Last week,  it was all about authors and agents, and today it was television titans’ turn in the rotating cast of characters that is Wednesdays at Michael’s. Tonight when Liz Smith hosts her annual kick-off for her Literacy Partners’ initiative, the joint will be jumping with social types like Diane von Furstenberg (who, we hear, recently broke her shoulder skiing and is, no doubt, sporting a fashionable sling) and her Vespa loving hubby Barry Diller, Cynthia McFadden, Cornelia Guest, Calvin Trillin, Nan Talese and Gay Talese. We won’t be there to trade air kisses with the glitterati, because we’ll be chatting up our favorite Bravolebrities at their upfront party across town (Giggy, that means you!).

Today I was joined by Evan Shapiro, president of pivot (yes, with a lower case ‘p’) the new cable network targeting the all-important millennial audience  launched by Participant Media, the production company responsible for an impressive slate of projects, including An Inconvenient Truth, The Help and Steven Spielberg‘s Lincoln. Participant chairman and founder Jeff Skoll and CEO Jim Berk tapped Evan to spearhead the company’s expansion into television in May of last year. Prior to that, he had served as president of IFC and Sundance Channel where we was responsible for award-winning program, like the buzzed about Portlandia.

I could barely keep up with Evan, whose passion for his latest gig was evident from the moment he sat down. The incredibly youthful 45-year-old father of two teenage girls told me running pivot is his “dream job,” because he’s doing more than creating what he considers groundbreaking television. “Ten years ago I would have said my dream job would have been at NBC or CBS.  Today, it’s this job because we’re doing something that’s going to have an impact on the world.” Evan dismisses the notion of millennials as spoiled and entitled and instead compares them to ‘the greatest generation’ saying, “Like ‘the greatest generation,’ they have been handed a series of events not of their own making, and, post 9/11 and the Great Recession, they have a real sense of their place in the world and want to make a difference.”

Read more

Where else could you possibly find friends of reality stars (Come on, you can’t expect an A-lister sighting every week) and the last vestiges of Cafe Society all in one room? If it’s Wednesday, at Michael’s, of course. I couldn’t even begin to do justice to the head-spinning scene there today, so I’ll just let the roster of what passes for celebrity sightings these days speak for itself.

I was so excited about today’s lunch, because I was meeting the woman responsible for greenlighting one of my favorite shows, Mad Men. Christina Wayne has had an amazing career  – she also is responsible for getting Breaking Bad on air — and I found her story fascinating. Had it not been for Christina’s spot-on instincts, Matt Weiner‘s script, which had been floating around for eights years at that point, might not ever have seen the light of day.  The former AMC senior vice-president of scripted series and mini-series is now president of Cineflix Studios and executive producer of the new BBC America series, Copper — but I’m getting ahead of myself.

A born and bred New Yorker who grew up on the Upper East Side, Christina decided to move back after 12 years in Los Angeles for personal reasons in 2005 (“There was no one left to date!”) and after receiving a call from a friend asking if she’d be interested in working with AMC. Up until that point, the network was pretty much airing nothing but old movies. “I had no idea what AMC was. I thought he was talking about the movie theater chain,” said Christina. Back then, the basic cabler was looking to develop scripted content; Christina signed on as a consultant as the net’s “creative voice,”  but didn’t want to tell her screenwriter friends since, at the time, working in television seemed like a step down and “an embarrassment.”

She started by calling everyone she knew in L.A. and wound up with the script for Broken Trail, a huge hit starring Robert Duvall that got the greenlight in eight days. When she read the script for Mad Men on a flight back from Los Angeles, she knew she had something special. AMC wasn’t able to get a studio to pick it up, so the pilot was self-financed for $3.3 million and the rest, as they say, is television history. Without a huge marketing budget, Christina attributes a lot of Mad Men‘s buzz to the nonstop coverage it received in The New York Times who covered the show from every angle possible. “The show was their lovechild,” she said. And still is, I’d say.

Read more

— DIANE CLEHANE

I’ve said it before but it bears repeating: On Wednesdays, all roads lead to Michael’s. Exhibit A: This week, one of my best friends from Bay Shore High School, Scot Safon, was featured in a New York Times piece by mediabistro.com alum Brian Stelter. So I was thrilled to catch up with Scott when he walked into the dining room this afternoon on his way to meet Fortune‘s Pattie Sellers (one of his best friends from college).

Scot’s come a long way from his days as one of the editors of our school newspaper, The Maroon Echo. Having risen through the ranks at Turner, he is now helming CNN sister network HLN and shepherding shows headlined by Nancy Grace, Joy Behar, Dr. Drew Pinsky and Jane Velez-Mitchell. The Times piece chronicled HLN’s runaway ratings thanks to their coverage of Casey Anthony‘s headline-grabbing murder trial. As Scot sees it, the trial “has so many layers” for his stable of talent to explore as they relate to each host’s area of expertise. As Nancy continues to hold “tot mom” Casey’s feet to the fire seeking  ”justice for [Anthony's late daughter] Caylee,” Dr. Drew explores the myriad psychological issues unearthed during testimony. On their respective shows, Joy and Jane chew over the day’s events and keep viewers up to the minute on all the developments. “It is a fascinating case that has viewers riveted,” says Scot. “It’s a once in a lifetime trial.” (That is, at least until the trial of Dr. Conrad Murray starts in September.)

I was joined today by Fidelis Global’s Gerry Byrne, and we had a terrific chat about the state of the media business. Gerry, who has run an incredible stable of publications including Variety, The Hollywood Reporter and Billboard, is involved in a head spinning number of projects these days that cross all platforms. He recently added the role of managing partner at Black Ocean, a diversified media holdings company launched by Oliver Ripley, founding partner of the UK-based Ocean Group, and Tremor Media founder Andrew Reis. Gerry also hosts monthly ‘Influencer’ lunches with Hollywoodlife.com’s Bonnie Fuller. (He sits on the board of its parent company, Penske Media.)

Having presided over so many print titles during their heyday, Gerry says he’s invigorated by the “wild west of digital opportunities” he and his partners have discovered, and created, online. His belief that companies that own the next generation’s digital paths will be the big winners going forward is keeping him thinking big and moving forward. “The consumer is king!” says Gerry. “Long live the consumer!”

1.  A trio of ladies who launch: public relations maven Christine Taylor, producer Desiree Gruber and Katherine Oliver, commissioner of The Mayor’s Office of Film, Theatre & Broadcasting.

2. Socialite Sugar Rautbord just in from Chicago — with two gal pals

3. Thomson Reuters’ global head of PR Jolie Hunt, looking terribly chic in all white

4. Uber agent Esther Newberg, at her usual perch with Random House EVP Jon Meacham

Read more