Jenell Talley is a journalist and program analyst with a background spanning media, government, and editorial work. She holds a journalism degree from Howard University and a master's in human resources management from the University of Maryland.
6 min read • Originally published April 5, 2016 / Updated March 19, 2026

Last updated: January 2026

In this article: What They Do | Skills Required | Salary | Tools & Technology | Career Path | How to Get Started | FAQs

Event coordinators are the organizational backbone behind conferences, weddings, corporate gatherings, and everything in between. They handle logistics, manage vendors, and ensure events run smoothly from start to finish. If you’re detail-oriented, thrive under pressure, and love bringing people together, this could be the career for you.

What Does an Event Coordinator Do?

An event coordinator organizes events from conception to cleanup. Day-to-day duties vary depending on the employer and event type, but typically include:

  • Meeting with clients to understand event goals and vision
  • Preparing and managing event budgets
  • Scouting and booking venues
  • Coordinating with vendors (caterers, florists, DJs, photographers)
  • Securing sponsors and managing sponsorship relationships
  • Handling press outreach and marketing
  • Arranging food, beverages, and entertainment
  • Overseeing event setup and breakdown
  • Managing on-site logistics and troubleshooting issues
  • Conducting post-event analysis and reporting

“Depending on the size of an event, the preparation could take months or even a year,” says Christian McKenzie, who spent three years as an event coordinator for Macy’s before becoming a business account manager at Sears Holdings Corporation.

During her time at Macy’s, McKenzie pitched potential vendors and talent, processed invoices, worked with the legal team to draft service contracts, and managed relationships with clients—including celebrity handlers.

Event Coordinator vs. Event Planner

The terms are often used interchangeably, but there’s a distinction. Event planners typically handle higher-level strategy and client relationships, while event coordinators focus on execution and logistics. At some companies, coordinators assist planners; at others, the roles overlap significantly.

Types of Events

Event coordinators may specialize in specific event types:

  • Corporate events – Conferences, product launches, team-building retreats
  • Weddings – Ceremonies, receptions, rehearsal dinners
  • Nonprofit events – Fundraisers, galas, charity auctions
  • Music and entertainment – Concerts, festivals, award shows
  • Trade shows – Exhibitions, industry conferences
  • Virtual and hybrid events – Webinars, online conferences, hybrid gatherings

Skills Required for Event Coordinators

Hard Skills

  • Budget management – Creating and tracking event budgets
  • Contract negotiation – Securing favorable terms with vendors and venues
  • Project management – Coordinating timelines, tasks, and teams
  • Event management software – Proficiency in platforms like Eventbrite, Cvent, or Social Tables
  • Marketing and promotion – Social media, email campaigns, press outreach
  • Virtual event platforms – Zoom, Hopin, or similar tools for hybrid/virtual events
  • Basic legal knowledge – Understanding permits, contracts, and liability

Soft Skills

  • Communication – Managing relationships with clients, vendors, and teams
  • Attention to detail – Nothing slips through the cracks
  • Problem-solving – Thinking quickly when things go wrong
  • Time management – Juggling multiple deadlines and priorities
  • Emotional intelligence – Staying calm under pressure, reading the room
  • Adaptability – Pivoting when plans change at the last minute
  • Stamina – Long hours, nights, and weekends are common

“And you have to have stamina,” says McKenzie, who logged plenty of night and weekend hours after putting in a full day at the office. “You don’t always get to quit at quitting time in this line of work.”

Event Coordinator Salary

Event coordinator salaries vary based on experience, location, and industry. Here’s what to expect:

Experience Level Average Salary
Entry-Level (0-2 years) $38,000 – $48,000
Mid-Level (3-5 years) $48,000 – $60,000
Senior (6-10 years) $60,000 – $75,000
Event Manager/Director $75,000 – $100,000+

Factors that affect salary:

  • Location – Major metro areas (NYC, LA, Chicago) pay more
  • Industry – Corporate and luxury events typically pay higher than nonprofit
  • Company size – Large agencies and corporations offer higher salaries
  • Specialization – Niche expertise (weddings, tech conferences) can command premiums

Tools and Technology

Modern event coordinators rely on software to manage complex logistics. Key platforms include:

  • Eventbrite – Ticketing, registration, and event promotion
  • Cvent – End-to-end event management for corporate events
  • Social Tables – Venue diagramming and seating arrangements
  • Asana/Monday.com – Project and task management
  • Canva – Creating event marketing materials
  • Zoom/Hopin – Virtual and hybrid event platforms

Career Path and Advancement

Typical Career Progression

Level Title Years of Experience
Entry Event Coordinator, Event Assistant 0-2 years
Mid Senior Event Coordinator, Event Planner 3-5 years
Senior Event Manager, Senior Event Planner 5-8 years
Leadership Director of Events, VP of Events 8+ years

Work Settings: Freelance vs. Agency vs. In-House

  • Freelance – Flexibility and variety, but inconsistent income and no benefits
  • Agency – Exposure to diverse clients and events, fast-paced environment
  • In-house (corporate) – Stability, benefits, deeper focus on one brand’s events

Who Do Event Coordinators Report To?

Reporting structure varies by organization. Event coordinators may report to a Director of Events, an Event Manager, a Marketing Director, or a VP of Operations. At smaller companies, they may report directly to leadership.

Similar Job Titles

Roles with overlapping responsibilities include:

  • Event Planner
  • Conference Coordinator
  • Meeting Planner
  • Production Assistant
  • Experience Designer
  • Special Events Coordinator
  • Corporate Events Specialist

Industry Trends for 2026

Virtual and Hybrid Events

Virtual events are now a permanent fixture. Event coordinators need expertise in virtual platforms, digital marketing, and remote audience engagement to stay competitive.

Sustainable Event Planning

Sustainability is increasingly important. Coordinators should know how to minimize waste and carbon footprint—from sourcing local food to using electronic invitations instead of printed ones.

Influencer Collaboration

Social media influencers can significantly boost event visibility. Understanding how to identify and negotiate with influencers—especially on Instagram and TikTok—is a valuable skill.

Diversity and Accessibility

Events increasingly cater to globally diverse audiences. Accommodating various cultural and accessibility needs—from language translation to wheelchair access—is essential.

How to Become an Event Coordinator

Education

A degree in marketing, public relations, hospitality, or communications is helpful but not required. Many successful event coordinators come from diverse educational backgrounds.

Get Experience Through Internships

“It’s the internships that make the difference,” says McKenzie. Seek opportunities to build your resume while still in school—you’ll be ahead of the competition when you graduate.

Build Your Network

Attend industry events to meet potential employers, clients, and mentors. Join professional organizations like Meeting Professionals International (MPI) or the International Live Events Association (ILEA).

Develop a Specialty

Specializing in a niche—corporate events, weddings, music festivals—can help you stand out in a competitive market.

Get Certified

Certifications can boost your credibility:

  • CMP (Certified Meeting Professional)
  • CSEP (Certified Special Events Professional)
  • CMM (Certificate in Meeting Management)

How to Get Ahead

“Impress your manager with a skill no one else has,” says McKenzie. Securing sponsors, mastering a new platform, or developing vendor relationships can set you apart. Take classes, find a mentor, and stay current by reading trade publications.


Frequently Asked Questions

What does an event coordinator do?

An event coordinator organizes and executes events, handling logistics like venue booking, vendor management, budgeting, and on-site coordination. They ensure events run smoothly from planning through completion.

What skills do you need to be an event coordinator?

Key skills include project management, budget management, negotiation, communication, attention to detail, and problem-solving. You also need stamina—long hours, nights, and weekends are common in this field.

How much do event coordinators make?

Entry-level event coordinators typically earn $38,000–$48,000 annually. Mid-level coordinators make $48,000–$60,000, while senior coordinators and managers can earn $60,000–$100,000+ depending on location and industry.

What’s the difference between an event coordinator and an event planner?

Event planners typically handle higher-level strategy and client relationships, while event coordinators focus on execution and logistics. However, the titles are often used interchangeably, and responsibilities overlap at many organizations.

Do you need a degree to become an event coordinator?

A degree is helpful but not required. Degrees in marketing, hospitality, communications, or public relations are common backgrounds. Experience through internships often matters more than formal education.

What certifications help event coordinators?

Popular certifications include the Certified Meeting Professional (CMP), Certified Special Events Professional (CSEP), and Certificate in Meeting Management (CMM). These can boost credibility and career advancement.

Is event coordination a stressful job?

Yes, it can be. Event coordinators manage multiple deadlines, handle last-minute changes, and work long hours during events. However, many find the work rewarding—especially when an event comes together successfully.

What software do event coordinators use?

Common tools include Eventbrite (ticketing), Cvent (event management), Social Tables (venue planning), and project management platforms like Asana or Monday.com. Virtual event platforms like Zoom and Hopin are also essential.

Ready to start your event coordination career? Browse event coordinator jobs on Mediabistro.

