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Posts Tagged ‘Dorothy L. Sayers’

HarperCollins Creates New Line of Paperback Mystery Novels

HarperCollins Publishers has created a new paperback mystery novel line to be published under the Bourbon Street Books line that is published by the Harper Paperbacks imprint.

Here’s more about the line: “Bourbon Street Books will publish all types of mysteries and will feature paperback originals, reprints, backlist titles, and reissued classics. We will launch the line in the fall 2012 season with two paperback originals: The Hollow Man, an exciting debut by British author Oliver Harris, and Blood Line, the 7th book in the Anna Travis series by international bestselling author Lynda La Plante, both publishing on October 23rd.”

In addition to these new books, the line will re-release a number of Dorothy L. Sayers’ books in October, including: Strong Poison, Have His Carcase, Busman’s Honeymoon, and Gaudy Night

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Mediabistro Course

Memoir Writing

Memoir WritingStarting January 7, work with a published memoir writer to tell and sell the story of your life! In this course, Wendy Dale will teach you how to create your story around a marketable premise, hone your narrative voice, write a memoir with a solid structure, and sell your memoir before you've even finished writing it. Register now!

Invisible Library Card

ink copy.jpgFrom June 12 until July 12, the London-based art collective Ink Illustration will host a new metafictional exhibit, creating book covers and text for books that only exist inside the pages of novels.

Last year imaginary literary scholars Levi Stahl and Ed Park created the Invisible Library, collecting scores of non-existent books that were mentioned in real novels. The collection included imaginary works alluded to in fiction by Jorge Luis Borges, Dorothy L. Sayers, Kurt Vonnegut, and many other authors. The London exhibit draws from 40 of these titles, illustrating the imaginary books.

Here’s more from the participatory exhibition: “Working with some of Real Fits best selling writers and novelists, as well as high profile cultural and musical figures, the opening or closing pages of these forty empty books with illustrated covers, will be penned in advance of the exhibition. The collaboration continues throughout the exhibition as gallery attendees and workshop participants are invited to temporarily ‘sign out’ these library books and carry on writing the developing narratives within. Thus by the close of the exhibition, the once blank pages of each book will be enlivened with imaginative poly-vocal stories.”