The Atlantic recently announced the re-launch and expansion of its’ former AtlanticCities.com site as CityLab.com, a re-envisioned destination with an eye toward mobile users first, as well as a responsive design and expanded editorial intended to widen the audience for the site’s coverage of issues facing global cities. Read more
Danyel Wilson and Elliot Smith think, like most of us, that journalism as it’s practiced today needs fixing. So they’re focusing on the “soul” of our beloved craft and launching a magazine, in the form of a book. Yes, you read that correctly.
If you want to see it to believe it, you can donate now to their Kickstarter fund for the project, HRDCVR, which is open until June 5th.
Smith and Wilson are both journalists themselves, working at places like XXL and Vibe, respectively. So the magazine has a focus on culture and politics, with an emphasis on music, tech, and elections. Wilson “refined” the project while studying at Stanford University on a Knight Foundation fellowship. The magazine comes with an ethos of ditching the niche and the mainstream — something many publications are flocking towards — and being “multistream.”
Smith says in their release for the Kickstarter campaign that HRDCVR plans to:
make content from the revolutionary stance of everyone being equally interesting. We embrace the politics and cultures and passions of actual and projected populations in the United States. Our creative teams reflect and take inspiration from the humans and the humanity behind the new demographics
For more on HRDCVR and to hear Wilson’s social media tips, read Hey, How’d You Become Hip-Hop’s Social Media Authority, Elliott Wilson?
Finally Ezra Klein‘s Vox.com has debuted, and the Internet has spoken. Of course, the former Wonkblogger and Washington Post resident celebrity’s move away from legacy media to, essentially a startup, was big news, so anyone interested in new media is watching closely.
Vox Media has been known in recent years for its success in online publishing — because they’re digitally native, they’ve been able to pioneer the art of creating cool-looking “verticals,” relying on a combination CEO and Chairman Jim Bankoff often champions: top-notch talent and the best possible technology.
The seventh of Vox’s properties behind The Verge, Polygon, Eater, SB Nation, Racked and Curbed, Vox.com is a slight departure from the company’s typical paradigm; instead of focusing on sports or food (SB Nation and Eater, respectively), its role is to report and analyze general news. Klein, several of his Post colleagues and other reporters, totaling a 20-person team, were brought in to do explanatory journalism. That is, to provide ongoing resources for understanding the concepts behind news stories, whether they’re politically, financially or culturally focused.
Which brings us to “Vox Cards,” a sort of digital index card akin to how you studied for college exams. The cards take big topics like the Affordable Care Act, Bitcoin, global warming, immigration reform and my favorite — “Congressional dysfunction” — and break them down into 20 or so simple questions and answers that hopefully help readers understand the why it matters aspect of the news. Vox Cards are linked to in articles, which include “highlighted” words. Basically, Vox Cards help you digest the “vegetables” of current events in a slideshow form.
Last week, Digital First Media announced a partnership with Rumble, the mobile publishing platform. I’ve written about Digital First Media before, when they announced their plan to “unbolt” digital newsrooms from their print culture. This partnership is a move in that direction.
They aren’t just a new Rumble client. The two companies instead have partnered up for mutual benefits. According to Rumble cofounder and CRO Uyen Tieu, they had a team of developers in DFM’s newsrooms for a week, going through their systems, poking around their servers and taking stock of what they are currently working with. This way, says Tieu, Rumble can work with them to give them exactly what they want and need. Tieu says that they are a good fit for publishers like Digital First Media because they are a centralized platform “but we are agnostic in that we are open to working with everyone…we play well in the sandbox with others.”
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