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AvantGuildHow To Pitch: Wired

This 'guidebook to the modern world' wants imaginative, timely pitches that will resonate on the page, iPad and beyond.

Rosanna Scotto: My First Big Break

The Good Day NY host tells how she landed the anchor seat and how aspiring broadcasters can do the same.

AvantGuildHow To Pitch: Audubon

At this conservation mag, freelancers with a strong grasp of science and nature contribute up to 90 percent of all features.

So What Do You Do, Ed Gordon, Host of Conversations with Ed Gordon?

The man who's reported for everyone from BET and NBC to NPR and CBS tells what it's like to finally step out on his own.

AvantGuildHow To Pitch: Inc.com

Keep your queries short and sweet for this one-stop site for entrepreneurial advice.

AvantGuildThe Real Reason You're Not Getting Retweeted

Social media experts give tips on how journalists and news orgs can get more traction out of every tweet.

Cubes: Huge

Check out the Brooklyn offices of Huge, where employees can bring their dogs and bikes into work.

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Pitching an Agent: Discovering 'Important New Voices'

A stickler for detail, Matthew Carnicelli toils over clients' book proposals until they're 'ironclad'

- October 2, 2006

Name: Matthew Carnicelli, Carnicelli Literary Management
Number of agents: One
Number of clients: 40
Notable clients: Civil rights leader and director of Soulforce Mel White (Religion Gone Bad: The Hidden Dangers of the Christian Right); Sports Illustrated writer and editor Jim Gorant (Fanatic: The Ten Things All Sports Fans Must Do Before They Die, forthcoming); lawyer and health policy expert Michele Simon (Appetite for Profit: How the Food Industry Undermines Our Health and How to Fight Back); political consultants Steve Jarding and Mudcat Saunders (Foxes in the Henhouse: How Republicans Stole the South and the Heartland and What the Democrats Must ...

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The How to Pitch series is worth its weight in gold. In just the first month I'd already benefited enough to consider the cost of joining well worth it. -- Gaen Murphree
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