If you were a fan of Draftcb’s almost-expletive filled “Ship My Pants” spot for Kmart, (which we covered back in April) you might be glad to learn that the agency has just released a holiday follow-up, “Ship My Trousers,” which hopes to recapture the viral success (over 20 million views) of that spot. Draftcb’s sequel follows the formula of the original very, very closely. In fact, “Ship My Trousers” uses the same actors, and most of the same lines, as the original “Ship My Pants” spot. It’s pretty much the same ad, just adapted for characters from Charles Dickens’ A Christmas Carol. If you enjoyed the original “Ship My Pants,” chances are you’ll find the sequel amusing as well. If you didn’t, you probably won’t want to bother watching “Ship My Trousers” above. Personally, while I don’t understand what characters from A Christmas Carol are doing shopping at Kmart, the “I just shipped my bed” guy’s delivery just about makes up for it. Idea for next time: hire the actor who played Clay Davis on The Wire to say “sheeeip.” Credits after the jump. Read more
Posts Tagged ‘Howie Ronay’
You may have read about the controversy surrounding Draftcb Chicago’s new Joe Boxer spot for Kmart, “Show Your Joe.” If you actually watch the spot (featured above) and have any sense, you may wonder what all the fuss is about. Kmart, of course, is no stranger to controversial advertising: a recent Kmart spot featured Satan and Genghis Khan, and their “Ship My Pants” spot is still our favorite of the bunch.
“Show Your Joe” opens with a group of tuxedo-wearing men behind a curtain, ringing bells. After a few seconds the curtain is whisked away to reveal the men clad in only boxer shorts from the waist down, and they begin playing “Jingle Bells” by shaking their hips. Presumably the, uh, bells, are tucked away somewhere in those boxers. The men perform the chorus of the song…and that’s it. To be clear: there’s nothing all that risque about the execution — the camera is panned way out and these dudes are in boxers, okay? No junk visible. Repeat: no junk visible.
The holiday effort is a little juvenile perhaps, but offensive? Hardly. The most offensive thing about it may be that it’s not all that funny. Either the cries to arms are coming from those who feel this ad violates the “sanctity of Christmas” (you can see these people riding around in cars with “Put the Christ back in Christmas” bumper stickers and complaining about government handouts), or they are the typically hypocritical complaints that arise from anything remotely provocative associated with male body parts. Overtly sexualizing women in every single women’s underwear ad ever? That’s okay. Suggesting that a group of guys are playing “Jingle Bells” with parts tucked away in their boxers, away from view? Congratulations, you’ve just awakened the seven horses of the apocalypse.
Kmart has reportedly refused to pull the ad, despite a long list of complaints on their Facebook page (although a quick glance at the page while writing this turned up at least as many comments supporting the ad). Good for them. If anything, the controversy will just call more attention to the spot, Kmart and Joe Boxer. Let us know what you think about the so-called controversy surrounding “Show Your Joe” in the comments section. Credits after the jump. Read more
It’s always wonderful when brands (and agencies) totally surprise you. That’s the way I felt upon viewing Kmart’s and DraftFCB Chicago’s “Halloween Costume Challenge,” a dark, Matrix-esque new seasonal spot starring dancer Monternez “Monty” Rezel of America’s Got Talent.
In the parking lot of a Kmart store on Chicago’s northwest side (the Addison and Kimball location for those familiar), Rezel set a Guinness World Record by going through 150 costume changes in just over six hours filming this spot. Set to David Condos‘ song “Like Wolves,” the spot freezes Rezel in midair during his dance, with a circle of cameras capturing his moves in 360-degree glory.
For those social mediaites out there (we know you’re out there), the live-stream of the event garnered 148 mentions, 33 retweets and 453,000 impressions. Alright, so those metrics aren’t that amazing (because I wasn’t invited and no one watches live-streams unless someone is breaking the speed of sound), but the end product is. And, really, when you have a spot this good, that’s all that matters. Credits after the jump.