In reading debut novelist Katherine Taylor ‘s interview with the New York Observer’s Spencer Morgan, I couldn’t help but be reminded of the first time James Frey made headlines, long before any charges of fake writing and fabrication were levied his way. No, I’m talking about the interview where he railed against Dave Eggers‘s A HEARTBREAKING WORK OF STAGGERING GENIUS in particularly profane terms, and then it turned out that Frey, like so many men of his generation, is a casual f-bomb dropper without any real malice attached to it. So where do you think that first interview, the one that got Frey in so much trouble, ran? The New York Observer, of course!
So what is up with the salmon tabloid charming opinionated (at best) or incendiary (at worst) from young, impressionable writers? In Taylor ‘s case, perhaps it’s the constant dangling of the chick lit carrot what with her novel – published by FSG this May (and an early theorized candidate for the Starbucks slot occupied by Ishmael Beah) – set amidst glamorous New York surroundings and adorned with the chicklit-standard cocktail glass, cigarettes and pink lettering. “But I love it,” she said. “It works, and I love that [the cover] looks like an old film still and that it’s an old-fashioned cocktail glass and that the woman is wearing dark nail polish, not something bright.” Besides, one has to cut Taylor slack if only for her closing comment: “Indecision [by Benjamin Kunkel] was ridiculously simple, I thought. And had it been a girl who’d written it, it would have had the pinkest cover in the world. It would have been the pinkest of all-time pink covers.” Can’t argue with that…
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