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radio

This is Where the Paywall Works

The so-called “News Paywall” has been a subject of debate and ire for plenty of publishers, journalists, business owners and practically anyone with an opinion since The New York Times famously established their 10 article limit in March of 2011. One popular opinion is that paywalls never work — an audience on the internet is much more likely to get their news for free than anywhere else, and the value proposition is too low to keep anyone’s attention (and subscription). But there actually is a group of publications that are able to make the paywall work better than anywhere else, and they’re pulling in high revenue for their material.

Yes, the world of conservative political news media has mastered the paywall. Read more

At $170,000+, ‘99% Invisible’ Becomes Most Funded Kickstarter in Journalism

An update to our post last week: the pledges kept coming, and the most funded journalism project in Kickstarter’s history is now a small-staffed podcast about design.

If you didn’t read it, public radio’s Roman Mars started a crowdfunding campaign this summer with a goal of $42,000 to help fund extra help for its third season of 99% Invisible, his side project focusing on the “invisible” activity that shapes our lives. (It was a necessary gamble– most of the money was slotted to hire former intern Sam Greenspan and make production more manageable.) In the end the radio show distributed by Public Radio Exchange more than hit its goal, and more than doubled its goal, too—the project funded its goal 405 percent.

A total of 5,661 backers crowdfunded it to a whopping $170,477.

Read more

How a ‘Tiny’ Radio Show Raises Over $147,000 on Kickstarter

The crew of the radio show and podcast 99% Invisible doesn’t compare to that of Morning Edition, This American Life, or most popular public radio strongholds. It’s only two people (and even that’s a recent addition.) But with the support of its distributor Public Radio Exchange, and numerous design-curious fans, it may be paving a new model for audio content that fits the purpose of public radio.

With four days to go in its fundraising campaign, the “tiny radio show about design, architecture and the 99 percent invisible activity that shapes our world” has raised over $147,000 through close to 5,000 supporters on Kickstarter, shattering its original goal of only $42,000.

(Notably, the number also already marks it as 1 of only 208 successfully funded projects on Kickstarter to raise over $100,000.)

If funds continue to flow in, the show’s host and producer Roman Mars will be able to do much, including bringing on former intern Sam Greenspan to help produce a strong third season.

This should catch the attention of both content creators and fundraisers. What began as a short one-minute segment on a KALW show is organically growing into a stellar success story of digital storytelling worth examining. So how’d it happen? Read more

Get Your Stories Featured on This American Life

ThisAmericanLife.jpgI’m sure you’re a great writer, but did you ever consider radio?

It doesn’t matter if you don’t have experience in the AM-FM field. This American life, the weekly public radio show that reaches more than 500 stations nationwide and is home to Ira Glass, wants your story. But none of that generic “my first marathon” stuff — think funny, dramatic, or surprising when pitching.

“The show started as a place where writers and performers could broadcast their stories and a place for journalism that wasn’t following the big news,” says founding producer Nancy Updike. ”After 9/11, we started doing more journalism, including sometimes tackling whatever was in the news in a given week. That shift wasn’t a conscious decision; it just worked out that way as people on staff followed their interests.”

And get this: 60 percent of the show’s content is freelance generated. Find out where to direct your perfect pitch here.

– CLAIR PHILLIPS

 

Multi-Platform Journalism: An Interview with Dominick Brady

Dominick BradyFor journalists, the opportunities for diversifying your craft are increasing at a rapid pace. Multi-platform journalism is the name of the game, and no one knows this better than Atlanta-based journalist Dominick Brady. I recently had a chance to talk with Dominick about what he does, his perspective on journalism, and his future projects.

Maurice Cherry: Tell our 10,000 Words audience a little about what you do.

Dominick Brady: I’m an independent multi-platform journalist based in Atlanta, Georgia. Traffic reporting for Clear Channel radio is my day job but I also freelance quite a bit. My freelance work has focused primarily on arts and entertainment. I’ve worked in Internet radio as a features contributor for East Village Radio, an audio documentary series producer for Brooklyn Radio, as a blogger and audio features producer for CentricTV; a video features producer, blogger and contributing writer for Atlanta’s Creative Loafing and a features contributor for The Smoking Section. My passion is radio journalism. I’m a member of the Association of Independents in Radio, but I’ve found myself returning to writing for print and the web for the bulk of my freelance work.

MC: How do you think the current digital landscape affects how journalism and reporting works?

DB: I think it’s an exciting time. There are now more formats and mash-up possibilities available in the journalist’s tool box. I’m really interested in data visualization, data reporting and how they can Read more

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