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Extreme Spec Makeover
Make your TV spec the best it can be--just in time for staffing season
Course Details"Specs aren't written," said the legendary producer Irving Thalberg. "They're rewritten." Okay, so we're paraphrasing. Whether you're writing an Entourage spec that's going to get you staffed to that House or Lost episode that will snag representation for you, the most important part of the process isn't writing... It's rewriting. Rewriting is the phase where writers tighten plots, tweak characters, punch-up jokes and dramatic act-outs. It's also, unfortunately, where most writers face their toughest challenges. After all, it's not easy to look critically at one's own work to analyze what's working and what's not and to separate the gold from the garbage. The Extreme Spec Makeover is an 8-week workshop that gives one-hour drama and sitcom writers the chance to whip their specs into shape... just in time for staffing season. Each participant comes to class with the first draft of an already-written script. We'll then read each spec aloud and, led by television producer Chad Gervich, discuss its strengths, its weaknesses, and how to make it a marketable piece of writing. Each participant will get his/her piece read twice, with two "notes sessions," to allow for maximum script growth and evolution. In a world where television staffs are shrinking and jobs becoming scarce, aspiring TV writers can't afford to have anything less than stellar specs. Which means they can't afford to miss this workshop. Added bonus: Through a pre-negotiated deal, any students whom your instructor feels have a pitch-worthy show ideas (reality or scripted) or specs will be given a pitch meeting with the VPs of either scripted or reality show development at Fox Alternative Studios on the Fox lot. In this seminar, you can expect to:
Admission requirements: Hot specs right now: Grey's Anatomy; House, Entourage; The Office; My Name is Earl * Desperate Housewives may be a hot spec this year, and we certainly don't want to be the ones to tell you not to write it. However, Desperate Housewives is, for all practical purposes, a soap. And soaps, because of their ever-changing plots, rarely make good specs. So if you want to write a Desperate, we say go for it...at your own risk. One week before the first workshop, each participant will be contacted with the specs being written for the class. It is each participants responsibility to watch the last two episodes of each show, not just to understand the show, but know what's going on currently in the series. | ||
Instructor BioChad Gervich's Courses Writing the TV Spec Script Los Angeles (Class starts October 16) ![]() Prior to joining Littlefield, Chad worked in development at NBC Studios, Sony Pictures, CBS Productions, and Twentieth Century Fox. He's been instrumental in the development, production, and maintenance of countless pilots and series such as Love, Inc. (UPN), Malcolm in the Middle (FOX), Like Family (WB), Time Tunnel (FOX), Star Search (CBS), and Do Over (WB). His plays have been produced across the country, and his writing appears regularly in Daily Variety, Fade In, Moving Pictures, Writer's Digest and Orange Coast, as well as in several other nationally available books and magazines. Testimonials Chad is a very energetic and charismatic speaker with a non-judgmental, supportive teaching style. I left his class with tangible tools to move forward with the next step. -- Sue Karlin, freelance journalist, Newsweek, Forbes, Esquire"Chad has valuable insights to share about the TV business and the craft of writing pilots. Whether you're a rookie or a professional, you'll feel focused, smarter, and ready to write." -- Wendy Calhoun, staff writer, NBC-Universal/NBC "The course content was fabulous. Exactly what I expected in terms of starting from scratch to getting into the minute detail. It was just perfect." -- Georgia Cassimatis "Chad is very knowledgeable and is able to present all topics in an informative, logical way with lots of enthusiasm." -- Vanessa Amador "Chad is passionate about television and very down to earth. I was very impressed with the candid nature of Chad's information and his honest responses to people's questions. He gave them real answers." -- Chayah Masters "I started this class with a blank writing tablet and ended the course with a spec script that I would be proud to submit to an agent. That's worth the time and the money." -- Dylan Conroy "Chad was a dynamic speaker and took his time to make sure that everyone in the class participated and got their questions answered. I will definitely take another class with him. " -- Angie Truschel "The presentation of the material was excellent. This is probably the best course I've taken." -- Roberta Cruger "Chad is a great teacher and brings with him a wealth of information. I learned a great deal and the class is a heckuva lot of fun!" -- Susan Morris |
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-- Sue Karlin, freelance journalist, Newsweek, Forbes, Esquire