Topics:

Climb the Ladder, Skills & Expertise
Productivity

14 Habits & Career Success Secrets of Media Pros

Hint: Take a night off. How easy was that?

Habits of Successful Media Pros
Katie icon
By Allie Misch
Alexandria Misch is a multimedia journalist and content strategist with over a decade of freelance experience, with bylines in New York Magazine, Esquire, the Los Angeles Times, and The Verge. She is based in New York City and works across writing, editing, photography, and production.
6 min read • Originally published October 12, 2016 / Updated March 19, 2026
Katie icon
By Allie Misch
Alexandria Misch is a multimedia journalist and content strategist with over a decade of freelance experience, with bylines in New York Magazine, Esquire, the Los Angeles Times, and The Verge. She is based in New York City and works across writing, editing, photography, and production.
6 min read • Originally published October 12, 2016 / Updated March 19, 2026

To be successful (or even gainfully employed) in this era of industry uncertainty, it seems like you have to go above and beyond the general requirements. Read on to understand how easy it is to implement these little life hacks and keep your career in check.   

1. Be good to your body

Even though movies make it seem like members of the media pay rent by writing (whiskey in hand) in dark corners of empty bars, it’s not sustainable.

Taylor Lorenz, director of emerging platforms at The Hill, pays special attention to what she puts in her body. “It’s very hard to eat healthy while working in media,” she says. “Your schedule is often long and unpredictable–you’re either sitting in front of your desk or on the run for a story, [but] by prioritizing what goes into your body you can operate on a higher level by remaining healthy and more resilient.”

Lorenz never eats processed foods, limits her alcohol intake to less than two drinks a month, and drinks almost three gallons of water a day. “Lots of people think I’m a wacko health freak, but keeping my body healthy allows me to operate at maximum capacity and my diet has been critical to my professional success,” she says.

2. Stop obsessing over email

Have you ever caught yourself sitting there debating signing off Best or Sincerely, then backspace entirely, revert to your old-standby of Thanks! and get too stressed out to send the email? You’re not alone.

“I will deliberate over one message for half an hour ensuring that I’ve expressed myself clearly and kindly to a client or collaborator,” says Abby Carney, a freelance journalist and editor. But especially in the freelance game, time is money. Read over the message to make sure it’s free of errors, then fire it off.

3. Disconnect during downtime

We’re not just talking WiFi here. Try heading outside, away from any outlets.

Heather Whaling, founder and president of Geben Communication, avoids checking email, social media or taking calls when she’s at home with her young son. This may sound impossible as the head of a PR agency with offices across the midwest, but Whaling insists it’s actually added-value at the office.

“By incorporating these periods of disconnection into my schedule, I’m sharper and more creative when it’s time to focus on work,” she says.

Ready to take your media career to the next level? Find your next position among Mediabistro’s job listings today.

4. Call your grandma

“I know the thought of a phone call paralyzes a lot of fellow millennials,” Lorenz acknowledges. “But there’s no replacement for a good heart to heart over a long phone call.”

You may even find it easier to dial 10 numbers instead of composing a tweet in exactly 140 characters proclaiming how much you miss your sister. Catching up with friends and family keeps things in perspective when life seems out of your control.

5. Know what’s happening in the world

Whether she’s in Chicago or Columbus, Whaling starts every morning with the New York Times. “[It] helps me get a frame of reference for the day, monitor trends that could be relevant to our clients and stay informed about current events,” she says.

Plus, reading today’s headlines not only helps you as a conversationalist at cocktail parties, but you’re also supporting your industry peers at the end of the day.

6. Pay attention to trends

Knowing what’s in the news will keep your consumption well-rounded, but you should also seek out specifics.

“I spend a lot of time keeping up on tech trends, researching forward-thinking brand campaigns and understanding how technology is changing communications and business,” says Whaling. “With that foundation, I’m able to help clients infuse innovation and creativity into their communication and take a fresh approach to best practices.”

7. Don’t just hashtag #goals, create them

Every day Lorenz looks at her list of long-term goals and her five and 10-year plans. Her weekly to-do’s are the background of her cell phone. And with a resume boasting companies like Time, Inc., Refinery29, Business Insider, and the Daily Mail, it’s safe to say she’s hitting her marks.

“I change my goals constantly,” she says. “But this way I make sure I’m always moving forward. This includes (but is not limited to) six detailed spreadsheets to make sure she’s on track.

8. Stay in school, kids

Learning to cook a meal, cut hair and apply makeup has very little to do with being a journalist, but Lorenz took classes in all three. Since graduating college, she’s been enrolled in at least one (if not two or three) classes outside of work.

“It’s so fun to learn new skills!” she says of her extracurricular studies on copywriting, creative writing, graphic design, advertising and marketing, to name a few. “[It] always broadens your horizons and keeps your mind fresh, even if you never put those skills to use.”

9. Connect with your community

Whaling recently rolled out a program allowing her employees to use up to 30 hours of “work time” to volunteer for for nonprofits they believe in.

“Of course, being involved in the community is the right thing to do from an altruistic perspective, but it’s also good for business,” she says. “By making community involvement a core component of my workflow, it helps me add value to causes I believe in, plus it generates new business opportunities.”

10. Block out your schedule ahead of time

And avoid the inbox timesuck.

“I used to spend so much time in my inbox that I was focusing on whatever happened to be at the top of my inbox, instead of focusing on the things that truly warranted my time and attention,” says Whaling. Now she  schedules three or four times per day to check emails for about 20 minutes each time. She quickly assesses each email, responding to those that take “less than two minutes of attention.” If it requires more brain power, she’ll “calendar block” time to take care of it.

11. Go old-school when list-making

Carney is meticulous when it comes to making lists. She keeps two “old-school” (paper) day planners to write in all of her appointments, social engagements, to-do lists and deadlines.

“I was highly neurotic [as a child] and panicked about missing any homework assignments,” she says. “I always wanted to make the best marks. I’m still the same when it comes to my career.”

12. Don’t blow your deadlines

Maybe the list-making does the trick, but word on the street is Carney doesn’t miss a deadline. As both a writer and editor, Carney contributes her success to staying ahead of schedule.

“I never imagined that anyone would blaze through a deadline or wait until the last minute to ask for an extension unless it was an emergency situation,” she says.

13. Realize what’s worth your time

“To be successful in journalism in 2016, I think you sadly can’t get stuck on making every assignment top-notch,” says Carney. With the Internet, inevitable deadlines, and an increase of content creation, sometimes speed is all that matters.

“You have to churn it out day after day, and hopefully if you churn enough, you’ll have more time to work on assignments that really matter to you, and you can write something you’re proud of,” says Carney, who speaks from experience as assistant editor at Time Out New York, which still prints weekly.

14. Give yourself a break

No matter your profession, it’s important to give yourself one night of nothing to recharge.

“Every week I spend four nights working on my freelance jobs, one night in class or teaching myself a new skill, one night either going to a talk, meetup, or event or socializing with friends,” Lorenz explains. The last night she treasures as her night off to cook, listen to music on her record player, or walk around the city.

“It can be tempting to skip my ‘night off’ and meet friends for dinner or to go out,” she says. But she protects it for her sanity’s sake, which isn’t a bad idea for us all to consider.

Topics:

Be Inspired, Productivity
Go Freelance

Freelance Writing Jobs: Where to Find Work & How to Get Started in 2026

A practical guide to finding freelance writing opportunities and building a sustainable career

freelance writing jobs
By Mediabistro Education
6 min read • Originally published November 21, 2023 / Updated March 19, 2026
By Mediabistro Education
6 min read • Originally published November 21, 2023 / Updated March 19, 2026

Last updated: January 2026

In this article: Types of Freelance Writing | Where to Find Jobs | Freelance Writer Rates | Skills Required | Getting Started | Tools | FAQs

Freelance writing offers the flexibility to work from anywhere while earning a living with your words. Whether you’re interested in content marketing, copywriting, journalism, or technical writing, the demand for skilled freelance writers continues to grow across virtually every industry.

This guide covers where to find freelance writing jobs, how much you can expect to earn, and practical strategies for building a sustainable freelance writing career.

