Rachel Adams

Washington, DC USA
9 Years Experience

Professional Experience

I've worked as a writer and editor for more than ten years, focusing on issues involving education, foreign affairs, art and architecture, design, the environment, and history, among other subjects. I am currently the editor of a bimonthly academic journal and quarterly magazine at an advocacy nonprofit in Washington, DC. I also edit a quarterly literary journal and run a small press. You can find out more about me at www.rachelcloudadams.com.

Expertise

Copy Editor 10 YearsEditor 10 YearsWriter 10 Years

Specialty

Arts & Humanities 9 YearsEducation 3 YearsBooks & Literature 9 Years

Industries

Academia Teaching 4 YearsMagazine - Large Consumer/National magazines 4 YearsNonprofit 10 Years

Media Client List (# assignments last 2 yrs)

  • Preservation Magazine (3-5)
  • Urbanite Baltimore (1-2)
  • Lady Charlotte Magazine (1-2)
  • Current History (journal) (1-2)

Associations

Society of Professional Journalists

Other Work History

Editor, The Child Welfare League of America Managing Editor, Demokratizatsiya: The Journal of Post-Soviet Democratization Managing Editor, Change: The Magazine of Higher Learning Assistant Editor, Preservation Magazine

Computer Skills

InDesign, Word, Excel, Photoshop, Dreamweaver, HTML, Windows XP

References

Mindy Kay Bricker, Senior Editor, Foreign Policy: mbricker@gmail.com Linda Spears, Vice President, Policy & Public Affairs, CWLA: lspears@cwla.org Margaret Foster, Associate Editor, The American Scholar: mfoster@theamericanscholar.org

General

This article deals with the moral and geopolitical questions raised when art objects are removed from their original homes in order to be displayed in foreign museums.
The Society for Moving Images About the Built Environment (SMIBE), based in California, hosts an annual short-film contest. The 2009 competition, "Story About a Place," involved constructed space and the way that we interact with it.
In 1951, a tiny Renoir painting disappeared from the Baltimore Museum of Art. In 2010, it resurfaced at a West Virginia flea market. Upon its rediscovery, the painting became the focal point of an intensive -- and often confounding -- ownership dispute.
In the Brewer's Hill area of Baltimore, an architecture firm transformed a vast historic brewery into its modern, dynamic office space.