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eClass: Basic Training: Intro to Magazine Writing
Write for the glossies.
Course Detailsmb's Boot Camp is a hit, but it's an intense, advanced class for very seasoned journalists. So what do you do if you want to first break into journalism, learning from serious teachers who currently work in the industry? Enlist in Basic Training. Part lecture, part workshop, this class is designed to give you a professional understanding of both the editing and writing sides. If you're looking to get your start as a journalist, Basic Training will take your writing to the next level. Each week, students will receive a lecture on topics like the editing process, journalism ethics, what makes something newsworthy, note taking, fact checking, reporting, and more. Over the course of 8 weeks, you will fully workshop two pieces, including a perfectly polished, no-fail pitch letter. Your work can range from personal essays to profiles, from news stories to business or travel features. You'll also learn how to query a publication, who to call there, and to which part of the publication you should pitch. In this class, you can expect to learn:
By the end of class, students can expect to have: Students who have taken this class have been published in: Wired, Bust, Family Circle, Psychology Today, In Touch Weekly, Time Out New York, Woman's Day, and more. Admission Requirements Please submit a letter of interest (including a brief work history). The online classroom has several interactive components:
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Instructor BioCeleste Mitchell's Courses Intro to Magazine Writing (Class starts September 15) ![]() Testimonials Celeste Mitchell is a gem, a writer's editor. She knows how to assemble the key ingredients that make a magazine story memorable and she does so in a way that keeps reporters and writers cheerfully plying their craft. With grace under pressure, I have seen her execute her own philosophy time and time again. -- Rob LaFranco, freelance writer and former editor at Forbes and West Coast bureau chief at Red Herring"I always wanted to try my hand at magazine writing, but I wasn't sure if I had the time or the talent. mb's eClass was the perfect opportunity to test the water. While still holding down my full-time job, I was able to explore and develop my writing skills. I sold the first article I wrote in this class to Woman's Day. But what I found most valuable were the inside tips Celeste Mitchell offered on the components of a successful pitch. (I still refer to my notes!) Her seasoned expertise and thoughtful guidance gave me the confidence I needed to make my first pitch." -- Christine Rand, editor and magazine writer "I expected Celeste's class to be full of people with little or no experience and was surprised by the number of folks already employed in complementary aspects of media services. In spite of the advanced expertise levels of the instructor and students, everyone was friendly, helpful and supportive." -- Terry Taylor, freelance writer "Celeste Mitchell is just about the best editor I have ever had. She is the reason I continued being a writer. She is kind, gentle, and remarkably astute with her remarks." -- Amanda Gardner, freelance writer for national magazines and newspapers "When I decided to take Celeste Mitchell's class, I was working for a PR firm and anxious to make the move into editorial, but to no avail. Taking the class not only kept me focused on my ultimate goal, it also kept me hopeful?I realized through feedback from Celeste that I needed to keep plugging. Within a couple of months, I landed a job at WWD editorial working as an associate beauty editor at Beauty Biz magazine." -- Bryn Kenny, associate beauty editor, Beauty Biz magazine, Woman's Wear Daily "Celeste is incredibly savvy and able to communicate publication trends while at the same time encouraging and receptive to new ideas and pitches. Her critiques are extremely helpful and on-target, and I appreciated the grace with which she conducted class and gave constructive criticism." -- Jessica Alpert |
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-- Rob LaFranco, freelance writer and former editor at Forbes and West Coast bureau chief at Red Herring