Types of Freelance Writing Jobs

Freelance writing spans many specializations, each with different skill requirements and pay rates:

Type What It Involves Typical Pay Range
Content Writing Blog posts, articles, website copy $0.10–$1.00/word
Copywriting Sales pages, ads, email campaigns $0.25–$2.00+/word
SEO Writing Search-optimized content $0.15–$0.75/word
Technical Writing Documentation, guides, manuals $50–$150/hour
Ghostwriting Books, articles under someone else’s name $0.25–$3.00+/word
Journalism News articles, features, interviews $0.50–$2.00/word
UX Writing App/website microcopy, interface text $75–$150/hour
Grant Writing Nonprofit funding proposals $50–$100/hour

Where to Find Freelance Writing Jobs

Job Boards and Marketplaces

These platforms connect freelance writers with clients looking for content:

  • Mediabistro – Media, publishing, and content jobs from established companies
  • Upwork – Large marketplace with writing jobs at various pay levels
  • Contently – Connects writers with enterprise brands (portfolio required)
  • ProBlogger Job Board – Blogging and content writing opportunities
  • LinkedIn – Search “freelance writer” and filter by remote
  • Indeed – Filter for “freelance” or “contract” writing positions
  • FlexJobs – Vetted remote and flexible writing jobs (paid subscription)

Content Agencies

Agencies provide steady work but typically pay less than direct clients:

  • Verblio – Blog content for various industries
  • Scripted – Premium content marketplace
  • ClearVoice – Content creation platform for brands
  • Skyword – Enterprise content marketing
  • nDash – B2B content community

Direct Outreach (Cold Pitching)

The highest-paying freelance writing jobs often come from pitching directly to companies or publications. Target:

  • Companies in industries you know well
  • Startups and growing businesses (check Crunchbase for recently funded companies)
  • Marketing agencies looking for overflow help
  • Publications that accept freelance pitches

Freelance Writer Rates: How Much Can You Earn?

Freelance writing rates vary widely based on experience, specialization, and client type:

Experience Level Per-Word Rate Hourly Rate Annual (Full-Time)
Beginner $0.05–$0.15 $15–$30 $25,000–$40,000
Intermediate (2-4 years) $0.15–$0.50 $30–$75 $40,000–$70,000
Experienced (5+ years) $0.50–$1.50 $75–$150 $70,000–$120,000
Specialist/Expert $1.00–$3.00+ $100–$250+ $100,000–$200,000+

Factors that affect rates:

  • Specialization – Technical, medical, and finance writing pays more
  • Client type – Enterprise clients pay more than small businesses
  • Complexity – Research-heavy pieces command higher rates
  • Turnaround time – Rush jobs warrant premium pricing

Skills Required for Freelance Writers

Writing Skills

  • Grammar and style – Solid command of language fundamentals
  • Research – Finding and synthesizing credible sources
  • Adaptability – Writing in different voices and formats
  • Storytelling – Engaging readers and maintaining interest
  • SEO knowledge – Understanding keywords and search optimization

Business Skills

  • Self-marketing – Promoting yourself to attract clients
  • Negotiation – Setting and defending your rates
  • Time management – Juggling multiple deadlines
  • Communication – Managing client relationships
  • Financial management – Invoicing, taxes, and budgeting

How to Get Started as a Freelance Writer

1. Choose Your Niche

Specializing makes you easier to hire and allows you to charge higher rates. Consider industries where you have experience or a genuine interest: technology, healthcare, finance, travel, marketing, etc.

2. Build a Portfolio

Before you can land clients, you need writing samples. Options for building your portfolio:

  • Start a blog in your niche
  • Write guest posts for established sites
  • Create spec pieces (samples written without a client)
  • Offer discounted work to build your portfolio

3. Create an Online Presence

Set up a simple website to showcase your work and optimize your LinkedIn profile for freelance opportunities. Include your niche, writing samples, and contact information.

4. Set Your Rates

Research market rates for your niche and experience level. Start competitive but don’t undervalue yourself—raising rates is easier than you think once you have testimonials.

5. Start Pitching

Apply to job board listings, reach out to potential clients directly, and let your network know you’re available. Consistency is key—treat finding work like a job itself.

6. Deliver Great Work

Meet deadlines, communicate proactively, and exceed expectations. Happy clients lead to repeat business and referrals—the foundation of a sustainable freelance career.

Essential Tools for Freelance Writers

Writing and Editing

  • Google Docs – Collaborative writing and easy sharing
  • Grammarly – Grammar and style checking
  • Hemingway Editor – Readability analysis
  • Scrivener – Long-form writing projects

SEO and Research

  • Ahrefs/SEMrush – Keyword research and analysis
  • Google Trends – Topic research
  • Clearscope/SurferSEO – Content optimization

Business Management

  • FreshBooks/Wave – Invoicing and accounting
  • Toggl – Time tracking
  • Notion/Trello – Project management
  • Calendly – Scheduling client calls

Setting Up Your Freelance Business

Legal Considerations

Decide on your business structure (sole proprietor vs. LLC), understand your tax obligations, and consider contracts for client work. Freelancers must pay quarterly estimated taxes and self-employment tax in addition to income tax.

Contracts and Agreements

Always use a contract that outlines:

  • Scope of work and deliverables
  • Payment terms and rates
  • Revision policy
  • Deadlines
  • Rights and ownership

Growing Your Freelance Writing Career

Increase Your Rates Over Time

As you gain experience and testimonials, raise your rates. Inform existing clients of rate increases and quote higher rates to new clients. Most experienced freelancers raise rates annually.

Diversify Income Streams

Beyond client work, consider:

  • Creating digital products (courses, templates)
  • Affiliate marketing through your blog
  • Coaching or consulting
  • Writing your own books

Build Long-Term Client Relationships

Retainer agreements and ongoing relationships provide income stability. Prioritize clients who value your work and pay fairly.


Frequently Asked Questions

Where can I find freelance writing jobs?

The best places to find freelance writing jobs include job boards like Mediabistro, marketplaces like Upwork and Contently, content agencies, LinkedIn, and direct outreach to companies and publications in your niche.

How much do freelance writers make?

Freelance writer income varies widely. Beginners might earn $0.05–$0.15 per word ($25,000–$40,000/year full-time), while experienced specialists can earn $1.00+ per word ($100,000+ annually). Most full-time freelancers earn $40,000–$80,000 per year.

Can I work from home as a freelance writer?

Yes. Freelance writing is one of the most location-flexible careers. Most freelance writing work is done remotely, allowing you to work from home, a coffee shop, or anywhere with internet access.

Do I need a degree to become a freelance writer?

No degree is required. What matters most is your writing ability, which you can demonstrate through a portfolio. Many successful freelance writers come from diverse educational backgrounds.

How do I get clients as a new freelance writer?

Start by building a portfolio (even with unpaid or spec work), create a professional online presence, apply to job boards, pitch directly to potential clients, and leverage your existing network. Consistency and persistence are essential when starting out.

What’s the difference between content writing and copywriting?

Content writing focuses on informative, educational content (blog posts, articles) designed to engage and inform readers. Copywriting focuses on persuasive writing (ads, sales pages, emails) designed to drive specific actions, such as purchases or sign-ups. Copywriting typically pays more.

How do I set my freelance writing rates?

Research market rates for your niche and experience level, consider your cost of living and income goals, and factor in the time required for research, writing, and revisions. You can charge per word, per hour, or per project—whatever works best for your workflow and client expectations.

Is freelance writing a stable career?

Freelance writing income can fluctuate, especially early on. Stability improves as you build long-term client relationships, diversify income streams, and establish a strong reputation. Many freelancers achieve stable, full-time incomes within 1-2 years of consistent effort.

Ready to find your next writing opportunity? Browse freelance writing jobs on Mediabistro.

Topics:

Go Freelance
Journalism Advice

Hed, Dek, Lede & More: 10 Journalism Terms Every Freelance Writer Should Know

From kill fees to slush piles, here are the publishing terms you need to know before pitching editors.

freelancer writing with journalism terms
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By Kristen Fischer
Kristen Fischer is a freelance writer, journalist, and copywriter with over 20 years of experience, currently serving as a health writer for AARP with previous staff roles at WebMD and WW. Her work has appeared in Prevention, Healthline, Woman's Day, Parade, and Writer's Digest, and she is the author of four books.
7 min read • Originally published June 2, 2015 / Updated March 19, 2026
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By Kristen Fischer
Kristen Fischer is a freelance writer, journalist, and copywriter with over 20 years of experience, currently serving as a health writer for AARP with previous staff roles at WebMD and WW. Her work has appeared in Prevention, Healthline, Woman's Day, Parade, and Writer's Digest, and she is the author of four books.
7 min read • Originally published June 2, 2015 / Updated March 19, 2026

Last updated: January 2026

In this article: Hed, Dek & Lede | Slug | FOB & BOB | The Well | Slush Pile | On Spec | Over the Transom | Kill Fee | Clips | Closing Date | FAQs

When in doubt, ask. Unfortunately, many new freelance writers don’t follow that advice for fear of appearing inexperienced. Instead, they assume that when an editor says a spring cleaning idea is too “evergreen,” she means it’s too environmentally focused—when the term actually refers to stories that are general and not timely.

That’s just one of the many terms you might hear in a newsroom or see in an email from an editor. Below are 10 essential journalism terms every freelance writer should know before pitching.


1. Hed, Dek, and Lede

These three terms are used constantly in journalism and publishing:

  • Hed — The headline of an article
  • Dek — The sub-headline that appears below the main headline
  • Lede — The introductory paragraph(s) of an article

All three are intentionally misspelled so editors don’t confuse them with the actual story text when marking up drafts.

Michael Sullivan, a freelance journalist in Los Angeles, says he often has to write multiple headlines for the same piece. “I feel like I have to title every story I write, like, three different times,” Sullivan says—one for print, one for web, and one for email alerts.

