A lot of folks were puzzled last night on Twitter during the Oscars when the show orchestra, from several miles away at Capitol Records, played off Best Supporting Actress winner Lupita Nyong’o with the song “Pure Imagination” from Willy Wonka and the Chocolate Factory. In case you’ve forgotten, it’s the ditty Gene Wilder intones when his group of visitors first catches a glimpse of the magical candy kingdom.
Posts Tagged ‘Academy Awards’
There are all sorts of fascinating group-snippets in the video below, shot by The Hollywood Reporter during a recent gathering of dozens of Academy Award-winning and nominated producers at the home of Robert Evans.
All these years later, Frank Marshall alongside Quincy Jones still can’t get over the fact that the Academy honored The Color Purple with 11 nominations but skipped director Steven Spielberg. Mel Gibson and Alan Ladd Jr. try to remember how they first met. And Jason Reitman (Up in the Air), with father Ivan next to him, details some unusual dynamics:
“I remember the first time I gave a screenplay to my dad – he was basically the first person to read it – he said, ‘Jason, this is a plotless screenplay.’ You can’t be so afraid of plot.’… It’s a very tricky line when your father is your producer and he has to find that moment of when is he being your father and when is he being a producer.”
For the his latest New Yorker cover, Barry Blitt honors the upcoming Academy Awards with a nip-and-tucked Oscar. Blitt gave the award a slew of upgrades, including “chin work,” “neck work,” and something scary called a “freshened nape.”
Nice work by Blitt, but our favorite Academy Award New Yorker cover was one from Bruce McCall. In 2012, McCall drew giant Oscars getting blitzed to celebrate winning several tiny human statues. See it below.
Post-Sochi, Bob Costas spent nearly two full hours this morning hanging out with Dan Patrick in the Man Cave. The NBC Sports colleagues began of course by revisiting the Winter Olympics eye mess, followed by a series of high-profile phone-in guests.
Matt Lauer reacted to Patrick’s joking revelation that DP had faked sickness in Sochi once it became obvious that Lauer and then Vieira were getting the prized opportunity to replace the sidelined Costas. Race car driver Jeff Gordon compared notes with Costas on some of the celebrities who live in their shared New York City high rise (Sting, Denzel Washington). And Chicago Sun-Times film critic Richard Roeper jumped in to talk Oscars.
Although Patrick hasn’t seen most of this year’s nominated movies, he ran through some confident predictions for the major categories. While Roeper agreed that Lupita Nyong’o will likely take Best Supporting Actress from Jennifer Lawrence, he wasn’t so sure about Patrick’s Best Picture lock. Roeper thinks Gravity may well pull off the “upset” over 12 Years a Slave.
The only problem with Jimmy Kimmel‘s brilliant proposal last night is that Oscars host Ellen DeGeneres is in absolutely no need of extra cash. But if she were, she might definitely take up her ABC-TV Academy Awards broadcast mate on his crafty idea.
Kimmel told Ellen she is in the perfect position to bet, through an anonymous middleman like Guillermo, on prop wagers like these:
- Will Ellen wear a dress during the show?
- What will be the color of the first suit Ellen wears on stage?
- Will Pink and Bette Midler perform a duet?
Awards show watchers rejoice! All systems are still set to go with respect to Nikki Finke live-snarking the 86th annual Academy Awards.
It’s unclear at this point if the live-snarking will take place on Twitter or via NikkiFinke.com. Either way, it’s a welcome prospect.
Because despite Bill Murray‘s very solid indirect advice regarding acceptance speeches, chances are that – in the moment – winners like Cate Blanchett will espouse the tiresome thank-you drill. Which leaves only the opening monologue and dwindling comedy bits as the show lumbers on to hang our entertainment hats on.
Last night’s full-hour conversation on Charlie Rose was as entertaining and memorable as we expected.
The first classic moment occurred about ten minutes in, when Rose observed that his guest’s trajectory seemed to have been “not a carefully thought out, well-planned life.” Murray was genuinely gassed by the observation, laughing heartily and deadpanning that no one has ever been quite this compassionate towards him.
A little later, the actor explained that because of his sons’ lives, he currently makes his home in South Carolina. Though he didn’t choose to relocate there, the actor explained, he now loves it. “The people are kind, the place is beautiful. It’s easier than being a parent in New York; being a parent there was quite a bit harder.”
David Carr‘s circa 2008 thoughts about Philip Seymour Hoffman generated, deservedly, a lot of attention. Today comes another equally wonderful journalist-POV remembrance from Entertainment Weekly senior film writer Anthony Breznican.
The stakes here – beginning circa 2007 – are equally high, as reflected by the headline “The Night Philip Seymour Hoffman Changed My Life…“. We’re not going to spoil the details; you’ll have to read Breznican’s item to get the full brunt of this vivid trajectory.
To set the scene, the writer recalls that he and his wife Jill sat across from Hoffman for a restaurant dinner at the 2007 Sundance Film Festival promoting The Savages:
While the actor wasn’t into talking about himself or movies, he loved talking about novels and stories: We discussed John Updike, Philip Roth and Richard Ford’s The Sportswriter, and soon we were getting comfortable with each other. The conversation shifted to family. Hoffman and his longtime partner, Mimi O’Donnell, had a toddler son at the time — they would go on to have two more children — and my wife and I were then thinking about having children ourselves…
Have you caught up yet with Tom Brokaw‘s weekday syndicated radio blast “An American Story”? If not, you should.
Brokaw has been applying a veteran newsman’s perspective to a wide range of news and pop culture topics. He’s been recording these since last fall and they never fail to entertain, inform.
Today, Brokaw highlighted a point that we have made again and again over the years. Because there are so many more worthy candidates each year than the Academy Awards process can possibly accommodate, the list of overlooked films, performers and craftspeople grows longer each year. The mistake many people make is to hold the Oscars exclusively accountable for this; simple mathematics deserves an equal share of the blame.
Just how good is the “Empire State of Mind“-derived winning entry in GoldDerby’s recent Oscar nominations video treatment contest? Good enough for site founder Tom O’Neil to pass along to TV show producers Craig Zadan and Neil Meron, for possible ABC-TV/AMPAS promotional use.
“Their “Oscar State of Mind” performance is so brilliant, slick and breezy that they should be performing it at the Dolby Theatre on March 2,” O’Neil suggests to FishbowlNY. At the very least, the Academy should consider enlisting video stars Samantha Massell and Ted Stevenson for some sort of participation in either the broadcast or online multi-cam experience. The latter is becoming an increasingly essential second-screen experience.
“When I ran the video by Zadan and Meron, they said that they had their Oscar promos all wrapped up,” adds O’Neil. “Too bad.”
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