McCann New York has a new campaign for Jose Cuervo that takes viewers on a journey through the brand’s history via handcrafted dioramas housed inside, you guessed it, Cuervo bottles. The results are pretty intriguing, and make the dioramas of your grade school past look pretty crappy by comparison. Called “History in a Bottle,” the campaign also includes an augmented reality app, which can be downloaded at CuervoHistoryApp.com. The app allows users to “hover over a bottle of Tradicional (Silver or Reposado) and bring the campaign to life.” It’s no surprise that the dioramas look so good. McCann commissioned LAIKA/house, the animation studio behind the stellar films Coraline and ParaNorman to handcraft each of the five distinctive dioramas, as well as the other imagery of the campaign. Stick around for credits after the jump. Read more
Posts Tagged ‘Paul Weiss’
If you’ve already seen “Elysium,” “Kick-Ass 2,” or “2 Guns” and need to get a quick action fix, then you can always check out Verizon’s new thriller, “Catch Me If You Can.” The plotting and scriptwriting is probably on par with regular films that fizz out in theaters, and this spot, which was created by mcgarrybowen, even has The Bourne Identity/Swingers/Mr. And Ms. Smith director Doug Liman behind the camera.
In the one-minute spot, an unnamed protagonist races to find his Droid phone after leaving it in a New York City cab. Making the stakes even higher, the cabbie drives like a typical cabbie, so the phone is sliding all over the place and smacking into windows. Luckily, Droid phones now have scratch-resistant glass. I don’t want to say anymore and spoil the ending, but as with most action movies, the hero gets the girl, or phone, or whatever object is the focus of the chase.
Credits after the jump.
Another year, another round of PETA’s “Great Ape Pledge” PSA campaign which aims to bring awareness of the plight of primates that suffer physical/psychological abuse at the hands of the entertainment industry. BBDO New York, which has taken the “Pledge” before with its nifty auto-correct effort from two years ago, joins forces with PETA once again for the spot above, which also features VO services from Oscar-winner Adrien Brody and VFX/production work from The Mill. If you stick around for the end, you’ll see that no real ape was used in the above PSA, which reemphasizes PETA’s whole purpose for launching “The Great Ape Pledge” in the first place.
Instead, the parties involved hammer home the message that primates shouldn’t be used as actors by creating a photo-real CG chimp that’s seemingly at its wit’s end. If the stark message touched a nerve or inspired you to pledge (it’s perhaps a bit more effective than auto-correct messaging), you can go here. Credits after the jump.
Kids: is there anything more annoying? Always asking their stupid questions and making those terrible shrieking sounds, isn’t it about time that they can just watch SpongeBob SquarePants 24/7 and never bother you for anything again? Enter Verizon’s FiOS network and this spot from McCann NY. With one network, your kids can shut up for hours whether they’re watching TV, your laptop, or you cell phone.
Okay, so you might not leave your kids alone with your laptop or your cellphone all of time time for fear that they might break or lick your electronic devices. But, Verizon’s FiOS does run on a fiber-optic network, making it the first integrated network geared towards home use to do so. More importantly, when has Comcast’s ads featured something as cool as a house that transforms into a doctor’s office that transforms into a car in seemingly one take?
While it’s not available everywhere, FiOS has steadily climbed to over three-million television and internet subscribers nationwide. This sleek campaign tells us that Verizon wants to make a big push with its network this holiday season, continuing to expand its coverage and targeting new demographics. We should also note that this ad is much more entertaining than having to sit through an entire Transformers movie, Megan Fox‘s presence notwithstanding.
Credits and another spot after the jump.