When pitching, make your lede as compelling as possible and try to include a strong hed and dek. You can even use the headline and dek as your email subject line to catch an editor’s attention. For example, introduce a feature about hair loss as: “Hair Today, Gone Tomorrow: 7 Steps to Fight Alopecia Before It Starts.”

Even if your titles aren’t used in the final product, writing them demonstrates that you’re willing to go beyond what’s requested—which can increase your chances of landing future assignments.


2. Slug

A slug in journalism is a word or combination of words and numbers used in a publication’s content management system to identify a story.

In a newsroom, every component of a story—whether a two-inch blurb or a 30-inch feature—is assigned a slug so editors can quickly identify pieces as they manage a large influx of content.

As a freelancer, you probably won’t need to create slugs yourself. If you do, check the internal story roster or ask an editor about the publication’s format.


3. FOB and BOB

FOB (front-of-book) and BOB (back-of-book) refer to news items and shorter articles located at the beginning and end of a print magazine.

“For me, the front of book and the back of book seem kind of interchangeable as far as what runs in them,” says Renee Roberson, blog tour manager at WOW! Women on Writing.

FOB and BOB pieces are excellent opportunities for new writers to break in. Magazines rarely assign features to unproven writers, but these shorter sections are often more accessible.

“[Front of book] is one of the few places I might assign a story if I haven’t worked with you before,” explains Abigail Lewis, editor of Whole Life Times. “However, occasionally, if a writer has strong clips and a well-crafted query, we will assign a department or feature.”

Every publication’s FOB and BOB sections are different—New York magazine’s FOB is called “Strategist” and features party roundups and brief Q&As, while its BOB includes reviews and the “Approval Matrix.” Study several issues before pitching.


4. The Well

The well is the middle section of a magazine where you’ll find longer, more in-depth feature articles.

“That’s where all the feature stories are—typically the stories that are put on the cover, the profiles,” notes Roberson.

Want to get in the well? Start by writing smaller pieces in the FOB or BOB sections before pitching feature-length articles. If you’re eager to go in-depth, pitch features to trade or regional publications before targeting national magazines—smaller outlets are much more likely to take a chance on new writers.


5. Slush Pile

The slush pile refers to the mass of articles or query letters that have been rejected—whether physically discarded, set aside, or deleted from an inbox.

The key to keeping your pitches out of the slush pile is targeting the right editor. Mediabistro’s How To Pitch section details which editors at leading publications are open to pitches.

“I have actually Googled some of the editors’ names and have actually found articles where they talked about how to stay out of the slush pile,” Roberson says.

Another tip: Flesh out your query to make it distinctive. Start with a crisp lead sentence and a hook, then outline sections of the article, including data or quotes. “You have to sort of take some time and put a different spin on it,” Roberson advises.


6. On Spec

When you write on spec (short for “on speculation”), you do so without a guarantee of publication. Editors typically request on-spec pieces to see the finished story before agreeing to pay for it.

Writing on spec might make sense if you know an editor and believe you have a strong chance of approval. If you write well and cultivate relationships, editors will want to work with you on an ongoing basis—which may make spec work worthwhile, says Long Island journalist Ellen Pober Rittberg.

However, the practice is risky and time-consuming. Consider pitching another outlet for your idea before investing time in something that may never be published.


7. Over the Transom

An over the transom submission is an unsolicited piece that an editor did not request—you simply send it hoping it will be published.

This strategy is risky. Publications have strict guidelines about what they accept, and submitting work regardless of their rules may suggest you can’t follow directions. You’re also spending time on a story you may never be paid for.

Before proceeding, read the publication’s guidelines to see if they accept unsolicited submissions.


8. Kill Fee

A kill fee is a payment made when an assigned article is cancelled (“killed”) before publication. This can happen if news breaks, another article runs long, or editors decide the story feels dated.

Kill fees are typically calculated as a percentage of the original article fee, as stated in your contract. However, some publications may shelve your article without paying anything.

If you don’t see a kill fee mentioned in your contract, request one before you begin writing to protect yourself.


9. Clips

Clips are published articles from your portfolio of work. The goal is to build a collection that showcases your talent, the diversity (or specialty) of your writing, and evidence that publications have trusted you with assignments.

Chicago-based writer Alicia Eler recommends sending three clips from different publications when requested. “Show that you can vary your voice and perspective depending on the potential audience,” she explains.

As you acquire more clips, update your portfolio regularly—it should evolve as you expand your reach to more prominent publications.

Looking for freelance writing opportunities to build your clips? Browse media jobs on Mediabistro.


10. Closing Date

The closing date (or “close”) is when a publication is being finalized for print. This is typically a hectic time in the newsroom, with last-minute edits happening everywhere.

This is the worst time to pitch or expect a response to anything that isn’t urgent. Do yourself a favor and do not contact your editor during closing. You can find a publication’s closing dates in its media kit.


FAQs About Journalism Terms

What does “hed” mean in journalism?

Hed is journalism slang for “headline.” It’s intentionally misspelled so editors don’t confuse it with the actual story text when marking up drafts or giving feedback.

What is a dek in journalism?

A dek (also spelled “deck”) is the sub-headline that appears below the main headline. Like “hed,” it’s deliberately misspelled to distinguish it from story text. The dek typically expands on the headline and gives readers more context about the article.

What is a lede?

A lede is the opening paragraph or paragraphs of a news article. It’s spelled this way to avoid confusion with “lead” (as in leading a story or a lead role). A strong lede hooks readers and establishes the most important information.

What is a slug in journalism?

A slug is a short identifier (word or phrase) assigned to a story in a publication’s content management system. It helps editors quickly identify and organize stories. For example, a story about city budget cuts might have the slug “BUDGET-CUTS-2026.”

What does “on spec” mean?

“On spec” (short for “on speculation”) means writing an article without a guarantee of publication or payment. Editors may request spec work to evaluate a writer’s abilities before committing to an assignment.

What is a kill fee?

A kill fee is partial compensation paid to a writer when an assigned article is cancelled before publication. Kill fees are typically 20-50% of the original assignment rate and should be specified in your contract.

What does FOB mean in publishing?

FOB stands for “front-of-book,” referring to the shorter articles and news items that appear in the first section of a magazine. These are often good opportunities for new writers to break into a publication.

Topics:

Go Freelance, Journalism Advice
Job Search

How to Address Employment Gaps on Your Resume (Without Losing the Interview)

HR professionals share exactly how to explain gaps, what language to use, and where to address time off on your resume.

train stop with sign that reads mind the gap
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By Kristen Fischer
Kristen Fischer is a freelance writer, journalist, and copywriter with over 20 years of experience, currently serving as a health writer for AARP with previous staff roles at WebMD and WW. Her work has appeared in Prevention, Healthline, Woman's Day, Parade, and Writer's Digest, and she is the author of four books.
7 min read • Originally published February 5, 2016 / Updated March 19, 2026
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By Kristen Fischer
Kristen Fischer is a freelance writer, journalist, and copywriter with over 20 years of experience, currently serving as a health writer for AARP with previous staff roles at WebMD and WW. Her work has appeared in Prevention, Healthline, Woman's Day, Parade, and Writer's Digest, and she is the author of four books.
7 min read • Originally published February 5, 2016 / Updated March 19, 2026

Last updated: January 2026

In this article: Be Truthful | Keep Dates Simple | How to Reference It | Fill in the Gaps | Cover Letter Advice | FAQs

It’s an age-old conundrum: whether you were unemployed for a while or took a leave of absence, how do you address date gaps on your resume?

Traditionally, there are two schools of thought: ignore the gap and deal with it when you speak to a hiring manager, or be upfront about it so you don’t have to choose your words carefully during the interview—assuming you get that far.

We asked several HR and career experts to settle the issue once and for all.


Be Truthful About Employment Gaps

“Be proactive—address it upfront,” suggests Heather Huhman, a former hiring manager and founder of Come Recommended in Washington, D.C. “In a competitive job market, employers are pickier about who they interview. Having obvious gaps of employment makes many hiring managers wary about you—whether it’s a fair assumption about your character or not.”

Amy Phillip, a Brooklyn-based career coach and resume writer who formerly worked as an HR director, agrees that you have to be honest about gaps, no matter how short.

“If you don’t address gaps, you won’t get an interview,” she warns. “The more transparent you can be, the better.”

If you don’t explain professional time off in your resume, a hiring manager may infer any number of things about you—and that could cost you the interview.

“You don’t want to leave anything open to interpretation,” Phillip adds. By addressing it upfront, questions about why you took time off are out of the hiring manager’s mind before they even meet you.


Keep Dates Simple

One way people minimize the appearance of resume gaps is to list only years of employment rather than months. So if you were out of work during the summer but employed by October, it still looks like continuous employment.

But should you disclose every short-term break? It depends.

Phillip never references months on a resume. Dawn Bugni, Master Resume Writer, says she only lists months when it helps a client.

