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Posts Tagged ‘magazine editor jobs’

Vibe’s Jermaine Hall on What It Really Takes to Be EIC

In the same year that music mags Blender and Giant folded, Vibe shuttered, as well. But, luckily for the iconic mag, it was snapped up by a private equity firm, and editor-in-chief Jermaine Hall was brought on to resurrect the pub. And resurrect it, he did.

In the latest installment of Mediabistro’s So What Do You Do?, Hall explains how the mag is winning again and gives advice to aspiring EICs.

“A lot of things that come with being editor-in-chief aren’t necessarily drilled down into the day-to-day tasks,” he said. “It’s a lot of schmoozing; it’s a lot of fixing relationships; it’s a lot of bartering; it’s a lot of people skills, I would say. It’s really going out there to be the ambassador of the brand on all levels.”

For more, read So What Do You Do, Jermaine Hall, Editor-in-Chief of Vibe?

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Vibe’s Jermaine Hall on What It Really Takes to Be EIC

In the same year that music mags Blender and Giant folded, Vibe shuttered, as well. But, luckily for the iconic mag, it was snapped up by a private equity firm, and editor-in-chief Jermaine Hall was brought on to resurrect the pub. And resurrect it, he did.

In the latest installment of Mediabistro’s So What Do You Do?, Hall explains how the mag is winning again and gives advice to aspiring EICs.

“A lot of things that come with being editor-in-chief aren’t necessarily drilled down into the day-to-day tasks,” he said. “It’s a lot of schmoozing; it’s a lot of fixing relationships; it’s a lot of bartering; it’s a lot of people skills, I would say. It’s really going out there to be the ambassador of the brand on all levels.”

For more, read So What Do You Do, Jermaine Hall, Editor-in-Chief of Vibe?

Lucky EIC Brandon Holley on Getting a Magazine Job

Brandon Holley held editor positions at Time Out and GQ, helped launch Elle Girl and headed Yahoo! Shine before taking the helm at Lucky in 2011. And, she says, if you want to snag a top spot on a magazine masthead, you need to be a vocal and proactive voice for the brand.

“I think people make a mistake when they wanna climb the masthead, and they assume the editor-in-chief should pay attention to them. And, now that I’m on the other side of the desk, I love people who come to me,” Holley said in our Media Beat interview.

Holley explained that she made a name for herself at GQ by giving “steady input without being annoying” to editor-in-chief Art Cooper. “I wasn’t kissing ass, but I would write memos to him and say, ‘I think this section could use this,’ and ‘I think we should start a new section that’s this’… I’m a huge fan of memo writing.”

The EIC also debunked that rumor about Lucky going all-digital or scaling back its print frequency. “That was a weird misunderstanding of our mission,” she said.

Part 2: Brandon Holley Calls Fashion Blogging ‘Most Exciting Thing to Happen in Publishing in Decades’
Part 3: Lucky’s Brandon Holley Talks Photoshop and Fashion

5 Traits Every Good Magazine Editor Has

For many journalism junkies, there are few things more honorable than landing a spot on the masthead. However, being an editor requires much more than just a love for media or a knack for grammar. For one, you need to be able to multitask and manage the various projects and personalities of the staff.

“When you’re a writer, it’s a very singular experience,” said Jayson Rodriguez, a writer-turned-editor of XXL. “But here, I’m in touch with the art team; I’m in touch with the research department; I’m trying to make sure things can align on the front end as fast as they can so they have appropriate time on the back end. I’m thinking in terms of the whole product instead of just one story. In a lot of ways, it’s like you’re an ambassador of the process.”

Read more in 5 Signs You’re Ready to Be an Editor. [subscription required]

Andrea Hackett

5 Traits Every Good Magazine Editor Has

For many journalism junkies, there are few things more honorable than landing a spot on the masthead. However, being an editor requires much more than just a love for media or a knack for grammar. For one, you need to be able to multitask and manage the various projects and personalities of the staff.

“When you’re a writer, it’s a very singular experience,” said Jayson Rodriguez, a writer-turned-editor of XXL. “But here, I’m in touch with the art team; I’m in touch with the research department; I’m trying to make sure things can align on the front end as fast as they can so they have appropriate time on the back end. I’m thinking in terms of the whole product instead of just one story. In a lot of ways, it’s like you’re an ambassador of the process.”

Read more in 5 Signs You’re Ready to Be an Editor. [subscription required]

Andrea Hackett