For example, if you were laid off in June, you may want to note that your sabbatical began then. “If the search is protracted and the month becomes a detriment, switch to years only,” she notes.


How to Reference Employment Gaps

So you’re going to address the gap—where exactly do you include it?

Phillip suggests referencing time off exactly where the gap appears chronologically in your work history, or placing the note at the end of your professional experience section.

If you have more than two periods of unemployment to explain, put the reference at the bottom and state both dates in one statement.

What Language to Use

The less detail you share, the better. The last thing a recruiter wants to see is intimate details of why you took time off.

Phillip says including fluff or filler is never a good idea. Instead, include a one- or two-line note stating that you took a “professional sabbatical,“ followed by the dates.

Important: “Don’t use the words ‘leave of absence,'” cautions Phillip. In HR terminology, that implies a medical or family-related leave, which isn’t always viewed favorably. “Professional sabbatical” implies time off from your professional life without getting too personal.

“Job seekers need to focus on the positive done and skills gained while between positions, not on explaining why they were between positions,” Bugni adds.

Some may argue that being vague still omits the truth. But Phillip says by simply referencing your sabbatical, you can explain it during an interview if asked—without having to address the elephant in the room.


Fill in the Gaps with Activity

Most professionals who were laid off didn’t spend all their time watching TV. Instead, many kept busy by attending networking events, interning or volunteering, taking professional development courses, or going back to school.

Jobs aren’t always easy to come by, and it’s not uncommon for people to be unemployed for a year or more. By including these activities in your professional experience section, you’re not ignoring the gap—you’re showing you stayed productive during it.

A recruiter will see that although you weren’t “working,” you didn’t spend your days waiting for the phone to ring.

“Put it under ‘Professional Experience,'” says Phillip. “I would not separate that out to a separate section.”

Phillip recently worked with a young architect who took five years off to have children but wanted to return to her profession. She noted her time as a new mom on her resume and received plenty of calls. She had to take a step down to get back into the field, but she got a job, and her gap did not hold her back.

“The gap wasn’t even a question during the interview, because it was already addressed in the resume,” Phillip says.


Rethink Your Cover Letter Strategy

Many people omit gaps from their resume and explain them in the cover letter instead. But Phillip says this can waste your time. Why? Because most cover letters don’t get read.

She admits that during her time as a hiring manager, she only read a cover letter if the applicant was from out of town and needed to discuss relocation expectations. Otherwise, the cover letter was futile.

That’s not the viewpoint of all hiring managers, and many companies require cover letters. However, Phillip suggests not using the cover letter as your only means of explaining gaps.

Bugni agrees: “There is no guarantee a cover letter will be read in the order intended, if at all. I do not risk sharing anything important only in the cover letter. I do it on the resume and might mention it in the cover letter too—although you don’t want a cover letter to become a regurgitation of the resume.”


Key Takeaways

  • Address gaps proactively — Don’t leave them open to interpretation
  • Use “professional sabbatical” — Avoid “leave of absence” terminology
  • Keep it brief — One to two lines maximum
  • Show activity — Include volunteering, courses, or freelance work during gaps
  • Use years, not months — When it helps minimize short gaps
  • Don’t rely on cover letters — Address gaps on your resume directly

“Resume writing is sales and marketing. Do what it takes to present skills in the most positive light possible,” adds Bugni. “Put effort into selling the value you bring to an organization, not explaining why you were able, forced, or chose to take time away from the work world.”

Need help with your resume? Mediabistro’s Career Services offer everything from a quick resume edit to career counseling sessions to tackle your CV, networking skills, career transition, and more.

FAQs About Employment Gaps on Resumes

How do I explain an employment gap on my resume?

Address it directly by listing a “professional sabbatical” with the dates where the gap appears in your work history. Keep the explanation brief (one to two lines) and focus on any productive activities during that time, such as volunteering, courses, or freelance work.

Should I put a sabbatical on my resume?

Yes. Using the term “professional sabbatical” is preferable to leaving an unexplained gap. It acknowledges the time off without getting into personal details, showing you’re transparent with potential employers.

Is it better to use months or years on a resume?

Using years only can help minimize the appearance of short gaps. If you were unemployed for a few months but working by year’s end, listing only years makes the transition seamless. However, if months help your case (showing you started a sabbatical recently), include them.

Should I explain employment gaps in my cover letter?

Don’t rely solely on your cover letter to explain gaps—many hiring managers don’t read them. Address the gap on your resume first. You can mention it in your cover letter as well, but the resume should be your primary venue.

What’s the difference between “leave of absence” and “professional sabbatical”?

In HR terminology, “leave of absence” typically implies medical or family-related leave, which can raise questions. “Professional sabbatical” is more neutral—it simply indicates time away from your career without suggesting specific circumstances.

How do I address a gap if I was caring for family?

List it as a professional sabbatical with the dates. You don’t need to explain that you were caregiving on your resume. If asked during an interview, you can briefly mention it without going into detail. Focus on any relevant skills or activities during that time.

Will employment gaps hurt my chances of getting hired?

Not necessarily—especially if you address them proactively. Unexplained gaps raise more red flags than acknowledged ones. By being transparent about what you did during your time off, you demonstrate honesty and initiative, which many employers value.

How long a gap is too long to explain?

There’s no fixed rule, but gaps of a year or more warrant explanation. Even extended gaps can be addressed positively if you show you stayed engaged through volunteering, education, freelance work, or other professional activities. Focus on the value you bring, not the length of the gap.

Topics:

Get Hired, Job Search, Resumes & Cover Letters
Career Transition

How to Change Careers in Media Without Starting Over

You can transition from reporter to publicist or producer to social media manager. Here's how to leverage what you already bring to the table.

man standing at bottom of stairs
By Jennifer Pullinger
7 min read • Originally published January 24, 2016 / Updated March 19, 2026
By Jennifer Pullinger
7 min read • Originally published January 24, 2016 / Updated March 19, 2026

Last updated: January 2026

In this article: Research Your Dream Job | Optimize Your Resume | Think Like an Entrepreneur | Immerse Yourself Online | Make the Leap | FAQ

Are you a reporter thinking about becoming a publicist? A radio producer who wants to reinvent themselves as a social media strategist? The big question: Is it possible to transition to a different career in media without paying your dues all over again?

The answer is yes, according to the career experts we talked to. You’ll likely need to brush up on your skills in certain areas, but you can take what you already offer as a media professional and parlay it into a new opportunity.

1. Research Your Dream Job Description

Say you’re in magazine editing but want to move into email marketing. Do your skills translate? Start by looking at a sample of email marketing manager job descriptions.

Ask yourself if you’ve done any of what’s described so you can evaluate how practical your transition will be. Better yet, pick the brains of those who already have the job you want.

“You really have to do your homework and talk to people who made it there. That’s part of your research process,” says Allison Hemming, president of The Hired Guns, a top interim creative talent agency in Manhattan. Look for “similar trajectories” of careers that you can model yours after.

“Ask around! Is it something where you can enter in and be super-industrious, or do you really need to go get training and start at the bottom? And then manage your own expectations accordingly,” Hemming says.

Pro tip: Spending time with people in your target role can provide valuable insider information that gives you a leg up on how to position yourself for the job you want.

Hemming notes that if your skills truly are lacking or you’re looking to do a complete career change, you might have to start at a lower level. That can actually benefit you because you won’t miss out on skills that serve as building blocks for your career.

“When undergoing a career change, it’s actually quite difficult to do a straight lateral move, particularly in this economy. So don’t obsess about having to start at the bottom. More often than not, you will end up coming in a rung or two lower. Stop thinking of this as a complete downside. There are things that you may still need to learn,” Hemming says.

2. Optimize Your Resume with Transferable Keywords

Approach your career transition like an SEO specialist would approach a website: strategically highlight the keywords that matter most for your target role.

Sharon Jautz has spent more than 30 years working in human resources for the media industry. Now director of talent acquisition at SANDOW, she learned this lesson firsthand during her own job search.

“I got rid of my objective or my summary at the top, and I used keywords that can fall into any industry: career-coaching, crisis management, and managing compensation structures. So then it became, ‘Oh, she can do that!,’ and less on ‘Oh, she worked for these companies,'” Jautz says.

For example, if you’re a radio reporter who wants to be a television news director, highlight your “news chops.” Emphasize your relationships with newsmakers and your ability to manage a crew. These skills are critical to both radio and television news.

How to identify transferable keywords:

  • List skills from your current role that apply to your target job
  • Review job descriptions for common terms and requirements
  • Replace industry-specific jargon with broader professional language
  • Focus on achievements that demonstrate universal competencies

A word of caution: The job market is competitive, especially if you lack concrete experience in your target sector.

“The problem is, in this quirky, kooky, wacky job market, you don’t have to really overthink these things. If you don’t have broadcast experience, you don’t have broadcast experience. There are plenty of people with broadcast experience out there. So this is a tough time to be rethinking your strategy,” says Jautz.

3. Think Like an Entrepreneur

If you don’t have hard-core skills in your target area, other attributes like being highly organized and creative can be just as important.

“If you are a quick learner, if you have an intellectual curiosity, that’s more important than experience,” says Michelle Madhok, founder and CEO of SheFinds Media.

Lucky breaks, being in the right place at the right time, and creating opportunities for yourself can all get your career transition on track. Take it from Madhok, who seized an opportunity to make a transition without starting over.

In 1995, Madhok was at CBS Broadcasting working in the entertainment marketing division when she was asked to take the lead on CBS.com. “They said, ‘Do you do Internet?’ And I said, ‘I have an AOL account.’ And they said, ‘You are in charge of CBS.com,'” recalls Madhok.

After working at CBS for a few more years, she moved to AOL where she created one of the most highly trafficked online women’s channels on the web. In 2004, she founded SheFinds.com.

The key takeaway: You can get a break if you keep your eyes open and are ready to seize opportunities. It also helps to know how to create quality content. Being a good writer or editor, or having a sense of what information people want, holds currency wherever you take your media career.

4. Immerse Yourself Online

Looking to move into digital media but you’ve never blogged, produced a podcast, or managed a Google Ads campaign? The good news: it’s easy to get experience on your own.

Ways to build digital skills:

  • Take online courses in your target area
  • Start a blog or newsletter in your area of expertise
  • Build a social media following around a topic you know well
  • Produce content that showcases your abilities
  • Use LinkedIn and Twitter to research employers and job openings

“You sort of want to infiltrate the field before you actually join it. So when you do start talking to people about what you want, and you start going on interviews, you can talk like you are already an insider and a colleague rather than somebody who’s making a career change,” says Lindsey Pollak, author of Becoming the Boss.

“People also appreciate that you are so passionate about it that by the time you’re actually ready to make the move, you’ve already kind of become part of that area.”

5. Make the Leap

If you’re having a hard time making the leap without demonstrable experience, Pollak says you can get some through volunteer work or by helping friends.

“People who start up styling businesses started by going into the closets of their friends. People who wanted to go into cosmetology would do the makeup of all of their friends before they got hired,” she says.

Once you have that experience, show off your results. Talk about everything in terms of what you accomplished.

“So rather than saying, ‘Volunteered to do PR for an organization,’ you want to say something like, ‘Wrote one press release a month for nonprofit organization and generated 50 media hits,'” says Pollak.

If you’re a high performer and can communicate that well, you’ll be on your way to making the jump from one media career to another.

Fast-track your transition: One of the best ways to speed up your career change is by learning a new skill. Mediabistro offers courses in today’s most in-demand areas like social media marketing, email marketing, and content marketing. Browse all courses.

Ready to explore new opportunities? Browse open positions on the Mediabistro job board.

Frequently Asked Questions

Can I change careers in media without starting at entry level?

Yes, though you may need to come in a rung or two lower than your current level. The key is to identify transferable skills and position yourself strategically. Research your target role, optimize your resume with relevant keywords, and build experience through side projects or volunteer work.

What are the most common career transitions in media?

Common transitions include journalist to PR/communications, producer to social media manager, editor to content strategist, and broadcast reporter to corporate video producer. These transitions work well because the core skills (storytelling, deadline management, content creation) transfer across roles.

How do I make a career change from journalism?

Journalists have highly transferable skills: research, writing, interviewing, working under a deadline, and storytelling. Highlight these in your resume using keywords that apply to your target industry. Consider roles in PR, content marketing, corporate communications, or brand journalism where your newsroom experience is valued.

Do I need additional training to switch careers in media?

It depends on your target role. Talk to people who have the job you want to understand the required skills. If there are gaps, you can fill them through online courses, self-directed learning, or hands-on projects. Some transitions require formal training, while others just need demonstrated experience.

How long does a media career change typically take?

Career transitions can take anywhere from a few months to a year or more, depending on how different your target role is from your current one. Building new skills, expanding your network, and gaining relevant experience all take time. Start positioning yourself for the change while you’re still employed.

Topics:

Be Inspired, Career Transition
Climb the Ladder

How to Become an Editor’s Favorite Freelance Writer in 2026

Master the art of pitching, writing, and communication to transform from occasional contributor to indispensable freelancer.

How to Become an Editor’s Favorite Freelance Writer in 2026
Yana icon
By Ayana Young
Ayana Young is a communications and PR strategist with 15+ years of experience spanning media relations, lifestyle brands, professional sports, and publishing.
7 min read • Originally published September 6, 2017 / Updated March 19, 2026
Yana icon
By Ayana Young
Ayana Young is a communications and PR strategist with 15+ years of experience spanning media relations, lifestyle brands, professional sports, and publishing.
7 min read • Originally published September 6, 2017 / Updated March 19, 2026

Last updated: January 2026

In this article: Mastering the Pitch | Writing & Editing Best Practices | Professional Communication | Frequently Asked Questions

If you’ve ever been scolded for turning in a story late, not sticking to the angle, or filing a column with 500 words more than assigned, you know firsthand that it hurts when you disappoint your editor.

As you grow in your writing career, taking note of your mistakes may bruise your ego, but it’s essential to learn from your freelancing faux pas if you want to be a writer that editors know they can rely on. From nailing pitches to turning in killer content, there are certain things you can do to impress your editor and stand out among other contributors.

A handful of editors from various publications across the country share their pro-tips on how you can avoid common slip-ups and be a stellar freelancer that editors know they can depend on time and again. Here’s how you can move from bench-warmer to MVP status.

Mastering the Pitch: What Editors Really Want

Because of the current climate of the media industry, editors are relying on freelancers more than ever. They are looking to hire writers who are in the know and can pitch great stories.

“One of the most valuable assets of a freelancer is creativity,” says Stephanie Breijo, Restaurants & Bars Editor at Time Out Los Angeles. “I can’t tell you the number of times I’ve received ‘got any stories for me?’ without any ideas for content attached. It makes the editor’s job so much easier if writers are actively pitching relevant content and not just lining up to be told what to do.”

Pro Tip: While it’s okay to reach out to request an editorial calendar and ask what kind of content editors are looking for, asking for assignments without offering ideas comes across as lazy, even if you have a well-established relationship.

“I like when writers ask what type of content we are looking for, then craft pitches accordingly,” says Stephanie Cain, Real Weddings Editor at The Knot. “All editors have gaps in the content they want showcased on their sites and in their magazines, so it makes for better collaboration.”

Elements of a Winning Pitch

If you want to get on an editor’s radar, craft story pitches that are well-researched, relevant and insightful. Nothing annoys editors more than broad topic story pitches without a defined angle.

“Come with more than an idea. If it’s an essay, you should have a thesis or an angle, not just a topic that you’re interested in ‘exploring,'” says Ruth Spencer, senior editor of New York Magazine’s The Cut. “If it’s a reported piece, tell me the question you’re interested in answering and who you’re going to talk to to do so.”

When pitching, make sure all your ducks are in a row, and be prepared to answer any follow-up questions your editor may have. Include statistics and research to back up your idea.

“My favorite writers have done some legwork/due diligence on the pitch before they pitch it,” says Maximillian Potter, Editor at Large for Esquire, who writes stories for the magazine and also assigns and edits pieces that freelancers pitch him.

“They know they already have the cooperation of X, Y ,or Z. They knew what would be the best timing for the piece and why,” adds Potter. “My favorite writers think this way. They anticipate me reading their query and basic questions I’ll have, and they have them answered before I ask them.”

Pitch Writing Best Practices

If you are pitching an aesthetically driven story, go the extra mile and create a mood board of images to give your editor an idea of how the story will play out visually.

The style and tone in which you write your pitch is crucial to receiving the assignment. While your story proposal should be pithy and straightforward, it shouldn’t lack in personality.

“Don’t make a first-person story sound like a sales pitch,” adds Cain. Charm your editors with your brevity, intelligence, and written charisma.

“Write the pitch like you’d write the piece! Give me a sense of your style, tone, wit,and  humor. Don’t be lazy,” says Spencer. “I read pitches closely, and I often assign based on whether or not I like the way it’s written.”

Writing & Editing Best Practices

Before you sit down to write your story, request the publication’s style guide. Are they old-school and embrace the Oxford comma? Do they use first names instead of last names for attributions? Do they live and die by The Chicago Manual of Style?

Also, pick up a copy of the publication to scope out story formatting. When you turn in your story, you don’t want your editor to get hung up on silly formatting and style issues.

Clean Copy is Non-Negotiable

“This is so simple that it shocks me it still happens regularly,” says Cain. “Check your spelling.” Make sure your copy is clean, void of grammatical errors and misspellings. You want your editor to focus on the overall content of your story.

Being able to self-edit is a skill that takes years of fine-tuning, but goes a long way with editors. While it may pain you to cut paragraphs from your story, know that it will irritate your editor even more if you don’t.

Critical Rule: “Stick to the agreed-upon word count!” advises Spencer. “If I open your piece and find that you’ve gone way over, that just means I’ve got a lot more work to do than I originally allotted for the piece. And that’s frustrating.”

Supporting Materials Matter

When you turn in your story, make sure your editor has all the appropriate materials they need to successfully and thoroughly edit your piece.

“Send us your backup material and contacts for fact-checking. It’s a huge help!” says Cain. “For instance, if you have recorded an interview, email the audio file. If you worked with a PR rep, send us their phone number.”

While most publications don’t require images, it helps editors when you coordinate with businesses or travel bureaus that already have high-resolution images ready for publication.

Embracing the Editorial Process

Great editors break down your writing, ask hard questions, and make you write several drafts. When your editor returns your first draft with red marks, be polite and professional. Editing is a conversation—a back-and-forth about your story, tweaking it until it’s perfect for readers.

“My favorite writers are confident but not cocky,” says Potter. “They recognize that a first draft is exactly that, a first draft. My favorite writers know that we will almost certainly do a second, third, and perhaps a fourth draft.”

Professional Communication That Builds Relationships

Good communication is crucial to maintaining a successful working relationship with editors. Since you’re working remotely, every interaction counts.

Email Etiquette Essentials

When first reaching out with your pitch, be respectful of email etiquette. Follow up, but don’t be a nuisance. Make sure you are communicating with the appropriate person at the appropriate publication before firing off an email. Always copyedit your emails.

“Make sure your contact information is correct,” says Cain. “And note the correct magazine name in your pitch!”

Proactive Problem-Solving

Before you get started on your assignment, make sure you understand what your editor requests of the story. If you have any questions about the assignment, ask for clarification upfront.

If you are experiencing snags that may cause your story to be late or change the angle, let your editor know immediately. Don’t surprise your editor with last-minute changes.

Patience and Understanding

Remember that although it may seem like editors are ignoring you, they do appreciate you and are just extremely busy.

“My favorite writers are patient,” says Potter. “Good editors know it’s hard out there and you’re busting your ass. And my favorite writers know that we are doing our very best as editors to be decent collaborators and human beings. We try to get you feedback and communicate as responsively and as quickly as we can, but sometimes it takes a while.”

Ready to put these tips into practice? Check out current freelance writing opportunities and start building those editor relationships today.

Frequently Asked Questions

How long should I wait before following up on a pitch?

Wait at least one week before following up on a pitch, unless the editor has specified a different timeline. Keep your follow-up brief and professional.

What’s the biggest mistake freelance writers make when pitching?

The biggest mistake is sending vague pitches without a clear angle or asking editors for story ideas instead of proposing specific, well-researched concepts.

How can I stand out from other freelance writers?

Focus on thorough research, meet deadlines consistently, stick to word counts, provide clean copy, and include all necessary supporting materials with your submissions.

Should I pitch multiple ideas at once?

It’s generally better to pitch one strong, well-developed idea per email rather than overwhelming editors with multiple concepts. Quality over quantity always wins.

How do I handle editorial feedback professionally?

Approach feedback as a collaborative conversation. Be confident in your work but open to suggestions. Remember that editors want to make your piece the best it can be for their audience.

Topics:

Climb the Ladder, Skills & Expertise
Climb the Ladder

How to Write a Thank-You Email After an Interview (With Copy-Paste Templates)

How to Write a Thank-You Email After an Interview (With Copy-Paste Templates)
Scouted.io icon
By Scouted
Scouted was a hiring marketplace that matched candidates to roles based on potential, serving clients from high-growth startups to Fortune 500 companies.
5 min read • Originally published January 12, 2021 / Updated March 19, 2026
Scouted.io icon
By Scouted
Scouted was a hiring marketplace that matched candidates to roles based on potential, serving clients from high-growth startups to Fortune 500 companies.
5 min read • Originally published January 12, 2021 / Updated March 19, 2026

So, you had a job interview. Great!

Before you sit back and begin the waiting game, we’re here to tell you that your work is not done. Nope! You may be thinking that you kicked butt at your interview and you’re obviously a shoo-in. Or… maybe not. But did you know that your interview actually isn’t over yet? Yup, you’re still in the spotlight, and even if your interview went great, you can still mess up your job prospects.

Don’t sweat it! We want to tell you how you can help seal the deal—or at the very least get some clarity about your chances of getting the job. We’re here to talk about two types of emails you should send your prospective employer after your interview.

The first type of email we’re going to talk about should ALWAYS be sent.

Always always always always.

Always. Send. A thank-you.

The Thank-You Email

The nice thing about the thank-you email is that you really shouldn’t have to think too much about it. Think: short, sweet, and polite. That said, there are a couple of best practices to follow when sending your thank-you note.

Do Send your thank-you note very soon after the interview, preferably within 24 hours.

Do Make sure to address your interviewer(s) by name and send it to each person who interviewed you.

Do Include the words “Thank You” in the subject line so your interviewers understand that you’re not trying to hound them about the job right after the interview. Also include the title of the position you applied for to jog their memory. Something like “Thank You – Data Analyst Interview.”

Do Briefly mention your qualifications again.

Don’t Be long-winded. This isn’t your cover letter, round two. While it’s okay to restate why you think you’d be a great fit for the job and address any concerns the hiring manager may have had, it’s important to respect their time and keep your note to the point.

Don’t Make spelling or grammar mistakes. Even if you had a great interview, this could hurt you—a lot.

Pro tip: The key is to be genuine. Be genuine and friendly during the interview so you have something real to mention in your thank-you note, and then be genuinely grateful that you’re being considered for the position. Even if you’re nervous about getting the job, try to believe that you really are the best person for it—and your potential employer will think so too.
According to this survey, 80% of HR managers said it was either somewhat helpful or very helpful to receive a thank-you message from a candidate. Despite this, the study also found that only 24% of candidates ever sent one. Basically, if you’ve been looking for a way to stand out, this could be it.

Thank-You Email Template

Hello HIRING MANAGER NAME,

It was great to meet you in person! Thank you for having me by the office today and taking the time to talk more about COMPANY NAME and the POSITION TITLE role. It was also great meeting with OTHER INTERVIEWERS and learning about their experience at the company and getting more detail on the day-to-day responsibilities.

I’m excited about where COMPANY NAME is headed and believe I can contribute to its success. My conversations with you confirmed that this role provides the perfect chance to be challenged and grow in INDUSTRY/FIELD. I’d be excited to use my experience in YOUR RELEVANT EXPERIENCE to help your company meet its goal of GOAL DISCUSSED IN INTERVIEW.

Please let me know if there is any other information I can provide. I’d be happy to follow up on anything we discussed or provide samples of my work.

Best,

YOUR NAME

YOUR PHONE NUMBER

YOUR EMAIL

Michelle, who coaches candidates through the application and interview process at Scouted, explains why this template works:

“It’s long enough to show that the candidate put thought into it, but concise and to the point. It appropriately reinforces interest in the role with specific reasons why. It lists each person the candidate met, along with specific details from those chats. It’s enthusiastic and positive without using too many exclamation points.”

Now we get to our second type of follow-up email…

The “I Haven’t Heard Anything in a Week” Follow-Up Email

Now is the time when you become frustratingly familiar with the last email that popped into your inbox, desperately waiting for a new, unread message with your interviewer’s name on it.

You may be tempted to forgo a follow-up altogether, imagining the worst-case scenario: Did the manager laugh at you as soon as you left the room? Did you horribly offend them? Bore them? Did they see right through your fear of feeling like an imposter?

Here’s what we’re going to tell you:

Hiring managers are busy. They’re real people with a real workload—which might be heavier than usual seeing as they’re trying to hire someone.

Some hiring managers might even be happy to see your email pop into their inbox and think, “Right! I was supposed to email them three days ago!”

It’s with this mindset that you should follow up with your interviewer. If you were given a date by which they said they would get back to you and that date has come and gone, feel free to type up your email. If you weren’t given a date but it’s been over a week and you haven’t heard back, type away.

Guidelines for Following Up After an Interview

  • Always assume they’ve been busy.
  • Always be polite and thank them for interviewing you in the first place.
  • Remind them of your interview—bring up something specific you discussed so they remember you.
  • Address any concerns they may have had and reassure them that you’re a great fit.
  • Restate why you’d be a great fit for the role.
  • Ask if there is anything else or more information they need from you.
  • Leave a way to contact you, just in case.

Follow-Up Email Template

Dear HIRING MANAGER NAME,

I hope you’re doing well!

I wanted to follow up on my interview last week for the POSITION TITLE role. I’m still very excited about the opportunity and believe I’d be a great fit due to my experience in RELEVANT EXPERIENCE. I’m confident I could help your company GOAL FROM INTERVIEW.

Please let me know if you need any additional information from me or have any further questions.

Looking forward to hearing from you,

YOUR NAME

YOUR PHONE NUMBER

YOUR EMAIL

You shouldn’t ever worry about sending a follow-up email to a prospective employer as long as you keep it short and sweet, grateful, and not pushy. Follow these guidelines, and your email will simply demonstrate your interest and enthusiasm for the position.

Got some follow-up or thank-you email advice of your own? What was the best follow-up message you ever wrote?

Topics:

Candidates, Climb the Ladder
Advice From the Pros

Adam Glassman Interview: What It’s Like Being Creative Director at O, The Oprah Magazine

On styling Oprah and everyday, real women

adam-glassman-feature
Admin icon
By Andrea Williams
@AndreaWillWrite
Andrea Williams is an author, journalist, and columnist for The Tennessean with over 16 years of experience in journalism and 20 years in copywriting and communications strategy. Her work spans national outlets and high-traffic digital brands.
8 min read • Originally published October 21, 2015 / Updated March 19, 2026
Admin icon
By Andrea Williams
@AndreaWillWrite
Andrea Williams is an author, journalist, and columnist for The Tennessean with over 16 years of experience in journalism and 20 years in copywriting and communications strategy. Her work spans national outlets and high-traffic digital brands.
8 min read • Originally published October 21, 2015 / Updated March 19, 2026

Last updated: January 2026 | Interview originally conducted during Adam Glassman’s tenure as Creative Director at O, The Oprah Magazine

In this article: Quick Facts | The Creative Director Role | Biggest Challenges | Using Real Women as Models | Styling Oprah | Career Advice | Universal Fashion Tips | FAQs

Adam Glassman served as the creative director at O, The Oprah Magazine for over two decades, shaping the visual identity of one of the most influential women’s publications in media. Known for his “Adam Says” advice column and his commitment to featuring real women of all ages and body types, Glassman brought a distinctive approach to fashion journalism, prioritizing accessibility over exclusivity.

In this interview, Glassman discusses what it takes to succeed as a creative director, the challenges of finding photographers who appreciate adult women, and what it’s like to style one of the world’s most famous women every month.


Quick Facts: Adam Glassman

Name Adam Glassman
Position Creative Director, O, The Oprah Magazine
Notable Column “Adam Says” (launched 2007)
Birthday November 6
Hometown Manhattan, New York
Education B.A. in Business and Communications, NYU
Career Path Fashion/Beauty Director at Lear’s → Freelance Art Director/Stylist at Gap → Interior Design (Garnet Hills, Ethan Allen) → Style Director at Self → Style Editor at House and Garden → Creative Director at O Magazine (2000)
Media Idols Oprah Winfrey, Gayle King

What Does a Creative Director at O Magazine Do?

What is one not-so-obvious skill needed for your position?

“In some worlds, creative director is solely like a graphic design person. In some places, like at Vogue, they’re really a fashion person solely, and they’re a kind of stylist. And, in some places, such as this, I do a little bit of it all.

“So I conceive, I produce and I pull together all of the teams involved to make all the shoots happen, to sort of figure out how to take the brilliant words in O and the brilliant story ideas and make them visually compelling.

“But what I will say is that what we’re most proud of here at O is that we put out a magazine that really is solely for the readers, not for my colleagues who work at other magazines. And we have such a unique reader because we speak to three generations of women.

“So we’re speaking to you, we’re speaking to your mom and we’re speaking to your grandmother, so to speak. And, in order to do that, you have to be a fairly creative editor, in terms of the kind of material you’re going to talk about and also how do you portray it.”


The Biggest Challenge: Finding the Right Collaborators

What is the most challenging part of your job?

“Finding enough hours in the day to do it all. I know how to do this job very well; I know the scheme and the landscape that I operate it in. It is really finding the time to do it that is the most challenging part of it.

“And, also, I will say that it is challenging to get people on board to understand the mission. I think from a creative standpoint it’s always a challenge to find photographers who love the idea of adult women and who love the idea of shooting women and making them look beautiful, and alive, and soulful and intelligent, and not just treating women like young models who are meant to be mannequins.

“And that takes some trial and error because a lot of photographers, especially young ones starting out, want to be fashion photographers with a capital ‘F.’ They want to take pictures of young, skinny girls in high fashion. I’m always looking for people who have the taste of a Vogue editor but the understanding about how to take that taste level and make it applicable and adaptable to every woman.”


Why O Magazine Uses Real Women as Models

Let’s talk about the decision to use real women and not fashion models with a capital “F.”

“When I came here, I really studied The Oprah Show, and I thought, ‘Isn’t the differentiating point between Oprah and so many of these other shows that she resonates somehow with these real people? And that even Oprah herself has had her own trials and tribulations with going up and down with dieting or other aspects of her life that everyone can relate to?’

“I thought, ‘Why don’t we do that here at O?’ I don’t want to say that we don’t ever use models because there are times that we do, but as we speak to these three generations of women, how can you do that? You can’t do it with just some young, 20 year-old model. That’s not going to appeal to your grandmother. That’s not going to appeal even to your mother as much.

“You need something that is going to appeal to everyone. So I started using women of all ages, and not just all ages, but really all shapes. And I thought that was really key.

“Even Oprah thought I was nuts in the beginning. She was like, ‘You really want to do fashion on real people?’ And I said, ‘Yes, why not? You do it on the show. You show your people in makeovers; you have it in the audience. Let’s try it.'”


What It’s Like to Style Oprah for Every Cover

Tell me what it’s like styling your boss every month.

“Well, she is our cover girl, and she is our cover girl that sells lots of issues monthly. Oprah’s really on board with that, and she’s totally fine with that. We make it as fun and as painless as possible.

“And I will say this: I try to shoot at least three covers at a time because Oprah is probably the busiest person that I know. To do a monthly cover shoot is just not time effective or possible with her schedule. We do so many at a time, and they all have to be sort of perfect.

“Oprah is the most professional person I know. She comes camera-ready, and when she comes camera-ready, it literally means ‘Let’s get dressed, and let’s start shooting.’

“All of Oprah’s clothes are made in advance and, fortunately, there isn’t a designer out there who doesn’t want to dress Oprah, so I’m lucky like that. But I start now going to all the shows, making big notes and printing out pictures, going, ‘Okay, this we’re going to make for next season; this is what we’re going to do; can they add a sleeve…’

“You know, there are certain things, like Oprah doesn’t wear sleeveless, so it’s hard to find clothes sometimes, especially in the summer months and especially if you want to do high-glamour evening. So we’re very creative about that kind of stuff. But it’s great fun, I must say. I love it.”


Career Advice for Aspiring Fashion Professionals

What is the biggest mistake that you see young professionals making?

“First of all, I think everyone should do their homework. You need to know who you’re interviewing with: not just the human being, but also the publication. And I can tell you numerous times people have come in and they’ve never picked up an issue of O Magazine. And I have to tell you something: that doesn’t fly.

“There are so few jobs out there right now for young people, and there are a lot of people looking for a job. The moment you say that to me, the interview is over, basically, in my mind.

“The other thing is you have to keep in mind that you only have one chance to make a great first impression. That’s why it’s called a first impression. So you need to look the part, but you also need to project some kind of confidence. And I don’t want to confuse confidence with cockiness, but you need some sense of self, and you need eye contact.

“I’ve had people in my office, and they weren’t even looking at me. They don’t even know what they’re talking about; they’re not looking at me; they’re looking around; they’re looking down; they’re meek. That doesn’t work.”

Looking for creative director opportunities? Browse media jobs on Mediabistro.


Adam Glassman’s 3 Universal Fashion Tips

What are three universal fashion tips for all women, regardless of age, size, or body type?

1. Befriend your tailor. “Fit is everything. Regardless of your body type, and regardless of how expensive a garment is or how little you spent on a garment, everything needs a little tweak.”

2. Embrace a nude shoe. “And I say a nude that matches your own skin tone—because a nude shoe will instantly make you look longer and leaner.”

3. Don’t follow every trend. “My overriding theme, no matter what: Just because it’s a trend, doesn’t mean you have to buy into it. If you don’t look good in it and you don’t feel comfortable in it, ignore it!”

This interview has been edited for length and clarity.


FAQs About Adam Glassman

Who is Adam Glassman?

Adam Glassman is a fashion and creative director best known for his long tenure as Creative Director at O, The Oprah Magazine. He joined the magazine in 2000 and launched his popular “Adam Says” advice column in 2007. Glassman is known for championing the use of real women of all ages and body types in fashion editorials.

What did Adam Glassman do at O Magazine?

As Creative Director, Glassman was responsible for conceiving and producing all photo shoots, styling Oprah for monthly covers, assembling creative teams, and translating the magazine’s editorial vision into compelling visuals. He pioneered the use of diverse, real women as models rather than traditional fashion models.

What is Adam Glassman’s educational background?

Adam Glassman holds a Bachelor of Arts degree in Business and Communications from New York University (NYU).

What is the “Adam Says” column?

“Adam Says” is an advice column that Adam Glassman launched in O Magazine in 2007, where he offered fashion and style guidance to readers.

Topics:

Advice From the Pros, Be Inspired

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